A moment that should last forever has come and gone before I know it. In the Tang Dynasty, Li Shangyin's "Jinse", a poetic interpretation: those beautiful things and years can only be left in memories. At that time, those people thought those things were just ordinary, but they didn't know how to cherish them.
Does the human heart have to bloom in spring like all other flowers? Even if this bright flame of love, should it only be ashes? . Li Shangyin's Untitled Misty Rain Blows from the East in the Tang Dynasty, which is interpreted in the poem: My heart will no longer sprout with the spring flowers; So as not to make me miss you inch by inch, and Hua Song lost his ashes.
Life has its own infatuation, and this hatred has nothing to do with romance. In the Song Dynasty, Ouyang Xiu's "The Jade Tower in Spring Returns to the Future", a poem interpretation: Ah, life is naturally passionate, and love is crazy in the depths. Ah, life is naturally affectionate, and love is crazy in the depths. This sadness is irrelevant-the breeze on the roof, the bright moon in the sky.
5. Bodhi has no trees, but it is not Taiwan in the mirror. There is nothing, so there is no dust. Tang Huineng's "Bodhisattva Journey", poem interpretation: Originally there was no bodhi tree, not a bright platform. As long as sex is empty, there will be no dust!
6. It used to be difficult for the sea to touch eternal amber. In Yuan Zhen's "Five Poems from Thinking (4)" in the Tang Dynasty, it is explained that once you have been to the sea, there is not enough water elsewhere; Clouds in other places are not called clouds except Wushan Mountain.
7. Ruthlessness is not like sentimentality. One inch is still a thousand shares. In the Song Dynasty, Yan Shu's "Spring on the Jade Tower" is interpreted in the poem: a heartless person knows how many lovers are worried, and an inch of acacia has become inextricably linked.