An expert said, "Flamengo is the dance that can enjoy music most and master music most accurately." In flamenco dance, in addition to the accompaniment of songs, guitars and castanets, dancers sometimes clap their hands with the rhythm, and sometimes step on the ground to strengthen the rhythm. With the change of music performance, the dancer's physical performance is also mixed with sadness and joy, as if to show the deepest part of the soul. Throughout the performance, artists and audiences are seeking a spiritual connection. Of all the dances, the women in flamenco dance are the most attractive. She is not as pure and dignified as a ballerina, nor as passionate and noble as a partner in a ballroom dance. Her appearance, often alone, shrugs her head and looks very lonely. In most duets, she and the hero are also far away and close, at arm's length. When she really dances, her expression is still cold and even painful, but her body movements are full of enthusiasm. The castanets in her hands follow her footsteps, making a little sonorous sound, which seems to tell her vicissitudes. Isn't this the sexiest picture?
Castanets are necessary props for flamenco's performance. If you have sharp ears, you can probably hear them. In fact, the castanets of dancers' left and right hands make different sounds. The voice on the left hand side is low, representing men. The one on the right is taller. It's a woman. The response of the castanets in the dancers' hands expresses the dialogue between men and women. Euphemistically telling men's and women's stories, the artist's talent and life experience are more important than skills, which is why many flamenco dancers dance more tastefully as they get older. In riverdance, flamenco dancers are said to have been dancing for nearly 40 years. She has obvious fat around her waist, but when she dances, you can only think of Duras' famous saying that has been overused: "I love your face destroyed by years."