2. It is a very accidental thing for everyone to live in the world.
3. Ignore the implication of aesthetics with the strength of culture, and pay attention to the exterior rather than the interior.
4. Being indifferent to emotions is a kind of practice that not everyone can do.
5. I think all the things in life should be remembered, and some are unnecessary.
6. People's intelligence is not innate, but a feedback from receiving information! The more you accept, the more you give back.
7. The system collapsed under the cultural background. As the biggest background of society, culture is everywhere, and it is often futile for the system to compete with it.
8. Why are you afraid? Because you haven't reached home yet, when you have these practices, you may not be afraid.
9. The prison cow has a good voice, is fond of fighting, is fond of mocking the wind, is good at roaring, and is fond of smoking. Negative monument, happy complaint, gluttony and gluttony, kiss and swallow.
1. Stacked art is a rich literary evening, with all the emphases but no center of gravity. No matter how fancy the form is, in the end, it will be the end of the song, and the eyes will be boundless.
11. Westerners pay attention to styles, and materials will only work on the basis of good modeling; The orientals pay attention to materials, and the style is second. The furniture must be hardwood.
12. What stage are you in, pursuing profit, fame and quietness? It is also good to take a look at the second floor and a half. The more you can't get, the more you can feel happy.
13. A person's maturity lies in that when his personal wishes can't be expressed, or he can express them but can't get what he wants, he can treat them calmly instead of complaining.
14. Civilizations must converge and cultures must seek differences. History has no truth, only one truth remains. Society is a pot of porridge, and there is still a ditch after crossing the hurdle. Gossip is like divination, and divination is nonsense. Talk show with attitude, show with mystery.
15. By seeking the roots, we can see the pursuits of generation after generation. These pursuits, placed in the background of a nation, are actually wonderful, not so wonderful, but the isomorphism of * * * has become a wonderful national history.
16. According to the regulations of Hanting, ministers wear ancient jade to wear to the court. Group Pei, as the name implies, is a group of Yu Pei. Group Pei is composed of Yu Pei of different sizes, with a silk rope in the middle and a waist, which limits the actions of civil and military officials when they go to court. If someone moves too much and too hard, the group will jingle, which is bound to attract the attention of the guards.
17. Five colors, fighting colors, enamel colors and pastel colors have become the mainstream of colored porcelain, while others, such as plain tricolor, ink color, Fanhong color and light crimson color, are all derived varieties. Anyone who knows colored porcelain can feel the internal changes of colored porcelain varieties, from external enthusiasm to internal implication. Pastel is the harvest of the painted porcelain kingdom. When it was invented, it was near the end of the Kangxi dynasty, about 3 years ago.
18. As soon as Yongzheng made famille rose rapidly, several years of kung fu famille rose to the top. This has something to do with Yong Zhengdi. In addition to busy government affairs, Yongzheng paid more attention to famille rose in order to relieve the pressure in his heart. There were often specific instructions on the burning of famille rose in the imperial batch: so-and-so flowers should be removed from black, so-and-so leaves should be painted less, and so on. These imperial calligraphy Zhu batches can be easily found in the Qing file today.
19. In the old antique circle, collections are divided into two categories, and they have a simple and vivid title: soft films and hard films. Film refers to calligraphy and painting, ancient books with inscriptions and, to a greater extent, embroidery, carpets, etc. In short, all kinds of antiques that can be folded through are collectively referred to as film; Another kind of hard film refers to ceramics, bronzes, jade, glassware, bamboo and wood horns and other miscellaneous items, and the name is quite appropriate.
2. The most famous white glaze-Shu Fu glaze was famous for a long time. As the official imperial porcelain, Shu Fu glaze reflects the fashion of Yuan Dynasty, taking white as auspicious. Mongolians still advocate white. According to ancient books, white glazed tiles were fired in the Yuan Dynasty. Shu Fu glaze is a kind of egg white glaze, which is turbid and rich in color. The early Shu Fu glaze is slightly blue, and the later one is whiter. Due to the thick glaze of the official residence, many ornamented utensils are unclear, forming a hazy beauty. The contribution of Shu Fu glaze to ceramics is mainly to lay the foundation of blue and white porcelain. Pay attention to the glaze color of Yuan blue and white, and you can clearly find that its silk thickness is very close to that of Shu Fu glaze. Shu Fu glaze got rid of Song Yingqing's transparency and brightness, which made Jingdezhen's porcelain production take a big step, transformed transparency into opalescence, and provided a solid foundation for the emergence of blue and white.
Introduction to Ma Weidou
Ma Weidou (March 22, 1955-), born in Beijing, is a collector and antique connoisseur, the speaker of CCTV's Lecture Room, and the series "Ma Weidou talks about collection". At present, he is a member of China Democratic National Construction Association, the founder and current curator of Guanfu Museum, and a columnist and expert of China Net.
In 1981, the novel "The Moon is Full Tonight" was published in China Youth Daily, which was regarded by many readers as the enlightenment of traditional culture. After the novel was published, it was transferred to the editor of Youth Literature.
In 1996, Ma Weidou established Guanfu Museum, the first private museum in the People's Republic of China, and began to collect China's ancient works of art, including ceramics, ancient furniture, jade, lacquerware and metalware.
In 28, Ma Weidou made a royalty income of 7.45 million yuan, ranking fifth in the Third Rich List of Chinese Writers in 28, which aroused widespread concern.