China was a poet in Tang Dynasty. The word is too white, and the number is purple. Mian Governor Long (now Jiangyou, Sichuan) was born.

Lipper

Li Bai read widely in his youth. In addition to Confucian classics and ancient literary and historical masterpieces, he also browsed hundreds of books and became a "good swordsman". Believing in Taoism, having the idea of transcending the secular; At the same time, he has the political ambition to make contributions. The poems he wrote in Shu as a teenager are rarely preserved, but they show outstanding talent. Li Bai traveled in eastern Sichuan when he was about twenty-five or six years old. In the following 10 years, he roamed many places in the middle and lower reaches of the Yangtze River and Yellow River. In the 18th year of Kaiyuan (730), he once arrived in Chang 'an to strive for a political way out, but failed. In the first year of Tianbao (742), he was called by Xuanzong to worship Hanlin in Chang 'an as a minister of civil affairs and participated in drafting documents. Less than two years later, he was forced to resign and leave Beijing. During this period, Li Bai's poetry and song creation tends to be mature. 1 1 years later, continue to wander in the middle and lower reaches of the Yellow River and the Yangtze River. "Wandering around the world, it is suitable for poetry and wine." He still cares about state affairs and hopes to be re-appointed by the court. In the third year of Tianbao, Li Bai met Du Fu in Luoyang and became good friends. They didn't meet again after breaking up the next year. In the fourteenth year of Tianbao, the Anshi Rebellion broke out, and Li Bai lived in seclusion in Xuancheng (now Anhui) and Lushan Mountain. In the following year1February, he was invited to Lilin, the shogunate of Wang Yong, hoping to eliminate the rebellion and restore national unity. After Wang Yong angered Su Zong and was killed, Li Bai was also found guilty, imprisoned in Xunyang (now Jiujiang, Jiangxi) and soon exiled to Yelang (now Tongzi, Guizhou). On the way, I was forgiven and came back. I was 59 years old. Living in Jiangnan area in his later years. At the age of 6 1, I heard that Qiu Li Guangbi led an army out of the city to attack the Anshi rebels and went north to join the army to kill the enemy. He turned back halfway due to illness. The following year, he died in the apartment of his uncle Dangtu (now Anhui) county magistrate Li.

Literary creation Li Bai's poems have been lost a lot, and there are still more than 900 poems with rich and colorful contents.

Li Bai cared about national affairs all his life, hoping to make contributions to the country, but he was not satisfied with the dark reality. His 59 antiques are representative works in this field. The dark corruption in Tang Xuanzong's later politics was widely exposed and criticized, which reflected the grief and indignation of talents who had nowhere to go. A lot of words are ironic, and the spirit is very high. Li Bai is eager to make contributions and serve the country, but he does not envy wealth. What do you think of are bells and drums, treasures and treasures? . After making contributions, he will follow the example of Lu Zhonglian, a senior scholar in the Warring States period, and quit without respect. His thoughts were obviously influenced by Taoism, especially Zhuangzi. Many of Li Bai's poems show concern and sympathy for people's lives. This content is often combined with criticism of rulers. Some of his Yuefu poems reflect women's lives and their sufferings, which focus on thinking about women and remembering people, and also write about the grievances of businessmen, abandoned wives and maids. His "Lodging in Wusongshan Mountain, Uncle Xun", "Song of Protection" and "Song of Autumn Pu" describe the lives of farmers, boatmen and miners respectively, showing concern for the working people. Li Bai wrote many poems describing natural scenery in his life. His poems "It's difficult to ascend to heaven through the Shu Road", "The water of the Yellow River can't be moved out of the sky and into the ocean, and it will never return" ("Into the wine"), "Flying down three thousands of feet, it is suspected that the Milky Way has fallen for nine days" ("Looking at Lushan Waterfall") and so on are all famous sentences that have been passed down through the ages. This kind of poetry, just like some of his works praising Dapeng birds, shows his lofty aspirations and broad mind, and reflects his desire to pursue extraordinary things from the side. Other poems, such as Qiu Deng's North Building of Xuancheng Qi Xie, Sitting Alone in Jingting Mountain and Journey to Qingxi, are good at depicting beautiful scenery, fresh and meaningful, and their styles are close to those of Wang Wei and Meng Haoran. Li Bai also has many poems about love and friendship. His Yuefu poems often express euphemistic and profound love from the perspective of female inheritors. There are also some poems about giving gifts and missing your wife, and their feelings are quite deep. Li Bai donated a large number of works to his friends, including many excellent works. Some of these poems show a distinct political attitude, and more often they show their daily farewell and lovesickness, such as the Yellow Crane Tower's farewell to Meng Haoran and Du Fu at Dunmenmen, hearing that Wang Changling moved to Longbiao Kiln for this purpose, reminiscing about the past, visiting the army and giving Wang Lun a present. Deep feelings, vivid images and strong artistic appeal. The content of Li Bai's poems also contains some feudal dross, among which more is the negative nihilism of promoting life as a dream, eating and drinking, and the religious superstition of seeking immortals to visit the Tao and alchemy. Some of his poems about women and love are vulgar. In Li Bai's poems, exaggerated and vivid metaphors are widely used. His poems "But since the water is still flowing, although it is a knife cut, raise a glass to ease the sorrow" (Uncle Yun, a farewell school book at Xiezilou in Xuanzhou) and "Three thousands of feet with white hair, Sorrow is like a beard" (Song of Autumn Pu, Part XV) depict his deep anxiety after the failure of political activities in Chang 'an, which are widely circulated famous sentences. His poem "Poetry from the North Window is not as good as a glass of water" ("Answering the Twelve Cold Nights of the King") wrote his own talent; "I would like to cross the Yellow River, but the ice will choke on the ferry, and Taihang Mountain will be covered with snow" ("Difficult to Travel"), which is difficult to write a career; "Peach Blossom Pond is deeper than thousands of feet, not as good as Wang Lun" ("To Wang Lun"), and writing about the deep friendship between friends all impress readers with distinctive and prominent images. The imagination of Li Bai's poems is very rich and amazing. His "Strong winds blow my heart, and fairy trees hang in the west" ("Jin Xiang sends Wei Ba to the West") and "My heart is full of worries about the bright moon, and I stay in the West with the wind" ("I heard that Wang Changling moved to Longbiaoyao to leave") all show his nostalgia for Chang 'an and his poetry friends with strange imagination. Fu Liangyin, Antique and Lotus Mountain in the West respectively express the destruction of Chang 'an City and the ravages of Anshi Rebellion on the Central Plains through fantasy. Farewell shows the hidden worries about the political situation in the later period of Tang Xuanzong through confusing legends. They are vivid and meaningful. With the help of myths and legends, Shu Dao Nan and Meng Deng Tian Mu Shan have built a colorful and thrilling realm.

The Pen and Ink of Li Bai's Coming to Power

The rich imagination of Li Bai's poems is particularly prominent in the long seven-character poems, which are obviously influenced by Qu Yuan. In terms of genre, Li Bai is good at classical poems and quatrains with relatively free form, and doesn't like to write metrical poems. 59 pieces of Antique are his representative works of five dynasties. The five ancient poems in his Yuefu have inherited the fine tradition of Yuefu folk songs in the Han, Wei and Six Dynasties, and their writing style is simple and vivid, full of the poet's enthusiasm. His seven-character ancient poems (including Yuefu seven-character songs and general seven-character poems) are more creative. The scenery is magnificent, colorful, lyrical and changeable. From the literary origin, this kind of poetry is most influenced by Qu Yuan's works, and it is difficult for Bao Zhao to imitate it. Li Bai is good at quatrains. His quatrains were improved on the basis of Yuefu folk songs in the Southern and Northern Dynasties, which made him more alert. "Thinking on a Quiet Night" and "Yu Jiefen" and other five wonders are implicit and meaningful. There are also excellent works, clear and concise language, harmonious and beautiful timbre, lyrical scenery and simple explanations. For example, See you Meng Haoran on the way to Yangzhou from the Yellow Crane Tower, Looking at Lushan Waterfall, Looking at Tianmen Mountain, Making a White Emperor City as early as possible, and Presenting Wang Lun. Are well-known masterpieces. The evaluation of the seven-character quatrains in the Tang Dynasty has always been that Li Bai and Wang Changling are best at blending scenes; Li Bai concentrated on the study of the Seven Laws, with only a dozen books and few excellent works. There are more than 70 poems about five laws, some of which are well written, which shows that he can write metrical poems, but he doesn't like to write more. Although Li Bai's Yuefu poems use the old Yuefu theme, they can be innovative. Those who wrote poems with the theme of old Yuefu in the Tang Dynasty made the most outstanding achievements. Some of his poems and quatrains are full of Yuefu poems, although they don't use Yuefu themes. The greatest feature of his poetic language can be said to be "clear water produces hibiscus, which is naturally carved". Specifically, the language is straightforward and natural, the syllables are harmonious and smooth, natural and unpretentious, and it exudes the flavor of folk songs. This is mainly due to the study of Yuefu folk songs in Han, Wei and Six Dynasties. But he didn't just learn and imitate the language of folk songs, but improved it on the basis of learning to make it more concise, beautiful and meaningful. His seven-character ancient poems are not only pure and natural, but also bold and unconstrained in language. Du Fu's poem "Memories of Li Bai in Spring" praised Li Bai's poems as "fresh" and "elegant", which revealed the remarkable characteristics of his language style. Li Bai's poems have a far-reaching influence on later generations. Han Yu and Li He in the Tang Dynasty, Ouyang Xiu, Su Shi and Lu You in the Song Dynasty, Gao Qi in the Ming Dynasty, Qu Dajun, Huang Jingren and Gong Zizhen in the Qing Dynasty all benefited from and were influenced by Li Bai's poems to varying degrees.

Li Bai also wrote several poems. There are 12 poems in Zunqian Collection and 7 poems in Hua 'an Miao Ci Selection. Among them, "Qingpingdiao" has three songs "Clouds Want Clothes, Flowers Want Capacity", and the genre is actually a quatrain of seven words, which was sung with music at that time. Other long and short sentences handed down by Li Bai are not very credible. There are more than 60 essays by Li Bai today. Many antithetical sentences did not get rid of the popular parallel prose fashion at that time. But the language is natural and fluent, which is similar to its poetic style. Among them, Hanshu Jingzhou and Preface to Peach Blossom Garden (Li) were selected by later generations and widely read.

Neither this episode nor the proofreading version of Li Baiji compiled by the Tang Dynasty has been handed down. Thirty volumes of Li Taibai's Collected Works in the Northern Song Dynasty were engraved in Suzhou and called Su Ben. Later, there was a Shu edition copied according to Su Ben, which was the earliest extant Li Baiji. During the reign of Kangxi, Miao Yue copied it and called it Miao Edition. The earliest annotation for Li Baiji was Yang Qixian's Li Hanlin Collection in the Southern Song Dynasty, with 25 volumes and rich annotations. Qu Tuiyuan and Zhu Jincheng's Li Bai Ji Zhu is the most detailed one in Li Bai Ji Zhu. Research on Li Bai's works: After the May 4th Movement, before the founding of the People's Republic of China, there was Li Bai, a Taoist poet, and there was a study of Li Bai. After the founding of the people's Republic of China, there was Zhan? He is the author of Li Bai's Poems and Essays, and Wang Yunxi is waiting for Li Bai's research. In addition, there are many individual papers, some of which were selected as representative papers by Zhonghua Book Company, and compiled into Collected Papers on Li Bai's Studies, which were published in the 1960s.

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Interviewee: Only 155- Juren Level 4 3-2 17:47

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Li Bai (70 1-762), whose word is Taibai, is a famous poet in the prosperous Tang Dynasty. His ancestral home was in Ji Cheng, Longxi (now near Tianshui City, Gansu Province), and later one of his branches fell to central Asia (now near tokmak, the former Soviet Union, which was under the jurisdiction of various branches in the Tang Dynasty), where Li Bai was born. At the beginning of Shenlong, Li Bai fled to Shu with his father and lived in Zhangming, Mianzhou (now Jiangyou County, Sichuan Province).

Li Bai is as famous as Du Fu and is known as "Du Li" in the world. His thoughts are complicated, including Confucianism, Taoism, ranger and strategist, while Confucianism and Taoism are dominant, even putting Zhuangzi above Qu Yuan. Li Bai's political ideal is to "enlarge the atlas area and clarify Hai Xian County" (in response to Meng Shaofu's command). However, he avoided the imperial examination, lived in seclusion and made friends, in order to make a name for himself in Beijing and wait for him to be invited to the DPRK. His admiration for Jiang Shang, Fan Li, Lu Zhonglian, Sean and Xie Anzhi is beneficial. He was the teacher who made meritorious deeds for the emperor, and later retired with success. His thoughts are the product of the prosperous Tang Dynasty. Gong Zizhen once said: "Zhuang and Qu Shi are inseparable, taking it as their heart and starting with confession;" Confucianism, immortals and chivalry are three things that cannot be combined into one. If they are angry, they will confess. "However, just as it was about to make a difference, the prosperity of Kaiyuan had passed, the court was increasingly corrupt, and a new crisis was brewing in the society. Desire is extremely extravagant, but the hope of realizing it is extremely involved, so his feeling of being hit by himself is doubly heavy. Whenever he encounters setbacks and injustice, he will burst into strong indignation, and his bold criticism and denial of the existing order are often overwhelming. But in addition to my indignation, I often want to use seclusion to seek immortality and binge drinking to temporarily relieve my mental pain, which shows the profound influence of Taoist criticism of reality and seclusion thought. In this way, Li Bai spent his whole life in the fierce ideological struggle between ideal and reality, birth and WTO entry.

Li Bai's life experience can be divided into four periods. (a) reading roaming period (before the age of 42). At the same time, Li Bai's fifteen wonderful books, Fu Ling Xiang Ru, fifteen immortals and fifteen good swordsmanship. After the age of twenty, I wandered through Shu, climbed Emei and went to Qingcheng. These experiences have had an important influence on the formation of Li Bai's bold personality and poetic style. In the 14th year of Kaiyuan, Li Bai was twenty-six. He "went abroad with his sword and left his relatives to travel far away" and began a new period of roaming and seeking official positions. Footprints, a few and a half China. He has lived in seclusion with Yuan Danqiu, Kong Chaofu and Taoist Wu Yun in Songshan, Culai and Tanzhong. (2) In the third year of Chang 'an (42 to 45 years old), in the first year of Tianbao, Xuanzong sent a letter to Chang 'an on the recommendation of Wu Jun.. "Laugh at the sky and go out. Are we Artemisia people? " ("Nanling children go to Beijing") He Zhangzhi's opinion, sighing as "fallen immortals", is famous in the ruling and opposition parties. But Xuanzong only used him to decorate Taiping, so he felt that his political ideal was shattered. "Yang Jiuzhu, make waves and red leaves." His arrogant style of despising the imperial power was finally unacceptable, so he came out again. After five years in Xijing and three years in Hanlin, he realized the decadence of ruling the visiting delegation and the darkness of real politics, so he began to write some poems to express his anger and attack the reality. (3) Roaming again (45 to 55 years old). "As soon as I go to Beijing, I will take ten passengers to Liangyuan." White out of Beijing to Luo, met Du Fu, to Bianzhou, met Gao Shi, and the three went with them. "Get drunk in autumn and walk hand in hand with the Japanese." (Du Fu's "Looking for Fan Ten" and Li lived in seclusion for 12 years and forged a profound friendship. In the meantime, "being unemployed is like floating Peng", and life is very embarrassing. However, due to the increasingly dark politics in Tianbao period, his mood was also very sad and angry: "Kill the tiger and trap the eagle", but he thought he was "brilliant and worthy of the world", so more and more works exposed the reality and his rebellious spirit became stronger and stronger, which became the remarkable feature of his creation in this period. (4) unfortunate year (55 to death). An Shi started from chaos and hid in Lushan Mountain. Lin arose, crossed Xunyang and made him the shogunate. Later, he was imprisoned and exiled Yelang. "I have never shed tears in my life. I am crying here." On the way, I was pardoned and ordered to escort Li. Li Guangbi begged Shi Chaoyi, who volunteered to kill the enemy. During the Anshi Rebellion, Li Bai's poems and Du Like's poems were regarded as the embodiment of patriotism.

Li Bai is a great romantic poet. I have written many poems in my life, but "I was away from the Central Plains for eight years, and I lost nine of what I wrote at that time, and all those who survive today have won others" (Preface to Li Caotang's Collection). Li Taibai Ji has collected more than 900 poems, and The Whole Tang Poetry has collected 25 volumes. His plan has the largest number of archaisms and quatrains and the greatest achievements. Less rhymes, less seven rhymes. Among the ancient poems, there are 149 musical poems. Although most of these Yuefu poems are still the old themes of Yuefu, they are full of realistic political contents, such as "Fighting in the South and Fighting in the North", "Entering Wine", "Difficult to Walk" and "Liang". These poems, together with his famous 59 pieces of Antique, and his seven-character Long song, such as Climbing in the Dream of Tianmu Mountain and Sending a Learning Letter to Shu Yun from Xie Tiao Building in Xuanzhou, constitute an important aspect of Li Bai's poetic achievements. Some of them express their embrace and anger at political darkness, some show their anxiety about turbulent times, and some show their concern for women. The most distinctive works are those that lament political frustration, and their unrestrained feelings, such as running a river, can best reflect his temperament and style. He is also good at expressing implicit and profound feelings in the form of quatrains, such as Farewell to Meng Haoran on the way to Yangzhou, Gift to Wang Lun, The First Work of Baidicheng, Sitting Alone in Jingting Mountain, etc. , especially the four quatrains, elegant and leisurely, like nature, so keep pace with Wang Changling, is the swan song of the Tang Dynasty. In addition, his five laws are also flowing, simple and honest, eclectic and unique. Rich imagination, bold exaggeration, strong lyricism and fresh language constitute the unique characteristics of his poetry, which shows his ability to learn poetry, Sao and Han, Wei and Six Dynasties. For details of his life, please refer to Tang Li's Preface to Caotang Collection, Tang Fan's Collection of Tang Zuoji and Tombstone. There is Li Taibai's collection, with Wang Qi as the compilation explanation.

Du Fu

(7 12~770)

Poets in Tang Dynasty. Beautiful words. Originally from Xiangyang (now Hubei), he was born in Gongxian County, Henan Province. Because he once lived in Shaoling, south of Chang 'an, he was recommended by Yanwu as a festival staff, and was recommended by Yuan Wailang of the Ministry of Industry. Later generations called it Du Shaoling and Du Gongbu.

Du Fu, the grandson of the famous poet Du Fu, was born in a family with literary tradition. He studied poetry at the age of 7 and became famous at the age of 15. After the age of 20, there are four periods.

From the 19th year of Xuanzong Kaiyuan (73 1) to the 4th year of Tianbao (745), Du Fu lived a romantic life. He has roamed wuyue, Qi and Zhao successively. In the meantime, I failed to go to Luoyang to take the Jinshi exam. Tianbao and Li Bai have been friends in Luoyang for three years. We broke up the next autumn and never met again. There are more than 20 poems of Du Fu in this period, most of which are five laws and five ancient poems, represented by Wang Yue.

From five to fourteen years in Tianbao, Du Fu was trapped in Chang 'an and was down and out. He keeps buttering up powerful people to get promoted. I have been trying to "move" for six years; In ten years, he presented three articles of "Da Li Fu", which Xuanzong appreciated and ordered the Prime Minister to try; But nothing came of it. It was not until October of the fourteenth year, one month before the Anshi Rebellion, that You Weicai led Cao to join the army. Frustration in official career and personal hunger and cold made him objectively realize the corruption of the rulers and the sufferings of the people, and made him gradually become a poet who cares about the country and the people. The creation has undergone profound and great changes. Immortal masterpieces such as Military Vehicle Shop, Liangwei Road, Qiandi, Houdi, from Beijing to Fengxian, and famous cautionary sentences such as "The wine and meat in Zhumen stink, and the road freezes to death" have emerged. There are about 100 poems handed down in this period, most of which are ancient poems with five words and seven sentences.

From Su Zong to Deyuanzai (756) and then to Gan Yuan (759), the Anshi Rebellion was the most prosperous. Du Fu also experienced hardships, but his creative achievements were enormous. After the fall of Chang 'an, he went north to Lingwu to go to Suzong, but he was caught halfway, trapped by thieves for nearly half a year, and then fled from Chang 'an to Fengxiang Suzong, where he was picked up by Zuo. Soon after, he almost died because of the case of the house. After the recovery of Chang 'an, he returned to Beijing as his original post. In May 758, Foreign Minister Zhou Hua Sigong joined the army and bid farewell to Chang 'an. During this period, Du Fu had a clearer understanding of reality, and successively wrote such famous works as Sad Chen Tao, Spring Hope, Northern Expedition, Qiang Village, Three Officials and Three Farewells. In 759, Guan Fu went hungry and Du Fu was disappointed with politics. After beginning of autumn resigned, he passed through Qin Zhou and Tonggu and arrived in Chengdu at the end of the year. There are more than 200 poems handed down during this period, most of which are masterpieces of Du Fu's poems.

Du Fu spent eight years and three years in Jingxiang during the period from the first year of Shang Yuan in Su Zong (760) to the fifth year of Dali in Dai Zong (770) 1 1. In the spring of 760, he built a thatched cottage near Huanhuaxi, Chengdu, and lived intermittently for five years. In the meantime, he exiled Zizhou and Langchang. In 765, after the death of Yanwu, Du Fu lost his support and left Chengdu with his family. He stayed in Yun 'an due to illness and moved to Kuizhou the following spring. In 768, he left the gorge, moved to Jiangling and Gongan, and arrived in Yueyang at the end of the year. In the last two years of his life, he had no fixed abode. Wandering between Yueyang, Changsha, Hengyang and Leiyang, I spent most of my time on the boat. In the winter of 770, Du Fu died on a ship from Changsha to Yueyang at the age of 59. Before his death, he wrote a 36-rhyme long poem "Sleeping on the Shocking Boat". There is a sentence that "the blood of the war is still there, and the sound of the military is still moving", and he still thinks about the national disaster. During the period of 1 1, he wrote more than 1000 poems (including more than 430 Kuizhou poems), accounting for five-sevenths of all Du Fu's poems. Most of them are quatrains and metrical poems, and there are also long sentences. His representative works include Song of Autumn Wind Breaking the Cottage, Imperial Army Recovering the Banks of the Yellow River, Eight Poems of Autumn Prosperity, Ascending the Mountain, and Revealing Wu Lang again.

Du Fu wrote more than 1400 poems. It profoundly reflects the social panorama of more than 20 years before and after the Anshi Rebellion in Tang Dynasty, and vividly records Du Fu's life experience. Closely combine social reality with personal life to realize the perfect unity of ideological content and artistic form; Represents the highest achievement of Tang poetry. It is called "the history of poetry" by later generations. However, Du Fu did not narrate objectively, but wrote history with poems. It reflects the reality profoundly and widely, and expresses its subjective feelings through unique artistic means. Just as Pu Qilong said: "Poems of Shaoling are a person's temperament, and things of the Three Dynasties must be sent to others" (reading). Since the late Tianbao period, Du Fu has created a large number of poems on current affairs. Short stories such as Washing Horses, Love, Being the Tao, Three Jueju, Sick Orange, Autumn Wind Breaking the Cottage, Appearing as Wu Lang, etc., while novels such as Shuhuai in Kuizhou, Wangzai, Cottage and Mourning have different contents. There are a lot of war themes in Du Fu's poems. Du Fu has different attitudes towards different kinds of wars. Those who oppose the imperial court's belligerence and consume national strength are "Garage Shop" and "Going to the Foot of the Backyard". Two poems, Watching An Xi Soldiers Go to Guanzhong and Stand by, Watching Soldiers and The Year of National subjugation, supported the suppression of rebellion and resistance to foreign aggression. Two groups of poems, Before the Frontier and After the Frontier, not only praised the bravery of the soldiers, but also condemned the insatiable frontier expansion of the king and the arrogance and extravagance of the lords. The confession of a soldier sums up the unfortunate fate of countless brave soldiers. In "Three Officials" and "Three Farewells", the poet sympathizes with the people's sufferings and hates barbaric Latin; However, due to the current situation of the enemy and the shortage of troops, he can only comfort the conscripts with tears. It shows the sharp and complicated contradictions and conflicts in the author's heart. Du Fu has many poems praising nature. The object of singing is often related to oneself and current events, and it is a blend of feelings, scenes and events, not just scenes. The most representative ones are Spring Hope and Sword Gate.

Du Fu also has some poems praising painting, music, architecture, dance, utensils and agricultural production, which also focus on the author's feelings and have the characteristics of the times. There are also some poems in Du Ji, which are not strong in the flavor of the times and indifferent in personal feelings, especially some poems written in Chengdu Caotang. This is the expression of his mood after he got a temporary rest after a long wandering. In his poems, such as Screen Trace, For Agriculture, Tian She, Xu Bu, Heart of Water Threshold, Afterward Tour and Delighting in Rain on a Spring Night, the poet has a delicate observation on the dynamics of flowers, trees, birds, animals, fish and insects, and has infinite love and profound experience. It embodies the other side of Du Fu's poetry and life. Du Fu's poems about missing relatives and friends are mostly sentimental and spoony. For example, I miss his wife on a moonlit night, and my brother misses his younger brother on a moonlit night. Among many poems and songs about cherishing friends, the most outstanding one is to commemorate Li Bai. From breaking up with Li Bai to his later years, there were 15 poems that remembered or talked about Li Bai. Showed his admiration and friendship for Li Bai. Du Fu also commented on poetry, and expressed his artistic thoughts of "benefiting from many teachers" and "tailoring for the body" in "Play is six quatrains", "Occasionally Topic" and "Twelve Poems for Relieving boredom" (the fourth to the eighth), abandoning the past and the present and casting macro words. During his stay in Chang 'an and wandering southwest, Du Fu also wrote some poems with boring content and low style, which were dedicated to dignitaries, officials and social parties. There are many five-character poems in it.

Du Fu's poetry system is diverse, with many advantages in choosing poems, diverse styles and innovations. His five-character ancient poems combine feelings, records and feelings in one furnace; Profound and profound, it is impossible to give everything, which opened the realm of the Five Ancient Dynasties in the Tang Dynasty; Representative works include Five Hundred Words from Beijing to Fengxian, Northern Expedition, Qiang Village, Gift to Chu Shi, Three Officials and Three Farewells. Seven-character ancient poems are good at stating opinions, with bold and gloomy feelings and strange style; Such as Drunk Songs for Zheng Guangwen, Washing Horses, Autumn Wind Breaking the Cottage, Sui Yanxing, etc. Five, five-character rhythm poems and seven-character rhythm poems are extremely skilled; The five laws are the longing for spring, reaching Li Bai at the end of the day, traveling later, "Delighting in Rain on a Spring Night", water sill, going abroad overnight, climbing Yueyang Tower, and the seven laws are Shuxiang and Elymus. The two sides of the Yellow River were recaptured by the imperial army, and Su Fu, Bai Di and five generals. The rhythm of the Tang Dynasty rarely surpassed them. Du Fu also has many five-character poems and several seven-character poems, which have greatly developed the poems. His "Autumn Li Ke Bai Yun" has 1000 words. But Du Fu also heaped up allusions and presented entertainment works. His quatrains are lyrical, reflect current events, and open up the discussion body of quatrains, which is unique and makes great contributions. Du Fu's poems are profound and sincere. The artistic collection and innovative development of classical poetry; It greatly expanded the field of poetry in content and form, and had a wide influence on later generations. Du Fu was also honored as a poet by later generations. Du Fu was down and out all his life, and his poem "Singing hard for a hundred years, not finding a bosom friend" (Du Fu's Southern Expedition). However, after his death, he was highly praised by Huang Fan, Han Yu, Yuan Zhen and Bai Juyi. Du Fu's poems have a profound influence on the literary thought of the New Yuefu Movement and Li Shangyin's modern allegorical current affairs poems. However, Du Fu's poems were widely valued after the Song Dynasty. Yu Wang, Wang Anshi, Su Shi, Huang Tingjian, Lu You and others highly praised Du Fu, while Wen Tianxiang regarded Du Fu's poems as a spiritual force to adhere to national integrity. The influence of Du Fu's poems has long gone beyond the scope of literature and art since ancient times. ..

For nearly a thousand years, there has been a trend of exclusive respect for Du Fu. In the Song Dynasty, there were many works about the chronology, classification and annotation of Du Fu's poems, such as Du Gongbu's Collection, Du Fu's Collection of Nine Poems, Notes on Poems in Du Gongbu Caotang by Lu and Cai Mengbi, and Notes on Poems in Du Gongbu by Xu. There are more than 100 kinds of comments on Du Ji by later generations, among which Du Gongbu's Notes on Du Ji, Qiu's Detailed Notes on Du Shi, Yang Lun's Jing Quan of Du Shi and Pu Qilong's Interpretation are widely circulated. There are biographies of Du Fu in both old and new Tang books. After the Song Dynasty, there were a lot of words to comment and explain Du Fu's poems. Tang and Song Dynasties were edited by Zhonghua Book Company, 1964. At the end of the Ming Dynasty, Wang Siyou had Du Yi, who kept Du Shi Shuo. In addition, Zhonghua Book Company also compiled the more important papers since the May 4th Movement into "Essays on Du Fu Studies". Biographies and new research monographs include Feng Zhi's Biography of Du Fu, Xiao Difei's Study of Du Fu, Fu Gengsheng's On Du Fu's Poetry and Zhu Dongrun's On Du Fu's Narrative. More detailed chronicles include Wen Yiduo's Notes on Mr. Shaoling's Chronology and Du Fu's Chronology of Sichuan Institute of Literature and History Research.