Question 1: What does blue and white porcelain mean? Blue and white is made by using natural cobalt materials for painting and decoration on white mud, then covering it with transparent glaze, and then firing it at a high temperature of about 1300 degrees Celsius, so that the color material can fully penetrate into the glaze, presenting a verdant blue pattern. It looks quiet and beautiful, clear and elegant. Blue and white is the most distinctive porcelain decoration in my country. It is a type of underglaze colored porcelain and one of the earliest methods invented in my country's ceramic decoration. Gong Shigong of the Qing Dynasty praised blue and white porcelain in his "Poetry Song": "The white glaze blue and white porcelain is made by fire, and the flowers are clearly visible through the glaze. It can be seen from the innate wonder of nature, and the origin of Wuji is Tai Chi."
Blue and white is the most ethnic porcelain decoration in my country, and it is also one of the earliest methods of ceramic decoration in my country. Its characteristics are: first, strong tinting power, bright hair color, and stable color; second, the decoration will never fade; third, it is rich and colorful, clear and elegant, and has the artistic charm of Chinese ink painting; fourth, it does not contain toxic elements such as lead and arsenic, which is harmful to It has no toxic side effects on the human body; fifth, it is not only suitable for decorating daily-use porcelain such as meals and tea sets, but also suitable for decorating vases, vats and other display porcelain; sixth, its raw material contains rich cobalt-containing natural minerals.
Question 2: What does blue and white porcelain mean? Blue and white porcelain, also known as white ground blue and white porcelain, often referred to as blue and white, is one of the mainstream varieties of Chinese porcelain. Primitive blue and white porcelain appeared in the Tang and Song Dynasties, while mature blue and white porcelain appeared in the Hutian kiln in Jingdezhen in the Yuan Dynasty. Blue and white porcelain uses cobalt oxide-containing cobalt ore as raw material, depicts patterns on the ceramic body, then covers it with a layer of transparent glaze, and fires it once with a high-temperature reduction flame. Blue and white porcelain is a wonderful flower in Chinese literature.
Question 3: What does the lyrics of blue and white porcelain mean? 1 One paragraph actually clearly explains the object described in the lyrics. While "I" was coloring the embryo, I missed a Jiangnan woman who I once encountered and was as beautiful as blue and white porcelain. Amid the sandalwood fragrance, my heart is slightly sour and I can no longer paint. Even if I am a master of painting, the peonies on the vase are not as good as the beauty's budding smile. I don't know where the jade is in life, and I can't help but feel sad. Judging from the writing style and the images chosen, the beginning is a straightforward narration, which is not gorgeous in words, but it has already set the tone of the whole article, which is clear and elegant. It is worth mentioning that "went to" is a typical Taiwanese expression, and changing it to "went" is more in line with the language habits of the mainland. "The sky is blue waiting for misty rain, and I'm waiting for you" is the key word in the whole text, elegant and affectionate. Some people mistakenly believe that "the sky is waiting for misty rain" and other statements are because they still lack a certain understanding of blue and white porcelain. "Azure after rain" is the top grade of blue and white porcelain. It is extremely rare and is also the most beautiful color. This kind of glaze color can only be fired in misty and rainy days (from a modern scientific perspective, it is actually mainly due to humidity). Therefore, one of the decisive conditions for the appearance of azure in misty and rainy days. "The sky is blue and waiting for the misty rain" not only expresses the language of poetry, but also connects "And I'm waiting for you" to show how valuable the beautiful person is to "me". Coupled with the moving and beautiful melody, it is like hearing the sounds of nature. "Smoke curls up thousands of miles across the river" has a strong sense of imagery, killing three birds with one stone. It not only describes the beautiful scenery of the south of the Yangtze River, but is also a common scene on blue and white porcelain. It also uses the scenery to set off the mood. The beautiful scene adds a touch of sadness to the thoughts. "The Han Dynasty writing on the bottom of the bottle imitates the elegance of the previous dynasty, just think that I am foreshadowing my meeting you" still adheres to the idea of ????expanding thoughts while sketching the blue and white, and the word foreshadowing actually hints at the future ending. Is "I" related to the woman I once met by chance? "The sky is blue, waiting for misty rain, and I'm waiting for you. The moonlight has been salvaged and fainted. The ending is like the blue and white porcelain passed down from generation to generation. It's self-conscious and beautiful. Your eyes are smiling." The same melody is chanted again. A "halo" is wonderful. What is a halo? ? Let me give you an example. When you drop a drop of ink into a bowl of water and watch it spread slowly, this is dizziness. People say: "Good sentences are made by nature, but come by chance." Under the dim moonlight, the ending is really revealed? Have you seen the longing lady? "Like the blue and white porcelain passed down from generation to generation, it is self-conscious and beautiful, and your eyes are smiling." This sentence is a standard inversion. Yes, I saw it. It is as real as it is illusory. It seems that everything is integrated into the beautiful scenery of Jiangnan. It seems to be a comedy ending.
However, the author is more inclined to think that this is because "I" have become obsessed with thinking about it for a long time. I have hallucinations in front of my eyes. The hazy moonlight disappears, but I am more lovesick. "The white and blue koi leapt out at the bottom of the bowl. I copied the inscription in Song style, but I was thinking of you. Your secret hidden in the kiln for thousands of years is as delicate as the embroidery needle falling to the floor. The plantains outside the curtain are making a shower, the door knocker is making a patina, and I pass by that small town in the south of the Yangtze River. "I provoked you and you were hidden from the depths of the ink in the splash-ink landscape painting." The flashback technique tells the story of how he and his lover met in a hurry and said goodbye in a hurry, still sketching and reminiscing at the same time. It has to be said that Fang Wenshan has a natural sensitivity to words, and the use of three consecutive characters for "provoking" is extremely good, although "the banana outside the curtain is causing a shower" is ripped from the previous poems. By the way, this method is also called "unreasonable and wonderful", which first came from Yuan Dynasty. Obviously, the shower was not caused by Bajiao. It doesn't make sense, but the taste comes out. Repeatedly chanting the two most touching melodies and repeating the lyrics, until the soft misty rain in the south of the Yangtze River melted all the listeners... 2 Lyricist Fang Wenshan's explanation of the lyrics first shared with dear netizens this time to fill in Jay Chou's new lyrics The creative process of the song "Blue and White Porcelain" in the album. A while ago, I met a few friends who appreciate antique art. While chatting with them about bronzes, Song porcelain, Ming and Qing furniture, etc. spanning thousands of years, I was triggered to want to use those handed down Chinese artworks. came to be the motive for the song title. The first thing that came to mind at that time was bronze wares. Originally, the title of the song was to be based on the bronze wares that had been cast since the Yin and Shang Dynasties. The thickness of bronze was used to symbolize the firmness of love; the mottled patina of thousands of years was used to metaphor the vicissitudes of the world; the utensils were used to symbolize the vicissitudes of life. There are incomprehensible inscriptions on it to illustrate the mystery of the oath. But when I first started writing, I found that the melody of Jay's "Blue and White Porcelain" was gentle, euphemistic, elegant and refined, so that all that came to my mind were images of misty Jiangnan. And because the bronzes at that time were also made into weapons for killing enemies, the word "bronze" seemed too heavy and clumsy, full of the smell of gunfire, so the lyrics that were still being conceived were abandoned before they were written. Later, I chose Ru Kiln porcelain, which was very popular during the Song Dynasty, mainly because of its rarity. Because of the war, it was matched with the glaze...gt;gt;
Question 4: What does blue and white mean? Ceramic terminology Porcelain decoration technique One of the porcelain underglaze decoration techniques, also known as " "Underglaze blue", "Underglaze blue", "White glaze blue flower". First, the cobalt material is used to describe the pattern on the porcelain blank, then the colorless transparent glaze is applied, and the porcelain is fired with a high-temperature reduction flame above 1200°C.
Question 5: What is the meaning of the lyrics of Jay Chou's "Blue and White Porcelain"? "Ma Weidu believes that the most fallacious sentence is 'The Han Dynasty official script imitates the elegance of the previous dynasty at the bottom of the bottle'. In this regard, Ma Weidu's The explanation is that since its birth, blue and white has quickly become the dominant force in Chinese porcelain, and has not been shaken for seven hundred years. However, the bottom of the bottle has never been written with official script, and only some blue and white vessels had official script written on the body during the Chongzhen Dynasty of the Ming Dynasty. , the person who wrote the lyrics does not know much about porcelain. Another mistake is "I am thinking about you when copying the Song style inscription." Ma Weidu said that the mistake in this lyrics is that "the Song style inscription is only seen on enamel porcelain from the Kangxi, Yongzheng and Qian dynasties, but blue and white porcelain." "I haven't seen it in the utensils before" ("Beijing Morning News": "Famous appraiser: Jay Chou made a stupid mistake in "Blue and White Porcelain"") It turns out that Mr. Ma asked the lyricist to write the lyrics like an academic paper, without using fiction or imagination. , exaggeration and other literary means, otherwise it is inevitable to make "low-level mistakes". This reminds me of a joke made by the literary giant Su Dongpo of the Song Dynasty: Wang Qi, a poet of the Song Dynasty, composed two "Bamboo Poems". He proudly recited them in front of Su Dongpo. "There are ten thousand bamboo poles." Dongpo was quite dissatisfied and said, "It is indeed very good, but if you look at it this way, there are only one bamboo leaf out of ten bamboo poles." Afterwards, he said to others, "It's easy to laugh at things in this world. When reading Wang Qi’s poems, it’s hard not to laugh.
"(See Part 2 of "Miscellaneous Notes on the Song Dynasty" Volume 55 of "Tiaoxi Yuyincong Hua") In fact, it is not Wang Qi who should laugh but Su Dongpo. As a great writer, he should not even understand the special laws of literary creation. When using arithmetic tools such as addition, subtraction, multiplication and division to criticize poetry, literature uses image thinking, and arithmetic uses logical thinking. How can they be confused? Such a joke was also made by Yang Sheng'an in the Ming Dynasty. He once wrote Du Mu's famous poem " "Jiang Nanchun" criticized: "A thousand-mile oriole crows green and reflects red" should originally be "Ten-mile oriole crows green and reflects red", "Today's version mistakenly reads "Qianli". If we follow the popular version, who can hear the cry of an oriole thousands of miles away? Who can see the thousands of miles of green reflecting red? "(Yang Shen's "Sheng'an Poetry Talk" 8) Regarding this pedantic view, Wang Fuzhi once gave an example in "Jiangzhai Poetry Talk" of "attacking his shield with his spear" and said, "Especially those who are sour and pedantic, since they are so good in poetry." Looking for the source, I prefer to use poetry as the source to verify the truth. Du's poem "I wanted to sell a wine fight, but I had three hundred bronze coins", so he took it as the price of wine in the Tang Dynasty. Cui Guofu's poem "A bucket of wine with Gu only costs ten thousand coins." If you sell wine in Dulinggu and sell it to Cui Guofu, wouldn't you get thirty times the interest money? Those who ask for the source are so ridiculous. "Mr. Ma's incomprehension is precisely the mistake of "looking for the source of poetry, rather than using poetry as the source to verify the truth." Therefore, as soon as his "Bang He" came out, he was immediately accused by the singer's fans of being "nit-picking" . However, what surprises me even more is that after repeated consideration, the two "faults" picked out by Mr. Ma in the lyrics of "Blue and White Porcelain", even if viewed from the pedantic "academic perspective" of "examination of truth", the result is that There is no "flaw" to complain about and no "flaw" to be found. In other words, the description of blue and white porcelain in the lyrics of "Blue and White Porcelain" is completely consistent with the reality of ancient blue and white porcelain, and there are no "low-level errors" and "fallacies" pointed out by Mr. Ma. ". Now we might as well analyze the two "flaws" picked out by Mr. Ma as follows: 1. According to Mr. Ma, the most serious fallacy is the sentence "The Han Dynasty official script at the bottom of the bottle imitates the elegance of the previous dynasty." Externally? Because? "Han official script has never been written on the bottom of the bottle, and official script was only occasionally written on the body of some blue and white vessels during the Chongzhen period of the Ming Dynasty." In fact, in the late Ming and early Qing dynasties (academically called the "transformation period"), the official script was written on the blue and white porcelain. Existing in large quantities, official script inscriptions are an important feature of blue and white porcelain during the transition period. Although they mostly appear on the body and mouth of the vessel, they are by no means missing on the bottom of the vessel, but are relatively rare. For example, there is a blue and white baby play in the Palace Museum. The bottom of the bowl-shaped stove with the winning figure is "Made in the Jiajing Year of the Ming Dynasty" in blue and white official script; the Jinjiang Museum in Quanzhou also has a late Ming Dynasty blue and white unicorn pattern elephant ear gui with the bottom of the blue and white official script "Hangzhou Autumn 2006". At the art auction, a large blue and white eight-treasure vase from the Qing Dynasty (Lot No. 1317) with six characters and three lines of official script inscription "Made in the Qianlong Year of the Qing Dynasty" was found on the bottom. This shows that the practice of writing official script on the bottom of the blue and white vase is not only changing. The existence lasted until the middle of the Qing Dynasty. Generally, the official inscriptions on the bottom of blue and white carved vessels (including furnaces, vases, flower cups, etc.) are mostly marked with hall titles, and there are also a few inscriptions with praise and year titles. 2. Picked out by Mr. Ma. Another mistake is "I was thinking about you when I copied the inscription in Song Dynasty"? Because "Song style inscription is only seen on enamel porcelain from the Kangxi, Yongzheng and Qian Dynasties, but not on blue and white porcelain." "What must be pointed out here is that Mr. Ma's understanding of what Song-style characters are is still relatively vague, or it is not correct, comprehensive and in-depth enough. The blue and red materials on the enamel porcelain of the Kangxi, Yongzheng and Qian Dynasties...gt ;gt;
Question 6: What do the lyrics of the song "Blue and White Porcelain" mean? This is a Chinese-style song~~~ The surprise that brings us is that this kind of separation is described in such a way. It is more tactful and delicate, hidden more implicitly and has a unique charm, just like green olives in the mouth, which can be slowly savored.
In terms of artistic conception, "Blue and White Porcelain" is like a misty and rainy ink landscape in the south of the Yangtze River.
Between the budding water clouds, you can vaguely see the beautiful woman in white clothes and skirts flying;
In terms of words and sentences, "Blue and White Porcelain" is a piece of plain writing written by the window with a graceful pen.
The twists and turns in the writing are just because the heart is like a double mesh with thousands of knots in it;
In terms of tune, "Blue and White Porcelain" is like a mountain spring stream flowing quietly on the rocks in the breeze.
It is clear and translucent, yet winding and full of endless meanings;
This The three are superimposed into one place, and the song "Blue and White Porcelain" is just like its name.
It is just like the best celadon that "takes care of its own beauty", washed away all the lead, simple and elegant, fresh and smooth.
The guzheng is strummed, the teeth are crisp, the pipa is tinkling, and the Chinese style of "Blue and White Porcelain" is particularly moving. Fang Wenshan used a series of words such as "plain embryo", "lady" and "Han Li" to describe the elegance of the traditional blue and white porcelain. Jay Chou's singing voice is tender and simple, with a hint of Jiangnan opera, and his exquisite lyrics and retro music constitute a ramp. ;B masterpiece.
In "Blue and White Porcelain" I heard the faint sadness of revisiting the old place in "The East Wind Breaks", and heard the gentle sigh of the endless reincarnation of the past and the next in "Hair Like Snow". I also heard the unforgettable life-and-death waiting in "Thousands of Miles Away", and even heard the vows of love that have lasted for thousands of years but are immortal in "Love in B.C."... My heart was filled with mixed feelings, and the thoughts that filled the sky were rolling like a tide, and my ears But there was still just a gentle chanting, the clouds were light and the wind was clear.
I thought the most touching word in "Blue and White Porcelain" was the word "wait".
The word "wait" conveys so much helplessness and lamentation. This wait is a hopeless wait, a wait for the next life, a wait that you know you can't wait for, but the song is sung in a light tone, it's ordinary, as if it's as simple as just waiting for the sunrise every day; while waiting, , you can read and write, you can recite poems and paint, you can enjoy flowers and play the piano, but you never forget the people who are waiting. Painful? No, "Blue and White Porcelain" is sung so leisurely that the sorrow and hatred of separation can be slowly washed away. What if we can’t ask for it, or if we love it apart? All living beings suffer, and waiting is also a beautiful mood. It is better to regard the encounter in this life as just a foreshadowing of the reunion in the next life. Thinking about it this way, I can't help but feel relieved. Even if we can't meet each other again, we should still be grateful for the chance encounter we had. Who can privately own Mount Fuji out of love? Blue and white porcelain is the same.
At least, we can look at the smoke from Jiangnan across thousands of miles of mountains and rivers, and silently miss the faint back in our memories across the vast sea of ????people, just as we can quietly appreciate the unchanging beauty of blue and white porcelain handed down from generation to generation across the layers of history. .
The rain outside the banana curtain is hurried, and time is passing by in a hurry;
The face in the blue and white porcelain is old, it is only me who is getting old, but your beauty will always be fixed in eternity. In the faded blue and white porcelain, you can admire, ponder, and watch.
Give me points~~haha~~
Question 7: What do the lyrics of Jay Chou's "Blue and White Porcelain" want to express? What does it mean? A beautiful sweetheart
A beautiful place
A wonderful love story happened
Question 8: What does the lyrics of "Blue and White Porcelain" mean? The blue-and-white brush strokes turn thicker and lighter, and the peonies depicted on the bottle are just like your first makeup. The sandalwood scent shines through the window. I understand my thoughts through the window. The pen has been half-glazed on the rice paper, rendering the lady's figure. The charm is hidden, and your beautiful smile is like a bud waiting to let you go. A wisp of beauty drifts away to a place I can't go
The sky is blue waiting for mist and rain, and I'm waiting for you. The smoke from the kitchen chimney rises thousands of miles across the river. On the bottom of the bottle, the book Han Li imitates the elegance of the previous dynasty. I foreshadowed my meeting you, the sky is blue and waiting for mist and rain, and I am waiting for you, the moonlight is salvaged and fainted, the ending is like the blue and white porcelain passed down from generation to generation, self-consciously beautiful, your eyes are smiling, the white and blue koi leaps out at the bottom of the bowl, copying the Song style inscription. But I am thinking about you. The secret that you have hidden in the kiln for thousands of years is as delicate as the embroidery needle falling outside the curtain. The bananas stir up the shower door knocker and stir up the patina. And I passed by that Jiangnan town and provoked you. In the splash-ink landscape painting, you were hidden from the depth of ink.