1. There are several literary works of Lu Xun
1. The current status of Lu Xun’s research [Lu Xun] 2. Lu Xun and Zhu An [Lu Xun] 3. Pseudo Free Letters [Lu Xun] 4. San Xian Ji [Lu Xun] 5. Nan Qian Bei Diao Ji [Lu Xun] 6. Lace Literature [Lu Xun] 7. Grave [Lu Xun] 8. Er Xin Ji [Lu Xun] 9. Ji Ji Ji [Lu Xun] 10. Scream [Lu Xun] 11. Ah Q True Story [Chasing Lu Xun] 12. Impermanence [Lu Xun] 13. Record of Lu Xun being scolded [Lu Xun] 14. Autumn Night [Lu Xun] 15. The epigraph of "Wild Grass" [Lu Xun] 16. Lu Xun and movies [Lu Xun] 17 .Li Zehou discusses Lu Xun [Lu Xun] 18. A recent visit to the Lu Xun Museum [Lu Xun] 19. About Lu Xun [Lu Xun] 20. A Jin [Lu Xun] 21. New stories [Lu Xun] 22. Quasi-Feng Yue Tan [Lu Xun] 23. Dog's Refutation [Lu Xun] 24. The Farewell of Shadows [Lu Xun] 25. Hot Wind [Lu Xun] 26. The Last Collection of Qiejieting's Essays [Lu Xun] 27. The Supplementary Collection of Qiejieting's Essays [Lu Xun] 28. The Second Collection of Qiejieting's Essays [ Lu Xun] 29. Qiejieting Essays [Lu Xun] 30. Good Stories [Lu Xun] 31. Supplements to the Collection of Collections [Lu Xun] 32. Supplements to the Collection of Collections [Lu Xun] 33. Collections of Collections [Lu Xun] 34. Huagai Supplement to the sequel to the collection [Lu Xun] 35. Sequel to the Huagai Collection [Lu Xun] 36. Huagai Collection [Lu Xun] 37. Happy Family [1] [Lu Xun] 38. Hope [Lu Xun] 39. Kite [Lu Xun] 40. Argument [Lu Xun] 41. Picking up flowers in the morning and evening [Lu Xun] 42. Wandering [Lu Xun] 43. Wild grass [Lu Xun] 44. Passerby [Lu Xun] 45. Snow [Lu Xun] 46. The bold girlfriend [Running Lu Xun] 47. Rabbit and Cat [Lu Xun] 48. Sadness and Death [1] [Lu Xun] 49. In the Faint Bloodstains [Lu Xun] 50. Introduction to "Morning Blossoms Plucked at Dusk" [Lu Xun] 51. A Little Thing [Lu Xun] 52. Everlasting Lamp [1] [Lu Xun] 53. Wax Ye [Lu Xun] 54. The Lonely [Lu Xun] 55. The Lost Good Hell [Lu Xun] 56. Lu Xun spoke bitterly about men and women [Lu Xun] 57. Gao Laofuzi [1] [Lu Xun] 58. Twenty-Four Filial Piety Pictures [Lu Xun] 59 . Show to the Public [Lu Xun] 60. Postscript [Lu Xun] 61. Revenge [Lu Xun] 62. Revenge (Part 2) [Lu Xun] 63. A Sleep [Lu Xun] 64. Complete Collection of Lu Xun's Novels [Lu Xun] 65. Soap [Lu Xun] 66 .The wise man and the fool and the slave [Lu Xun] 67. Such a warrior [Lu Xun] 68. The tremor of the line of decline [Lu Xun] 69. Trivia [Lu Xun] 70. The beggar [Lu Xun] 71. At the restaurant [Lu Xun] 72 .A brief introduction to "Morning Blossoms Plucked at Dusk" [Lu Xun] 73. A Chang and "The Classic of Mountains and Seas" [Lu Xun] 74. The Five Ram Meetings [Lu Xun] 75. From Baicao Garden to Sanwei Bookstore [Lu Xun] 76. Father's Illness [Lu Xun] ] 77. Mr. Fujino [Lu Xun] 78. Fan Ainong [Lu Xun] 79. Blessing [Lu Xun] 80. Social Opera [Lu Xun] 81. Troubles [Lu Xun] 82. Hometown [Lu Xun] 83. Kong Yiji [Lu Xun] 84. Medicine [Lu Xun] ] 85. The so-called "literary policy" [Lu Xun] 86. Preface to "The Scream" [Lu Xun] 87. Lu Xun's poetry collection [Lu Xun] 88. Diary of a Madman [Lu Xun] 89. A brief history of Chinese novels [Lu Xun] 90. An outline of the history of Chinese literature [Lu Xun] 91. Collection of Prefaces and Postscripts to Ancient Books [Lu Xun] 92. Collection of Prefaces and Postscripts to Ancient Books [Lu Xun] 93. The Comedy of Ducks [Lu Xun] 94. Dragon Boat Festival [Lu Xun] 95. Mending the Sky [Lu Xun] 96. Raising Death [Lu Xun] 97. Flying to the Moon [Lu Xun] 98. A Brief Discussion on the Face of Chinese People [Lu Xun] 99. Complete Collection of Lu Xun's Prose [Lu Xun] 100. Collected Works of Lu Xun [Lu Xun] 101. Leaving Seclusion [Lu Xun] 102. Managing Water [Lu Xun] 103. Non-attack [Lu Xun] 1
04. Cai Wei [Lu Xun] 105. Preface [Lu Xun] 106. After Death [Lu Xun] 107. White Light [Lu Xun] 108. The Story of Hair [Lu Xun] 109. Tomorrow [Lu Xun] 110. Brothers [Lu Xun] 111. Dead Fire [Lu Xun] 112. Divorce [Lu Xun] 113. Compilation of Lu Xun's essays [Lu Xun] 114. Dog·Cat·Rat[Lu ) [Lu Xun] 117. Chronicle of Lu Xun [Lu Xun] 118. Introduction to Lu Xun [Lu Xun] 119. Lu Xun Brothers and Diary [Lu Xun] 120. My Girlfriend Sugar Daddy [After Lu Xun] 121. Cat and Mouse Anti-Corruption [After Lu Xun] 122 .Tombstone Essays [Lu Xun] 123. Complete Collection of Lu Xun's Essays (Full Text Serialization) [Lu Xun] 124. New Trend Lu Xun's Short and Medium Novels Collection [New Trend Lu Xun] 125. Smart Son-in-Law VS Unruly Mother-in-Law Part 3 [New Trend Lu Xun] 126. Lu Xun and Xu Guangping Collection of letters: Letters from Two Places·Original Letter [Lu Xun Jing Song] 127. Oh, Lu Xun [Lu Xun Oh] 128. Thoughts·Landscape·Characters [Lu Xun translated into Japan - Tsurumi Suke]. 2. The original text of Mr. Lu Xun's work "Hometown"
The original text is: I braved the severe cold and returned to my hometown, which is more than 2,000 miles away and I have been away for more than 20 years.
Since it was late winter at that time, as we approached my hometown, the weather became gloomy again. The cold wind blew into the cabin, making a whining sound. Looking out from the gap, I saw under the pale yellow sky, far and near. Several desolate deserted villages lacked any vitality. My heart couldn't help but feel sad.
Ah! Isn’t this the hometown I remember from time to time in the past twenty years? Nothing like this is what I remember from my hometown. My hometown is much better.
But if I want to remember his beauty and describe his good qualities, there are no images or words. It seems like that's it.
So I explained to myself: The same is true in my hometown - although there is no progress, it may not be as sad as I feel. This is just a change in my own mood, because I I was not in a good mood when I returned to my hometown this time. I came here specifically to say goodbye to him this time.
The old house where we have lived together as a family for many years has been jointly sold to another family name. The deadline for handing over the house is only this year, so we must hurry up before the first day of the first lunar month to say goodbye to the old people we know so well. House, and far away from my familiar hometown, moved to a different place where I was looking for food.
Extended information: Lu Xun made significant contributions in many fields throughout his life, including literary creation, literary criticism, ideological research, literary history research, translation, introduction of art theory, introduction to basic science, and collation and research of ancient books.
It had a significant impact on the ideological and cultural development of Chinese society after the May 4th Movement. It is well-known in the world of literary circles, especially in the ideological and cultural fields of South Korea and Japan. It has an extremely important status and influence and is known as the "Twentieth Century East Asia The writer who occupies the largest territory on the cultural map.” In Lu Xun's personal life, there were two things that hit him hard.
One is about marriage, the other is about the quarrel with his younger brother Zhou Zuoren. Lu Xun and Zhou Zuoren have been unwilling to talk about this matter to others, which has made the matter even more confusing and has become the most incomprehensible event in the history of modern Chinese literature.
Baidu Encyclopedia-Lu Xun. 3. Contents of Lu Xun's works
Lu Xun (September 25, 1881 - October 19, 1936) was originally named Zhou Shuren, with the courtesy name Hencai. When he was a boy, he was named Zhou Zhangshou, and he was a native of Shaoxing, Zhejiang.
Modern Chinese writers, thinkers and revolutionaries. Representative works: novel collection "Scream", "Wandering", essay collection "Morning Blossoms Picked Up at Dusk".
Known as the "Wensi Revolution". He was born on the third day of August in the seventh year of Guangxu (September 25, 1881) in Dongchangfangkou, Huiji County, Shaoxing Prefecture (now Shaoxing City), Zhejiang Province, and his ancestral home is Runan, Henan Province. county. As a child, he enjoyed a life like a young master, but his family gradually declined and he became poor.
Influenced by Darwin's theory of evolution and Tolstoy's philanthropic thoughts in his youth, Lu Xun changed his name from Zhou Zhangshou to Zhou Shuren in 1898. In 1902, he went to Japan to study at public expense. He originally studied medicine at Sendai Medical College and had the ideal to use his own hands to treat diseases and save people. Later, due to the war, he changed his career as a writer and engaged in literary and artistic work, hoping to change the national spirit (see the preface to "The Scream").
From 1905 to 1907, he participated in the activities of the revolutionary party and published papers such as "On the Power of Moro Poetry" and "On Cultural Partiality". During this period, he returned to China and married his wife Zhu An at the order of his mother.
In 1909, together with his brother Zhou Zuoren, he co-translated "Collection of Foreign Novels" to introduce foreign literature. He returned to China in the same year and taught in Guangzhou and Shaoxing successively.
In 1918, under the pen name "Lu Xun", he published the first vernacular novel "A Madman's Diary" in Chinese history. In 1927, he married Ms. Xu Guangping and gave birth to a boy named Zhou Haiying.
I have three nieces. Died of illness in Shanghai on October 19, 1936.
His works are included in "The Complete Works of Lu Xun", his works and "Collected Letters of Lu Xun", and he has reprinted many ancient books compiled by Lu Xun. Later, "The Complete Works of Lu Xun" (*** Volume 16) was published in 1981.
In 2005, "The Complete Works of Lu Xun" (***18 volumes) was published. His works are mainly novels and essays. Among the novels, "Blessing", "The True Story of Ah Q", and "Diary of a Madman" are relatively well-known.
Dozens of Lu Xun’s novels, essays, poems and essays were selected into Chinese textbooks for middle schools and primary schools, including the novels "Blessing", "The True Story of Ah Q", "Medicine", etc. It has been adapted into movies. Lu Xun museums and memorial halls have been established in Beijing, Shanghai, Shaoxing, Guangzhou, Xiamen and other places. At the same time, his works have been translated into more than 50 languages ????such as English, Japanese, Russian, Spanish, French, German, and Arabic, and have been published all over the world. A wide range of readers.
First of all, the disease suffered by the madman in "Diary of a Madman" is "persecution mania". From a medical point of view, its prominent symptom is that the patient is in a reactive delusion. Everything around him may cause a paranoid reaction due to the characteristics of a certain thing: he may suspect that someone is harming him, or he may suspect that someone is insulting him. Therefore, the madman in "Diary of a Madman" has obvious "suspicious" characteristics, or conversely, what Lu Xun focuses on in "Diary of a Madman" is the "suspiciousness" of the madman.
(Of course, we cannot apply the paranoia of the madman in his works to Lu Xun. This will be discussed below.) Secondly, combined with Lu Xun’s creative situation, among Lu Xun’s novels, some works are not like Works such as "The True Story of Ah Q", "Kong Yiji", "Blessing", and "Hometown" focus on depicting the appearance of the character's personality (appearance, words and deeds, resume, events, etc.), but on the inner and spiritual world of the character. The activity of a certain factor is the main one, showing its certain spiritual consciousness tendency, such as "Diary of a Madman", "White Light", "Eternal Light", "Sorrow of Death", etc.
Although this type of works contains the words and deeds of the characters, the factor that dominates the works is some kind of spiritual consciousness. Judging from "Diary of a Madman", the first part of the novel begins with this text: Tonight, the moonlight is very good.
It has been more than thirty years since I saw him. But when I saw him today, I felt particularly refreshed. Only then did I realize that I had been in a daze for the past thirty years or so; however, I had to be very careful.
Otherwise, why would the Zhao family’s dog look at me? I'm rightly afraid. At the beginning of the novel, the character's consciousness appears. Lu Xun does not use single visual words such as bright and clear, but uses a comprehensive consciousness such as "very good" to grasp the moonlight.
Next, "I" appears, but to readers, "I" is invisible, let alone tall or short, fat or thin, young or old, in essence , the consciousness of "I" continues to lead the reader: "I haven't seen him for more than thirty years" is a conscious recognition of the feeling of "very good moonlight"; "I saw him today, "The spirit is extremely refreshing" is the re-recognition of the consciousness; "I realized that the past thirty years or so were all dizzy; however, one must be very careful", which is the emergence of new consciousness after the consciousness is recognised; "Otherwise, what will happen to the Zhao family?" "Why does the dog look at me twice?" The newly emerged consciousness began to bring new objective objects into the scope of consciousness - note that this is not an objective description of the eyes of Zhao's dog, but the consciousness of this. A grasp of the facts. "My fear is justified."
With this sentence, consciousness moves towards judgment. By following this analysis and running it through the entire novel, it is not difficult to figure out the trajectory of the flow of consciousness.
Therefore, from this perspective, "Diary of a Madman" is a novel that shows the process of consciousness. Simply put, "Diary of a Madman" is a novel of consciousness. Again, at the end of the novel, there is this sentence: "With four thousand years of experience in cannibalism, I didn't know it at first, but now I understand that it's hard to see real people!" Lu Xun here titled "I" with " "Four Thousand Years of Experience" and contrasting "real people" with "I", implying that "I" is not a concrete person but an artistic setting. Of course, "I" can only be a person, and only people can carry it. The consciousness of a certain person, but in "Diary of a Madman", this person will not be a real and specific "persecution maniac" patient. As an artist, Lu Xun will not record and describe a patient like doctors and psychological researchers. Symptoms.
In "Diary of a Madman", from the perspective of a "persecution maniac" patient, Lu Xun made very few stipulations that can fully express the characteristics of this patient, and the "I" is nameless. There is no surname, no explanation of the cause of the disease, no description of the medical history, and the environment and era in which he lived has a very wide range. On the other hand, Lu Xun grasped the unique characteristics of patients such as "persecution mania" with great precision and vividness.
This shows that "I" is not important as a specific existence. Lu Xun's choice of madman does not depend on who the madman is, but because the choice of madman is in line with Lu Xun's artistic setting and artistic expression. If The "I" in the novel is an ordinary person, so Lu Xun cannot express the meaning of "suspiciousness" in him.