original text
Some women spend a day on the beach of their second child in Kaya Hioki and wash clothes in the water. The tiger came from the mountain, and the woman dived to avoid it. The second child is very calm. Tigers are familiar with it for a long time, and they will be the first to contradict it, which will be fear; And the child is stupid, but I don't know. The tiger is also looking for chess pieces.
Tiger cannibalism is threatened for the first time; If you are not afraid, there is nothing you can do!
translate
A woman put two children on the beach during the day and went to the river to wash clothes by herself. The tiger ran down the mountain, and the woman jumped into the water to avoid the tiger. The two children are still playing on the beach as before. The tiger stared at them carefully for a long time, and even touched them with his head, hoping to make one of them feel scared, but the child was naive and finally didn't know he was scared. After a while, the tiger finally left. It is estimated that tigers eat people and always impose their prestige on others first; But for those who are not afraid, its prestige has no place to display!
truth
1. People are often like this. Finally, everything depends on strength.
In the face of sudden difficulties or setbacks, as long as we are calm and fearless, we will certainly overcome difficulties and achieve success.
(frightening, self-injury; Fearless and successful. )
3. Newborn calves are not afraid of tigers.
Precautions:
Laundry: Laundry. Possessed: not nervous. Ji Shu: Almost, a little. It means "hope" here. Italian tiger cannibalism: estimation. The tiger has been familiar with it for a long time: be careful. Head to head: head. The tiger is also looking for chess pieces: finally. Search: adverb, immediately, soon. Go: leave in a hurry: hurry and panic. Fear: fear. Be imposed, increase. Meaning: estimate, infer. Location: location. Pool: yearning. The tiger ran down from the mountain (to the beach). Avoid: avoid delusion: this refers to ignorance. Daytime: daytime
Brief introduction of the author
Su Shi (1037-1101) was a writer, painter and gourmet in the Northern Song Dynasty. Zi yue Zhan, no Dongpo lay man. Han nationality, Sichuanese, was buried in Yingchang (now Jiaxian County, Pingdingshan City, Henan Province). I have a bumpy career, profound knowledge, extremely high talent and excellent poetry, calligraphy and painting. His writing style, Wang Yang, is unrestrained and fluent, and he is also called Ou Su with Ouyang Xiu, one of the "Eight Masters of Tang and Song Dynasties"; Poetry is fresh and vigorous, making good use of exaggeration and metaphor, and its artistic expression is unique. Together with Huang Tingjian, they are called Su Huang. The uninhibited school has a great influence on later generations, and it is called Su Xin with Xin Qiji. Calligraphy is good at running script and regular script, and it can be innovative. Writing with a pen is ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. Painting is the same as literature. In painting, we advocate spirit likeness and "literati painting". He is the author of The Complete Works of Su Dongpo and Dongpo Yuefu.
Su Shi's poems
Su Shi's views on society and thoughts on life are undisguised in his literary works, among which poetry is the most hearty. In more than 2,700 Su poems, the theme of intervening in social reality and thinking about life is very prominent. Su Shi's attitude towards various unreasonable phenomena in social reality is "out of date", and he always regards criticizing reality as an important theme of his poems. What is more valuable is that Su Shi's criticism of society is not limited to the New Deal or the present. He criticized the long-standing abuses and bad habits in feudal society, and embodied a deeper critical consciousness.
Su Shi's life was ups and downs, and he traveled everywhere, and his life experience was extremely rich. He is good at summing up experience from life experience and seeing laws from objective things. In his eyes, ordinary life content and natural scenery contain profound truth, such as Xilin Wall Topic and Mianchi Nostalgia. In these poems, natural phenomena rise to philosophy, and the perception of life is also transformed into rational thinking. What is particularly commendable is that the philosophy in poetry is naturally expressed through vivid and distinctive artistic images, rather than through logical deduction or discussion and analysis. This kind of poem is both beautiful and interesting, worthy of the name. "I don't know the true face of Lushan Mountain" and "Snow Mud Red Claw" became a popular idiom as soon as they came out, which shows that Su Shi's reasonable poems are widely loved. There are many similar works in Su Shi's poems, such as the Sangha Pagoda in Sizhou, drinking rain on the lake after the Qing Dynasty, and being trapped by the wind in Cihu. Su Shi is very insightful, so he can find wonderful ideas everywhere.
Deep life thinking makes Su Shi hold a calm and broad-minded attitude towards ups and downs, which is fully reflected in Su Shi's poems. Su Shi's poems in adversity, of course, contain pain, resentment and depression, but Su Shi shows more contempt for suffering and transcendence of pain.
Su Shi has profound knowledge, mastered the artistic skills of poetry to the point of perfection, and has an amazing spirit of innovation in treating artistic norms. Moreover, the expressive force of Su Shi's poems is amazing, and there is almost no theme that Su Shi's poems can't contain.
The late Northern Song Dynasty, represented by Yuan You's poetry circle, was the heyday of Song poetry, and the creation of Su Shi, Wang Anshi, Huang Tingjian and Chen Shidao pushed the art of Song poetry to its peak. The prominence and distinctiveness of Wang, Huang and Chen's poems in style and personality may be more striking than Su Shi's poems. But in terms of creative achievements, Su Shi is undoubtedly the first poet in the Northern Song Dynasty. Su Shi's poems are outstanding in the dimensions of wide subject matter, diverse forms and profound emotional connotation. More importantly, Su Shi has a strong artistic compatibility, and he did not push a certain style to the status of a statue in theory and creation. In this way, although Su Shi made great contributions in the process of creating a new look of Song poetry, he basically avoided the two main shortcomings of Song poetry, namely, sharp and blunt and boring. Therefore, Su Shi surpassed his contemporaries in overall achievement and became the most popular poet in the Song Dynasty.