Problem description:
It seems that he was framed and persecuted to death.
Analysis:
Yan Fengying (1930- 1968) is a famous Huangmei opera actor. Formerly known as Yan, he was born in a poor family in Tongcheng County. /kloc-When he was 0/2 years old, Yan learned to sing Huangmei Opera, and soon he took to the stage to sing opera in amateur class clubs. At that time, due to the opposition of family and people, Yan Fengying ran away from home and joined a formal troupe, and changed his stage name to Feng Ying. Later, Yan Fengying asked the old artist Ding Laoliu for advice. His first performances "Hequan Gu" and "Beating Pig Grass" were deeply loved by the audience, and later played in "Kitchen Knife", which was a success.
1946, Yan Fengying came to Anqing City, where he performed in Lequn Theater for the first time, and made a sensation in Anqing with two operas, The Hall of Filial Piety and Youchun.
During the period of 1948, there was social unrest. On the eve of liberation, Yan Fengying, who was under 20 years old, went to Shanghai and moved to Nanjing. Forced by livelihood, changed its name to Yan. First, he danced in the ballroom, then he got to know Manny, the son of Gan Gongsan, a Jingkun family, and learned to sing Kunqu Opera "A Dream in the Garden". Yan Fengying's persistent pursuit of Jingkun art laid a good foundation for her superb acting skills in Huangmei Opera.
195 1 year, Yan Fengying returned to Anqing stage and continued to perform in Lequn Theater (later renamed Victory Theater). 1952, she was invited to perform in Shanghai. The characters she created in the traditional opera "Beating Pig Grass", "Blue Bridge Club" and the modern drama "Liujingzi" are sincere in feelings, distinctive in personality and beautiful in singing, and their performances have achieved great success. Therefore, Yan Fengying was praised by the Shanghai audience as an artist with deep attainments. 1953, Yan Fengying was transferred to Anhui Huangmei Opera Troupe. 1954 went to Shanghai to attend the East China Opera Observation and Performance Conference again, and performed the trilogy "Fairy Match", "Sand Hill" and "Beating Pig Grass" and won the first prize.
From being transferred to Anhui Huangmei Opera Troupe to 1966, more than 50 plays, including Fairy Couple, Woman Xu, Red Promoter, Six Sisters, Cowherd and Weaver Girl, Daughter of the Party and Jiang Jie, were performed. In particular, the artistic image of the seven fairies and harmony created by the pairing of fairies and women Xu has become her masterpiece and treasure in Huangmei Opera. She starred in Fairy Descent, Woman Xu, Watching the Couple, Cowherd and Weaving Girl, etc., which were made into Huangmei Opera film art films. She starred in "A Fairy Match" and won the "Gold Award" from the Ministry of Culture. Yan Fengying's singing is beautiful, sweet, euphemistic and charming. He absorbed the strengths of Peking Opera, Yue Opera, Pingju, Pingtan and folk songs, and became a family. He was known as the "strict school" and was widely circulated, and was sung as a "boutique" by later generations. She is recognized as a master of Huangmei Opera.
Yan Fengying is a member of the National People's Political Consultative Conference, All-China Women's Federation, China Writers and Artists Federation and Chinese Dramatists Association. China joined on 1960. She used to be the deputy head of Anhui Huangmei Opera Troupe, and she was also awarded the title of national "March 8th" red flag bearer. During the "Cultural Revolution", Yan Fengying was accused of being a "dark figure in literature and art" and a "beauty snake who advocated feudal capital (capitalism) cultivation", and was slandered as a * * * latent spy, which was repeatedly criticized. 1On the night of April 7th, 968, Yan Fengying committed suicide. On May 23rd, 1978, * * * Anhui Provincial Party Committee declared * * * as revenge. On August 20th of the same year, the Provincial Cultural Bureau held a ceremony to place Yan Fengying's ashes.
Yan Fengying's death.
Yan Fengying, a performing artist of Huangmei Opera, committed suicide three times in his life, swallowing gold, hanging himself and taking sleeping pills. The first two times happened before liberation, because they were unbearable, but they were all rescued; But in the Cultural Revolution, death became a tragedy. That's ridiculous.
It was1April 8, 968, and it was one month and zero 16 days before her 38th birthday. At that time, she was wearing a big hat of 13. She was at a loss and decided to commit suicide by taking poison. After taking the poison, she burst into tears. When her husband woke up and saw the empty medicine bottle, he dared not send it to the hospital for emergency treatment, but reported it to the boss. When the leader heard the news, he flew into a rage and immediately called a criticism meeting, which made Yan Fengying stand at attention and be criticized. He was not allowed to be sent to the hospital until the drug broke out and his condition was unstable. The first hospital refused. The second hospital finally managed to accept it, but whether to rescue it still needs a meeting of leaders to study and decide. There happened to be two schools of opinion at the meeting, each looking for the basis from the little red book and deadlocked for a long time. It was not until the unconscious Yan Fengying stopped breathing that the two leaders stopped arguing. But it's not over yet, because Yan Fengying alive is "guilty" and his body can't be innocent. He had to take off his clothes, cut open his stomach and check whether there was a transceiver hidden in his body ... In fact, the transceiver was fake, because a leader leaked the secret: "Hey, now, I can see everything in Yan Fengying!"
Three suicides, in terms of degree and determination, this third time is not as good as the previous two. Yan Fengying didn't hide the medicine bottle after taking the poison, and burst into tears, which seems to indicate that her heart is not very firm, or she regrets taking the poison and lusts after the world of mortals. If you want to rescue, you have plenty of time. From destruction, you will die To tell the truth, this is murder! Han Shuying is excerpted from Biographies of Celebrities.
Yan Fengying Qiupu sings Huangmei.
□ Li Mingjiang
April 19 this year is the 74th anniversary of the birth of Yan Fengying, an outstanding Huangmei Opera performer.
Yan Fengying, formerly known as Liu Hong (also known as Liu Hong), is smart and talented. She learned to sing Huangmei Opera at the age of 0/2, and took part in the performance at the age of 0/5. Because of her popularity, all kinds of evil forces in the old society attacked her. In order to get rid of the harsh environment, she had to resist and flee. According to relevant records, she avoided Nanjing to study Jingkun art and song and dance at the end of 1947, and unwittingly said that she disappeared at this time. In fact, on her way to avoid walking, accompanied by her grandfather, she once crossed Qiupu and sang Huangmei Opera on the banks of Qiupu River and Yin Hui Town for three months. During Yan Fengying's short career in Huangmei Opera, the story that she avoided Qiupu and sang Huangmei Opera was little known.
It was the month of 1947, and Yan Fengying was only 17 years old. Her singing and light dancing attracted people on both sides of Qiupu and were deeply loved by uncles and aunts. Yan Fengying came to Qiupu with his master Cheng Jishan (a native of Tang Yan in Guichi). At that time, there were Gui Yuee and Gui Tianci in Tongling, Song and Hong Lianzi in Yin Hui and other old artists. First I sang it in the back garden of a big landlord in Gaotan, and then I sang it in the ancestral temple at Guankou. It is said that Yan Fengying came to have a holiday while singing "Don't Go to Huaiyin". After being forgiven by the audience in Qiupu, I deeply regret not seeing the wonderful performance of Yan Fengying's "Don't Go to Heaven". Finally, I sang in the big house of Sujia Pawnshop in Laojie, Yin Hui. It is said that the fare is only one triangle (ancient coin). Yan Fengying sang by the Qiupu River for three months, and performed major dramas such as Little Ancestral Temple, Farewell to Huaiyin, Pearl Tower, Erlong Mountain, Mountain People Visiting Friends, and minor dramas such as Lanqiao Pumping Water, Chunxiang Noisy School, Sending Fragrant Tea, West Building Party and Beating Pig Grass. Yan Fengying is not only good at art, but also good at dealing with people. He is willing to be popular. When he was singing in Qiupu, he married the landlord everywhere he went. According to Han Faxiang, an octogenarian who is still alive, when Yan Fengying sang in Yin Hui, it coincided with his wedding. On their wedding night, Yan Fengying and her local sisters also got a new house. Her uncles and aunts affectionately call her "Xiaoyan" or "Gong Liu", and she has always promised to be as close as her own daughter.
It is said that Yan Fengying left Qiupu and went to Tongling, and then went to Nanjing to study art. It was not until 195 1 that Yan Fengying ended his career as a vagrant artist and returned to Anqing and the stage of Huangmei Opera. During his short artistic career, Yan Fengying appeared in more than 20 major plays and nearly 30 mini-plays. In addition, he has made three films, and has performed with Wang Shaofang for the party and the country * * * * * *, Zhou Enlai, Zhu De and other comrades for many times. Comrade Tian Han praised him as "Mei Lanfang in Huangmei Opera" and was called "Master of Huangmei Opera" by Chinese people.