1. Verses about the tenacious vitality of weeds

Verses about the tenacious vitality of weeds 1. Verses about the tenacious vitality of grass

Planting beans at the foot of the south mountain, The grass is rich and the bean sprouts are sparse. //The road is narrow and the grass and trees are long, and the evening dew touches my clothes. -----Tao Yuanming's "Returning to the Garden and Living in the Fields"

The wild flowers are gradually charming the eyes, and only in Asakusa can there be no horse hooves. ------Bai Juyi's "Spring Journey to Qiantang Lake"

There are thick trees and luxuriant grass. -----Cao Cao's "Viewing the Sea"

Qingchuan has Hanyang trees, fragrant grass and luxuriant parrot island. ------Cui Hao's "Yellow Crane Tower"

The eaves are low and the grass is green on the stream. -----Xin Qiji's "Qing Ping Le·Village Dwelling"

The north wind blows and the white grass breaks, and Hutian blows snow in August. -----Cen Shen's "Bai Xue Ge Sends Magistrate Wu Back to the Capital"

The country is broken by mountains and rivers, and the city is full of spring and deep vegetation. -----Du Fu's "Spring Outlook"

There is a lonely grass growing beside the stream, and there are orioles singing in the deep trees. Wei Yingwu's "West Stream of Chuzhou"

The grass grows in Liliyuan, and it dries up and flourishes every year.

Wildfires never burn out, but the spring breeze blows them again.

The distant fragrance invades the ancient road, and the clear green meets the deserted city.

I sent the king and grandson off again, and they were full of love.

2. What are the poems that describe the tenacious vitality of grass?

1. The strong wind knows the strong grass, and the rough wind knows the sincere minister. ——Tang Dynasty: Li Shimin's "Gift to Xiao Yu"

Translation: Only in the fierce and strong wind can you tell whether the grass is strong and tall, and in the era of fierce turmoil can you tell whether it is loyal. A faithful minister.

2. The grass grows in the original land, withering and flourishing every year. Wildfires never burn out, but spring breezes blow them again. ——Tang Dynasty: Bai Juyi's "Cao/Fude Ancient Grass Farewell"

Translation: The wilderness is covered with lush green grass, and every autumn and winter, the grass turns yellow and becomes thicker in spring. Wildfires cannot burn away the weeds all over the ground, and the spring breeze blows the earth green again.

3. The lonely grass grows beside the stream, and there are orioles singing in the deep trees. ——Tang Dynasty: Wei Yingwu's "Chuzhou West Stream"

Translation: Most of all, I love the faint wild grass growing beside the stream, and the oriole singing gracefully deep in the bushes.

4. The sky is north and the south is around the roadside, and the roots extend everywhere. The luxuriance is always a merciless thing, and the east wind blows green one year after another. ——Tang Dynasty: Tang Yanqian's "Spring Grass"

Translation: No matter it is in the north or south, grass always grows all over the roadside. It grows continuously in the distance and can take root and multiply everywhere. The lush spring grass always urges people to go home early, and the spring wind blows the green grass for another year.

5. The sun is warm and the mulberry trees are as bright as splashing, and the wind is blowing like mugwort and mugwort. ——Song Dynasty: Su Shi's "Huanxi Sha·The soft grass is fresh after the rain"

Translation: Under the sunshine of spring, the mulberry trees in the fields are flourishing, shining as if they have been splashed with water; for a while The warm breeze carries the incense of wormwood and mugwort, refreshing the heart and lungs.

3. A poem praising the tenacious vitality of weeds written by Meng Haoran

Author: Bai Juyi Subject: Five-character rhyme poem The grass grows in Liliyuan, and it withers and grows every year.

Wildfires never burn out, but the spring breeze blows them again. The distant fragrance invades the ancient road, and the clear green meets the deserted city.

I sent the king and grandson off again, and they were full of love. This is an ode to weeds and then to life, and it also expresses the author's reluctance to leave his friends.

The weeds are growing and growing. Separation is the trend of growth; years of decline and prosperity are the rhythmic process of life, and its meaning is law and eternity.

However, eternal life does not continue in mediocrity. The poet put it in the raging fire to burn, and in the heroic contrast between destruction and eternal life, he verified its tenacity of vitality.

Wildfire burning symbolizes the hardships and trials of life; the spring breeze blows and it is said to be tenacious and unyielding; the intrusion into the ancient road and the deserted city is said to be omnipotent and unstoppable. The first four sentences of the poem express the diachronic beauty of the wild grass's life; the last four sentences focus on expressing its temporal beauty.

Only such a weed is qualified to become a symbol of all life in the universe and has a meaning of life worthy of praise.

The last couplet means farewell, and the word "you" implies that farewell is inevitable in people's affairs in ancient and modern times; farewell is like the luxuriant spring grass, which is also human nature.

Therefore, the predecessors lamented that "the kings and grandsons traveled far away and never returned, and the spring grass grew luxuriantly" ("Songs of Chu: Recruiting Hermits"). Later generations also lamented that "leaving hatred is just like the spring grass, and we can travel farther." The sadness of "returning to life" (Li Yu's "Qing Ping Le"). This poem has been highly praised by predecessors.

"Gu Huantang Collection and Miscellaneous Works": "Liu Xiaochuo's poem: 'Falling flowers fall more when they are swept away, and orchids are picked up and come back to life'. Meng Haoran 'Forest flowers fall more when they are swept away, and grass comes back to life after being stepped on'.

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Did this couplet come from Liu Jie? ... The ancients all had their own roots in poetry, but they were endlessly modified and not copied. "The Formation of Tang Poetry": "It doesn't necessarily have a profound meaning, it's a kind of broad-mindedness." If there is room for atmosphere, there will be no chirping or whispering. This is the difference between big and small families.

"But some people say that this poem has a different meaning. "Three Hundred Tang Poems": "Poems are metaphors for villains.

They can't be eliminated, they are born when they are available, and they violate the right path. The decorations are ugly, but they are the most touching.

" "A Brief Introduction to Poetry": "Those who recite this poem all think that the villain is endless, like the vines of grass. The author has this intention, but it is not known.

However, the metaphor is not certain. If you think it is a metaphor for the way of the world, it will control the chaotic cycle; if you think it is a metaphor for the heart of heaven, it will bring about the ups and downs of the spirit. Although it is cold and full of snow, spring is coming.

Everything is different.

4. What are the poems that describe the tenacious vitality of plants in the cracks of rocks?

You can refer to the following sentences.

1. "Bamboo and Stone" by Zheng Banqiao, a famous painter of the Qing Dynasty, insists that the green mountains are not relaxed, and the roots are still in the broken rocks. It has endured thousands of blows but is still strong, regardless of the winds from east to west, north and south.

Poetry notes: 1. Firm: bite tight. 2. Take root: take root.

Broken rock: cracked mountain rock, that is, a gap in the rock. 3. Thousands of hardships and blows: refers to countless hardships and blows.

Jianjin: Strong and powerful. 4. Ren: Let, no matter, no matter.

Er: You are firmly attached to the green mountains and never let go. You are deeply rooted in the crevices of the rocks. My body and bones are still strong despite countless blows, no matter how strong the wind blows from east to west, north and south.

Appreciation "Bamboo and Stone" is a seven-character quatrain created by the Qing Dynasty painter Zheng Xie. This poem is a poem about bamboo.

What the poet praises is not the softness of bamboo, but the perseverance of bamboo. The first two sentences praise the inner spirit of strong bamboo rooted in broken rocks.

The word "bite" at the beginning is extremely powerful and vivid, which fully expresses Jinzhu's resolute character. Then the word "bite" is supplemented with "not relaxing", and Jinzhu's personality characteristics are fully revealed.

The word "broken rock" in the second sentence further highlights the tenacious vitality of strong bamboo. The last two sentences go a step further to describe the harsh objective environment that tests and tests Jinzhu.

Regardless of wind and rain, frost and snow, the green bamboos are still "strong" and stand proudly. "Thousands of grinding blows" and "winds from east to west, north and south" can be said to be a severe test.

This poem uses objects as a metaphor for people. By praising the strong bamboo standing in the broken rock, the author implicitly expresses his noble thoughts and sentiments that he will never follow the crowd. The whole poem has simple language and profound meaning.

This poem focuses on expressing the tenacious and persistent quality of bamboo. It is a painting poem praising rock bamboo and a poem chanting things. Translated as: Bamboo has its roots deeply rooted in the green mountains, and its roots are firmly embedded in the cracks of the rocks.

After thousands of tortures and blows, it is still so strong. No matter you blow the southeast wind in the scorching heat or the northwest wind in the severe winter, it can withstand it as before. Still standing tall and strong, surviving tenaciously. It is a poem that expresses one's ambitions. It supports the tenacity of Yanzhu and expresses his upright, unyielding and unyielding qualities.

2. Bai Juyi's "Farewell to the Ancient Grassland": From the original grassland, the grass grows, and the grass withers and grows every year. Wildfires never burn out, but spring breezes blow them again.

1. Fude: compose poems based on ancient poems or idioms. The title of a poem is usually preceded by the word "Fu De".

This is a way for ancient people to learn to compose poetry, or for literati to gather to compose poems based on topics, or to compose poems based on propositions during imperial examinations. It is called "Fu Dede". 2. Lili: The appearance of lush green grass.

3. One year old and one dry and prosperous: wither, wither. Rong, lush.

Weeds grow and wither once a year. 4. Yuanfang invades the ancient road: Fang refers to the rich aroma of wild grass.

Far Fragrant: The fragrance of grass spreads far and wide. Invade, occupy, overgrow.

The fragrant weeds in the distance grow all the way to the ancient post road. 5. Qingcui: The grassland is bright and green.

6. Wangsun: This originally refers to the descendants of nobles, but this refers to distant friends. 7. Lush: describes the lush growth of vegetation.

Vernacular translation The wilderness is covered with lush green grass, which withers and turns green every year. The fire in the wilderness cannot be burned out, but it becomes full of vitality when the spring breeze blows.

The fragrance of fragrant grass fills the ancient road, and the sun shines on the green city. Then he sent the wanderer on a long journey to the ancient road, looking at the luxuriant grass with full of detachment.

"Farewell with Ancient Grasses" is a famous work by Bai Juyi, a poet of the Tang Dynasty. This poem expresses the feeling of farewell to friends through the description of the wild grass in the ancient plains.

It can be seen as an ode to weeds, and then to an ode to life. The first four lines of the poem focus on expressing the diachronic beauty of the life of weeds, while the last four lines focus on expressing the beauty of its immediate life.

The whole poem is rigorous in composition, with natural and fluent language, neat dialogues, and a harmonious blend of scenery and lyricism, with a complete artistic conception. It is the swan song of "Fu Dede". The first four sentences of the ancient poem "Grass" in the primary school textbook of the People's Education Press were selected.

The first four sentences of the poem focus on expressing the beauty of the weed's life over time, and the last four sentences focus on expressing the beauty of its immediate life. The whole poem is rigorous in composition, with natural and fluent language, neat dialogues, and a harmonious blend of scenery and lyricism, with a complete artistic conception. It is the swan song of "Fu Dede".

The first four sentences of the ancient poem "Grass" in the primary school textbook of the People's Education Press were selected.

Extended information: The poems describing the tenacious vitality of plants in the cracks of rocks include 1. When the remaining spring flowers are gone, the oriole sings, and the worries of distant visitors are in vain.

2. The autumn flowers have not yet fallen but the spring flowers are blooming. It takes a lot of time and effort to achieve great favor and disgrace. 3. The beauty of April in the world is gone, and the peach blossoms in the mountain temple are beginning to bloom.

4. Try the green stirrup tonight, the spring flowers are still small. 5. Spring flowers and autumn grass only make people grow old, and they always sweep away the eyebrows of thousands of mountains.

6. Spring flowers and autumn moon enter the poem, and the day and night are like scattered immortals. 7. With your heart, God’s will and time, autumn frost has already passed before the spring flowers are everywhere.

8. Falling red flowers are not heartless things, they turn into spring mud to protect flowers. 9. The spring breeze congratulates you without words, and the apricot orchard is filled with flowers and branches.

10. Spring flowers are good in spring, autumn flowers are good in autumn, and it is especially good to see flowers every day. Baidu Encyclopedia - A poem describing the tenacious vitality of plants in the cracks of rocks.

5. Bai Juyi's poem describing the tenacious vitality of grass

The poem of Xiaocao The setting sun in the isolated village, the light smoke of jackdaws in the old trees, and the shadow of a flying red bird.

Green mountains and green waters, white grass, red leaves and yellow flowers. In spring, the vegetation in South Garden is new.

There are no fish in the river and the water is clear. The wind is strong and the grass is famous. The Buddha's head is short and covered with dung, and he is angry when people come from near and far.

Even if I don’t have the opportunity to visit Fan Gongting in person, I will also remember the famous mottos. Who can lean on the moonlight tower alone? You are worried about the green grass in the world.

After giving up the shooting stars and giving them colorful clouds, the leisurely and fragrant weeds are also diligent. Last year, I was still shy about my beauty, and I didn’t sing any new poems.

The drizzle wets the light, the grass grows year by year, and hates the color of the grass. Looking at it from a distance, but there are no swallows, the song is not broken. The herds are green, remember the green skirts, and the grass is pity for the spring grass next year. Green, the moss marks on the upper steps are green, the color of grass enters the curtain, and there are few willow cotton blowing on the green branches. There is no fragrant grass anywhere in the world. The grass on the original grass is withered every year. The wild fires will not burn out, the spring breeze blows again, and the warm wind brings out the wheat. The grass is green and shaded, and the flowers are more beautiful. When the rain drizzles on the wall, the slender grass hangs down. The wind returns to the water and the flowers gather together. Who can tell the heart of the grass, and the three spring lights are rewarded. The wind blows the grass and the cows are seen. The wild flowers of the sheep are becoming more and more charming, and the grass in the shallows is as green as the horseshoe grass. The land is green and the water is white. The flowers are white and the toads are shining. The cold-soaked Qihuayao grass is thick with trees. The grass is lush and the warblers are flying. In February, the sky is blue and the wildness is vast. , the wind blows the grass low and sees the cattle and sheep. There are few willows blowing on the branches. There are no fragrant grasses in the clear river at the end of the world. The Hanyang trees are fragrant. The fragrant grass is desolate in Parrot Island. The strong wind knows the strong grass, and the true love in adversity is a poem praising the tenacious vitality of the grass. The famous saying insists that the green hills are not relaxed, and the roots are still in the broken rocks.

Even though you have endured countless blows, you are still strong, regardless of the winds from east to west, north and south. .

Two poems by Zhang Shiba of the Ministry of Water in Early Spring (Part 1) Han Yu The light rain on the sky street is as moist as crisp, the color of grass looks far away but not up close. The most wonderful thing about spring is that the emperor's capital is filled with smoke and willows. Three Ouyang Xiu poems for a spring outing in Fengle Pavilion. The green trees are mixed with the cries of mountain birds, and the clear wind ripples and falls flowers.

The prefect is drunk with singing birds and dancing flowers. Tomorrow he will sober up and spring has returned.

The spring clouds are faint, the sun is shining brightly, and the grass is moving and the catkins are fluttering on the clothes.

When I walked to the pavilion, I met the eunuch, who returned drunk from the basket and arranged flowers. The sun is setting over the mangroves and green mountains, and the grass in the long suburbs is endlessly green.

Visitors, regardless of the fact that spring is coming to an end, step on fallen flowers in front of the pavilion. Chile Song [Northern Dynasties] Folk Song Chile River, at the foot of Yinshan Mountain.

The sky is like a dome, covering the four fields. The sky is clear, the fields are vast, and the grass is blown by the wind, and cattle and sheep can be seen low.

Wuyi Alley [Tang Dynasty] Liu Yuxi Wild grass and flowers beside the Suzaku Bridge, the setting sun is setting at the entrance of Wuyi Alley. In the old days, the swallows in front of Wang Xietang flew into the homes of ordinary people.

6Yoke [Song Dynasty] Zhao Shixiu It rains every house during the yellow plum season, and frogs are everywhere in the grassy ponds. I didn't come over at midnight because I had an appointment. I knocked on the chess pieces and dropped the lanterns. 1. The sky was clear, and the grass was blown by the wind, and cattle and sheep could be seen.

("Chile Song") 2. The grass grows in Liliyuan, and the grass dries up every year. (Bai Juyi: "Farewell to the Ancient Grass" 3. The country is broken by mountains and rivers, and the city has deep spring vegetation.

(Du Fu: "Spring Hope") 4. Whoever speaks of the heart of an inch of grass will be rewarded with three spring rays. (Meng Jiao: "Wandering Son's Song") 5. The grass in the forest is frightened by the wind, and the general draws his bow at night.

(Lu Lun: "Song of the Past") 6. Beans are planted at the foot of the southern mountain, and the grass is full of bean seedlings. (Tao Yuanming: "Returning to the Garden and Living in the Fields") 7. The road is narrow, the grass and trees are long, and the evening dew touches my clothes.

(Tao Yuanming: (Returning to the Garden and Living in the Fields)) 8. Alone and lonely grass grows beside the stream, and there are orioles singing in the deep trees. (Wei Yingwu: (Xijian, Chuzhou)) 9. The random flowers are gradually charming the eyes, and only the Asakusa has no horse hooves.

(Bai Juyi: (Spring Trip to Qiantang Lake)) 10. The light rain on Tianjie is as moist as crisp, and the color of grass looks far away but not up close. (Han Yu: "Two Poems by Zhang Shiba of the Ministry of Water in Early Spring") 11. The eaves are low and the grass is green on the stream.

(Xin Qiji: "Qingpingle·Village Dwelling") 12. Outside the long pavilion, beside the ancient road, the green grass reaches the sky. (Li Shutong: "Farewell") 13. The lonely grass grows beside the stream, and the orioles sing in the deep trees.

(Wei Yingwu: "Chuzhou West Stream") 14. The light rain on Tianjie is as moist as crisp, and the color of grass looks far away but not up close. (Han Yu's "Early Spring Presents Zhang Shiba Yuanwai Lang of the Ministry of Water") 15. Wild grass and flowers beside the Suzaku Bridge, and the setting sun is setting at the entrance of Wuyi Lane.

(Liu Yuxi's "Black Clothes Lane") 16. The grass in the forest is frightened by the wind, and the general draws his bow at night. (Lu Lun's "Song under the Sai") "Farewell to the Ancient Grassland" by Bai Juyi of the Tang Dynasty The grass in Liliyuan grows wither and withers every year. Wildfires cannot burn it out, but the spring breeze blows and grows again.

The distant fragrance invades the ancient road, the clear green meets the deserted city, and sends the king and grandson away, full of farewell love. "Early Spring" The light rain on Yutian Street in the Tang Dynasty is as moist as crisp, the color of grass looks far away but there is no grass up close. The most advantage of spring is that it is absolutely better than the smoke and willows all over the imperial capital. .

In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud. The random flowers are gradually charming the eyes, and only Asakusa has no horse hooves.

My favorite part of the lake is the east side, where the green poplars shade the white sand embankment. "West Stream in Chuzhou" by Wei Yingwu There is only pity for the quiet grass growing beside the stream, and there are orioles singing in the deep trees.

The spring tide brings rain late in the day, and there is no boat crossing the wild river. Farewell to the ancient grassland of Fu De by Bai Juyi. The grass grows in the original grassland, and the grass dries up every year.

Wildfires never burn out, but the spring breeze blows them again. The distant fragrance invades the ancient road, and the clear green meets the deserted city.

I sent the king and grandson off again, feeling sad and full of farewell.