Reader's Review No.10 1 Ye Jiaying and his child Shi Tiesheng wrote in "Ditan and I": Taste is even difficult to remember. Only by smelling it can we remember all its emotions and implications. Perhaps because it only exists in the heart, the word taste is often accompanied by memory.
Shi Tiesheng wrote in "I and Ditan": That kind of taste is even difficult to remember. Only when you smell it again can you remember all its emotions and meanings. Perhaps because it only exists in the heart, the word taste is often accompanied by memory. With the theme of taste, CCTV Reader will invite China classical literature expert Ye Jiaying, famous director Zhang Aijia, Oscar winner Ye Jintian, the head of urban love novel Zhang Xiaoxian, the head of hangzhou dishes Hu Zhongying, young pianist Wu Chun and other guests to share stories related to taste in reading.
Ye Jiaying, a master of ancient poetry, shouted for China culture.
From the first program Xu Yuanchong, the first English-French translator in China, to Fan Jinshi, the daughter of Dunhuang, and to Pan Jiluan, the founder of China welding discipline, there are often some real masters who deserve respect with their lives on the stage of reading. In this program, there is another such master on the stage, that is, 93-year-old China classical culture and education master Ye Jiaying.
Ye Jiaying was born in a scholarly family. He read a lot of poetry books since he was a child, and later studied under Professor Gu Sui, a famous classical poet, and won the teacher's appreciation. 1945 After graduating from university, Ye Jiaying began his teaching career, teaching China classical culture in several world-renowned universities successively, and won the Lifetime Achievement Award for Chinese who have influenced the world last year. She devoted her life to the teaching of classical poetry and won the praise of "regeneration" of classical poetry in the contemporary era.
Ye Jiaying once said: I thought that the life of China's classical poetry grew up with the tradition of reciting. The lyrical characteristics of classical poetry are also closely combined with the tradition of chanting things. Ye Jiaying has always advocated reciting poems. And chanting is actually a classic reading. In this program, the great educator will talk about the influence of classical poetry culture on his life in Reader, and recite for China culture.
Zhang Aijia, the goddess of time, shares women's stories and tastes.
When it comes to Zhang Aijia, people's first reaction is often that this is a woman with a story. For a woman, stories are almost equal to her taste.
As a star, Zhang Aijia never deliberately hides his age. In the program, when asked how to define the taste of age, she said frankly: Everything is natural and you can't escape. As for the taste of women, Zhang Aijia also described it as nature: taste is to be tasted, and I believe that taste comes from your own attitude towards life. What do you think of yourself, then what you exude is natural, and that is your own taste.
Once, Jonathan Lee wrote a poem "The Price of Love" for Zhang Aijia, which was regarded by countless people as the classic that best represented the growth of love. But at that time, Zhang Aijia still felt that the name of this song was a bit corny. When singing this song again two years ago, Zhang Aijia found that his heart resonated strongly with this song: this heart experienced more things, and almost every sentence in the song was pictures and stories, so it was particularly sad.
When it comes to taste, the first thing we will think of must be the satisfaction on the tip of the tongue. A long history and vast territory endow China with rich and varied diets. Hu Zhongying, a guest in this issue, is a famous chef who has been working for 50 years and is also the head of hangzhou dishes. At the G20 Summit in Hangzhou last year, he served as the head of the catering culture group, and presented a unique feast for dozens of politicians around the world, showing the unique charm of China flavor. He put the flavor into the story and surprised the world with China culture. CCTV- 1 20:00 this Saturday, CCTV-3 this Sunday 19:30, I listened to reader Hu Zhongying talking about his Chinese flavor.
At present, he is the only young pianist in China who won the third international doctorate, but he didn't have a piano of his own in his childhood. He won many international awards, but when he was a teenager, he suffered from poverty and separation from single and laid-off mothers. Wu Chun's life is a flower watered by his and his mother's sufferings, but bitterness and sweetness always go hand in hand. Only by tasting the extreme bitterness of life can the sweetness of success be more attractive. CCTV- 1 20:00 this Saturday, CCTV-3 this Sunday 19:30, let's listen to reader Wu Chun's bitter taste.
From 65438 to 0994, the first novel The Woman in the Bread Tree was serialized in Ming Pao, and Zhang Xiaoxian became popular. Her 60 books are all about love. Her works are called love healing literature, and many readers are used to looking for ways to deal with their feelings from her words. This Saturday at 20:00 CCTV- 1, this Sunday at 19:30 CCTV-3, listen to the reader @ Zhang Xiaoxian to interpret the taste of love.
Ye Jiaying, who is 93 years old, is the bearer of China's classical culture and an expert in China's classical literature. He devoted himself to the teaching of classical poetry all his life and won the praise of "rebirth" of classical poetry in contemporary times. This old gentleman once wrote a poem: "I would die for Kuafu, but dare to laugh at Yang Lu's stupidity" to express her love for China's classical culture. Regardless of her age, she traveled around in order not to let the taste of China, which has been passed down for thousands of years, go unnoticed. Please listen to the reader Ye Jiaying tell us about the taste of her poems.
The tenth issue of reader feedback 3. The variety show "The Reader" being broadcast by CCTV is deeply loved by the public. To tell the truth, one of the important reasons why such a program with uncomplicated performances and colorful artistic forms can impress hundreds of millions of viewers is that it shares and tastes classic works with the public, and at the same time conveys a kind of cultural self-confidence with the moist power of spring breeze. It is this cultural tension from the inside out that really touched the audience in front of the TV and made reading deeply comforted.
Once upon a time, in the traditional concept of most people, as long as reading aloud is mentioned, it is natural to think that the reader is a clear-cut host or artist. As soon as they appear, they often stand straight in front of the microphone with book clips in their hands and read beautiful literary works in standard Mandarin. Through the cadence and rich humanistic connotation in their works, they can often touch people's hearts and bring them a kind of warmth and touch. However, this standing reading method, because of its single expression form, often leaves people with criticism of lack of change. Although The Reader has a beautiful voice, judging from the richness of artistic expression, it is obviously unwilling to create lasting artistic charm only by the euphemistic combination of voices.
On the other hand, The Reader, which is being broadcasted, has opened up a new form of expression for the traditional art of reading with the image of subversive. First of all, the identity of readers is no longer limited to hosts or artists, but includes readers from all walks of life, including elites and celebrities. Through the introduction recommended by Dong Qing, the reader's social identity and mental journey are skillfully combined with the content to be read, so that the audience is full of expectations for the content to be read. Secondly, in the form of expression, it is no longer limited to a single standing. Readers sit or stand, or walk or walk, which is more interesting than before. Although some readers may not have clear pronunciation and mellow voice, and they rarely feel direct tears, their simple and sincere reading shows the natural beauty of natural carving. In particular, the convergence of reading content with readers' own life experiences and beliefs highlights the extraordinary humanistic significance of reading works. Thirdly, most of these reading works are based on ancient and modern Chinese and foreign literary works, which are classics in both ideological and artistic aspects and spiritual treasures in human history. With the help of modern sound, light, electricity and other scientific and technological elements, swaying lights, soothing music, and sincere and pure reading by readers, the cultural forces such as truth, goodness, beauty and value orientation contained in these classics penetrate bit by bit, giving people lessons and profound enlightenment in silence. In addition, the stage setting of The Reader is not only elegant, but also shows a bold and broad artistic atmosphere. Slowly pushing open the city gate is more like opening a window of wisdom. Through this window, the audience not only tasted the classics, but also gained spiritual nourishment, allowing the power of culture to be passed on from mouth to mouth by readers and finally emitting warm and lasting ideological brilliance through their sincere reading.
In the history of human development, there have been many timeless classics. Through the re-processing and re-creation of film and television works, we are inheriting the classics, intercepting the essence of them and interpreting their rich connotations in the way of natural reading, which is also inheriting the classics. The former is magnificent and often gives people a strong visual impact; The latter is graceful, quiet and beautiful, but it attracts every audience who loves life with its inherent cultural taste. This quiet atmosphere may be more enlightening for removing people's impetuous social mentality and pursuing the value of life in a quiet and far-reaching realm.
Reader's Ten Comments 4 The Reader has a lot of tears, but think about it carefully. How much do these tears have to do with the article itself?
The story of Pu Cunxin and the doctor is touching, but it is more or less separated from the story of Lao She and Master Zong Yue. As a mother, she is grateful for the new moon, but she is often different from Lu Xun's nanny. The most appropriate passage between people's feelings and articles comes from Luo Jiaying and Wang Mingquan, whom I didn't like before. Their humor, indifference, openness and cheerfulness are in line with Feng Jicai's "The Old Lady", which neither steals the show nor is appropriate.
When I saw Luo Jiaying arguing with Wang Mingquan, I suddenly felt more profound power than tears. The two of them have experienced decades of wind and rain and have seen through the peace of the world.
Although their stories all end in comedy, I believe that many sad stories can also be interpreted as sadness without harm. Because, what we want to convey to children is that understanding farther than moving is the demeanor of being able to smile calmly and calmly even in the face of suffering.
Abstinence is more important than crying.
Learn to hide your sadness in your heart without showing it, instead of complaining endlessly.
The reader is good, but it is more like an artistic life, telling the story of the guests; But if it pays more attention to the article and learns to control its emotions, I will give more applause.
Some people will say that the realm of reading is originally divided into two layers, one is that I note the Six Classics, the other is that the Six Classics note me, that is to say, one is to explain the article in one's own words, and the other is to tell one's own story from the viewpoint of the article. Readers obviously belong to the latter, and their realm is higher!
This view seems reasonable, but for children, I haven't even personally experienced the first one. Shouldn't it be too much to give the second one directly?
Therefore, if you want to show your child a book, it is better to let him read the articles and books first, so that he can understand the connotation of the original text and then watch the program.
On the other hand, seeing the words like a face is still hot, and it would be much more pragmatic if two professors were invited to interpret the article. But helpless, compared with seriously discussing the text, it is still sensational!
Before reading aloud, every reader is equal. He has nothing to do with fame, status, money or twists and turns. You can go through vicissitudes of life, or you can be ignorant of the world. Reading is fair to everyone. To paraphrase Jane Eyre, our souls travel through books and stand in front of writers. We are equal.
Only by loving the book itself can children develop the habit of lifelong reading and give them a rich spiritual and emotional world.
Reader's feedback on the tenth issue 5 If you open the reader's inner page on the video website, the title content is basically filled by the reading of the stars. Taking the third issue as an example, the story told by Mai Jia is obviously more thoughtful and sincere than that told by Xu Jia, but for the sake of traffic, the cover and main publicity are still the topic queen Xu.
In the 7th issue, Dong Qing said at the beginning of the film that one of Cao Wenxuan's favorite words in this issue is that all stories are parting of life and death, but when it can be publicized, Sebrina is still used.
Readers believe in fame more. Is this a fan market or Dong Qing's lack of confidence?
If you want to know the truth, you might as well start with the positioning of the program.
Reader's slogan: one paragraph for each person. You are not mistaken, that is, people are in front of the text. Even the name of the program reveals Dong Qing's ambition: being a speaker, not reading itself.
Dong Qing, a representative of intellectual wisdom, a sister of CCTV, is a popular fried chicken, and her connections and resources are absolutely first-class. Then, isn't it logical to use these connections and celebrity effects to call on everyone to learn, and kill two birds with one stone?
But that's the truth. Too many key points will often usurp the role of the host. As the saying goes, people who value stars look down on the articles they read.
When I watch this program, I like He Cheng. He looks a little paranoid. The song "Unrealized Dream" translated by her in the musical "I, Don Quixote" is so beautiful! Goose, I searched the lyrics online, and I can hardly find them. All I searched for were stories about He Cheng, Liu Yang and Luo Yingshan. Finally, I finally found what I needed in a busy blog.
In the face of this naked man, there is only a sigh.
However, I still believe that Dong Qing's original intention is good. She hopes to make use of the appeal of stars or her own stars to make everyone regard them as idols and promote reading. But as everyone knows, people who really love reading don't study for anyone, but love the words themselves and go to books to experience feelings they have never experienced before.
Readers' thoughts, issue 10, 6 How gentle I was. I scattered petals in your hair. When you leave, my heart will not get cold. Thinking of you is like reading my favorite words, so happy.
In the sixth program of Chinese Poetry Conference, a child clearly sang Delighting in Rain on a Spring Night, while his father sang softly. Dong Qing, the host, was moved by this scene, with tears in his eyes, and casually read Ye Saining's I Remember. This kind of Dong Qing is moving, so it is no wonder that Wang Ruoxi praised Dong Qing: Beauty should take jade as the bone, snow as the skin, hibiscus as the face, willow as the posture, and more importantly, poetry as the heart.
I still remember that during the Spring Festival Evening, Dong Qing was inexplicably searched for lipstick color, and everyone praised her for saying that the skin set off by this lip color was white and beautiful. Then there is the Chinese Poetry Conference. As we all know, lip color is just an appearance. What really attracts everyone's attention is Dong Qing's wisdom and inner temperament that emanate from the inside out.
Dong Qing was born in Shanghai. His parents are both high flyers who graduated from Fudan University. Father Dong Shanxiang is the editor-in-chief of the newspaper, and mother Jin is a professor in the physics department of the university.
Dong Qing's father was born in the countryside and his family was poor. His father died young and lived alone with his mother. In order to study, before going to school every day, my father Dong goes to the pond to catch fish and shrimp, and then follows my mother to the market to sell fish and shrimp to earn some living expenses. Dong's father likes literature very much. When he was in high school, his teacher suggested that he should be admitted to the journalism department of Fudan University. With full love and unyielding tenacity, and with their unremitting efforts and persistence, rural teenagers were admitted to the famous major of this famous university.
Dad Dong loves Dong Qing very much, but he is also very strict. Dong Qing can't read much, so her father makes her copy idioms and ancient poems every day, read aloud and recite them. Older, and let her copy ancient prose. At the age of seven, Dong's father asked Dong Qing to share the housework and forbade her to spend time dressing.
Because of his father's devil education, Dong Qing became familiar with poems and songs since childhood, infiltrated her spiritual world, and forged her virtue skeleton with the good character cultivated since childhood. The accumulation of years has lasted for a long time in Mika, and Dong Qing has come step by step, showing more and more intellectual charm. The words read over and over again blend with real life and become the guiding force of the spirit and the lingering complex.
20 17 March, Dong Qing began to brew a cultural and emotional program-readers. If The Reader is different from other cultural vertical programs or reading programs, it probably lies in the touching emotion and temperature.
Reading aloud, audience and emotional bond are the three key cores of this program. One key word in each episode of the program is the core clue. The guests shared their life stories around key words and read a passage that touched, inspired and even changed themselves. The program captures the emotional bond between words and people's stories, which is the key word in every program. Then the theme words are unfolded to form an emotional magnetic field, which gives the audience a strong sense of substitution and emotional resonance. At present, the program has invited many guests, including Pu Cunxin, Liu Chuanzhi, Xu Yuanchong, Gaowa Siqin and Wang Xueyin.
Under this setting, words are not only the world written by others, but also the vital symbols that blend into the reader's spiritual world, engraved with its emotions and experiences, and once again flourish and resonate. It's like the meaningful beauty of poetic heart, like Dong Qing blurting out his thoughts about you, like reading his favorite words, so happy.
Read aloud to emphasize words, and read aloud to emphasize people. Dong Qing hopes that the program will show the feelings of real people, be moved by them and let us see the world.
The Reader contains Dong Qing's admiration for literature, his love for his father, and the most precious emotional experience of the reading guests who came to the program.
Sometimes love is so deep that I don't know how to express it. Why don't you read a passage that you and I both love and let us listen quietly? Reading allows you to stand in the present, look back on the road you have traveled, read aloud, read out the beauty of words, convey the power of life, and protect the spiritual home.