These three sentences always describe the snow scene in the north, introducing readers into a silver world of ice and snow and vast expanse. Scenery in the North is the main sentence of the last film. The words "thousands of miles" and "Wan Li" are intertwined, that is, thousands of miles are frozen and Wan Li snows. People climb high, see far and have a wide field of vision, but "a thousand miles" and "Wan Li" are far beyond their field of vision. This is an extension of the poet's vision in imagination. His artistic conception is more open and his boldness of vision is very grand. The world is vast, pure and all-inclusive. "Frozen" is quiet, and "Snow Gone with the Wind" is light, quiet, moving, and there is a moving dance in silence.
Behold! Within and without the Great Wall, the boundless land is clad in white. And up and down the Yellow River, all the endless waves are lost to sight.
The word "king" dominated the following until the sentence "I will try to compare with God". The "hope" here means to climb high and overlook, and there is a lot of room for imagination. It shows the poet's own image and makes people feel his heroic interest. Under the word "Wang", the Great Wall, Yellow River, mountains and plateaus are displayed, which can best reflect the scenery of the North. These landscapes are also the image of our great motherland. "Inside and outside the Great Wall" means from south to north, "up and down the river", which means from west to east. Such a vast area is in line with the previous sentences of "a thousand miles" and "Wan Li". The magnificent artistic conception shows the poet's broad mind and magnificent charm. "Only the residual awn" and "sudden loss" take care of "snow drift" and "freezing" respectively. The word "Weiyu" strengthens the whiteness. The word "lost" describes the speed of change and the intensity of cold awe, which reminds people of the majestic momentum when the rolling river is not frozen. These four sentences give the frozen snow scene more concrete and rich intuition with visual images, making the weather more magnificent.
The mountain dancing silver snake, originally a wax elephant, wants to compete with God.
The dynamic description of "dancing mountain silver snake, original wax elephant" has a lively and unrestrained momentum. Adding a sentence "I want to compete with the weather" shows that "mountain" and "original" are connected with the sky, and there is a vibrant situation and competitive vitality. Both the Mountain and the Original are still lifes. Writing about them "dancing" and "galloping" makes romantic imagination move from static to dynamic. Of course, because the distant mountains are undulating in the snow, there are indeed mountains dancing and flying. More importantly, because of the poet's emotional leap, the nature in front of him is also vivid.
It must be a sunny day, and it is particularly enchanting to see plain clothes wrapped in a red dress.
The first ten sentences describe the real scene in front of us, and these three sentences describe the virtual scene. Imagine a clear sky after snow and dig out a new atmosphere. The scene in the snow is majestic in the boundless sky, while the scene behind the snow is delicate and charming. The word "look" is juxtaposed with the word "look"; "Red Dress" compares the beautiful scenery of mountains and rivers to girls' clothes, and describes the gorgeous scene in which the red sun and snow complement each other. "Extraordinary Enchanting", the passion of praise is beyond words.