The play is adapted from an online novel of the same name and tells the story of Peiping in 1930s. Xi Rui, a talented Peking Opera actor, and Cheng Fengtai, a patriotic businessman, met because of the play. They fought side by side in the pear orchard and the war, strengthened their belief in reviving the quintessence of Peking Opera and the lofty ideal of saving the country with their own lives, and finally fought against the cruel fate hand in hand.
For one of the actors, most of these dramas are concentrated on two actors. Andrew's dressing and acting skills are online, his eyes are perfect, he is as soft and white as a woman, and his attitude towards the play is tenacious and stubborn. It can be seen that his consideration of the role is well thought out!
Huang Xiaoming's acting skills are good this time, and she is very emotional, not as greasy as before. The role itself is very rich. Huang Xiaoming's performance is precise and delicate, full of courage, full of domineering, forbearing deeply, witty and clever, even innocent and lovely, which adds a lot of personality charm to the role, so it can convey beautiful feelings to the audience.
Grandma Yu certainly doesn't have much room for this role. But Charmaine Sheh is also very powerful! Fan Xianger's bad temper is a little charming, gentle and virtuous from time to time. Before getting married, she was loved by a big boss in Northeast China! The temperament between gestures is really unique!
From acting to plot, from setting to service, it is a work of conscience. The Peking Opera stage, props, costumes, modeling and other hardware in the play are all exquisite. The two theaters in the play reproduce the Jingguang Hall and Huguang Hall one by one. Chengfu, a perfect combination of Chinese pavilions and western decorations, a cloud water building full of fireworks and a street full of loess, in which Chengfu and Cloud Water Building were completely built by the crew, and the scene in the play was about 20,000 square meters.
Opera costumes are made by professional costume design teams. More than 200 sets of costumes were used in the whole drama, and more than 100 sets were exclusively customized. Opera modeling also strives to be exquisite and complete, from Baotou to dressing, to combing one's hair and wearing one's face, all of which are operated by opera professional teachers.
The things in the pear garden have been passed down and preserved. Although it is well-made and dedicated to the actors, it is good to leave blank for the writers, directors and actors, and the remaining three points are reserved for spectators. Those who are impatient and simply want to get addicted are just right, no more, no less. If you want to dig hard, you can dig out a lot of good things in those three points.
From the TV series, we can think about why and how this person is like this. The sideburns are not begonia red greatly satisfied my thinking. For example, Shang disowned his sister, Chen committed suicide, died when he was a child, and Ning Jiulang became a monk. From this drama, we can appreciate the charm of the quintessence of the country, taste the bitterness of troubled times and experience some unique things of our own.
From the perspective of characters, no matter what kind of characters, whether they are black sheep or have sold their bodies to redeem their younger brothers, June Hong is willing to be a concubine, December Hong's back bone ends in tragedy, and even the younger brother of a Japanese officer who is crazy about snow, the audience can dig out the root of the tragedy from behind them.
This is a good play. Although the era it tells is full of undercurrents, the energy it shows is positive. It is the epitome of the cross-collision of two eras, and it condenses all human states into a theater. On a stage, I saw the emergence of new ideas, the demise of the old society and the feelings of home and country. Yes, in that stormy and dilapidated era, there are still such a group of people standing on the stage with their obsession with the Millennium heritage. Not only actors, but also businessmen, soldiers, literati, women, the elderly and students. They may struggle and hesitate in troubled times, but they still stand firmly on that road, with the backbone of China people behind them, the unknown darkness ahead, darkness and war flying. But there is light in their eyes. They look up beyond pain. They insist on the truth. There is an eternal fire in their hearts, which belongs only to the Chinese nation's stubbornness and sincerity-they are all masters. No matter how thick the brick wall is, it can finally find a gap and show light.
Today's comfort is the road paved by predecessors with blood and fresh life. Don't forget the national humiliation, remember the history. I would like to remember the bitterness in my heart, the generosity and compassion that people should not lack, and I would like to grasp the truth in this illusion.
This drama has got rid of the bitter traditional atmosphere of the drama of the Republic of China, and has a vivid and grounded protagonist, telling a story that may not be easy in a more relaxed comedy way. Tell a story with seriousness as the core in the form of light comedy, and easily and naturally interpret the life of Peiping Liyuan during the Republic of China.
After reading it, I was very impressed. There is no plot collapse from beginning to end in "The Side of Bai Gujing is Non-begonia Red", so it is a good play and the most touching one I have ever seen. Who says a play can't tell a good story? Finally, I was really moved by the irresponsible friendship between two people. Yes, it is friendship, beyond friendship and love. Even if it's just a drama, it's a top drama. Everyone is not a tool, and you can't hate anyone, because each of them is a living person. Everyone has really lived the joys and sorrows of a little person in the times. This is a good story about all beings.