The love between Mongolia and Han is so deep that we can’t bear to say goodbye. The green grass at the end of the world talks about the setting sun. Interpretation from Lao She's "Grassland": The friendship between the Mongolian and Han people is profound, how can they bear to separate immediately! On the boundless prairie, facing the setting sun, everyone expressed their feelings of farewell to each other.
Lao She, the author's original name was Shu Qingchun, also known as Sheyu, a famous modern writer, 1899~1966, Manchu, pen name Lao She.
Extended information:
Full poem:
The host is so hospitable that he catches the sheep, the milk, wine and ghee are colorful and fragrant, the blessings are so frequent that it is hard to express them, and the toasts are never given to each other. forget. The old man still sings the songs of the past, the young man wears new contemporary clothes, the love between Mongolia and Han is so deep that we can't bear to say goodbye, and the green grass at the end of the world talks about the setting sun.
Meaning:
The Mongolian and Han peoples have a deep friendship and live in harmony; when they parted, they talked carefully on the grassland under the sunset and could not bear to say goodbye.
Profound meaning: The love between Mongolia and Han is so deep that we cannot bear to say goodbye. The green grass at the end of the world talks about the setting sun. "This sentence uses "metaphorism" in many places to look forward to the evening. These metaphors have complete and profound meanings.
The artistic conception depicted in this sentence: Since ancient times, Mongolia and the Han people have been good friends. Today Our gathering here is not only a gathering of friends, but also a testimony of the friendship between the two nations. As the sun sets on this vast blue prairie, I hope our friendship will last forever.
The lingering close-ups are closely aligned with the overall theme of "deep love between Mongolia and Han", and have the effect of revealing the theme and deepening the meaning of the text.
Lao She's style of work:
1. Creative themes
Lao She’s works are mostly based on citizens’ lives. He is good at depicting the lives and fate of the urban poor, especially the conservative and backward middle- and lower-class citizens who are soaked in feudal patriarchal concepts. In the midst of national conflicts and class struggles, under the impact of new historical trends, he likes to reflect the confusion, hesitation, and lonely ambivalence, as well as the ridiculous behavior of being in a dilemma and at a loss. The common social conflicts often extend to the exploration of the national spirit or the thinking of the fate of the nation, allowing people to taste the severity and heaviness of life from the lightness and humor.
The colorful renderings of natural scenery. The meticulous description of customs and human feelings adds to the life and interest of the work.
In the history of modern literature, Lao She's name is always closely associated with citizen themes and Beijing themes. An outstanding painter of customs and world affairs (especially the customs and customs of Beijing) in the Chinese literary world.
As a great master, the social reality he reflects may not be broad enough, but within the scope of his depiction, he encompasses everything. History and reality, from the natural scenery throughout the year, the social atmosphere and customs of different eras, to the joys, sorrows, joys and subtle mentalities of people of all religions and professions, are all combined and condensed into a vivid and vivid story. Vivid and lively, it forms a complete, full and "Beijing-flavored" world. This is Lao She's special contribution to the history of modern literature.
Another characteristic of Lao She's works is that they express a clear anti-imperialism. Patriotic themes. Lao She's works often directly expose the crimes of imperialist aggression and describe the various harms caused to the Chinese people by their economic, cultural, religious infiltration and racial discrimination.
He expresses national awakening, In order to praise the national integrity, and at the same time criticize the foreign slaves who were humble and helpless in the face of these invasions and infiltrations, the year 1960 was the 60th anniversary of the Boxer Rebellion, so the play "The Fist of God" was written to reproduce the heroic struggle of Beijing residents against the Eight-Power Allied Forces. Situation.
2. Language style
Lao She’s language is vulgar and elegant, and is both elegant and vulgar. Such a master records the language of the people without processing it. "Therefore, the language of the characters in the work is refined Beijing vernacular. The "vulgar" language of his works is based on careful thinking and research.
His "whiteness" makes it easy for readers to understand Understanding yet profound. Using popular and plain words to reflect the times and life is the realm of Lao She as a language master. It can be said that "hibiscus comes out of clear water, and the carvings are naturally removed."
However, there is another way. On the other hand, Lao She also used language to strip away the roughness and randomness of natural forms and refine it into gold, making modern Beijing spoken language appear as simple and refined as a piece of finely carved porcelain.
Similarly, Lao She's works also pursue humor. On the one hand, they are influenced by British writers such as Dickens; on the other hand, they are also deeply marked by "Beijing citizen culture", forming a more intrinsic " Beijing flavor". Humor is the overall style characteristic of Lao She's works.
He believes: "To make the text lively and interesting, humor must be used... Dry, obscure, and boring are the fatal wounds of literature and art; humor is of great importance." Therefore, Lao She's novels , dramas, essays, etc. are also full of humor.
His humorous talent shines through the lines in his works: he expresses the "deep thinking" ideological content in "coquettishly spoken" language, which is subtle, timeless and full of strong humor. Since the publication of "Lao Zhang's Philosophy", Lao She has been known as a "humorous novelist".
Mr. Lao She is a master of the use of subtext, and his representative is "Teahouse". "Tea House" effectively enriches the connotation of language with its profound and implicit subtext. The most classic example is the "war of words" between Eunuch Pang and Qin Zhongyi in the first act.
One of these two people is the favored slave of the Queen Mother of the West, and the other is a bourgeois who advocates reform. When the two meet unexpectedly, they are polite on the surface, but they are fierce in their hearts. Lines like this abound in "Tea House." It arouses people's interest and deep thoughts with extraneous tones, which makes people chew.
Lao She’s works successfully use the vibrant Beijing spoken vocabulary, making the language of the works reveal a unique Beijing charm. The works have a mellow flavor of life, and the local scenery, folk customs and customs are real and touching.
At the same time, Beijing people are written in authentic Beijing dialect. They are native, lively, interesting, simple and natural, and have a unique charm of life. They reveal the charm of Beijing dialect and show the liveliness of Beijing dialect. vitality and Lao She’s ability to master Beijing’s spoken language. < /p>
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The love between Mongolia and Han is so deep that we can’t bear to say goodbye to the green grass at the end of the world and the setting sun
Meaning: "The love between Mongolia and Han is so deep that we can't bear to say goodbye. The green grass at the end of the world talks about the setting sun." The friendship between the Mongolian and Han people is profound, so how can they bear to say goodbye immediately? Until the sun sets, people are still saying goodbye to each other on this distant and endless grassland. feeling. This sentence, as the end of the whole article, points out the core of the deep unity and love between the Mongolian and Han ethnic groups. This sentence uses the technique of "metonymy" in many places. "Mongolian and Han" refers to "Mongolian and Han people", "Tianya" refers to "frontier", which here refers to "Inner Mongolia", "green grass" refers to "prairie", and "setting sun" refers to "evening". These metaphors have complete and profound meanings. The artistic conception depicted in this sentence: Since ancient times, Mongolia and the Han people have been good friends. Our gathering here today is not only a gathering of friends, but also a testimony of the friendship between the two nations. On this vast blue prairie, with the sun setting in the west, I hope our friendship will last forever. The love between Mongolia and Han is so deep that we can't bear to say goodbye. The green grass at the end of the world talks about the setting sun. From "Grassland" by Lao She, the author's original name was Shu Qingchun, courtesy name Sheyu, a famous modern writer, 1899~1966, Manchu, pen name Lao She. Interpretation: The friendship between the Mongolian and Han people is profound, how can we bear to separate immediately! On the boundless prairie, facing the setting sun, everyone expressed their feelings of farewell to each other.
Wang Nian replied on ?2019-09-07
4105 likes and 1 comment
How can Mongolia and Han bear to say goodbye to the blue grass at the end of the world and talk about the setting sun? ?
Meaning: The friendship between the Mongolian and Han people is profound, how can we bear to separate immediately! On the boundless prairie, facing the setting sun, everyone expressed their feelings of farewell to each other. From Lao She's "Grassland", the original text is as follows: The host is hospitable to the sheep, and the butter and butter are delicious and fragrant. The blessings are so frequent that it is difficult to express them. Don't forget to toast each other.
The old man still sings the songs of the past, the young man wears new contemporary clothes, the love between Mongolia and Han is so deep that we can't bear to say goodbye, and the green grass at the end of the world talks about the setting sun. Deep meaning: The Mongolian and Han peoples have a profound friendship and live in harmony; when they parted, they talked carefully on the grassland under the sunset and couldn't bear to say goodbye. Since ancient times, Mongolia and the Han people have been good friends. Our gathering here today is not only a gathering of friends, but also a testimony of the friendship between the two nations. On this vast grassland stretching as far as the eye can see, the sun sets in the west. I hope our friendship will last forever.
Extended information: The creative themes include brightly colored renderings of natural scenery and meticulous descriptions of customs and human feelings, which add to the life and interest of the work. In the history of modern literature, Lao She's name is always closely associated with themes about citizens and Beijing. He is an outstanding painter of customs and world affairs (especially the customs and customs of Beijing) in the modern Chinese literary world. As a great master, the social reality he reflects may not be broad enough, but within the scope he depicts, he combines history and reality, from the natural scenery throughout the year to the social atmosphere and customs of different eras.
Little Bear Plays with Technology gj answered on 2021-02-25
818 likes and 1 comment
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What do you think Will frequent chatting lead to the illusion of love?
If two people chat frequently, they will have the illusion of being in love. If opposite sexes can keep talking about topics and work tirelessly, it means that the two people's views and interests are basically consistent, but you should also be careful about the other person's feelings. Feelings come from frequent chats. We often encounter this situation. We have many friends around us and our family members are very easy-going, but we cannot talk to them about certain topics. At this time, it is best to have a "tree hole" friend. Many people like to tell strangers what's on their mind. Even if the stranger doesn't say anything, simply listening can make people feel very relaxed and comforted. Just like online dating, which is more popular now, although you can't see the other person's face, you can feel your heart between the lines. Maybe a simple greeting or a brief response from the other person can make you feel that the other person is very nice. But the Internet is not reality, and there is also deception in it. Because you can't see the other person's appearance, let alone know the other person's details, it is difficult to judge a person's character. If the other party has hidden intentions and has other plans for you, they can create a trap to trap you in. Just like the online dating fraud cases that are often reported on the Internet, the victim thinks she is a beautiful woman, but is actually a real "foot-picking man". The reason why the victim was deceived was the illusion of love. The liar will package herself as a beautiful woman and take the trouble to chat with the suspect every day and listen to the suspect's complaints. This catering attitude and long conversations make the victim fall into a habit, which creates the illusion of love. In the victim's mind, he automatically sets himself as the other person's lover. But the feelings brought out by this kind of frequent chatting are not pure, and there may be an element of interest in them.
Of course, in real society, there are also like-minded friends of the opposite sex, but it is difficult to guarantee that one of the two parties is not tempted. Do you want a relationship or a brother? It is a rare friendship for opposite-sex friends to become best friends, but once this relationship changes from friends to lovers, it is very likely that both parties will lose a good brother. When friends become lovers, it is not only a change in identity, but also a change in many things in life. For example, in the past, the two of them could talk to each other, but now some topics can only be discussed with other people. For example, in the past, most of the topics between two people were interests. After getting along, they found that the other person had too many problems in their life, and some minor problems were simply intolerable. The other party also knows all your dark history, so it’s hard to guarantee that you won’t be brought out in the event of a quarrel. It would be a happy reunion if the two could achieve perfection, but their relationship broke down and they lost not only a lover, but also a once-like-minded friend. Therefore, when you are considering whether to change from friends to lovers, you must ask yourself in your heart whether this is love and whether you are willing to give up a rare friend. How to maintain boundaries with friends of the opposite sex? If you don’t want to lose this friend and want to maintain the relationship as a friend, then you should refer to the following points to keep your friend’s bottom line. First of all, don't do anything that goes beyond the boundaries of friendship. Since you have chosen to be friends, you should guard your friends’ last line of defense. For example, don't play intimate jokes with your friends, don't kiss each other, or hold each other's hands. Because each other has chosen to be friends, you cannot let the other party misunderstand your behavior. Friends of the opposite sex should have a moderation in everything. As the saying goes, the friendship between gentlemen is like water. To maintain a pure friendship requires a friend's important bottom line. Then, don't complain about your couple to each other. Although they are good friends, it is better not to announce the secrets of your loved ones everywhere, otherwise it will be difficult to explain to your partner if they find out. You may think the other person is okay, but there is no guarantee that your partner will understand your feelings. Finally, don’t contact too often. Too frequent contact between two people may give each other the illusion of being in love. They can call each other brothers and sisters, but they should not contact each other frequently every day. This will make them feel inseparable from each other. Habits become natural, this is the truth. If something is repeated every day, and if it suddenly stops, you will feel empty inside. This feeling is not love, but a habitual need. That’s it. Frequent chatting between two people will create the illusion of being in love, which is not real. If you want to turn your "brother" into a lover, then you must think clearly whether you are willing to lose this close friend. < /p>
The love between Mongolia and Han is so deep that we can’t bear to say goodbye. The green grass at the end of the world talks about the setting sun. Interpretation from Lao She's "Grassland": The friendship between the Mongolian and Han people is profound, how can they bear to separate immediately! On the boundless prairie, facing the setting sun, everyone expressed their feelings of farewell to each other. Lao She, the author's original name was Shu Qingchun, also known as She Yu, a famous modern writer, 1899~1966, Manchu, pen name Lao She.
Extended information: Full poem: The host is hospitable to the sheep, and the milk, wine and ghee are delicious and fragrant. Blessings are so frequent that it is hard to express them. Don’t forget to toast each other. The old man still sings the songs of the past, the young man wears new contemporary clothes, the love between Mongolia and Han is so deep that we can't bear to say goodbye, and the green grass in the world talks about the setting sun. Meaning: The Mongolian and Han peoples have a deep friendship and live in harmony; when they parted, we talked carefully on the grassland under the sunset and couldn't bear to say goodbye. Deep meaning: The love between Mongolia and Han is so deep that we can’t bear to say goodbye. The green grass at the end of the world talks about the setting sun. "This sentence uses "metaphorism" in many places to look forward to the evening. These metaphors have complete and profound meanings. The artistic conception depicted in this sentence: Since ancient times, Mongolia and the Han people have been good friends. Today we gather here, not only The gathering of friends is a testimony of the friendship between the two nations. On this vast blue prairie, as the sun sets, I hope our friendship will last forever. The purpose of the whole article is closely linked, and it has the effect of revealing the theme and deepening the literary meaning. The style of Lao She's works: 1. The subject of creation. Most of Lao She's works are based on the life of citizens, especially the life and destiny of the urban poor. He is good at depicting the confusion, hesitation, and lonely ambivalence of the conservative and backward middle- and lower-class citizens who are imbued with feudal patriarchal concepts, amid ethnic conflicts and class struggles, and under the impact of new historical trends, as well as their ridiculous behaviors of being in a dilemma and at a loss. He likes to reflect common social conflicts through ordinary scenes, and his brushstrokes often extend to the exploration of the national spirit or the reflection on the destiny of the nation, allowing people to taste the severity and heaviness of life through lightness and humor.
The brightly colored rendering of natural scenery and the meticulous description of customs and human feelings add to the life and interest of the work. In the history of modern literature, Lao She's name is always closely associated with themes about citizens and Beijing. He is an outstanding painter of customs and world affairs (especially the customs and customs of Beijing) in the modern Chinese literary world. As a great master, the social reality he reflects may not be broad enough, but within the scope he depicts, he combines history and reality, from the natural scenery throughout the year, the social atmosphere and customs of different eras, to the three religions and nine streams. The joys, sorrows, joys and subtle mentalities of all kinds of people are combined and condensed into a vivid, vivid and lively world, forming a complete, full and "Beijing-flavored" world. This is Lao She's special contribution in the history of modern literature. Another characteristic of Lao She's works is that they express a clear anti-imperialist and patriotic theme. Lao She's works often directly expose the crimes of imperialist aggression and describe from different aspects the various harms caused to the Chinese people by their economic, cultural, religious infiltration and racial discrimination. He expressed the national awakening and commended the national integrity, while criticizing the foreign slaves who were groveling in the face of these invasions and infiltrations and working as a collaborator. 1960 was the 60th anniversary of the Boxer Uprising, so he wrote the drama "The Fist of God", which reproduced the heroic scene of Beijing residents fighting against the Eight-Power Allied Forces. 2. Language style Lao She’s language is vulgar and refined, and is both elegant and popular. Lao She said: "No master of language art is isolated from the masses, and no such master records the people's language without processing it." Therefore, the language of the characters in the work is refined Beijing vernacular. The "vulgar" language of his works is based on meticulous thinking and research. His "whiteness" makes it easy for readers to understand but also profound. Using popular and plain words to reflect the times and life is the realm of Lao She as a master of language. It can be said that "hibiscus emerges from clear water, and the natural ornaments are removed." On the other hand, however, Lao She used language to strip away the roughness and randomness of natural forms and refine it into gold, making modern Beijing spoken language appear as simple and refined as finely carved porcelain. Similarly, Lao She's works also pursue humor. On the one hand, they are influenced by British writers such as Dickens; on the other hand, they are also deeply imprinted with the "Beijing citizen culture", forming a more intrinsic "Beijing flavor". Humor is the overall style characteristic of Lao She's works. He believes: "To make writing lively and interesting, humor must be used... Dry, obscure, and boring are the fatal wounds of literature and art; humor is of great importance." Therefore, Lao She's novels, dramas, essays, etc. are also Full of humor and fun. His humorous talent shines through the lines in his works: he expresses "deep thoughts" in a "quickly spoken" language, which is subtle, timeless, and full of rich humor. Since the publication of "Lao Zhang's Philosophy", Lao She has been known as a "humorous novelist". Mr. Lao She is a master of the use of subtext, and his representative is "Teahouse". "Tea House" effectively enriches the connotation of language with its profound and implicit subtext. The most classic example is the "war of words" between Eunuch Pang and Qin Zhongyi in the first act. One of these two people was the favored slave of the Queen Mother of the West, and the other was a bourgeois who advocated reform. When the two met unexpectedly, they were polite on the surface, but they were fierce in their hearts. Lines like this abound in "Tea House." It arouses people's interest and deep thoughts with extraneous tones, which makes people chew. Lao She's works successfully use the vibrant Beijing spoken vocabulary, making the language of the works reveal the unique Beijing charm. The works have a mellow atmosphere of life, and the local scenery, folk customs and customs are real and touching. At the same time, I use authentic Beijing dialect to write about Beijing people. They are native, lively, interesting, simple and natural, and have a unique charm. It reveals the charm of Beijing dialect and shows the lively vitality of Beijing dialect and Lao She’s ability to control Beijing spoken language. ability.
Reference materials: Baidu Encyclopedia - Mongolia and Han are deeply in love, how can we bear to say goodbye, the green grass at the end of the world talks about the setting sun
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Do you really yearn for "idyllic life"?
The first point is what difficulties will people face in rural life, for people in cities. Please pay attention to my title. Its word count is too long. In fact, the main purpose is for standardization. What to regulate? For an old man who has lived in the countryside for sixty, seventy or eighty years, he has never felt that there is any difficulty in living in the countryside. It is like this every day.
You can go to the market every five days. If you have anything you want to buy, tell the canteen in the village and you can buy it the next day. Therefore, for them, they have become accustomed to rural life, and there is no such thing as adaptation or discomfort. But for some people in the city, or at least those who lived in the city in the early years, and now they are suddenly ready to live in the countryside, what kind of setbacks and difficulties will they face when meeting such a group of people? Woolen cloth? And what kind of trouble did you encounter? For one, you can’t order takeout. Don't think about eating Malatang or chicken steak in the city. There are not even xiaolongbao. There are basically no xiaolongbao makers in the village. The only delicacy you can eat in my village is fried dough sticks, and you have to come here every five days. Why? Because people were going to the market that day, and those who couldn't sell anything at the market went to our village to sell them. The price was ridiculously expensive, not as cheap and delicious as freshly made fried dough sticks. So if you live in a rural area, in addition to urban villages, most rural areas in remote areas, don't order takeout, you can't do it even if you are too lazy to cook by yourself. If you really don’t want to cook, you can only cook a bag of instant noodles and eat them. As for the so-called fried chicken, cola drinks or certain hamburgers, they are basically far away from you, and they will be very far away. Second, you can’t get a taxi. Although the bus transportation facilities are very decent now, and they are not as decent as they are, what I am most grateful for here is that the bus transportation is free in winter. In other words, as long as you want to go somewhere, you can just find a bus, which greatly improves the convenience of going out. Moreover, you can put a lot of things on the bus, and the driver will come over to help you. Logically speaking, this kind of bus transportation is simply very good. But you have to pay attention to the fact that the bus traffic in the village cannot pass. Firstly, the alleys in some villages are very narrow. Secondly, it may be because our place is special. Bus traffic, especially large buses, cannot pass. Not found. If we want to take a bus, we have to go 3 kilometers or 5 kilometers away. Then someone said that if you just walk an extra three to five kilometers, there would be no problem. But you have to be aware that the only thing you can find in the village is private cars, which are also so-called black cars. For example, if you want to go to a certain place and ask your neighbor for help, he will drive you there, but when will you come back? What if you suddenly want to leave at night? Inconvenient transportation is a very serious problem. Third, it is not suitable for various types of living environments to prevent cold and warmth. If you build a particularly new house in the village, then I have nothing to say, but if it is an old house, take my grandma’s house as an example, it is ridiculously cold in winter and frighteningly hot in summer. Someone said that you are unfilial. Why don't you install an air conditioner in your grandma's house? The air conditioner was installed, but the window leaked and there were several big holes in the roof. Who could blame me? This house should actually be repaired, but if you suddenly go to live in the countryside and rent a relatively shabby house, let me tell you, warmth in winter and coolness in summer does not exist unless you have a few more air conditioners. , blowing continuously 24 hours a day. Fourth, there are basically no various entertainment activities. There are some entertainment activities in our village now, such as square dancing, but what about other things? No more. If so, then maybe a movie theater suddenly came here every few months, or maybe someone from out of town suddenly came to sell ice cream here after a few months. Apart from these entertainment activities, there are basically no other entertainment activities. Of course, you can keep browsing with your mobile phone, play computer games there, or even watch TV. But for some entertainment activities, there will be more entertainment activities in the city. Point 2: Why do we yearn for pastoral life? Then someone said, since pastoral life is what you said, why do some people still yearn for pastoral life? If you think about it carefully, is pastoral life like this? You can get a taxi when you go out, and you can order takeout from the bus. At the same time, you have a small room of your own, and the house is a detached house, and you can also have a small farmyard of your own, so you can have nothing to do. You can grow fruits and vegetables when you are there, and you can also keep a pet or two.
Come on, is this the pastoral life you imagined? Isn’t this villa life? For a large number of people, the so-called pastoral life they hope for is just an idealized villa into a pastoral life.
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