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2. The Forbidden City used to be so big! It really opened my eyes. In the Forbidden City, there are not only magnificent halls and open squares, but also gorgeous harem, deep paths, secret discussion places, and imperial gardens where emperors and queens rest and entertain. It is really not easy! The decoration of these houses is mostly gorgeous and simple, which deeply feels the royal style. In the imperial garden, the pines and cypresses, exotic flowers and rocks, pavilions and waterside pavilions in Quchi are like natural scrolls, which make people linger.
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The art exhibition hall is the most haunting thing in the museum. In the exhibition hall, all kinds of artworks of different ages are really dazzling and beautiful, especially a unique wooden barrel that caught my eye. What bucket is that? There is a long handle on the barrel. The handle is shaped like a goose head, and the edge of the bucket is uneven, because it represents the wings and tail of a goose. The whole bucket floats on the water like a goose, looking back reminds me of an ancient poem: "Goose, Goose, Goose, Xiang Tiange ...",
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4. Stop and watch along the long corridor of the museum. Among these cultural relics, what shocked me most was the martyr's bloody clothes and the affectionate letters from his hometown before his death. At the time of national crisis, people with lofty ideals are willing to sacrifice their lives and the revolutionary spirit of their families for their own ideals and for everyone in China. It made me realize that the painful course that China experienced from the Opium War to the national liberation was the history of revolutionary martyrs who shed blood and sacrificed to explore the China revolution.
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The main entrance of the museum is not far from Binhe West Road. Looking from a distance, the main building has a unique shape, which is similar to the "inverted pyramid" whose lower part is cut off, giving me a kind of familiar feeling. When I approached it again and came to the door of the main building, I deeply felt its grandeur and solemnity.
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I am proud of the greatness of Chinese civilization. I am proud of the richness of China's history, but at the same time I feel sorry that the inheritors of ancient civilization failed to inherit the cultural heritage left by their ancestors, and I feel sad that countless precious cultural relics were destroyed by war or drifted overseas. The cultural relics that can be exhibited in the museum are the survivors in the long history of "more chaos and less governance", while the cultural relics that can be visited on the land of China for generations are the lucky ones among the "cultural relics survivors".
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7. I have been to many museums, such as the newly opened Liaoning Provincial Museum, the Paleontology Museum and the September 18th History Museum. These museums are different, but among them, I like Liaoning Provincial Museum best. Although the second and third floors of Liaoning Provincial Museum are not open, they are still a big sight. The museum is divided into living room, ancient art, sightseeing and other parts, and the most spectacular is Napoleon Memorial Hall.
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8. The Ming and Qing Dynasties were the heyday of porcelain making in China. In the Qing Dynasty, especially in the Kangxi, Yongzheng and Qianlong periods, the porcelain-making industry reached its peak in history, and the porcelain made was famous for its exquisiteness and rigor, and it was "practiced in nine fields and spread overseas". In addition to following the porcelain-making process of the previous generation, newly created porcelain such as enamel and pastel are also beautiful, adding luster to Chinese porcelain art. ..
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9. Ma Weidou once asserted: "If one day China becomes the most powerful country in the world again, then we must rely on culture, not anything else." Indeed, as the only one of the four major civilizations that has survived to this day, the 5,000-year-old tree of Chinese civilization was once so flourishing. Although it has experienced countless storms and lightning, perhaps its leaves have fallen off, its branches have broken, its bark has cracked and its trunk has been crooked, but it has never completely fallen down. Its tenacious vitality stems from its "root"-the sense of collective identity and belonging deeply hidden in everyone's heart in China.
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10. In the museum, the blood of the six gentlemen has not faded, the smoke of the Opium War is still diffuse, the annihilation war of the Beiyang Navy is still vivid, the river of blood in front of Huanghuagang is still flowing, the slogan of the Three People's Principles has just sounded, and then the white terror of the Kuomintang hangs over the whole land of China. In the museum, it seems that history is reappearing, and everything feels the shock brought by that era. It is not easy for the people of China to come step by step.
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1 1. Whenever I go home from Yifen Bridge on weekends, I will see this landmark building that combines traditional culture and modern atmosphere-Shanxi Museum. She stood silently on the west bank of Fenhe River, looking at the Dragon City awakened in the morning sun and the bustling city in the afterglow of the sunset, telling the world the long history and splendid culture of Sanjin land day after day and year after year. There is a good saying: "Looking at Shanxi in the history of Chinese civilization for five thousand years".
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12. When this magnificent building appeared in front of me, I took a group photo with my classmates in a hurry and waited in line in front of the museum early. Walking into the museum, under the detailed explanation of the lecturer, I learned about the historical relics collected inside. The memory left is very deep! Among them, Jade Pig Dragon impressed me the most. The pig has a faucet, the whole body is white with chicken bones, and there is yellow mud in some parts. The dragon body is curled up like a jade plate, end to end, and its weight is thick.
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13. The collections in the museum are particularly rich in local characteristics, and most of them come from tombs. The original porcelain-making technology of Liao porcelain has maintained the unique style of the nation, and its shape is suitable for hunting and grazing life, including cockscomb pot, cockscomb bottle, long-necked bottle, three-color begonia-style plate and dish. It can be described as colorful. As for the volume of "Three Generations of Emperors and posthumous title" unearthed from the Mausoleum of Liao Dynasty, there are two kinds in Chinese and Qidan, which are finely carved and well preserved, and are a drop in the ocean.
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14. It shows the hard course of Guangzhou people's bloody struggle to fight against foreign invaders and transform old China during the nearly one hundred years from the Opium War to the founding of New China. I saw Lin Zexu heroically destroy boxes of heinous opium in Humen at 1839; I saw the battery and weapons left by the people of Sanyuanli, Guangzhou, who defeated the British invaders. When the Westernization Movement broke out, the Sino-French War and the Sino-Japanese War of 1894-1895, a nation that had been deposited for thousands of years was trampled on, carved up and humiliated again and again.
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15, through the glass, I saw a piece of national treasure cultural relics shining in the light: the animal-shaped and dragon-shaped flowers showed us the life of the Shang dynasty nobles with exquisite and complicated patterns; The bird statues of the Western Zhou Dynasty and the Jin Dynasty made me lament the bronze casting technology of the ancients, but at the same time I could not help but be impressed by the creativity of my ancestors. There is also the wild goose and fish bronze lamp in the Western Han Dynasty, which combines beauty and practicality and is a rare top grade among cultural relics. ...
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16, entered the second floor and visited the Three Seas Treasures Exhibition Hall, which displayed precious historical relics left by various regions in Liaoning Province. The patches on the official uniforms of civil and military officials are very distinctive. The patches on civil servants are embroidered with bird patterns, while those on military officers are embroidered with animals, with exquisite embroidery and superb skills, as well as Tao Yong with different images, all kinds of exquisite jewelry and so on. It is simply dizzying, which makes me realize the ancients in my hometown.