2. Martin Parr-When you photograph others, the closer you are, the better.
3. Martin Parr-Choose a suitable shooting environment, I mean only suitable for the shooting environment of the subject.
4. Martin Parr-Then, don't make them laugh, which is the biggest misunderstanding of amateur photographers.
5. Martin Parr-As long as you persist in taking candid photos, the goddess of luck will always come.
6. Peter Turner-Looking back, if you want to be noticed, good photo printing quality is very important.
7. Peter Turner-Shoot what you really like. This passion is usually shown in the works.
8. Pete Turner-When you go out to shoot, you often look back.
9. Pete Turner-stick to a lens with a focal length, and you will improve a lot.
1. Peter Turner-Keep learning the lighting and shooting angle before you become a master.
11. John Rankin-Never think that the camera is the most important thing. He's just your tool. Just close your hands.
12. John Rankin-Experiment and adventurous spirit are very important, just like our magazine-Dazed &; Confused appreciates other people's works as much as it did in the early days, but refuses to copy them!
13. John Rankin-Pay attention to the change of light all the time. Photography is the art of light, whether it is sunlight, candlelight or light generated by computer screen.
14. John Rankin-Understand your shooting theme deeply and get the people in front of your camera involved. You can't keep your eyes on the frame, build more trust between photographers and models, communicate more, and finally, press the shutter.
15. Helmut Newton-Intellectuals are keen to discuss the meaning of photography, so photographers are more and more hesitant to press the shutter. This situation may lead to polarization of photography, and in the end there are only two kinds of people left: news photographers and philosophers. Kodeka-I don't consider myself an intellectual or a philosopher, I just watch.
16. Kodeka-I'm not interested in photography philosophy, I'm interested in limits. I always shoot the same people and the same scenes. Because I want to know the limits of these people, these situations and myself, it doesn't matter whether it is the first success, the fifth or even the tenth.
17. Kafka-People take pictures of things to drive them out of their hearts, and my story is a way to close their eyes.
Ralph Gibson-I don't care how the camera sees things, I want it to see the way I see the world.
19. Eugene Smith —— People who always call me a romantic are full of cynicism and frustration in life, so they can't trust anything. And when I stick to my beliefs, they call me romanticism.
2. Mark Lyu3 bu4-Dreams and discipline do not conflict, they are two sides of an organic whole. Just like music, it is built on the accuracy of mathematics, but it touches us from the feeling and the heart. Skill and sensibility are inseparable.
21. Edward Bubba-A photographer knows that there are sufferings all over the world behind the flower. Through this flower, he can touch other things.
22. Edward Bubba-The photographer is actually the one who has found nothing, but he always keeps hope until the last moment. This hope inspired him to persevere. Photographers can stay young because they hope to take a successful photo until the last moment. Andre Cortez-The camera is my tool, through which I give a reason to everything around me.
23. William Klein-Why does photography have to bear the burden of testifying to the real world? Bresson's order to use a wide-angle lens distorts the facts. Only a standard lens of 5 cm is normal vision, and photographers of the whole era regard it as a standard. In my opinion, a wide-angle lens is more normal than a standard lens. You can even say that 5 centimeters is a punishment from a limited point of view. We are looking at the world with two eyes, but the camera has only one eye. No matter what lens we use, any photo is a distortion of what our eyes see.
25. Diane Arbus-I am often impressed by the photography skills, but I don't like this temple very much. I am moved by it because really good skills only obey the mysterious inner world.
26. Diane Arbus-I take pictures in a clumsy way. I don't arrange objects. I stand in front of them. I don't arrange them. I arrange myself.
27. Bresson-For me, the camera is a sketchbook, a tool to capture instant inspiration. You have to ask questions and make decisions about everything you see in an instant, and explain to people what happened in this world through a limited viewfinder. This is the simplest and most direct expression, but it also requires you to concentrate, be well-trained, be sensitive and have the aesthetic feeling of geometric composition.
28. Bresson-What I want most is to grasp the whole essence of a situation that is unfolding before my eyes. I firmly believe that only one photo is enough.
29. Sarah Moon-I have always understood that I should close my eyes before opening them. When I choose, my eyes are not completely mine. It has no age limit, because it is looking at it for the first time, unconsciously discovering what is known in the soul. I've always understood that I don't know what I'm looking for, and exploration has surpassed what I've gained and pushed me forward.
3. Susan Sontag-Photography implies that we can understand the world with the images recorded by the camera, and this kind of understanding runs counter to' knowing', because the real' knowing' must start with not seeing the world by appearances. Therefore, I think strictly speaking, we have never been able to really understand anything through a photo.
31. alfred Eisen Tast-Keep it simple.
32. Stiglitz, alfred-You can take photos when there is light.
33. Andreas Faninger-A technically perfect photograph may be the most boring image in the world. Good photos are a successful combination of technology and art. Unless the scenery interests me, I will skip shooting and save my film to shoot better things.
34. Ansel Adams-You don't take photos, you make photos. There are only good photos, but there are no rules for good photos. Not everyone believes in painting, but people believe in photography. 12 meaningful photos in any year is a good harvest.
35. Arnold Newman-the photographer must be part of the photo.
36. Barbara Morgan-Light gave me creative shapes and scripts, which is why I became a photographer.
37. David La Chapelle-People say that photos don't lie, but my photos do.
38. Dorothea Lange-A camera is a teaching aid that teaches people how to see the world without a camera.
39. David Leifield-It's not the investment in the camera, but the perspective of the camera.
4, Doug Batereau-As a photographer, the hardest thing is that you have to shoot.
41. Emily Zola-In my opinion, you can't say that you have seen something until you photograph it.
42. Edward Thompson-Don't tell me the photos you didn't take, just let me see the good photos you took.
43. Fred Pique-The truth in photographers' eyes is what their photos show.
44. Freeman Patterson —— A roll of 36 pictures is satisfactory exposure, which means that the photographer has no new attempt.
45. Gerry Kaplukin-Photography is my second language.
46. Gandhi-I believe that everything is equal to everyone, except journalists and photographers.
47. Owen Payne-A cake can also be a work of art..
48. Jane Cocteau-A real photographer is as rare as a real poet or a real painter.
49. John Zakovsky-Luck is the best teacher for a conscientious photographer.
5. Mary Allen Mark-Finding the most suitable one is the hardest.
51. Mark Twain-When imagination is out of focus, eyesight is unreliable.
52. Neil Rever-You must be prepared for luck. Sometimes the simplest photos are the hardest to take.
53. Orson Willis-If the camera is not an eye on the poet's head, the film in it is useless.
54. Percy Harris —— Photography skills are acquired through effort rather than money.
55. Peter Adams-For great photography, it is the depth of feeling, not the depth of field, that matters.
56. pablo Picasso-the two most lost careers are dentists and photographers: dentists want to be doctors and photographers want to be painters.
57. Ronald Reagan-I like photographers because you don't ask questions.
58. Robert Du Wanuo-If I knew how to take good photos, I would always take good photos.
59. Sam Abel-My best works are often unconscious and beyond my comprehension.
6. Terence Dorman-The problem for amateurs is that there is no reason to take photos.