In the TV series "The Way of Heaven", Rui Xiaodan took Ding Yuanying to the audio store to get CDs, and met Feng Shijie who was deliberately looking for trouble.

Although Ding Yuanying is not a serious person, and there is no need to be familiar with people like Feng Shijie, the situation at that time made him unable to comment on this piece of music.

Therefore, it is indeed refreshing to see a profound interpretation of "Wanderer's Song" by a true enthusiast.

He cited three performers for comparison, namely Mutter, Friedlimann, and Heifetz.

In the play "The Way of Heaven", regarding Mutla's performance, he said: "I personally feel that Mutla's "Song of the Wanderer" is not enough to be called 'good'. Because for the same piece of music, comparing the violins of Mutter and Friedlimann, Mutter's interpretation is desolation, sorrow, and sadness.

And Friedlimann's performance is interpretation of sadness, anger, and anger. Tragic and pathos are different, Mutter has more of the sadness of a court lady and less of the wandering and unyielding spirit of a gypsy."

As for Heifetz's performance, Ding Yuanying said: "Heifetz is a great violin master, but for the piece "Wanderer's Song" alone, his interpretation is not necessarily the highest level. Perhaps he cared too much about his technical prowess, but instead added a touch of craftsmanship and lost a touch of piety. Comparing the "Song of the Wanderer" played by the three of them, I think Mutter's performance was more heartfelt than that of Heifetz's. It’s all about the hand but not the heart, only Fredriman is the one who knows it.”

Therefore, we saw that Ding Yuanying’s nature, skills, and cognition reflected in interpreting cultural attributes were deeply discussed. As far as the three top performers are concerned, Mutter focused more on his own Heifetz embodies the connotation of the piece from a technical perspective. Only Friedman not only pays attention to cognition and technique, but also interprets from the nature embodied in the piece, that is, " "Song of the Wanderer" embodies the wandering and unyielding spirit of the Gypsies.

This shows Ding Yuanying’s profound analysis of cultural attributes.

To further explain the shortcomings of Mutla's piece. Ding Yuanying continued to explain:

"The heart is the wish, God is the realm, and it is the fusion of culture, experience and talent. We all believe that Mute wants to play well, but her gender background is given to her by God. As long as she can't transcend God, she can't erase the makeup of her gender. Mutt's hands are a pair of women's hands."

Therefore, Ding Yuanying’s in-depth discussion of cultural attributes has added a lot of new connotations to this drama, allowing us to still regard it as a magical drama more than ten years later, because there are too many interesting things in it It can even be said that when we watch this show again, our perceptions will be different.

Of course, when Ding Yuanying talked about the differences in the performance of "Song of the Wanderer" by these three performers, what he was actually discussing was culture, and culture is the way of heaven and true wisdom.

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The information in this article is mainly quoted from "The Analects", "Zhuangzi", "The Tan Sutra", "Tao Te Ching", "Sitting Temporarily", "A Dream of Red Mansions", "The Plum in the Golden Vase", "Abandoned Capital", "Walking Alone" and "Philosophical Thoughts on Life" "Thus Spoke Plato", "Historical Records", "The Complete Works of Wang Yangming", "Huayan Sutra" and "The Way of Heaven"