Dynasty: Song Dynasty | Author: Wen Tianxiang

Life is homeless, and relatives are old and ugly.

Paper-cutting appeals to my soul. When do I drink wine?

2. Changfeng Paper Crossing

Dynasty: Song Dynasty | Author: Wang Zijun

Paper-cut Pingjiang, geese fly dizzy.

Who opens the reading window on the green shore of autumn mountain?

Step 3 grieve

Dynasty: Song Dynasty | Author: Mao Zhifang

The guest is not called, and the paper-cut is empty to teach the night sacrifice door.

In case of meeting tonight's dream, hate should be forgotten.

4. "Answer Gao Laixin's letter to resist deficiency in the mountains"

Dynasty: Ming Dynasty | Author: Zhang Yu

I am worried to meet you after such a long separation and receive your letter.

How can I know where I am if I don't send a monk?

Paper-cut reply to your letter and send it to the monk.

To ask when the clouds meet.

5. "Thirty poems (recorded 17)"

Dynasty: Ming Dynasty | Author: Shen Zhou

Scorpion branches invaded incense marks and were also temporarily stored in the imperial court.

The road is unclear, sorrow calls for dreams, and wine is boring and afraid of xuan.

I am willing to remarry with the wind, but it is difficult to leave a good demeanor.

Disappointed with the fragrance, no one can cut paper to arouse the soul.

2. Sentences praising paper cutting 1. Due to different regional customs, history and culture, paper-cutting styles are different all over the country, and Foshan paper-cutting in Guangdong is one of them. Foshan paper-cutting has a long history, which originated in the Song Dynasty and flourished in the Ming Dynasty.

2. Paper-cutting is a treasure of China folk art and a wonderful flower of folk art, which makes people envy and admire. Paper-cutting is so beautiful! It embodies the intelligence of folk artists, shows the intelligence of working people and is the crystallization of traditional folk culture. I also want to cut out a pair of exquisite paper-cut works like folk artists and give them to foreign children, so that they can understand the art of paper-cut in China and make paper-cut a bridge for Chinese and foreign language communication.

3, "click, click", listen, what a refreshing voice, in a short time, one by one vivid life will leap from the paper, which is an art of China folk-paper-cutting, it is like a fresh and simple magnolia, although ordinary, but people are always attracted by its personality charm. It is sometimes decorated in the farmyard.

4. Yuxian paper-cut is the only pointillism paper-cut in China, which is famous for its fine knife work and rich colors. The so-called "Yang engraves to see the knife, Yin engraves to see the color, and should be shaped with the object and painted with the class". Yuxian paper-cutting is commonly known as "window grilles" in the local area, and most of them come from unknown peasant artists for generations, including opera figures, birds, insects, fish and beasts, and descriptions of rural real life.

5. Paper-cutting is one of the treasures of folk culture and art in China. These colors are colorful. Vivid image. Different styles. Beautiful paper-cut is deeply loved by me! Behind every vivid paper-cut, there is a mysterious and wonderful story. It takes "image implication" and "meaning conformation" as models, and at the same time creates a variety of mascots in a comparative way, combining agreed images and expressing self-psychology. The figurative meaning of pursuing auspiciousness.

On Sunday, I enjoyed the exquisite paper-cut works in the book. I can't help but have a whim and want to try to cut a work. I chose a simple paper-cut work, which is very similar. With the slight "sand" sound and snowflake-like pieces of paper, the lovely little girl "lives", the beautiful flowers "bloom" and the flying birds "sing" beautiful songs.

There are many traditional cultures in China, including paper-cutting, drama and dragon dancing, among which paper-cutting is my favorite.

Chinese paper-cutting originated from the Han Dynasty to the Southern and Northern Dynasties, but it really flourished after the Qing Dynasty. At that time, people cut paper into various patterns, some into happy characters, some into tigers, and some into flower cats. How interesting! Paper-cutting is a folk art with a unique artistic style, which is carved by hand and then dyed with bright colors. Working people regard it as a decoration for the New Year and stick it on paper windows, so it is also called "window grilles". Traditional window grilles mainly include opera figures, flowers, insects, fish and wild animals, as well as images that cause auspiciousness and harmony in details, and are full of cheerful, healthy and life-loving feelings.

How rich paper-cutting is! I like the paper-cutting of China traditional culture very much!

4. With regard to the history of paper-cutting, China's folk paper-cutting handicrafts have their own formation and development process. China's paper was invented in the Western Han Dynasty BC. Before this, the art of paper-cutting was impossible. But at that time, people used very thin materials to make handicrafts by hollowing out and carving, but it was popular long before paper appeared, that is, cutting gold foil, leather, silk and even leaves by carving, carving, cutting and shearing. According to Records of the Historian Jiantong Di Feng, in the early years of the Western Zhou Dynasty, a king claimed the title of king, and cut a plane tree leaf into a "reed" and gave it to his younger brother, who was named Hou in the Tang Dynasty. During the Warring States period, leather carvings (one of the cultural relics unearthed from Chu Tomb No.1 in Jiangling, Hubei Province) and silver foil carvings (one of the cultural relics unearthed from the Warring States site in Guwei Village, Huixian County, Henan Province) were all demolished together with paper-cutting, and their appearance laid a certain foundation for the formation of folk paper-cutting. The earliest paper-cutting works in China were discovered in 1967, when China archaeologists discovered two paper-cuts with flowers of the Northern Dynasties in Astana near Gaochang site in Turpan Basin, Xinjiang. They use hemp paper, all of which are folded sacrificial paper-cuts. Their discovery provides physical evidence for the formation of Chinese paper-cutting.

The history of paper-cutting handicraft art, that is, paper-cutting in the true sense, should begin with the appearance of paper. The invention of paper in Han Dynasty promoted the appearance, development and popularization of paper-cutting. Paper is a moldy material. In the southeast of China, the climate is humid, coupled with rainy days in May and June every year, paper products will rot over time, and folk paper-cutting is a popular thing. People don't keep it as a treasure, and they can cut it if it is broken. In the northwest of China, the weather is dry, the climate is dry, and the paper is not easy to get moldy, which may also be one of the important reasons for the discovery of paper-cutting in the Northern Dynasties in Turpan, Xinjiang.

Paper-cutting in Tang Dynasty-Paper-cutting in Tang Dynasty has been in a period of great development. There is a saying in Du Fu's poem that "warm water fills my feet, and paper-cutting calls my soul". The custom of paper-cutting calling my soul has spread among the people at that time. The paper-cut in the Tang Dynasty, which is now in the British Museum, shows that the paper-cut at that time had a high level of manual art and a complete picture composition, expressing an ideal realm between heaven and earth. Popular in the Tang Dynasty, the carved patterns of flowers and trees have the characteristics of paper-cutting. For example, the pattern of "Duiyang" in Masakura Hospital in Japan is a typical artistic expression of hand cutting. In the Tang dynasty, there was also block printing made of paper-cutting. People carved it into wax paper with thick paper, and then printed the dye on the cloth to form beautiful patterns.

In Song Dynasty, the paper industry was mature and there were many kinds of paper products, which provided conditions for the popularization of paper-cutting. For example, it can be used as "fireworks" for folk gifts, "window grilles" pasted on windows, or as decorations for lanterns and teacups. The application scope of folk paper-cutting in Song Dynasty gradually expanded. Jiangxi Jizhou Kiln uses paper-cut as the pattern of ceramics, and makes the ceramics more exquisite by glazing and firing. Folk also use paper-cutting to carve figures in shadow play with the skins of animals such as donkeys, cows, horses and sheep. The engraved version made by the blue printed cloth technology is carved into patterns with oil cardboard, and the scratched patterns are made by paper-cutting technology, which is divided into yin and yang engraving. Long lines should be cut off to distinguish facts from truth.

During the Ming and Qing Dynasties, the paper-cut handicraft art matured and reached its peak. Folk paper-cut handicraft art has a wider range of applications, such as flower decorations on folk lanterns, decorative patterns on fans and embroidery patterns, all of which are reprocessed with paper-cut as decoration. What's more, Chinese people often use paper-cutting as decoration to beautify the home environment, such as door battlements, window grilles, cabinet flowers, wedding flowers and ceiling flowers, which are all used to decorate doors, windows and rooms. In addition to the paper-binding pattern craftsmen who appeared after the Southern Song Dynasty, the most basic team of folk paper-cutting handicrafts in China is rural women. Female red is an important symbol of the perfection of traditional women in China. As a compulsory skill of needlework, paper-cutting has become a skill that girls have to learn since childhood. They want to learn paper-cut patterns from their predecessors or sisters, cut out new patterns through cutting, re-cutting, painting and cutting, and describe the natural scenery they are familiar with and love, the scenery of fish, insects, birds, beasts, flowers, trees, pavilions and bridges, and finally reach the realm of their will.

China folk paper-cut handicraft art, like an ivy, is ancient and evergreen, and its unique popularity, practicality and aesthetics have become a symbolic meaning that meets people's psychological needs.

The legend of paper-cutting is found in some archaeological remains. Paper-cutting first appeared in the Northern Dynasty (386-58 1) with a history of 1500 years. At that time, paper-cutting skills were quite skillful. After the Sui and Tang Dynasties, the art of paper-cutting became more and more prosperous. There were also poems describing paper-cutting in the Tang Dynasty.

The poem "Cai Sheng" wrote: "Pruning a blind date, making a phoenix with a silver hairpin. Leaves are golden knives, flowers are jade fingers. " It depicts the beautiful movements of beautiful women in the Tang Dynasty and the beautiful effects of flowers, birds, insects and fish cut out. In the Song Dynasty, the paper-cutting industry and paper-cutting masters began to appear. In the Song Dynasty, paper-cutting began to spread; The Ming and Qing Dynasties were the peak of paper cutting.

I hope I can help you.

6. Ask for legends and poems about embroidery and paper-cutting ~ It's best to answer within an hour ~ Say thank you in advance ~ Chinese embroidery originated more than 3,000 years ago. It is said that there was a smart and beautiful girl in Suzhou in ancient times who was in a hurry to make a new dowry before getting married, and accidentally poked a hole in her skirt in the process of doing it.

She used her quick wits to embroider a small flower with colorful flannel, which not only covered the hole, but also looked particularly beautiful and played a icing on the cake. Inspired for the first time, smart Suzhou people began to like to wear embroidered clothes.

According to Liu Xiang's Shuo Yuan in the Western Han Dynasty, as early as the Spring and Autumn Period, Wu people began to use embroidery skills to beautify their lives. In the Three Kingdoms period, Suzhou embroidery developed to a higher level. It is said that Mrs. Zhao made a painting embroidery for Sun Quan by using her expertise in painting embroidery. At that time, people called it "no needle", so Mrs. Zhao became the originator of painting embroidery.

Embroidered characters of hedgehogs can be found in history books. When I was in Yu Shun, there was already embroidery.

Officials were appointed to perform their duties in the Eastern Zhou Dynasty, and there was court embroidery in the Han Dynasty. During the Three Kingdoms period, Wu asked Mrs. Zhao to embroider the landscape army array. In the first year of Tang Yongzhen (A.D. 805), Lu Mei Niang Lu, Volume 7, Embroidery of Ruler Silk, was famous for its embroidery.

Since the Han Dynasty, embroidery has gradually become a boudoir stunt, and famous embroidery workers have also occupied a place in the history of art. Two pieces of embroidery from the Warring States Period were unearthed from Chu Tomb in Changsha, Hunan.

Looking at the stitch, it is completely embroidered on silk and Luo with braided stitches. The stitch is neat, the color scheme is elegant and the lines are smooth, which makes the pattern swim like a phoenix and dance like a tiger, which is natural and lively, which fully shows the achievements of embroidery art in Chu State. Embroideries of the Han Dynasty have been unearthed in the Thousand Buddha Cave in Dunhuang, Wuluchong Tomb in Hebei, Northern Inner Mongolia and Astana Tomb in Turpan, Xinjiang, especially 1972 Mawangdui in Changsha, which is helpful to understand the embroidery style of the Han Dynasty.

Judging from these embroideries, the themes of Han embroidery patterns are mostly wave moire, phoenix flying with wings, galloping beasts, and ribbon patterns and geometric patterns commonly found in Han mirror ornamentation. The newly adopted base material for embroidery was the popular fabric at that time, such as silk brocade woven into auspicious words such as "long life and bright future" and "happiness and light".

Its techniques are mainly lock embroidery, with full patterns, compact composition, neat stitches and extremely smooth lines. Unearthed in Dunhuang, Gansu, Hotan, Bachu, Turpan and other places, the whole embroidery is embroidered with fine locks, no matter the pattern or the blank space, which has become the characteristic of embroidery in various places.

Embroidery spread and unearthed in the Tang Dynasty is closely related to the religious art in the Tang Dynasty. Among them, there are many embroidered Buddha statues in the Tang Dynasty, such as the Embroidered Account of Ling jiusan found in the Thousand Buddha Cave in Dunhuang in the east, and the illustrations of Sakyamuni in Nara National Museum, which are all directly related to the belief in Buddhism. At this time, the embroidery technology still follows the lock embroidery of Han Dynasty, but the stitch technology has already started to change to the flat embroidery, and a variety of different stitches and colors have been adopted.

The embroidery base used is not limited to brocade and plain silk. The patterns used in embroidery are closely related to painting. In addition to the Buddha statue, landscape flowers and birds have gradually flourished in Tang painting.

Therefore, Buddha statues, pavilions, flowers and birds have also become embroidery patterns, with lively composition and bright colors. The use of micro-embroidery, combined with the use of various color lines and stitches, replaces the painting depicted by pigments, forming a special art, which is also the unique style of Tang embroidery.

As for winding the outline of the pattern with gold and silver thread to enhance the three-dimensional sense of the object, it can also be regarded as an innovation of embroidery in the Tang Dynasty. Embroidery content is mostly for practical and decorative purposes, which is related to the needs and customs of life.

Embroidery works in Song Dynasty are not only practical products, but also devoted to embroidery. Since the Jin and Tang Dynasties, literati loved calligraphy and applied it to painting. Calligraphy and painting was the highest artistic expression at that time, but in Song Dynasty, it was applied to silk embroidery, and the style of calligraphy and painting directly affected the style of embroidery.

Embroidery painting should be closely related to the paintings of all ages up to the Qing Dynasty. Embroidered song: Li Ci: Xia Ning, Li Embroidered, listening to the wind blowing away the fallen leaves, a bunch of thoughts with their heads down gently swept over the dust. The dream lock of that year pushed open the heart of the ancient deep courtyard, and I couldn't find your trace. Holding hands tightly, I can't embroider, my eyes are blurred with surprise, and my old lover is affectionate. Time and space have changed, and I have lost you and my lonely smile. I listen to you quietly, cutting the breeze and sticking to the old dream. As the years passed, I watched you, and I embroidered in the twilight and the morning bell. Do you understand shrinking in the cold winter? Clear sky Wan Li, I smell the flowers. I hope you can look back. The dream of flying with me is still embroidered in the wind. China folk paper-cut handicraft art has its own formation and development process. China paper was invented in the Western Han Dynasty BC (6th century BC). At that time, people used the hollowing-out carving process of thin plates to make handicrafts, but it was popular long before paper appeared, that is, carving, engraving and cutting were used on gold foil, leather and leather.

According to Records of the Historian Jiantong Di Feng, in the early years of the Western Zhou Dynasty, a king claimed the title of king, and cut a plane tree leaf into a "reed" and gave it to his younger brother, who was named Hou in the Tang Dynasty. During the Warring States period, leather carvings (one of the cultural relics unearthed from Chu Tomb No.1 in Jiangling, Hubei Province) and silver foil carvings (one of the cultural relics unearthed from the Warring States site in Guwei Village, Huixian County, Henan Province) were all demolished together with paper-cutting, and their appearance laid a certain foundation for the formation of folk paper-cutting.

China's earliest paper-cut works were discovered in 1967, when the largest paper-cut tiger family in China discovered two paper-cut flowers in the Northern Dynasties tomb in Astana near Gaochang site in Turpan basin, Xinjiang. They used hemp paper, both of which were folded sacrificial paper-cuts. Their discovery provided physical evidence for the formation of paper-cuts in China. The history of paper-cutting handicraft art, that is, paper-cutting in the true sense, should begin with the appearance of paper.

The invention of paper in Han Dynasty promoted the appearance, development and popularization of paper-cutting. Paper is a moldy material. In the southeast of China, the climate is humid, coupled with rainy days in May and June every year, paper products will rot over time, and folk paper-cutting is a popular thing. People don't keep it as a treasure, and they can cut it if it is broken.

In the northwest of China, the weather is dry, the climate is dry, and the paper is not easy to get moldy, which may also be one of the important reasons for the discovery of paper-cutting in the Northern Dynasties in Turpan, Xinjiang. Paper-cutting has been in a period of great development in the Tang Dynasty, and Du Fu's poems contain "warm water".