I bought a nod without hesitation.

It's as good as exchanging wine for mink hair.

I am enthusiastic, I am diligent,

Sprinkle it and it will still melt Bi Tao.

To annotate ...

To annotate ...

(1) Wu Zhiying's "Remembering the Legacy of Autumn Women" mentioned that Qiu Jin bought a treasure knife when studying in Japan, and the poem should be written at this time. This poem shows Qiu Jin's chivalrous character of despising money and his revolutionary spirit of sacrificing his life for righteousness.

② Changing mink into wine: changing clothes and furs made of mink into wine. It is often used to describe the romance and generosity of celebrities or rich people. As a woman, Qiu Jin made such remarks, and his chivalrous image was vividly portrayed.

3 "one cavity" two words: cherish your full of blood, and if you pay in the future, it will turn into a green wave (meaning to set off a revolutionary storm). Diligent, diligent, the more the better. Bi Tao, using the classic of Zhuangzi Foreign Things: "Changhong died in Shu, hiding blood, and turned into a blue in three years." Changhong, a doctor of the Zhou Dynasty, was loyal to the motherland. He was framed by a traitor and committed suicide in Shu. At that time, people hid his blood in a stone box and turned it into jasper three years later. Later generations often refer to the blood shed by martyrs as a game-writing protocol.

Spare no expense to buy nod.

Qiu Jin, the "Jianhu Girl", wrote the four-line Drinking, which many middle school students can recite. The whole poem is: "I don't hesitate to buy a treasure knife, but I can change wine." A cavity of blood is hard-working and valuable, and it can be turned into Bi Tao. " If you don't know, you will think it was written by a man. In fact, most things written by men in China are feminine. A thousand years ago, Mrs. Hua Rui had long denounced: "The flag was hung on the king's city, and I learned it in the palace?" 200,000 people were disarmed, and none of them were men! "Nine hundred years later, Qiu Jin went on to scold:" Dirty world, ask some men and heroes? "? It's just that in the moth team, time is outstanding. (Man Jianghong) In the era of living in Qiu Jin, people have already felt the extreme femininity of China, so a group of heroic men appeared, challenging the traditional society with exaggerated masculine life posture. Qiu Jin is a woman, but she always resists the gender identity endowed by fate. She hates heaven. "It's hard to be a moth's eyebrow. There is no crumb at all!" "I can't be healthy, but my heart is stronger than that of men," she declared. (Man Jianghong) She said, "Don't say that women are not British. They sing on the Longquan wall every night!" (partridge day)

Qiu Jin (1875- 1907), whose real name is Xiong Jing, is from Yinshan, Zhejiang. She practiced martial arts since she was a child, worrying about the country and the people. Married and bureaucratic husband "mixed in Beijing". Finally, I couldn't stand "chicken feathers in one place", abandoned my family, told my husband "Don't come to me again after divorce" and went to Japan to engage in revolutionary work alone. In Japan, Qiu Jin wears all kinds of "exotic clothes" and walks through the male world like nobody's business. Sometimes she really wears mink, but she never holds a mangy dog in her hand like today's mink honey. She really holds a "treasure knife" in her hand and keeps it in the memorial hall in Shaoxing today. Later, maybe mink and fur really changed into wine, so they wore men's kimonos, student clothes, sometimes breeches and boots, and sometimes dressed like ronin. Her dress style is not for grandstanding, but is related to her whole revolutionary activities. She initiated "* * * Love Society" and "Ten-member Society", joined "Guangfu Society" and "Allied Society", and was also a "blank fan" of Yokohama Branch of "Hong Men Heaven and Earth Society", that is, a great strategist. Her heroic demeanor made Lu Xun and others in Japan feel ashamed. Today, hundreds of years later, hundreds of millions of young people can't even untie their belts unless they call Qiu a "madman" or a "pervert".

Qiu Jin's revolutionary feat and generous death after returning to China are known to most good people and bad people. It is only said here that Qiu Jin loves to wear men's clothes, which represents the fashion trend of the most awakened women in China at that time. Men's wear symbolizes women's position against tradition, and symbolizes independence, enlightenment, progress and liberation. Qiu Jin said: "Counting bow shoes three inches is too inaction and should be reformed." (Man Jiang Hong) She wants to "arouse thousands of sisters and listen for five minutes!" At that time, the symbol of women's awakening was to strive for the same rights as men, so wearing men's clothing not only meant that women were pioneers and advanced in cultural accomplishment, but also showed an indomitable spirit of "sexiness". This unprecedented brand-new sexy, on the one hand, makes men feel particularly lively and exciting, on the other hand, makes men obviously persecuted and depressed. In Lu Xun's words, it is to squeeze out the "small" they hide under leather clothes. (A little thing) At the end of the Qing Dynasty and the beginning of the Republic of China, the two foreigners most admired by China intellectuals were Italian Mazzini and Russian Sophia. There is a poem that says, "If you marry a husband, marry Mazzini, if you marry a wife, marry Sophia." Sophia is one of the founders of the Russian People's Party. She directed the bombing of Tsar Alexander II at 188 1. In the second issue of People's Daily in the late Qing Dynasty, a portrait of Jesufiya, a nihilistic girl, was published. Since then, wearing convenient men's clothing has become a major hobby of the most radical and outstanding women. "Disguising as a man is definitely not an idle generation" has become the universal consciousness of contemporary people. Many of the most outstanding women in Jin Yong's novels like men's clothes or appear in men's clothes, such as Huang Rong, Zhao Min, Arjun, Wen. In China's traditional culture, clothing is the externalization of ethical system, and "changing clothes and changing system" is a matter of life and death. Women consciously began to wear men's clothes on a large scale, which can only become a reality when the traditional society is on the verge of collapse. Qiu Jin's "Diaoqiu for Wine" has replaced the slavery status of women in China for thousands of years, and brought about the beginning of a brand-new era of relationship between men and women. Even from the most vulgar utilitarian point of view, today's men and women should also thank Qiu Jin and her comrades-in-arms, because women in China can no longer wear skirts. To borrow Shelley's famous saying, "The era of not wearing skirts is coming, is the era of not wearing pants far behind?"

But looking at China, one hundred years ago, Qiu Jin-style fashion pioneers were still few. Although most women in China aspire to be pioneers, they still wear traditional trench coats, sweeping skirts and a pair of horseshoes. There is a rule in the fashion world that the most fashionable clothes are often worn by "bad" women. At the end of the Qing Dynasty, the earliest men's wear was not only revolutionary women, but also prostitutes who went from bad to worse.

In Shanghai, the largest city in Asia, prostitutes have to take the lead. The earliest brothel prostitute shop in Shanghai was probably around Hongqiao Airport, and later it developed into Tangjiaxiang, Meijiaxiang and Yuanyang Hall. As a sex worker in an international metropolis, the clients are certainly not limited to the descendants of the Chinese people. Western devils, Japanese devils, niggers and red devils can be "neighbors" as long as they have hard currency. The foreign devils also brought a group of "foreign prostitutes" from their hometown to publicize the shameless capitalist lifestyle. Foreign affairs work needs to be combined with strong international competition, forcing prostitutes in Shanghai to abandon Lin Daiyu's emotional appeal and adopt Europa style. Many prostitutes wrapped their heads in flower towels and wore embroidered shoes and trousers. Their hair is clean, their skin is white and tender, their steps are light and vigorous, and they have become a scenery on the beach for a while. With the establishment of many foreign companies in Guangzhou, prostitutes' clothes are more open. Yuan Xiangfu, the grandson of Yuan Mei, a great poet, wrote a poem "Ode to Cantonese Prostitutes": "It is easy to make incense by admiring jade, and * * * knows that Nong's family is Wuyang. Where are the slippers? The skin is round and the feet are whiter than frost. " Give up the three-inch golden lotus, take the foot of heaven as beauty, and prostitutes are also pioneers. Because you don't bind your feet, you can wear men's shoes and boots, and then wear all men's clothes. In the early years of the Republic of China, the "four donkey kong" among prostitutes in Shanghai liked to show off by wearing men's clothes. In a photo of prostitutes, several prostitutes wore caps, turtlenecks, black patent leather shoes, gold watches on their wrists, civilized sticks and a group of young people dressed in cream. Prostitutes certainly don't have Qiu Jin's ideological realm, but objectively, they also dug an ant nest on the dam of traditional women's dresses in China. The ant nest is here, and the flood is coming. Is the day when the dam breaks far away?