Meng Haoran's famous sayings
1. White hair makes you grow old, and green hair makes you grow old.
2. The wind rustled the leaves on both sides of the bank, and the moon shone on a lonely boat.
3. Because of the many mountains and rivers, I often go boating.
4. Those who don’t know their talents will abandon them, and those who are often ill will lose touch with their friends.
5. People and affairs are metabolized, and exchanges become ancient and modern.
6. The steam is rising over Yunmengze, and the waves are shaking Yueyang City.
7. Grass and trees have no intention of doing so. They will flourish and wither at their own pace.
8. The trees on the horizon are like shepherd’s purses, and the river is like the moon.
9. Green trees border the village, and Qingshanguo slopes outside. Open a pavilion and a garden, talk about mulberry and hemp over wine.
10. If you can keep your childish face, why would you regret being drunk in the clouds?
11. I want to play the piano, but I hate not knowing the music.
12. Moving the boat to Yanzhu, the guest is worried about the new arrival at dusk. The trees are low in the open sky, and the clear moon on the river is close to the people.
13. Who knows who is lying on the road? Good friends are rare in the world.
14. Worry arises in the dusk, (famous aphorism) happiness comes in the autumn.
15. How can we treat silence? Return to the sky. I want to find fragrant grass, but I regret not meeting my old friend.
16. Only when you see the lotus flower is pure, you will know that your mind is not contaminated.
17. When I sleep in spring, I don’t realize the dawn, and I can hear the singing of birds everywhere. The sound of wind and rain comes at night, and you know how many flowers have fallen.
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Meng Haoran's famous quotes
Meng Haoran's famous quotes
1. Returning at the end of the year Nanshan
The North Tower is closed and the letter is written, and the Nanshan is returned to my hut.
If you don’t know your talent, you will abandon it, and if you are sick, you will lose your friends.
White hair prompts old age, and green hair prompts the end of the year.
I will never sleep with my sorrow, the pine moon night window ruins.
2. Passing by my old friend’s village
My old friend brought chicken and millet and invited me to Tian’s house.
Green trees border the village, and Qingshanguo slopes outside.
Open a dining room and chat over wine.
On the Double Ninth Festival, I will still come to see chrysanthemums.
3. Qin Zhong feels the autumn and sends a message to the Master far away
One hill tastes like lying down, but the three paths are miserable and have no resources.
The northern land is not my wish, but the eastern forest cherishes my teacher.
The gold is burned out, and the ambition is declining year by year.
As the cool breeze comes in the evening, I feel sad when I hear the cicadas.
4. Stay in Tonglu River and send me an old trip to Guangling
The mountains are dark and the ape is sad, and the Cangjiang River flows rapidly at night. The wind rumbles the leaves on both sides of the bank, and the moon shines on a lonely boat.
Jiande is not my homeland, but we should reminisce about old travels. I will also send two lines of tears to the west of the sea.
5. Visiting Yuan and finding lost things
Visiting talented people in Luoyang and becoming exiles in Jiangling.
I heard that the plum blossoms are early, why is it so spring.
6. Farewell to Wang Wei
How can we treat Jiji? Return to the sky. I want to find fragrant grass, but I regret not meeting my old friend.
Who is on the wrong side of the road? Good friends are rare in the world. You should only stay lonely and cover the door of your hometown.
7. Qingming Festival Banquet in the Plum Taoist Room
The forest is full of sorrow and spring is over, and the pavilion is open to enjoy the beauty of things. Suddenly I met the envoy of Blue Bird and invited him to Chisong's house.
Dan Zao is on fire, and the peaches are blooming. If the childish face can stay, why not be drunk and drifting into the clouds!
8. Title of Yigong’s Zen Room
Yigong practiced meditation and silence, and the sky was tied to the empty forest. There is a beautiful peak outdoors and deep ravines in front of the steps.
The sun sets and the rain falls, and the green sky falls in the shade of the courtyard. Only by looking at the lotus flower can one know that the mind is not contaminated.
9. Lin Dongting
The August Lake is horizontal, with empty culverts and too clear water. The steam is rising over the Yunmengze, and the waves are shaking Yueyang City.
If you want to help without a boat, you will live in shameful sage. Sitting and watching the fishermen only envy the fish.
10. Stay on the Jiande River
Moving the boat to Yanzhu, the guests are worried about the new arrival at dusk. The trees are low in the open sky, and the clear moon on the river is close to the people.
11. Spring Dawn
Spring sleeps without dawn, and birds singing can be heard everywhere.
The sound of wind and rain at night makes you know how many flowers have fallen.
12. The South Pavilion is Huai Xin Da in summer
The mountain light suddenly sets in the west, and the moon in the pond gradually rises in the east. Enjoy the cool evening breeze, open the pavilion and lie down in an open space.
The lotus breeze brings fragrance, and the bamboo dew drops make a clear sound. I want to play the harp, but I hate the ignorance of the music.
Feeling nostalgic for my old friend, I am tired of my dreams.
Thirteen. Climbing Lanshan Mountain in Autumn to Send Zhang Wu
In the white clouds of the North Mountain, the hermit feels happy. When we look at each other, we climb high, and our hearts follow the wild geese.
Worry arises in the dusk, and happiness comes in the autumn. Sometimes I see people returning to the village, crossing the sand to rest.
The trees on the horizon are like shepherd's purses, and the islands on the riverside are like the moon. Why should I bring you wine to get drunk on the Double Ninth Festival?
14. Su Yeshi’s mountain house is waiting for Ding Da to arrive
The sun sets over the west ridge, and the ravines are dimmed. The pine moon is cool at night, and the wind and spring are full of clear sounds.
The woodcutter is dying to return, and the smoke and bird habitats are beginning to settle. When the son comes, Gu Qin waits for Luo Jing.
15. Returning to Lumen Folk Song at Night
The bells of the mountain temple are ringing. It is already dark, and the Yuliang Ferry is noisy.
People followed the sand road to Jiangcun, and I also took a boat back to Lumen.
The moonlight in Lumen opened the smoke trees, and suddenly I came to Pang Gong's hiding place.
The pine path in Yanfei is long and lonely, with only lonely people coming and going.
16. Climbing Mount Xian with the Masters
People and affairs change over time, and exchanges become ancient and modern. The mountains and rivers have left traces of their beauty, and we will come here again.
The fish beam is shallow when the water falls, but the dream is deep when the weather is cold. The inscriptions on the Yanggong stele are there, and I shed tears after reading them.
17. Early cold on the river.
The wood falls and the wild geese cross south. The north wind blows cold on the river. My home is in Xiangshuiqu, far away from Chuyun.
The tears in the countryside are all gone, and the lonely sail can be seen in the sky. I want to ask questions, but the evening is long and peaceful.
18. The Central Hunan Brigade sent Yanjiu Sihufang to the berth
The Guishui River leads to Baiyue, and the boat sails at dawn. Jingyun covers Sanba, and I can't see my home at night.
King Xiang dreamed of rain, and the talented man was banished to Changsha. Changsha is full of miasma, and Hu is suffering from stagnation.
I miss you so much after seeing you for a long time, but I am happy to see you again. There is no reason to meet each other, which only increases the sorrow of traveling.
The Qingyuan cannot listen, and it flows along the Xiang River under the moon.
19. Boating from Xunyang through Minghai
The river is divided into nine factions, and Miaoman becomes a water town. The boatman took advantage of the boat and traveled to Xunyang.
Because of this, it spread across the five lakes and wandered through three Hunan provinces. Watching the waves is strong and hairy, and the pain of hanging and bending is deep in Xiang.
Wei Que’s heart will always be there, and the Golden Gate edict will not be forgotten. I pity the geese in the forest from afar, and the ice pan has returned to the sky.
Twenty. Writing on the sea at the end of the year
Now that Zhongni has disappeared, I am still floating in the sea. Only when you see the handle of the bucket coming back in the dark will you know that the stars of the year have changed.
The boat can be used as it suits you, but fishing is not something you have to wait for. I wanted to ask the people who took the chariot where Cangzhou was.
Meng Haoran returns to Nanshan at the end of the year
"Returns to Nanshan at the end of the year"
Author: Meng Haoran
Beique Xiu wrote a letter, and Nanshan returned to my hut.
If you don’t know your talent, you will abandon it, and if you are sick, you will lose your friends.
White hair prompts old age, and green hair prompts the end of the year.
I will never sleep with sorrow, and the window will be empty at night under the pine moon.
Notes:
1. Bei Que: "Han Shu Gao Di Ji" Note: When the minister reports something, all the people who are eager to see it go to Bei Que.
2. Qingyang sentence: It means that the new year is coming, forcing the old year to get rid of. Qingyang: refers to spring.
3. Void: emptiness and silence.
Translation:
I have stopped asking for an audience at the north gate of the palace,
and retired to my dilapidated thatched cottage in the southern mountains.
Because I lacked talents, I was abandoned by the Ming Dynasty.
Because I was poor and ill, my friends gradually became distant.
As time goes by, the white hair on the head makes people age,
The years are ruthless and the new year forces the old years to disappear.
My heart often lingers with melancholy, which keeps me awake all night.
The moonlight from the Panasonic in front of the window adds to the emptiness.
Appreciation:
In the 16th year of Kaiyuan of Xuanzong (728), the poet went to Chang'an to take the examination and failed, and he felt very depressed. He relied on his good writing, and was praised by Wang Wei and Zhang Jiuling. He was quite famous and thought that he could have a smooth road to benevolence. Unexpectedly, he failed, which made him very distressed, so he had to go into seclusion. "The New Biography of Meng Haoran in the New Book of Tang Dynasty" records: Wang Wei once invited Meng Haoran to join the internal affairs department. Suddenly, Xuanzong arrived, and Haoran hid under the bed to maintain his integrity. The emperor ordered him to come out and asked about his poems. Haoran recited his own poems, but it was not until he realized that he had abandoned the sentence. Because of release.
This poem was written by the poet when he went into seclusion. The poem vents a kind of resentment. The first two sentences describe an event, narrating that he stopped pursuing official career and retired to Nanshan; the third and fourth sentences express reasoning, expressing the emotion of not being able to realize his talents; the fifth and sixth sentences describe the scenery, lamenting that he wasted his years and could not realize his ambition; the last two sentences express the feeling of loneliness and emptiness. The whole poem is rich in language, repeated layer by layer, has a long and profound style, and has endless charm when reading.
Gift to Meng Haoran's poetry
Gift to Meng Haoran's poetry
"Gift to Meng Haoran"
Author: Li Bai
Original text:
I love Master Meng, and he is known all over the world.
The beauty abandons her crown, and her white head lies in the pine clouds.
The drunken moon frequently attracts saints, and the lost flowers are of no concern to you.
You can look up to the high mountains, just to bow to the clear fragrance.
Notes:
1. Meng Fuzi: refers to Meng Haoran. Master, a common honorific.
2. Romance: The ancients used the term romantic to praise literati, which mainly refers to having literary talent, being good at writing, having a free and unrestrained manner, and not being content with others.
Wang Shiyuan's "Preface to the Collection of Meng Haoran" said that Meng's bones were pure and clear, his wind and spirit were calm, he rescued troubles and resolved disputes, and established righteousness. Irrigating vegetables and art bamboos are all noble.
3. Beauty: refers to Meng Haoran’s youth.
4. Bai Tou: Bai Tou refers to Meng Haoran in his later years.
5. Wo Songyun: living in seclusion.
6. Drunken moon sentence: Drunk under the moon. Zhongsheng: The abbreviation of Zhongsheng, that is, drunkenness. During the Cao Wei Dynasty, Xu Miao liked to drink. He called those with clear wine a saint and those with turbid wine a wise man. Zhong: pronounced with the missing tone, verb, during heatstroke or poisoning, this means getting drunk from drinking sake, so it is called Zhongsheng.
7. Fascination with flowers: Fascination with flowers and plants, this refers to being intoxicated with the beauty of nature.
8. Serve the Emperor: Serve the Emperor.
9. Gao Shan: Yan Meng has noble character and is admirable. "The Book of Songs Xiaoya Che Ju": The high mountains stand still and the scenery stops.
10. I only bow to Qingfen here: I can only pay tribute to your noble character. After Li Bai left Shu, he visited Jiangling, Xiaoxiang, Lushan, Jinling, Yangzhou, Susu and other places, and then returned to Jiangxia. He made a special trip to Xiangyang to visit Meng Haoran, but unfortunately Meng had already traveled abroad. Li Bai wrote this poem with regret to express his admiration and regret. The mountains are safe and you can look up to them. These two sentences of bowing to Qingfen show the meaning of admiration but not being able to see them.
Poetic:
I respect Mr. Meng’s solemn and unrestrained personality.
He is famous all over the world for being noble, elegant and suave.
When he was young, he despised fame and did not care about official titles, carriages and horses.
When he is old and white-headed, he retreats to the mountains and forests to abandon the dust.
He often gets drunk on moonlit nights and is extremely elegant.
He is not a king who is infatuated with flowers and plants, but is open-minded.
How can one look up to him with a character as high as a mountain?
I only admire his fragrant moral brilliance here!
Appreciation:
Li Bai’s verses disdain to be constrained by meter, but pursue the natural flow of the ancient style, express his feelings directly, and exude an elegant atmosphere. Li Bai and Meng Haoran's friendship is a good story in the poetry world. The two got to know each other, and there was no lack of fun in drinking, singing, and inviting people to travel together, but the most important thing was to pursue emotional harmony and seek spiritual and elegant companions and bosom friends. According to historical records, Meng Haoran once hid in Lumen Mountain and visited the capital when he was more than 40 years old. Finally, he returned to his hometown because there was no one on the road. Li Bai actually had a similar experience. He spent some time hiding in Minshan Mountain, and then hidden himself in Cuilai Mountain. Later, he was summoned to the capital by Xuanzong to worship Hanlin. In the end, he was slandered by villains and was given gold to release him. Indeed, these two famous poets are the fundamental reason why they became good friends. This poem is a testimony of the friendship between the two.
First, let’s look at its organizational structure. The first couplet points to the title, revealing the word "my love". It is cordial and sincere, and comes from the heart. A true feeling covers the whole article, expressing the admiration and admiration for Meng Haoran. Master Meng, name the person you love and stick to the topic. Meng Haoran was twelve years older than Li Bai. He was older, upright and free-spirited, and had outstanding poetic talent. Naturally, Li Bai admired and respected him, so he was regarded as his master. The master is not a corrupt scholar in his chapters and sentences, which the author despises. This is a tribute to Meng Haoran's suave and unrestrained career. Sure enough, the following envoy added: "It is famous all over the world." The word "love" is the lyrical clue that runs through the entire poem. Fengliu refers to the noble and unrestrained demeanor and extraordinary literary talent. This couplet outlines the outline and captures the entire poem. How romantic it is depends on the words in the middle couplet.
The second couplet in the middle is like a picture of a master's retreat, outlining the image of a poet lying in a forest and enjoying himself in a romantic way. The author concentrates his pen and ink on portraying the image of this elegant and leisurely Master Mencius: the beauty abandons the crown, and the white head lies in the pine clouds. The beauty versus the white head sums up Meng Haoran's long life journey, while the relationship between Xuan Mian and Song Yun symbolizes career and seclusion, wealth and indifference. The former is what many people dream of. On one side are the carriages, horses, and robes of dignitaries, and on the other side are the pine wind and white clouds of an eminent hermit. Haoran would rather give up his official career and pursue seclusion. Through this contrast, he highlights his noble character and integrity. The first sentence in Bai has the word "Yi Le", which vividly depicts the character's calm demeanor and high feelings for the landscape. If the chin couplet describes Haoran's life vertically, then the neck couplet writes his secluded life horizontally. On a clear night with a bright moon in the sky, he would drink wine in the wind, often getting drunk, and sometimes lingering among the flowers. The chin couplet is written from the reverse to the positive, that is, from discarding to taking, while the neck couplet is written from the positive to the reverse, from seclusion to not serving the king. Vertical and horizontal front and back, flexible strokes.
The second couplet in the middle contains feelings of respect and love in the image description, while the last couplet returns to direct lyricism, further sublimating the emotion. Haoran's character of being indifferent to glory and profit has been fully written. On this basis, it is very natural to deepen and intensify the lyricism and push it to a climax. The image of looking up at the mountain makes the admiration concrete. However, this mountain is too majestic, so I can't help but sigh, and I can only bow to his pure and fragrant character here. Writing like this is a step further than the usual way of writing about looking up. It is admiration in a higher sense. The poem ends with such praise.
Secondly, the language of poetry also has natural and simple characteristics. The first couplet seems ordinary, but its style is ancient, simple and simple. It expresses the poet's admiration with a relaxed sighing tone, and has a windy and elegant style, a sparse and simple style. The tail couplet also has the same style.
The second couplet in the Chinese couplet does not focus on the rhythm of the duality, the duality flows naturally, and there is no rigidity at all. Xie Zhen's "Si Ming Poetry" once said that the couplets of the beauty sentence and the flower mystery sentence are quite similar in meaning, and the use of intersubjectivity in them is thought-provoking: abandoning the Xuan Mian and lying on the pine clouds are two aspects of the same thing. Written in this way, the beauty of swaying and scattered is added to the natural flow. The allusions used in the poem melt naturally without any trace of chiseling. For example, Zhongsheng uses the story of Xu Miao during the Cao Wei Dynasty. He liked drinking and called clear wine a saint and turbid wine a wise man. Zhongsheng means drunkenness, forming a clever counterpoint to Shijun. The sentence "Gaoshan" uses the allusion of "high mountains looking up and stopping, scenery moving and stopping" in "The Book of Songs", and later used by Sima Qian to praise Confucius in "The Family of Confucius". This is both an allusion and an image description. Even if you don’t know its source, you can still appreciate the beauty of its image and poetry. The structure of the entire poem adopts the method of lyrical description. It starts with the meaning of my love, then naturally transitions to description, reveals the loveliness, and finally boils down to respect and love. It is composed according to the natural flow of emotion, so it is as easy as flowing clouds and flowing water, showing the poet's frank and natural feelings.
Famous Quotes by Meng Haoran, a poet of the Tang Dynasty
Meng Haoran (689-740), male, Han nationality, a poet of the Tang Dynasty. His real name is unknown (one theory is that his name is Hao), he was born in Xiangyang, Xiangzhou (now Xiangyang, Hubei), and was known as Meng Xiangyang in the world. Haoran, a young man who loves integrity, likes to help people in need, and is good at poetry. When he was forty years old, he traveled to the capital, and Emperor Xuanzong of the Tang Dynasty issued an edict to recite his poems. It was not until he understood the meaning of his abandonment that he said, "You don't want to find a job, and I have never abandoned you. How can you accuse me? Because I was not in office, I later lived in seclusion in Lumen Mountain." , wrote more than 200 poems. Because he had never been an official, he was also called a Mengshan man. Meng Haoran and Wang Wei, another landscape and pastoral poet, are collectively known as Wang Meng
A complete collection of Meng Haoran's famous quotes:
Moving the boat to Yanzhu, the guests are worried about the new arrival at dusk. The trees are low in the open sky, and the clear moon on the river is close to the people.
When I sleep in spring, I don’t realize the dawn, and I can hear the singing of birds everywhere. The sound of wind and rain comes at night, and you know how many flowers have fallen.
Green trees border the village, and Qingshanguo slopes outside. Open a pavilion and a garden, talk about mulberry and hemp over wine.
Who knows who is lying on the road? Good friends are rare in the world.
The trees on the horizon are like shepherd's purses, and the rivers and flat islands are like the moon.
I want to play the piano, but I hate not knowing the music.
Grass and trees have no intention of doing so. They will flourish and wither at their own time.
The clouds are steaming over Mengze, and the waves are shaking Yueyang City.
Because of the many mountains and rivers, I often go boating.
The wind rustled the leaves on both sides of the bank, and the moon shone on a lonely boat.
White hair prompts old age, and green hair prompts the end of the year.
If you don’t know your talent, you will abandon it, and if you are sick, you will lose your friends.
People and affairs have their own metabolism, and the exchanges become the past and the present.
Worry arises in the dusk, and happiness comes in the autumn.
Only by looking at the lotus flower can you know that your mind is not contaminated.
If the childish face can stay, why not be drunk in the flowing clouds!
How to treat the silence? Return to the sky. I want to find fragrant grass, but I regret not meeting my old friend.
Famous quotes are used as sentences to warn yourself. I hope the above content of "Meng Haoran's Famous Quotes" will be helpful to you. If you want to get more famous quotes, you can click on the "Send Meng Haoran's Guangling Ancient Poems" topic.