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A famous quip about pens.
Writer's pen

Like a trickle/spring.

Flowing to rivers, lakes and seas/out of the world.

Writer's pen

Created a miracle of human culture for thousands of years.

Support the integrity of the Chinese nation.

Writer's pen

Mix with flowing water

Express one's ideas

Writer's pen

Moisturize the desert and present an oasis.

Moisturize the earth and bloom peaches and plums.

The pen tip is dotted with spring rain/the pen tip shows affection.

Write about the magnificence of rivers and mountains

Fill the world with laughter.

The writer Haoran once owned a "hero" with a 400-gauge gold pen, with a thick, black and bright pen, which was held in his master's hand, quite imposing, just like a little gentleman with a chest. I saw this pen almost at the same time as I knew Haoran. I remember 1979 One day in late autumn and early winter, I came to Haoran's apartment in Yuetan North Street, Beijing. Coincidentally, Hu Wanchun, a writer from Shanghai, was also there. After chatting for a while, Haoran took a manuscript and a pen from the upstairs study. The manuscript was printed in advance. Haoran took out his pen cover, lit each line with that pen and made some necessary changes. Finally, on the first page of the manuscript, write down the words "Mother Mei smiled" as big as five apricot stones. This is the title of this novel. At the bottom right of the title, sign the word "Haoran" and send it to me. Haoran put the pen on, but before he put it down, Hu Wanchun grabbed it and pulled out the pen cover for appreciation. "Wow, this is a really big pen! Now this kind of pen is rare, rare! Products of the forties and fifties, right ... "The fountain pen lingers in Hu Wanchun's hands; Haoran just smiled and looked a little smug, and soon took back the large gold pen. Hu Wanchun spread out his hands, and a sense of loss climbed up his face. I have been to Hu Wanchun's study in Shanghai. Hu Wanchun often uses an egg-blue ordinary pen to write his own works on an 8-square manuscript paper, with 500 words on one page. Compared with Haoran's pen, Hu Wanchun's pen is simply dwarfed in both quality and form. However, it was with that ordinary pen that Hu Wanchun began to write the novel Frog Girl. As early as 1950s and 1960s, Haoran took root in the suburbs of Beijing and the rural areas of eastern Hebei, and created more than 100 short stories with this big gold pen. Haoran regards this as a loyal partner. I just don't always carry it. If the racket is damaged or lost, I will put it in the study for maintenance. Haoran's "Hero" No.400 must have its origins. If you interview, writing it down may be a good story!

The importance of a pen to a writer is not just a writing tool. In ancient times, writing brushes were used in Europe. When Shakespeare wrote immortal works with a quill pen in the dim and shaky candlelight, who wouldn't be moved by the owner of the quill pen and goose pen! Early writers in China wrote with a brush. Mr. Lu Xun claimed that the "golden constant" in his hand was throwing guns and daggers. I remember Zhou wrote an article saying that China's greatest contribution to culture was not the "four great inventions" (papermaking, printing, compass and gunpowder), but the "five great inventions", plus a writing brush. The spiritual outlook of China culture is reflected in the writing brush, and the development of China culture depends on the writing brush. Don't think that the China Chinese characters printed by computer today are the western products of "machine culture". No, the form and essence of Chinese characters will always be the "descendants" of the brush. Writers value pens, which give writers freedom and imagination on paper. After using all kinds of pens, Dan lkuma, a Japanese composer and writer, especially likes to use two kinds of fountain pens from Germany. He said that writing with these two pens is "really amazing" and "makes the modern bright study where I sit alone meaningful." "Writing for a living" Dan lkuma finally said, "I hope to be cautious about writing. So I think the pen used should also be very important. "

The playwright and poet Wang Ken has the deepest understanding of Pen in Hand. 1993 after the publication of my collection of essays "Walk with me", Wang Ken wrote a book commenting on me "The North is not cold". He encouraged me: "be enthusiastic and look for heat in the cold world;" Think of heat as a kind of beauty, which flows out from the pen end ... "It is not easy to let beauty flow out from the pen end. In the past few years, there were times when writers were not allowed to write. Wang Ken was classified as a rightist in 1957, and built three highways: Chang Lin, Hualong and Qifeng. Later, I went to manage the food cellar of the university. For a long time, I was not allowed to write with a pen. At the end of 1950s, he was attracted to engage in a new kind of drama, namely Ji Opera. When I first entered the choreography room of Anda Street Ji Troupe, only Liu Fang was there. Lao Liu had a desk and chair in the corner, and reluctantly pointed: "There are four people in the room, so you have to sit on the edge, the fifth chair. Wang Ken later wrote in an article: "Liu Fang is good, but please pick up your pen again." The fifth one? I don't care about the fiftieth ... "From then on, Wang Ken held a long-lost pen and wrote in the group; Write at home; Writing on a tourist train; Writing under the lamp of the guest house; Draw a big curtain on the stage and write behind the side curtain ... just for the audience's love, not extravagant. This writing is 20 years, and more than 40 dramas have been adapted into Ji dramas. Wang Ken used the golden star pen, which has been dry for many years, to serve auspicious dramas. Love, affection and beauty flowed from the pen ... Is the golden star pen that accompanied Wang Ken for many years still there? Now, in his later years, Wang Ken always feels a sense of guilt when he looks at the Ji Opera House, a place that has been in and out for many years. Wang Ken said that we should do something for it, not just talk, but write! Writing here, I was deeply moved by Wang Ken! For Wang Ken, the pen is a silkworm that keeps spinning, and it is a song of endless life.

A pen is an outstretched hand of a writer. The pen is a bridge between the author and the reader. Whenever I see the manuscripts of some famous writers, I seem to see the writers writing at their desks. Those handwriting are like the imprint of a writer's life. You can follow these handwriting, walk into the years of writing, and walk into the wind and cloud in your works ... Even today, many writers have written with computers instead of pens and paper, but pens cannot be shelved. I might as well tell a short story here. There is a writer who has always insisted on writing regularly to his elderly father who is far away in the country. After a long time, every time I see my son's familiar font, my father is very pleased. Later, the writer wrote his first letter to his father by computer. When my father received this letter, he mistook it for an impostor and returned it. The writer's son quickly rewrote a letter with a pen and mailed it. Words are like people, and writing is like people. Needless to say, the advantages of writing on the computer, its disadvantages are self-evident. The pen plays an irreplaceable role in your own computer. In the face of the trend that the manuscripts of contemporary writers in China are dying out, sometimes I think: after several years, the original manuscripts of writers may no longer exist, or they may only exist in a rare way, only seeing the same handwriting as found on the pages and only seeing the same fonts as writers A and B; From the manuscript, it is difficult to explore the author's way of thinking and writing habits, and how many beautiful, unique and valuable things will be lost, which is unforgettable! Writing here, I remembered a passage about writer Zhang Wei. He said that about writing tools, a friend argued with me that he thought that what he used to write had no effect on the quality of literature. The computer is just a tool, it can work more easily and quickly-how to argue with it? This is just a feeling, a guess, just like "interest without argument", you have to use tons of language to demonstrate, and you can't tell until the end. Just at noon, we went to a restaurant to eat together. As soon as I sat down, I said to the waiter, I want handmade noodles. I asked: why do you want to make noodles by hand instead of by machine? He said handmade noodles are the best. Yes, writing functional paper and pens is equivalent to making "handmade noodles". Zhang Wei said that this is a green mode of literary production. Although it is slow and laborious, it is delicious.