1. Sentences to describe children’s good calligraphy
If you have any good words, you are welcome to add them.
General
Well-informed, solid foundation of skills, full of vitality, both physical and spiritual, powerful, proficient, superb, and powerful.
Cursive script
The dots are flying, the style is complete, the overall charm is emphasized, the perfection of details is taken into account, the changes are adaptable to the circumstances, and the writing is unique and ingenious. The appearance is smooth and elegant, calm and cheerful, innocent and natural, showing true feelings and never artificial.
Regular script
It is majestic and dignified, with a thick and powerful pen, good use of center strokes, sharp edges, even curvature, (structure) the central palace is wide, the surrounding shapes are dense, (the cloth is white (above) The characters are dense and dense, the lines are dense, the shape is dense to gain momentum, the sparseness is not used to achieve elegance, and the flowers are polished.
Running script
It is majestic, powerful, calm in structure, rigid in bones, delicate in writing, changeable in structure, beautiful and strong, balanced, thin and hard, decisive, and crisp in stipples. Tight, strong bones.
Official script
Round and powerful, square and dignified, steady and thick, round in the square, full of muscles and bones, full and powerful.
Seal script
It does not use the center of gravity to push the side to gain momentum, and does not use left tightness and right looseness to gain grace. The structure is tight, peaceful and natural, and the writing style is euphemistic and implicit.
There is no quick fix for calligraphy. It requires long-term accumulation before you can have good-looking fonts. The handwriting is not good-looking, and any word used to describe it will be false. 2. Verses describing calligraphy
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Sentences describing calligraphy : 1. The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander. 2. The flowing clouds and flowing water, the writing strokes are like clouds and smoke. 3. With one stroke, it looks like a runaway horse soaring into the sky and away from the dust; or like a dragon flying into the sky, moving around, coming from nothingness, and returning to the void again. This almost crazy impulse of primitive vitality encompasses the heaven and the earth. The aura of the universe. 4. Calligraphy incorporates the perseverance, courage and enterprising spirit of Confucianism, as well as the emptiness, dispersion and tranquility of Laozi and Zhuangzi. It often changes in a way that does not seek richness, and omits the worldly glitz in the writing in order to seek emptiness and distance. Real flavor means. 5. Observe that his strength is not lost, his posture is extended but not exaggerated, and his handwriting flows like water and clouds. 6. Du Shijie has strong bones but is thin in calligraphy and painting. If there are no leaves in the frost forest, the waterfall will fly in. 7. A group of crocodiles are playing in the sea, and cranes are dancing in the sky (Emperor Xiao Yan of Liang Dynasty commented on Wang Xizhi) 8. Floating like floating clouds, as powerful as a frightening dragon. The iron book and the silver hook are the best in ancient and modern times. 9. Huaisu is like a strong man wielding a sword, his expression is moving, and he moves forward and backward without missing the mark. 10. With a few scribbles, a picture of a soaring dragon will appear on the paper. The dragons he painted are lifelike, majestic and varied. When Chen Rong painted a dragon, he often did not paint the entire dragon, but painted the dragon's head or claws, which flickered in and out, as if hearing its sound or seeing its shape. He also splashed ink to form clouds and sprayed water to form mist. It was so wonderful that people said it Weng Long (Chen Rong's name is Weng). 11. The fonts are upright and staggered, large and small, open and close, and the line thickness changes obviously, with ups and downs. The last line is crooked, so crooked that it almost falls over, but this tilt is not rigid, but more free, reflecting his willful side and his own style. Chen Rong's posture is steep, and the shape of his knots may be leaning or upright, heavy or light, with the beauty of coming down like thunder to collect its fury. He writes quickly, 3. Very good quotes about calligraphy
1. Jiang Shiquan
Banqiao's calligraphy is like writing orchid, with odd and graceful waves.
Writing orchids in Banqiao are like writing, and the beautiful leaves and sparse flowers show their beauty.
Poems praising calligraphy by the ancients
2. Zheng Banqiao
Every day, I go to the pond to study ink, but I never use chalk to compete for beauty.
You must know that painting is the same as calligraphy, and orchids and bamboos are like grass.
3. Huang Tingjian
People in the world only learn from Lan Ting's appearance, but if they want to change their character, there is no golden elixir.
Unexpectedly, Yang Fengzi from Luoyang went to Wusilan when he started writing.
4. Wang Wenzhi's "Quequatu on Calligraphy"
There are many writers and graves in Mochi, but it is not easy to understand the Zen of calligraphy.
After carefully reading Sun Gong’s book, we found out that Qu was from the past. 4. Famous quotes about calligraphy
▲Words are the voice of the heart; writing is the painting of the heart.
The sounds and shapes can be seen by gentlemen and villains. Sound and painting are the reasons why gentlemen and villains are emotional.
——Yang Xiong's "Fayan" ▲The depth of the pen lies in the distance of the paper. The distance is superficial and weak, and the distance is the weight of the front. Tang Dynasty Lu Xie's "Linchi Jue" ▲ Anyone who wants to learn calligraphy must first learn to use the pen. The method of using the pen is to hook both hands back to the wrist, use the empty palm to point to the solid point, and use the ring finger to press the pen, which will be powerful.
Huang Tingjian's "Lun Shu" ▲The so-called rules are: suppress, hook, uncover, resist, and guide. The Five Dynasties. Li Yu's "Shu Shu" ▲Youjun's pen is inward and forward, mostly in the front, so the law is strict and immersive; Zijing uses the pen to extend outward, with half of the side front, so the spirit is loose and wonderful.
Ming Dynasty. The character "▲" in Feng Wu's "The True Story of Calligraphy" of the Qing Dynasty has the difference of hiding the front and coming out. It is bright and full of Chu. It is better if the hands and tail should match each other, and the top and bottom should be connected.
Song Dynasty. Jiang Kui's "Xu Shu Pu" ▲The power of the pen must be hidden. If the sharp edge is not hidden, the writing will be sick. If the disease is not gone, how can it be done? Tang Dynasty. Xu Hao's "On Calligraphy" ▲Naiwu uses the brush like a cone to draw in the sand, hiding the edge, and the painting is calm. When he uses the brush, he always wants to let it penetrate the back of the paper. This is the ultimate success.
Tang Dynasty. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian" ▲ There are rules in learning and style in writing; otherwise, the writing style will not be refined and the writing will lose its style.
The most important thing about the method of one word lies in the structure: the beauty of the method of one stroke lies in the beginning and end. The secret of structure lies especially in the subtlety of brushwork.
Anonymous "Eight Methods of Yongzi" ▲. ▲Words are the voice of the heart; writing is the painting of the heart.
The sounds and shapes can be seen by gentlemen and villains. Sound and painting are the reasons why gentlemen and villains are emotional.
——Yang Xiong's "Fayan" ▲The depth of the pen lies in the distance of the paper. The distance is superficial and weak, and the distance is the weight of the front. Tang Dynasty Lu Xie's "Linchi Jue" ▲ Anyone who wants to learn calligraphy must first learn to use the pen. The method of using the pen is to hook both hands back to the wrist, use the empty palm to point to the solid point, and use the ring finger to press the pen, which will be powerful.
Huang Tingjian's "Lun Shu" ▲The so-called rules are: suppress, hook, uncover, resist, and guide. The Five Dynasties. Li Yu's "Shu Shu" ▲Youjun's pen is inward and forward, mostly in the front, so the law is strict and immersive; Zijing uses the pen to extend outward, with half of the side front, so the spirit is loose and wonderful.
Ming Dynasty. The character "▲" in Feng Wu's "The True Story of Calligraphy" of the Qing Dynasty has the difference of hiding the front and coming out. It is bright and full of Chu. It is better if the hands and tail should match each other, and the top and bottom should be connected.
Song Dynasty. Jiang Kui's "Xu Shu Pu" ▲The power of the pen must be hidden. If the sharp edge is not hidden, the writing will be sick. If the disease is not gone, how can it be done? Tang Dynasty. Xu Hao's "On Calligraphy" ▲Naiwu uses the brush like a cone to draw in the sand, hiding the edge, and the painting is calm. When he uses the brush, he always wants to let it penetrate the back of the paper. This is the ultimate success.
Tang Dynasty. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian" ▲ There are rules in learning and style in writing; otherwise, the writing style will not be refined and the writing will lose its style.
The most important thing about the method of one word lies in the structure: the beauty of the method of one stroke lies in the beginning and end. The secret of structure lies especially in the subtlety of brushwork.
Anonymous "Eight Methods of Yongzi" ▲You will be able to use this pen properly, use it sideways, use it smoothly, use it heavily, use it lightly, use it empty-handedly, be practical, capture it firmly, get it vertically, get it tight, and open it up. , the whole body is full of skills, all controlled by the sharp edge of the pen tip, it is a perfect match. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian" ▲The technique of using the brush can be seen at both ends of the painting, while the ancients' powerful and wanton style that makes people unable to reach it can be seen in the middle of the painting.
There are still signs to be found for the control of the entry and exit of both ends of the cover; the reason why the cut is abundant but not timid, and solid but not empty, is not because of the bone potential, and cannot be caused by anger. Qing Dynasty. Bao Shichen's "Yizhou Double Collection" ▲If the pen is straight, the front is hidden, and if the pen is Yan, the front comes out.
Song Dynasty Jiang Kui's "Xu Shu Pu" ▲The pen must be lifted up at the point where it is started, so as not to let it die on its own. "Essays on Painting a Zen Room" by Dong Qichang of the Ming Dynasty ▲The ancients used the same pen when compiling, including Fen, Zhen, Xing, and cursive scripts. They must mainly use the front edge, and occasionally use the side edge to capture the beauty.
Among the following sub-books, eight are the forwards and two are the flankers. The compilation is completely unpredictable. Ming Dynasty. Fengfang's "Shu Jue" ▲The ancients used to turn the brush point by point to complete the drawings. They did not reach the point where they were pulled, but used the turning function. The ancients drew one by one, all rotating, and put the paper with a straight heart. There is no place where millet has collapsed.
Scholars are skilled at work and have a sharp mind and hands.
However, you need to be proficient in the convenience, and you have to experience the twists and turns before you can know the beauty of breaking hairpins. Wherever the darkness passes, you have to stay somewhere to walk. If you stay wherever you go, you will get really fast.
It is legal for ears. Qing Dynasty. Ta Chongguang's "Shu Raft" ▲ As soon as the front is on the paper, it is appropriate to change: when drawing a person going down, the tube will turn upward; when drawing a person going up, the tube will turn downward; when drawing a person going left, the tube will turn right.
Li Misun's "Junxi Collection" of the Song Dynasty ▲The main points of the book can be summed up in one sentence.
Said: The pen is square and the potential is round. The square one is the folding method, which is the starting and ending point of the dotted wave. The square shape is the finger, which is the bone of the word; the round shape is the pen hovering in the air, which is the gesture, and the round arm and wrist are the tendons of the word.
Square and circle interact with each other, just like yin and yang hide each other.
Therefore, the pen should be round and the font should be square. The circle is the divine circle and cannot be stagnated; the square is the square, which cannot be clung to.
Ming Dynasty. Xiang Mu's "Elegance on Calligraphy" ▲ When the ancients wrote, they would make a circle when they started writing, and they would make a square when they started writing, each forming a kind of composition. "Lanting" uses circles, "Shengjiao" uses squares, and the two stickers are models of calligraphy for generations. The so-called rules of square and round are the best.
▲In terms of turning and bunching, the inside is square and the outside is round; in terms of writing, the bones are square and the flesh is round. This is a certain principle.
Qing Dynasty. Zhou Xinglian's "Linchi Guanjian" ▲If it is soft and moist, both fat and thin will be round, while if it is hard and dry, both long and short will be flat. Therefore, the curve and straightness are based on the temperament and reach the shape and quality; the roundness and flatness are based on the shape and quality and originate from the temperament.
Qing Dynasty. Bao Shichen's "Yizhou Double Collection" ▲The round pen is used instead of lifting, and the strokes are drawn out with pauses and setbacks. Fangbi used the word "du" instead, and used the deed to express it.
Use Jiao for round pens, and Fan for square pens. If a round pen is not Jiao, it will be weak, and if a square pen is not Fan, it will be sluggish. Modern times. Kang Youwei's "Guang Yizhou Double Collection" ▲The tip of the pen is like a falling edge, and there is no sharp edge like a sharp edge. The mood is vivid and refreshing, as if it is a god. It is one character and must be included in both numbers and body.
"On Calligraphy" by Wang Xizhi of Jin Dynasty ▲To write a book, you must be able to pick up the pen, but you cannot trust the pen. If the letter pen is used, the waves and drawings will be weak.
When you pick up the pen, every turn and bundle will be dominated by it. Turn, beam two. 5. Famous aphorisms about calligraphy, poetic
●Calligraphy originates from nature (Cai Yong, Han Dynasty)
●Silent sound, invisible appearance (Zhang Huaijin, Tang Dynasty) < /p>
●Studying books can lead to far-reaching knowledge (Zhang Yanyuan of the Tang Dynasty)
●The mysterious meaning comes from the surface of things; the profound truth lies in the darkness; how can it be?
What can be expressed by ordinary feelings is what can be measured by worldly wisdom (Zhang Huaijin of the Tang Dynasty)
●It may be used to convey ambitions to achieve success, or it may be used to relieve depression. Even though it is noble, it cannot suppress its height.
Even though it is a clever calculation, it cannot match its power (Zhang Huaijin of the Tang Dynasty)
●Words should not be written repeatedly, and words should not be passed on randomly
●Writing is like a picture of a dog, the more you describe it, the uglier it becomes
●Handwriting is afraid of practicing, and horses are afraid of riding
●Writing does not take a hundred days to master
●Punching is necessary , the writing needs to be practiced
●The writing must be bone-like, the meat must be wrapped around the tendons, and the tendons must hide the meat, so that the tie must be beautiful and moist (Mi Fu, Song Dynasty)
●The rules of how to make one character from one point to another , one word is accurate for the final chapter (Sun Guoting, Tang Dynasty)
●The pen is bald with thousands of tubes, and the ink is polished thousands of times (Su Shi, Song Dynasty)
●The pen is drawn hard, if The swans fly high, and the birds fly gracefully (Jin Dynasty Wei Heng)
●As graceful as a silver hook, the source is like a frightening luan (Jin Dynasty Suo Jing)
●Floating like floating clouds, as graceful as a floating cloud The Frightening Dragon (Book of Jin)
●The dragon leaps over the sky gate, the tiger crouches in the Phoenix Pavilion (Southern and Northern Dynasties·Xiao Yan)
●Clouds and cranes roam the sky, and a group of heroes play in the sea (Southern and Northern Dynasties·Xiao Yan) )
●The dragon is powerful and the tiger is vibrating, and the sword is at war (Yuan Ang in the Southern and Northern Dynasties)
●The physical appearance is extraordinary, different from the present and the ancient. Falling pearls and jade, fluttering tassels (Tang·Zhang Huaisheng)
●Like the breeze coming out of the sleeves, the bright moon entering the arms (Tang·Li Sizhen)
●The dragon and snake in the pen seem to have gods (Tang· Zhang Huaijin)
●The brush strokes are like clouds of smoke (Du Fu, Tang Dynasty)
●All the time, only dragons and snakes are seen walking away (Li Bai, Tang Dynasty)
●If you teach by the water By the side, each word may become a dragon (Han Wo of the Tang Dynasty) 6. What are the poems about calligraphy
Qinghua.com Home Page >> Poems about calligraphy Author: Xihai Read: 4121 times Time: 13-03 -28 09:40:09 Column: Poetry Chapter 1: Observe the elegant charm of calligraphy, iron painting, and silver hooks, which are rough and subtle, thick and light, and full of fragrance.
A group of dragons are flying in the ink sea, and the envious ducklings are about to spread their wings. Chapter 2: Zhong Yao's calligraphy: Feihong plays in the sea and is full of energy, and dances with cranes in the sky.
The fine works will be passed down to future generations, and together with Xizhi, he will be called the King of Bells. Chapter 3: On calligraphy, poetry, calligraphy, painting and seals are all connected. The brush strokes, ink and inkstone are like dragons and snakes moving, the body and charm are in the same line, carrying the wind and clouds. The changes are all in the meaning of the pen, and the expression is soaring beyond the sky and the earth. Concentrate on the sharp edge to point the country, the wind and thunder roar, and the words are also the heroes of the times. Chapter 4: The classical beauty of calligraphy is your soul. Otherwise, why have you been gone for so long? Have you walked through so many clear autumns? That kind of delicate beauty is your appearance. Otherwise, why are you so lovable? So let the wise man impress you? That kind of powerful beauty is your language. Otherwise, why do you stand tall? Obscurity? That subtle beauty is your shyness. Otherwise, why don't you show off to the world? Not aloof from others? You are the rain in the wind that has drenched all the wise men in the world. You are the thirsty heart. You are the wind in the rain. I deeply feel that after the rain, that is your existence. Chapter 5: Calligraphy chanting, holding a silver pen in hand, the dragon descends to its full body and dips it in the golden ink chamber. Incense fills the paper with fluttering phoenixes and splashes of ink. In an instant, there is an article. The white clouds add wings to the blue sky. The green mountains have feet on the waves of ink. Green willows are nodding charmingly. Green pines stand tall to greet the morning sun. Thousands of thoughts are hidden in the words. Thousands of warnings are hidden in the heart. Draw a dragon and a phoenix in your heart. Be a human first. Keep the beauty of calligraphy and ink and become famous, write down the road of life, travel freely and elegantly, have no worries in the world, book lovers give roses to others, leave incense in your hands, write down the years, the vicissitudes of life, my temples are dyed like hoarfrost, we are destined to be together in this life, I fear that we will not meet again in the next life. I am copying The sages' calligraphy is written with pearls and letters to persuade people to have a broad mind. The sky and the earth are wide, the Yangtze River and the Yellow River are flowing in the paper. Send the paper and pen, the spirit of the words, and the words are dancing. Friendship is long. Today, there is a wine to toast Xi. It is not in vain. We gather in Orchid Pavilion to talk to old friends and new friends. All because of calligraphy as a bridge. National culture should inherit health, happiness and never forget Chapter 6: Calligraphy is like a cloud rolling back a sword, and the dots are like birds pecking and rolling waves.
Take the oblique meaning horizontally and straighten the vertical meaning, integrating the form and meaning into the origin of the word. The fu organs are tilted upward and the back is tightly attached to each other. The sky and the earth are carrying the weight and the heart is stable.
The long and short curves change according to the trend, and the previous calls and back responses are connected. Development, continuity, and ingenuity are born, and the muscles and bones of priorities are revealed.
The sparseness can move like a horse, and the ink and white space are all natural. 7. Sentences describing calligraphy Sentences
Why do people keep asking this question? Do you want the following?
The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous.
The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right." Later it was used as a metaphor for doing things just right.
Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
The sword was drawn: the sword was drawn from its sheath and the bow was opened. Describes a situation that is tense and on the verge of breaking out. Later, it was also used as a metaphor for calligraphy to be vigorous and powerful.
Example: Zuo Qiuming wrote a biography of "Spring and Autumn" and summarized the calligraphy of "Spring and Autumn" into several categories and gave a general explanation. Later, the style of classifying examples to explain a book was called "examples to enlighten". See "Fanfan Jiexi".
Strongly penetrating the back of the paper: Originally referring to the powerfulness of calligraphy, it is now also used to describe vivid, profound and powerful poetry.
Dragon flying and phoenix dancing: Like a flying dragon, flying like a phoenix. The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and it also describes the lifelike dragon and phoenix sculpture art.
Flying dragon and snake: describes the vigorous and vivid calligraphy strokes. Su Shi's "Xijiang Moon Pingshan Hall": "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall."
Luan Piao Feng Bo: Luan: a legendary bird like the phoenix. It turns out that calligraphy is described as free and unrestrained. It is also a metaphor for the separation of husband and wife of advanced students.
Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying posture of calligraphy strokes.
Beauty Hairpin: Describes the beauty and beauty of calligraphy or poetry style.
Penetrating three-thirds of the wood: The original description is the strong calligraphy pen (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated into the wooden board three-thirds deep), now it is used to describe the profound and powerful analysis, description, and discussion. The power of similar words can be seen through the back of the paper, and it is an apt description of the root of calligraphy.
Iron painting and silver hook: painting: strokes; hook: hook. The calligraphy is described as strong and beautiful.
Xinbi graffiti: Xinbi: write casually. Graffiti: The figurative words are poorly written and scribbled carelessly. Later, "graffiti" and "graffiti" were used to describe poor calligraphy or random writing.
scribbling: letter: letting things happen, casually; scribbling: writing casually; graffiti: a metaphor for writing poorly and scribbling carelessly. Later, "graffiti" or "graffiti" were used to describe poor calligraphy or random writing. There are also people who call themselves graffiti to show their modesty. 8. Quotes about encouraging students to persist in practicing calligraphy
1. Silent voice, invisible appearance - Zhang Huaijin
2. The characters must be framed, the flesh must be wrapped with tendons, and the tendons must be hidden Meat, the post is beautiful and moist - Mi Fu
3. One point is the rule, and one word is the final word - Sun Guoting
4. The pen is bald and thousands of Guan, ink grinds thousands of ingots - Su Shi
5. As graceful as a silver hook, as floating as a startling luan. ——Suo Jing
6. Studying calligraphy should be a family of its own. ——Ouyang Xiu
7. The angry cat makes a choice, and the thirsty one rushes to the spring. ——Ouyang Xiu
8. Floating like clouds, as powerful as a frightening dragon. ——Liu Yiqing
9. The dragon is powerful and the tiger is vibrating, and the sword is at war. ——Yuan Ang
10. The intention is in front of the pen, and then the words are written. ——Wang Xizhi
11. The voice of the heart is also the heart of the calligraphy and painting——Yang Xiong
12. Silent sound, invisible appearance. ——Zhang Huaiguan
13. I can’t write this book. ——Huang Tingjian
14. There are paintings in books, and there are also books in paintings. ——Fang Yu
15. The beauty of calligraphy is mostly due to the sound behind you. ——Zhang Huaiguan 9. Ancient poems about calligraphy
Cursive Script Song by Master Huaisu Wang The two gorges of Hengyang in Yong are soaring into the sky, and the green walls are more than 10,000 feet tall.
Everyone knows that cursive script is unique and unique. Huaisu was five feet four tall, chewing soup and reciting mantras, which was a formidable figure.
The copper vase and tin stick lean against the leisurely courtyard, and the spotted tubes and autumn hairs are full of leisurely charm. Or pink wall, or colorful paper, how can the plain palm oil and silk be so different from each other.
Suddenly the wind relaxed like an electric switch, and there were more flying flowers and scattered snow. The cold ape drinks water and shakes the withered vines, and the strong man pulls up the mountain and stretches out his strong iron.
If you don’t see me, Zhang Zhi used to be called the only wise man; if you don’t see me, Zhang Xu is called the old man these days. Ergong is a pity for artists, and Huai Su passed it on to obtain the authentic work.
Towering mountains protrude from the sea, abruptly forming rocks on the lakeside. One vertical and one horizontal, one push and another tilt.
Linjiang is not envious of the flying sails, and the long strokes of the pen are like the sound of showers. I am happy to meet each other in this state, and I also see that the cursive script has much wisdom.
Huaisu is unavailable. Open the book and look at the pond to recall each other. Songs in Cursive Script Li Bai's young master was named Huai Su, and his cursive script was known as Dubu in the world.
The Beiming fish flies out of the ink pool, and the pen tip kills all the Zhongshan rabbits. The weather is cool in August and September, and the halls are full of drunkards and poets.
There are several compartments of hemp and plain silk, and Xuanzhou stone inkstones are ink-colored and shiny. After my master got drunk, he leaned on the rope bed and swept away thousands of them in a moment.
The wind and rain are blowing, and the falling flowers and flying snow are endless. He stood up and faced the wall without stopping, a line of numbers as big as a bucket.
It’s like hearing gods and ghosts, and seeing dragons and snakes running away from time to time. The left pan and the right frowned like lightning, as if they were fighting with Chu and Han.
Every family in the seven counties of Hunan has many barrier books and inscriptions. Wang Yishao and Zhang Boying were named after several waves in ancient times.
Zhang Dian has lived long and died, and I have learned this principle rather than learning from the ancients. Since ancient times, everything has come naturally, so why should Gongsun Da Niang dance naked?
Drinking the Song of the Eight Immortals by Du Fu Zhizhang rode a horse as if riding a boat, fell into a well and fell asleep under the water. Ruyang's three battles began to face the sky, salivating at the road's curved carriage entrance, and eager to seal it to Jiuquan.
The Prime Minister of the Left spends tens of thousands of money every day, drinks like a long whale sucking in hundreds of rivers, holds a cup in his mouth, enjoys the sages and calls them shunned virtuous people. Zong Zhi, a handsome and handsome young man, raised his glass and looked at the blue sky with his white eyes, which was as bright as a jade tree before the wind.
Su Jin Changzhai often likes to escape to Zen when he is drunk in front of embroidering Buddha. Li Bai wrote hundreds of poems about drinking wine (one saying is "a bucket"). He went to sleep in a restaurant in Chang'an City, but the emperor couldn't get on the boat when he called him. He claimed that he was the immortal of wine.
Zhang Xu's Three Cups of Grass Saint Biography, taking off his hat and uncovering his head in front of the prince, swiping paper like clouds of smoke. Jiao Sui fought five battles with Fang Zhuoran, and his eloquent talk shocked the four banquets.
The Cursive Script Song of Master Huaisu by Zhu Kui. He became a monk for several years and learned about destiny, but one day he recalled the saint Linchi. Turn your wrist to destroy the front and increase the risk, and the autumn hair, cocoon and paper will always accompany you.
A guest house in Hengyang came to visit me, and I drank a hundred cups of wine to become the king. Suddenly I heard a spring flying in the wind, and the paper fell like a kite.
Describes how helpless it is to be free, and where the mind wanders. When writing, I only see the electric current, and when I write the words, I am afraid of the coiling dragon.
The strange collapse of the sky is like a spinning hood, and the flying threads are chaotic like a returning wind. The old pine tree leans against the wall of clouds, and the rolling waves startle the sea.
What happened this year is unparalleled in history. It is so wonderful that ghosts and gods will weep, and the ghost of Cui Cai is even more heartbroken.
Electric current, the words are only fearful of the dragon's movement, aiming for novelty and no rules, the ancient and thin Li Li is half without ink. When I was drunk, I wrote two or three lines on my hand, but when I woke up, my handwriting turned out to be strange and strange.
Everyone wants to know the secret of this, but Huaisu said that he did not know that there were dozens of pink-walled corridors at first, and he was very excited. Suddenly there were three or five screams, and tens of millions of words filled the wall, running in a rush of ink, and the whole audience was speechless. (The above are all recorded from "Autobiography") The following are some of the original inscriptions in the above poem. Master Xu Yao's cursive script is novel and has no fixed rules, and it is thin and smooth in ancient times and half without ink.
When I was drunk, I wrote two or three lines in my hand, but when I woke up, I could not write. Master Huai Su’s Cursive Script Song Dai Shulun Chu Monk Huai Su’s cursive script is as new as possible. The spirit is clear and the bones are pure and the mind is sincere. Come drunkenly and write vigorously for me.
Beginning to change from broken body to graceful appearance, one by one the flowers bloom late in spring. Suddenly it was magnificent and then withered, and dragons, snakes, leaping beasts stood tall.
The horse is racing, the ink is running, the horse is full of people, silent and unable to catch up. The fortune of the palmist turns strange, and the strange and strange shapes turn out to be appropriate.
Everyone asked carefully about the wonder of this, but Huaisu said that he did not know it at first. Sending Master Huaisu, my nephew, back to his hometown to serve him. Qian Qi released my family treasure, his spirit is clear and wise.
Being able to translate Brahma's calligraphy is as wonderful as Boying's calligraphy. The distant crane has no former partner, and the solitary cloud sends it to the sky.
When you are crazy, you look down on the world, and when you are drunk, you are really like it. Feixi has been away from home for a long time, but he would rather be close and happy in the early days of Lachu.
The remaining pond is full of snow, and the willow trees are sparse in the cold. Longevity wine is also recommended as medicine, and fish is not recommended for morning meals.
Apart from studying Zen and reciting from afar, I spend my free time writing and writing poems. Master Huaisu's Cursive Script Song Dou Ji The mad monk wields his pen in a wild and carefree way, letting heaven alone destroy the rhythm.
Dragons and tigers are ashamed of their pointillism, but thunder avoids sharpness. Isn't the Yu Jian silk expensive? It's just too cramped for children's play.
There are dozens of pink-walled corridors, which bring a sense of open-mindedness. The elders and the younger gather together, and the virtuous and powerful arrive. They are still half-drunk while sleeping on the sofa and borrowing qu.
Suddenly there were three or five screams, and tens of millions of words filled the wall. Wuxing Zhang Laoer Mo Dian, Ye County Gongsun, who am I?
Being like a bear is not worthy of comparison, and being like a snake is not worthy of comparison. The ghosts and gods wept as the things moved, and the wild wind blew into the forest and the flowers stirred up.
It is difficult to describe the special and strange shapes, and it is particularly boring when it comes to being frightening and dry. The murderous wind on the side is equally fierce, and the fallen trees and fallen trees are destroyed by the struggle.
The plug grass flies away from the frost in the desert, and the snow falls in the cloudy mountains in chaos. Just hoping that things can turn into novelties, the governors and princes of the county compose poems together.
The strength of the withered vines and the strong iron made the three houses ashamed, and the sudden cold rain shocked the apes for a moment. There are no artists in this life that can be predicted, but this is always a protective force.
The jade of the connected city is immeasurable, and it takes five hundred years to know the grass. Master Huaisu's Cursive Script Song Lu Collection I think scribes make great use of it, and their pens and ink are exquisite and sincere.
He is capable of all kinds of arts, and he is the most gifted among them. Sometimes I get very excited and use my ink to draw out the ink freely and horizontally.
The wind roared and dragons and snakes burst out and flew off the wall.
The brush strokes are endless, and the hanging vines are wrinkled with strange knots.
Suddenly indulge in shocking clouds and waves, or suddenly frustrated and lingering. He said that he could turn his wrist without restraint, and laughed at the diagram of Xi Zhi's formation.
I kept pouring out the paper and kept shouting out my pen. I believe that ghosts and gods will help me in this way, and the book will be ready before the ink pool is exhausted.
The king's words were not tolerated when he was on the road, and the audience in the hall was completely empty. When you hate it, there are many people laughing, but you only know that being humble is actually a noble name.
Guan Er has always had three to five words. How can I thank Mr. Zhang for being so strange? Master Huai Su’s Cursive Script Song Ma Yunqi Huai Su was only in his thirties and did not leave Hunan to learn cursive script.
Exaggerating the virtues of Xi’s generals is not as good as Zhong Yao’s. In the past, the name of the pear tree has been passed down through generations, and its beauty is now hidden in the Mochi.
He Laoyao heard that he was a timid young man, and Zhang Dian did not dare to call him an ancestor. Yesterday, I went to the south of the Yangtze River to be a prime minister, and all the flowers in the hall were covered with calligraphy and grass.
The power of holding a haircut is like cutting off a dragon, and the tube is like cutting off a rhinoceros. Xing Lai asked the pen to sweep across the line, hoping that all the poets would say well.
One point and three peaks are hung with huge rocks, and the long-lived withered pines fall. The orders are busy and the etiquette is informal, and the meanings of thousands of words and actions are different.
The purple plug peeks at the wings of the swan geese, and the gold plate scatters water essence beads randomly. It has been many years since I achieved success, and ink waves appeared in the green grass lake.
When I was drunk, I only loved Shanweng wine, but when I was studying, I would rather talk about Taoist goose. Before waking up, I still remember the beautiful chapter by myself, but when I'm drunk, I don't care about the silk or the wall.
Seeing the pen turn around and return, Wen Kuang was not crazy at all.