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What is Hemingway's famous saying about the American old man and the sea?
The expression of invincible tough guy spirit in the history of literature

Only the spiritual victory can move us and shed tears for its tragic.

1952, Hemingway published his best work The Old Man and the Sea. This is a treasure in the treasure house of world literature, and it is also a treasure in all Hemingway's creations.

Because of his superb novel art-which is fully reflected in his new work "The Old Man and the Sea"-and because of his influence on contemporary style.

-get Nobel Prize in Literature's comments.

The Old Man and the Sea is an extremely powerful and concise work with irresistible beauty.

-holst Roma, member of the Faculty of Arts of Swedish College.

The old man and the sea is an idyllic poem, and the sea is the sea, not Byronic or Melville, just like Homer's handwriting: the writing is calm and moving, just like Homer's poem. A real artist is neither symbolic nor allegorical-Hemingway is a real artist-but any real work of art can exude symbolic and allegorical significance, and so can this short but not insignificant masterpiece.

-Behrensen, American art historian

Hemingway had a strong desire. He tried to impose his views on things on us, so as to shape the image of a tough guy ... When he longed for victory in his dream, there would be a complete victory, a great battle and a happy ending.

-American writer Saul Bellow

Man can fail, but he can't be defeated. The external body can be tortured, but the internal will is sacred and inviolable. This is an argument repeatedly emphasized in The Old Man and the Sea. Real masters express the deepest truth in the simplest language, and real good works are based on the experience of life. "The Old Man and the Sea" depicts the best portrait of Hemingway's life. As Hemingway said, "I have read it more than 200 times, and every time I read it, I get more, as if my life's efforts have finally got what I want."

-Chen Renxiao, a scholar in Taiwan Province Province

Hemingway's works unify the accuracy and conciseness of narration, but the theme is deeply imprinted in the reader's mind. The Old Man and the Sea is the most widely read Nobel Prize in Literature's award-winning work among China readers, and it is also Hemingway's classic.

-Young writer Li Pai

Hemingway is a western writer who has influenced China's generation. His influence is no less than that of Russian and Soviet literature, especially for us in the 1960s. ..... The hero in his works is not a hero, but has the courage to face reality or give up the courage to face reality. The two are often intertwined and intertwined.

—— The famous poet Plantago

What Hemingway taught me is equal to what all the teachers in the university taught me.

—— Famous writer Ye Zhaolin

The Old Man and the Sea tells the story of an old fisherman, but in this story, it reveals the common destiny of mankind. I admire the old man's courage, his indomitable fighting spirit and Hemingway.

-Wang Xiaobo, a famous contemporary writer [2]

This novel can win the favor of Stockholm. In addition to the master's narrative art, the indomitable spirit embodied in the old man also plays a key role. At least for Hemingway, this sentence is applicable. He participated in two world wars and the Spanish Civil War, and he likes boxing, bullfighting and hunting. He is a real tough guy. His love for adventure and violence is vividly manifested in his early works, whether Jack Barnes in The Sun Also Rises, Frederick Henry in A Farewell to Arms, or Robert Jordan in For Who the Bell Tolls. Even Anders Austrin said at the award ceremony that year: "It is true that Hemingway's early works have their cruel, cynical and cold defects, which are contrary to the requirements of the Nobel Prize for ideal literary works." However, The Old Man and the Sea shows obvious signs of political reform: Hemingway will discuss the relationship between man and nature this time, trying to convey an optimistic spirit that never gives up.

His previous works, especially A Farewell to Arms and For Whom the Bell Tolls, are essentially expositions of violence and cruelty. The scene of Frederick Henry fighting in the mud of Caporetto in fear and the scene of Robert Jordan desperately blowing up a bridge in the Spanish mountains all make readers deeply realize the horror of common hell. Moreover, both novels ended in tragedy: Catherine died in a pool of blood during childbirth, leaving Henry to return to the hotel alone in the rain; Although Jordan successfully completed the task, he could not escape the fate of being captured and executed.

But in The Old Man and the Sea, readers only see warmth. Not to mention the affection between the old man and the boy. Even Martin, the owner of the terrace bar, often gives free meals to the elderly, while the elderly are grateful to their neighbors and think that "the town where I live is very friendly." People here become capitalized people, corresponding to nature.

-Translator Li Jihong

Get Nobel Prize in Literature's speech

Nobel Prize acceptance speech

Get Nobel Prize in Literature's speech

1February 10 and 1954, published on 1954, 12 and 10.

No writer knows that a great writer who has not won the prize can only accept it humbly. There is no need to list these writers. Eve ryone can make his own list according to his knowledge and conscience.

When a writer knows that many great writers before him have not won this award, he can't accept it without feeling guilty. There is no need to list the names of these writers here. Everyone here can make their own list according to their knowledge and conscience. I can't ask our ambassador to read a speech, in which a writer said everything in his heart. What a person writes may not be immediately recognizable, and at this point, he is sometimes lucky; But in the end they are very clear that through these and the degree of alchemy he has, he will endure or be forgotten.

It is impossible to ask our ambassador to read a speech here and tell all the feelings of a writer. Some things in a person's works may not be understood immediately, and in this respect, he is sometimes lucky; But all this will be clear in the end. Through their ability to turn stone into gold with writers, he will go down in history or be forgotten.

The best writing is a lonely life. Writers' organizations have alleviated the writer's loneliness, but I doubt whether they can improve his writing level. As he got rid of loneliness, his position in the public mind became higher and higher, and his works often deteriorated. Because he works alone, if he is a good enough writer, he must face eternity or lack of eternity every day.

Many times, writing is a lonely life. Writers' organizations can certainly alleviate their loneliness, but I doubt whether they can promote writers' creation. A writer who grew up in a large group of people can naturally avoid loneliness, but his works are often mediocre. And a writer who works in loneliness, if he is really extraordinary, then he must face eternity, or face every day without eternity.

For a real writer, every book should be a new beginning, where he can try something unattainable again. He should always try something he has never done, or something that others have tried but failed. Then sometimes, with luck, he will succeed.

For a real writer, every book should be a new starting point for him to continue to explore those unexplored fields. He should always try to do something that no one has done or someone else has done but failed. In this way, he was lucky enough to succeed.

How simple it would be to write literature if you only need to write what you have already written in another way. It is precisely because we have had so many great writers in the past that a writer has been thrown far beyond his power and where no one can help him.

If we just reinterpret written works in another way, then literary creation will be too easy. Our predecessors left great achievements, and because of this, an ordinary writer is often driven out of his possible place by their striking brilliance and isolated.

I have said too much for a writer. A writer should write down what he wants to say, not say it.

As a writer, I talk too much. A writer should write down what he wants to say, not say it.

Thank you again.

Thanks again.