I don't read many poems, let alone comments. I read Ma Dongxu's poems in the forum of "Poetry Tribe" in the spring of my friends in March, but I didn't read them deeply. When I came to my friend's forum where Dongfeng dyed green trees, I happened to see Ma Dongxu's poems again. Looking closely, I suddenly felt a desolation and loneliness flowing between the lines.

I admire his talent very much and think that he is a relatively powerful poet. When reading, write down some ideas as communication.

In To Sister, the poet uses "leaves that can't be opened" and "falling" as waiting words, which reminds people of the flowers and leaves in bud in spring, and the contrast between prosperity and desolation in an instant.

My sister's fate has become a lonely "porcelain", cold and fragile, often forgotten in a corner, guarding "a small piece of my own sadness"

The poet further expanded the extension of sadness, using words such as "acclimatization" and "rain entanglement", further exaggerating his sister's experience. Remind readers here that it is not difficult to imagine how disgusting "rain" is if you chew the word "tangled" a little.

"Twenty-eight joints on my fingers can't find a tiny red color", and the picture of a skinny sister who has suffered so much is presented to readers.

Dew is rootless water, which easily volatilizes in windy mornings. Used to describe the fate of "me" and "sister", giving people a bleak feeling.

I like this song very much, but there are too many pessimistic things in it

The second song, how do I want to live,

Still using a series of symbolic techniques. "Sand" and "eyes" are an incompatible combination, which will inevitably lead to "disease". Going back to the "Poetry" of "Song" reminds us of a famous saying of Fan Zhongyan: Worry about life and worry about it, and enjoy life and enjoy the world.

The reality is helpless, and the poet is worried about the country and the people, so he has to dive in the "barren humidity".

"Diving, tossing and turning, lack of oxygen, lilacs bloom.

Not contaminated with fireworks, and make the knife method messy. "

In this passage, the author tries to express his beautiful and complicated mind directly with "lilac" and "no fireworks, no knife method", and his helplessness and confusion are fully revealed.

The author's transitional expression is hard and slightly cracked.

Let's read the following sentence again:

"Elder sister, how I wish I could live and walk in the fields.

Harvest crops and grains in autumn. Look back at the grass on the ancestral grave.

The dew on the grass tip and the light in the dew belong to nature. "

This passage is the paradise that the poet hopes for, and the scene of "crisp autumn and abundant grain" is peaceful and prosperous. "Dew" and "light" are a pair of symbols full of hope and vitality, which are related to the following sentence (paragraph):

"

Choose the smallest cornflower to accompany me to a distant place.

Drag the knife north, drink the horse river, and enter the water.

Wandering until it snows and becomes lonely.

I fell headlong, never woke up, and never shouted out the pain in my life. "

In this way, there seems to be a transition between the two, or the transition is not obvious, which makes people feel a bit abrupt.