If we look at "Spring Breeze is Green in Jiang Nanan" again, we will know that the focus of this sentence is "You" rather than "Green". The poet did not deliberately describe the beautiful scenery in the south of the Yangtze River, because "Green" is the most common and ordinary scene in spring, and it should be nothing particularly wonderful. It is only the story of refining characters in Rongzhai Essays that makes this ordinary and unremarkable word "Green" special. In fact, when it comes to writing the beauty of spring in the south of the Yangtze River, as long as we compare it with Bai Juyi's "Recalling the South of the Yangtze River", we can see the difference between high and low. However, there is no intention to belittle the poet here, just to explain that the focus of the poet's writing this sentence is not on the word "green", but on the word "you". What he wants to express is that the ruthless spring breeze still knows that he will return to Jiangnan once a year, but as a poet who is deeply attached to his hometown, he left his hometown in Jiangnan against his will just when the spring breeze is green in Jiang Nanan. The future of this trip is unpredictable. I don't know when I can "return" to my home in Jiangnan. The word "you" is a natural expression of the poet's homesickness, which is hard to get rid of.
after grasping the emotional tone of the whole poem, let's look at the first two sentences of the poem, namely, the "water room" of "Guazhou in the mouth of Beijing" and the "only separation" of "Zhongshan is only separated by several mountains". Obviously, it is in the same strain with "You" in emotion, and it is written that although hometown is close at hand, it can't meet again regularly once a year like spring breeze, so we know when. Shuijian', writing in a pleasant style that he crossed the river from Jingkou, has a new understanding: "We often quote" Spring Breeze and Green Jiang Nanan "as a metaphor for the excellent situation, which actually goes against the original intention of the poem. How to say that word again has not been implemented. Only in this way, many people read "Spring Breeze and Green Jiang Nanan" with pleasure as a metaphor for celebrating beautiful scenery, which is a misunderstanding that goes against the original theme of the poem.
Respondent: Anonymous 1-23 17:26
This is a famous lyric poem, which expresses the poet's deep feelings of looking at the south of the Yangtze River and missing his home. The poem is titled "Boating in Guazhou" and points out the poet's foothold. The first sentence, "Jingkou Guazhou is a water room", describes the scenery in sight. The poet stood at Guazhou Ferry and looked south. He saw that Jingkou and Guazhou on the south shore were so close, separated by a river. From this, the poet thinks that Zhongshan, where his home is located, is only a few floors away, and it is not far away. The second sentence "Zhongshan is only separated by several mountains" implies the mood of the poet anxious to return. The third sentence also describes the scenery, pointing out that it is spring in season and depicting the scenery on the south bank of the Yangtze River. The word "green" means blowing green, and it is used in a wonderful way. Legend has it that Wang Anshi changed the word more than ten times to make good use of it, and finally chose the word "green" from more than ten verbs such as "to", "to", "to" and "to". Because other words only express the arrival of spring breeze, but they do not show the changes of a new green landscape on the banks of a thousand miles of rivers after the arrival of spring. At the end of the sentence "When will the bright moon shine on me?", the poet has been looking forward to it for a long time, but he doesn't realize that at the beginning of the bright moon, the poet imagines a picture of "the bright moon shines on me" with interrogative sentences, further expressing the poet's feelings of missing his home. Literally, this poem shows nostalgia for my hometown, and I have a great desire to fly across the river to go home and reunite with my relatives. In fact, there is also a strong desire between the lines to return to the political arena and implement the New Deal.
Boating in Guazhou is a typical homesick poem. Because the writing background of this poem is that Wang Anshi, who is over 5 years old and has long been lazy about politics, has experienced two rough experiences of being stopped because of the implementation of the new law. This time, he was used as a phase again. He resigned twice and was not allowed, so his appointment was reluctant and against his will. Just after he took office, he repeatedly requested to remove the post of prime minister, and finally in the second year after his comeback, he finally got his wish and stopped again. Obviously, in this state of mind, when writing "Boating in Guazhou", it is inevitable that there will be no feelings of melancholy, sadness and depression between the lines, and it is inevitable that he will not have a deep attachment to his hometown that he is about to leave. It is impossible for him to use "the spring breeze is green in Jiang Nanan" to express what he is happy about because of his successful comeback and the new situation of political reform. The poem's closing sentence "When will the bright moon shine on me" is a true portrayal of this kind of homesickness: when can the poet return to his hometown and be full of sadness before he is far away from home?
If we look at "Spring Breeze is Green in Jiang Nanan" again, we will know that the focus of this sentence is "You" rather than "Green". The poet did not deliberately describe the beautiful scenery in the south of the Yangtze River, because "Green" is the most common and ordinary scene in spring, and it should be nothing particularly wonderful. It is only the story of refining characters in Rongzhai Essays that makes this ordinary and unremarkable word "Green" special. In fact, when it comes to writing the beauty of spring in the south of the Yangtze River, as long as we compare it with Bai Juyi's "Recalling the South of the Yangtze River", we can see the difference between high and low. However, there is no intention to belittle the poet here, just to explain that the focus of the poet's writing this sentence is not on the word "green", but on the word "you". What he wants to express is that the ruthless spring breeze still knows that he will return to Jiangnan once a year, but as a poet who is deeply attached to his hometown, he left his hometown in Jiangnan against his will just when the spring breeze is green in Jiang Nanan. The future of this trip is unpredictable. I don't know when I can "return" to my home in Jiangnan. The word "you" is a natural expression of the poet's homesickness, which is hard to get rid of.
after grasping the emotional tone of the whole poem, let's look at the first two sentences of the poem, namely, the "water room" of "Guazhou in the mouth of Beijing" and the "only separation" of "Zhongshan is only separated by several mountains". Obviously, it is in the same strain with "You" in emotion, and it is written that although hometown is close at hand, it can't meet again regularly once a year like spring breeze, so we know when. Shuijian', writing in a pleasant style that he crossed the river from Jingkou, has a new understanding: "We often quote" Spring Breeze and Green Jiang Nanan "as a metaphor for the excellent situation, which actually goes against the original intention of the poem. How to say that word again has not been implemented. Only in this way, many people read "Spring Breeze and Green Jiang Nanan" with pleasure as a metaphor for celebrating beautiful scenery, which is a misunderstanding that goes against the original theme of the poem.
Respondent: lihuiqddy-Senior Manager Grade 7 1-23 17:26
The background of Wang Anshi's writing about boating in Guazhou
Wang Anshi (121-186) was a politician, thinker and writer in the Northern Song Dynasty. The word Jiefu, the evening number is mid-levels. Linchuan, Fuzhou (now Jiangxi) people. Renzong Qingli Jinshi. In the third year of Jiayou (158), he put forward the idea of political reform, demanding to change the situation of "poor and weak", implement the policy of enriching Qiang Bing, restrain the merger of bureaucratic landlords, strengthen the ruling power, prevent large-scale peasant uprising and consolidate the rule of the landlord class. In 169, the second year of Shen Zongxi Ning, he was appointed as a participant in political affairs. The following year, he became prime minister, relying on Shenzong to carry out political reform. And support five States such as Xihe River to improve the situation of fighting Xixia. The new law was blocked by conservative opposition. Xining was dismissed in seven years. Re-phase the following year; After nine years' resignation, he still lived in Jiangning (now Nanjing, Jiangsu Province), and was renamed Jing Gong, who was called Jing Gong in the world. Death obituary.
Reference material: www.baidu.com
Respondent: Yun Yao-the probation period is 1-23 at 17: 4
Spring Sunny
It rains on the 1th day of the Spring Festival, and the rain and sunny door only opens. Look at the moss lines quietly, so don't put on clothes.
this poem should be easy to understand.
Spring is early spring, and the whole poem is to the effect that it rained for ten days in early spring, and only when the rain stopped, did you open the door, so be careful not to get the moss on your skirt.
a brief introduction to Wang Anshi (121 ~ 186) was a statesman and writer in the Northern Song Dynasty. The word Jiefu,no. Mid-levels. Linchuan, Fuzhou (now Jiangxi) people. Seal Jing Guogong, known as Wang Jinggong. Shi Wen, also known as Wang Wengong. Wang Anshi's father, Wang Yi, who was a local official since childhood, moved to Xin Gan, Lu Ling, Xin Fan, Shaozhou and other places. In the fourth year of Jing (137), the whole family settled in Jiangning. In his early years, he was exposed to social poverty and people's suffering, and he had the feeling of "mourning for this" ("Feeling"). He "studies less" ("Song History? Biography of Wang Anshi), "As for the books of hundreds of philosophers, as for Difficult Classics, Plain Questions, Materia Medica, and novels, I read everything, and farmers and women workers ask everything" ("Answer to Ceng Zi's Solid Books"). On 17th and 8th, 28, Ji and Qi claimed to be "just being humble, but not self-indulgent, and wanting to share happiness with Ji and Qi" ("Recalling Yesterday's Poems and Showing My Brothers"), which showed extraordinary interest. In the second year of Qingli (142), he became a scholar in Yang-List and signed a book for Huainan Judge. After learning about Yinxian County in the Qing Dynasty (147), he started to build water conservancy projects to lend money to the people and was loved by the people. In the first year of Jia □ (156), he was the judge of herding, and later he was the official of Changzhou Zhizhou, and he was appointed as a judge of Jiangdong Criminal Prison, a judge of the Third Division and a judge of Zhizhi Patent. When he was a judge in Duzhi, he was entrusted by his colleague Song Minqiu to compile Selected Poems of the Tang Dynasty on the basis of his collection of poems of the Tang Dynasty. Shenzong acceded to the throne and was called a bachelor and lecturer of Hanlin. In the second year of Xining (169), he was appointed as a participant in political affairs, and worshipped the next year. With the support of Shenzong, new laws such as irrigation and water conservancy, young crops, equal loss, armor protection, exemption from service, easy market and horse protection were formulated and implemented, which made the national strength stronger. Because of the fierce attack by the anti-reform faction, Yu Xining went on strike in the seventh year (174), and returned to worship the phase the following year, and entered the Three Classics and New Meanings, where he became a scholar. In the ninth year of Xining (176), he resigned again and retired to Jiangning to concentrate on academic research and poetry creation. In the first year of Yuan Dynasty (186), Sima Guang came to power and abolished the new law. Wang Anshi died of grief and anger. For Wang Anshi's deeds, see Biography of the History of the Song Dynasty, A Long Edition of the History of the Continuing Education as a Mirror, Chronicle of the Song Dynasty, Collection of Anecdotes of People in the Song Dynasty, and Banknotes of the Song Dynasty. Literary Advocacy and Creation Wang Anshi was an active participant in the poetic innovation movement in the Northern Song Dynasty initiated by Ouyang Xiu. As early as in the third year of Qingli (143), he criticized Yang Yi and Liu Yun, the representatives of Xikun School, for "their words and expressions have influenced the contemporary world, and scholars are fascinated by their original ideas", and criticized their writing style for "no preface to articles" (Preface to Poems of Zhang Punishment Department). Later, with the formation of the thought of political reform, his literary view obviously showed a utilitarian tendency. The core of his literary proposition is: "Articles are suitable for the world" ("Biography of Dong") and "Doing something to make up for the world" ("The Book of the Master"). However, it does not deny the role of rhetorical skills: "The beauty of form is not enough, and it is possible without first" (the same as before). His literary creation is the concrete practice of this proposition. Wang Anshi was one of the eight masters in Tang and Song Dynasties. In his prose creation, the most outstanding achievement is the essay. It can be roughly divided into four categories: ① the recitation of political views directly to the emperor. For example, the Book of Emperor Renzong's Words criticized the corruption of the whole bureaucratic political system in the middle of the Northern Song Dynasty, put forward the idea of "legalizing the king first", and advocated "changing things to change things"; "Nothing happened in this dynasty for a hundred years" systematically expounds the gains and losses of political measures taken by Renzong during his 41 years in office, and exhorts Shenzong to get rid of the "disadvantages of following the customs at the end". This kind of article has the characteristics of tight organization, subtle analysis, bold and direct wording, measured tone, sincere and simple tone, and inspiring. In particular, The Book of Emperor Renzong's Words is full of words, with a great body and a fine mind. Liang Qichao, who is close to him, thinks it is "the largest article after Qin and Han Dynasties", but Jia Yi's Chen Zheng Shi Shu is "slightly square" (Chapter 21 of Wang Jinggong). (2) is a realistic essay. For example, Yuan Guo and Shi Yi are short and pithy, and skillful in comparison; "Xing Xian" and "Appointment" are repeatedly demonstrated from both sides, which is very logical; "Min Xi" and "Knowing People" criticize the world for indulging in old habits and the monarch's inability to know the virtuous, with sharp brushstrokes and profound contributions. (3) is the theory of characters and historical criticism. Such as Zi Gong, Yun Shuo, Bo Yi, Reading Records of Jiangnan, Reading Biography of Meng Changjun, and Reading Biography of Liu Zongyuan, contrary to the traditional views, which were not published by predecessors, Chu Xin thought that he could "hope that the Historical Records would be praised and wonderful." Among them, the full text of "Reading the Biography of Meng Taste Jun" is less than 1 words, but it is a masterpiece in the short article. (4) book order and letters and others. Such as Preface to Zhou Liyi and Preface to Poetry, etc., reflect his anti-traditional political attitude in his academic opinions, that is, Su Shi called "trapping the legacy of six arts and breaking his own will" ("Wang Anshi gave it to a teacher"); Writing is "simple but capable" (Shen Deqian's "Eight Literal Banknotes in Tang and Song Dynasties" Volume 3), with emphasis on every word. Answering Sima's suggestion refutes Sima Guang's criticism of the new law with strict logic; Answer to Lu Jifu is a dear John book with the attitude of relieving regrets and grievances, putting personal grievances aside, showing an open mind. Narrative plays an important role in Wang Anshi's prose. Biographies, such as "The First Doctor", use simple language to describe his father, the king, the king, the official, the honesty and integrity. There is not much ink, but the impression is more vivid. "Shang Zhongyong" describes Zhong Yong's sad experience that he was finally reduced from a prodigy to an ordinary person because he didn't learn the day after tomorrow, and states the purpose of persuading him to learn. The theme is very typical. There are a large number of epitaphs, which usually summarize the life, official history and character of the tomb owner. The writing style is simple, wonderful and clean, and I occasionally insert a few vivid stories, which is focused, cordial and touching. For example, the Epitaph of Giving Shang Shu Gong Shi Assistant Minister Kong Gong wrote that Daofu Kong was not good at ghosts and gods, and gave a few examples of killing monsters and snakes, which outlined the image of an atheist. Travel notes such as "A Journey to Baochan Mountain", "Write about yourself with the title, with deep feelings, and the poor workers are wonderful" (Volume 58 of "Wen Chun in the Imperial Selection of Tang and Song Dynasties" quoted in Li Guangdi). Generally speaking, Wang Anshi's narrative prose does not focus on writing landscapes and spreading stories, but prefers to borrow ideas and express ideas, so some works are obviously not vivid enough. Lyrics are mostly eulogies. Written in four-character rhymes, such as "Sacrifice to Yuan Daowen" and "Sacrifice to Fan Yingzhou Zhongyan Wen", the words are simple, affectionate and quite infectious; Written in miscellaneous rhymes, such as "A Tribute to Ouyang Wenzhong", it highly praised Ouyang Xiu's literary achievements and moral sentiments, with clear rhyme and gratitude, which was the most outstanding among the eulogies written by various schools at that time. But some of them are purely social.