1. Li Honghai

In the 1970s, he studied under Mr. Qi Gong. Under his guidance, he formed a calligraphy style that is tight inside and widened outside, alternating between sparse and dense, graceful bones, exquisite and free. . The work of seal cutting begins with the practice of seal characters, and then proceeds to carving ancient Chinese seals, working tirelessly with hands and hands, and plowing stones. The sealing methods are varied and classically elegant.

The sword is played calmly and vigorously, square and straight, and the seal is formed naturally. He was invited to create calligraphy works for the General Office of the Central Committee of the Communist Party of China, the General Office of the State Council, the General Office of the Military Commission, Chinese embassies and consulates abroad, and other units.

Li Honghai pays great attention to society and life. He has donated his calligraphy works to grassroots military officers and soldiers and charities, rescued out-of-school children, supported his mother's water cellar project, and helped the disabled, and has been highly praised. , known as the "Ambassador of Love", "Meritorious Writers and Artists in the 60th Anniversary of the Republic of China", "Outstanding People's Artist for Showing Love", and "Advanced Individual in the Military Learning from Lei Feng".

Main works include "Fountain Pen Calligraphy of Poems and Songs of a Dream of Red Mansions", "Zhuge Liang's Model as a Master", "Li Honghai's Preface to Wang Xizhi's Orchid Pavilion", "Collection of Li Honghai's Dou Fang Calligraphy Works", "Han and Ink Collection in Haijiang", "Li Honghai's Study" "Recording Lei Feng's Diary", "Li Honghai's Book of Integrity and Olympic Games", etc. His artistic experience and works have been included in the "Biographies of Chinese Literary Artists", "Collection of Works of World Contemporary Calligraphers and Painters", and "Dictionary of World Contemporary Famous Calligraphers and Painters". In 1992, he was listed as a world famous calligrapher and painter.

2. Jia Hongsheng

Born in Anyang, Henan in 1955, his nickname is Xijiangshi. He is the first of the four disciples of the contemporary calligraphy master Qi Gong. He is currently a member of the Chinese Calligraphers Association. Zhen is proficient in all styles of cursive, official, and seal script, but is especially good at regular script. His calligraphy is valued by the art world for its deep skills, strong personality, and outstanding style.

I started learning books at the age of six and have been studying for more than 50 years. He read all the inscriptions on the stele of famous masters, especially the ink inscriptions on "Yi Ying Stele", Zhang Zhi, Er Wang, Huai Su, Zhang Xu, Liu Gongquan, Zhao Mengfu, Tang Bohu, Zhu Yunming, Lu Runch, Hua Shikui, Yu Youren, etc. Deep. By chance, in the autumn of 1981, Mr. Jia Hongsheng entered the house and became a contemporary calligraphy master.

With personal guidance from Mr. Meng Qigong, and his extensive study of Northern Wei Dynasty tablets and Han bamboo slips, and then going back to the Jin and Tang Dynasties, and down to the Ming and Qing Dynasties, Mr. Jia Hongsheng finally formed his own style and became more and more popular. Mature.

Mr. Jia Hongsheng's works are collected by many calligraphy enthusiasts. Everyone describes his calligraphy as "hard, soft, strange and beautiful", like a pine tree deep in Taihang, glowing with the sparkling life. Light.

Started learning calligraphy at the age of 6. Liu Gongquan Xuanmi Pagoda, a beginner in regular script, started practicing medicine at the age of 20. There are famous posters everywhere, including Wang Xizhi's Orchid Pavilion preface, Sun Guoting's calligraphy, Huai Su's autobiography, Yue Fei's calligraphy about Zhuge Liang's career as a teacher, Mao Zedong's handwritten poems, Wang Duo's cursive calligraphy...

80th year of tribute to Mr. Qi Gong As a teacher, he became a disciple of Mr. Qi Gong at 85. In the past 50 years, I have been busy writing and enjoying reading books in my spare time. He has won many calligraphy competition awards.

In his spare time, he used a hard pen to write Mao Zonggang's commentary on "The Romance of the Three Kingdoms" twice, which weighs more than 100 kilograms. It is written in official script, Qi style, own style, and red running script for comments, which embodies the essence of the Romance of the Three Kingdoms. Literary attack, military strategy, thousands of troops, swords and swords, drums and horns contending, it is a majestic and majestic ancient battlefield scene. It has great visual impact of calligraphy art.

Brush calligraphy is very attractive. The horizontal, vertical, and square fans with different carrier forms of two feet, eight feet, six feet, and four feet have their own characteristics, and have unique skills regardless of the length of the content. He is a very powerful traditional calligrapher and a successful, influential and shocking calligraphy figure who came out of the depths of Taihang!

3. Zhang Shizhong

1964 Born in Beijing in July 1988, he studied calligraphy at a young age and studied under famous calligraphers such as Qi Gong and Wang Yixin. He graduated from China Calligraphy University in 1988. He has been instructed by Ouyang Zhongshi, Li Huajin and other famous masters. Based on Yanliu style, he has extensively copied Zhen, Cao, Li, Zhuan and famous inscriptions. He specializes in running script. He has a solid foundation in calligraphy. He is constantly searching for calligraphy and stippling. It is dignified, majestic, has its own style, clean and vivid in writing, and has the characteristics of "stone falling from a high mountain". It has both traditional skills and the flavor of the times.

Zhang Shizhong has also been awarded honorary titles such as "World Art Celebrity", "International Calligraphy, Painting and Seal Engraving Art Celebrity", and "Chinese Yanhuang Artist" by some authoritative art institutions.

The "Collection of Zhang Shizhong's Calligraphy Works" was published in 2000, and the "Collection of Zhang Shizhong's Calligraphy Works" was published in 2003. The special collection of his works was launched and was highly praised and affirmed by teacher Ouyang Zhongshi.

4. Ding Guangmao?

Ding Guangmao, a famous Chinese calligrapher. Born in April 1939 in Xiangxiang City, Hunan Province, with a university degree, he has served as Air Force flight instructor, Air Force Deputy Minister of Military Affairs, Director of the Air Force Recruitment Center, and Air Force strategic development researcher. In 1986, he was awarded the rank of Air Force Colonel. In 1991, he transferred to the Central Committee of the Chinese Peasants and Workers Democratic Party and served successively as Director of the General Office, Director of the Research Department, Director of the Central United Front Theory Research Association, and Executive Director of the China Rural Primary Health Care Foundation.

Joined the Chinese Calligraphers Association in 1997. He is currently the art consultant of the Chinese Calligraphy and Painting Famous Network, the vice president of the China Jianguang Calligraphy and Painting Academy, the director of the Chinese Art Talent Research Association, the executive director of the Beijing Oriental Calligraphy and Painting Society, the director of the International Artists Federation, and the review committee of the TCL Ace Cup China-Japan-Korea Youth Calligraphy Competition. Deputy director, honorary consultant of Shaanxi's "Forest of Calligraphy Steles of World Celebrities and Nanhai Xinglin Stone Carvings Research Institute", director of the China United Front Theory Research Association, visiting professor of the Japanese Academy of Chinese Arts and Calligraphy, etc. His works have been published in many national newspapers and periodicals.

Mr. Ding Guangmao has loved calligraphy since he was a child and received a good traditional education. Although he has been engaged in aviation and military work for a long time, he has always persisted in studying and delving into calligraphy theory. He started with Ouyang Xun and Liu Gongquan, and then studied the calligraphy of Er Wang, Dong Qichang and the modern calligraphy master Qi Gong, focusing on running script.

I was fortunate enough to receive the guidance of Mr. Qi Gong and became his close disciple. Mr. Ding Guangmao adheres to the principles of inheritance and development, artistry and practicality in his calligraphy creation. Therefore, his calligraphy art has a profound heritage of traditional culture and an innovative spirit of inheritance and development. His calligraphy has a rigorous structure, precise strokes, rich brushwork, and even flesh and bones, giving people a sense of beauty.

He has participated in many exhibitions held by the Calligraphers Association, state agencies, the National Committee of the Chinese People's Political Consultative Conference, the Central Committee of the Peasants and Workers' Party, the United Front Work Department of the Central Committee and some provinces and cities, as well as the boutique exhibitions of the Chinese Painting and Calligraphy Masters Network, and has been collected by many units and memorial halls. Some were given as gifts to the China Olympics Bid Committee and the China Association for the Promotion of International Friendship to officials of the International Olympic Committee and embassies of the United States, Russia, Yugoslavia, Nepal, Switzerland, Gabon and other countries in China, and won special awards for contributions to people-to-people diplomacy.

In addition, he was awarded the Purple Flower Gold Award, the highest artistic achievement award for the 10th anniversary of Hong Kong's return to China, by seven organizations including the Chinese Writers and Artists Association, the International Association of Chinese Talent Experts, the Chinese Cultural Federation of Hong Kong, and the Hong Kong Administrative Region Calligraphy and Painting Association.

5. Zhao Rengui

Born in June 1942, from Beijing. Member of Jiusan Society, professor of classical literature and doctoral supervisor at the School of Liberal Arts of Beijing Normal University. In August 2003, he was appointed as a librarian of the Central Research Institute of Literature and History.

In 1978, the country restored the postgraduate academic system, and he was admitted to the Chinese Department of Beijing Normal University. He studied classical literature under Mr. Qi Gong and became the first master's student after the Cultural Revolution. During his studies at school, he was mainly engaged in the study of Tang and Song literature. At the same time, he also learned poetry creation, calligraphy theory and calligraphy appreciation from Mr. Qi Gong, from which he benefited a lot.

He has served as a lecturer on the classical poetry columns of CCTV and Educational Television for many times. In recent years, Zhao Rengui has turned his main energy to "Qi Gong research" and has successively assisted Mr. Qi Gong in organizing and publishing "Queju on Shu" (annotated version), "Qi Gong's Oral History", "Qi Gong's Lecture Records", "Qi Gong's Lectures" Collection of Rhymes" (annotated edition).

After the death of Mr. Qi Gong, he edited and published books such as "Mr. Qi Gong's Memorial" and "Mr. Qi Gong's Memorial", and wrote various papers and articles about Qi Gong's research. More than thirty articles were collected into the book "Qi Gong Research Series". These books and articles have made a more in-depth and comprehensive study of Mr. Qi Gong’s academic thoughts and academic achievements, and have provided comprehensive and accurate information for further in-depth study of Mr. Qi Gong in the future.