Selection of shooting location
The location of the film is the oldest "Shangzhijiao" location in Shanghai. The cultural heritage here is unmatched by rising stars such as Xintiandi and Lujiazui in the heart of old Shanghai. Many scenes in the film are concentrated in Xuhui District and Jing 'an District, and the road names may not be as familiar as those in "Network Celebrity", mainly concentrated in Yanqing Road, Donghu Road, Urumqi Road, Xinle Road, Julu Road and Wuyuan Road. There are many excellent ethnic historical buildings and celebrities' former residences hidden in these paths.
The male owner Xu zhēng rides a bike from Yanqing Road to Xinle Road. There are no tall buildings and luxurious shops here, only fruit stalls, small shops and small street dessert houses, and shoe repair stalls that are increasingly difficult to find. The place where the male host and the female host live is basically equivalent to the old and the young, and it is not the standard of large flat floors or superimposed villas in mainstream film and television works. Maybe some people say, isn't this in line with the people at the bottom of the film? No, it's not bad. First sell a pass, and then analyze Lao Bai and Lao Wu, and you will know the director's intention in site selection.
Role analysis
What is impressive in this movie is that the role played by Xu zhēng can get along so well because his wife cheated on him. In reality, how many people can do it? A man who can cook and take care of his family, his wife is cuckolded, and he has found a northerner himself, but he still won't let his son find a girlfriend in the north. It's also ironic
The role of Ma Yili, the loneliness and independence of divorced women, is divorced, but as a mature woman, she actually doesn't want to rely on men. It stands to reason that her feelings should be more casual, but on the contrary, she is more cautious, which shows that the role of Ma Yili is really a person who is responsible for herself and others. After thinking about it for a long time, I made up my mind that maybe she could stay together longer.
Ni Hongjie's role is the epitome of many people in reality. On the one hand, she said that she was playing a woman, on the other hand, she really yearned for a stable relationship and used the exaggerated secular world to cover up her fragile heart. This kind of eyes is very emotional, which reminds me of a little woman. When young people were chased, she claimed to be an independent woman, refusing the pursuit of childhood friends and looking for herself, but when looking for herself, she felt lonely and yearning.
Lack of ideological content
In this sense, there is no qualitative difference between "Love Myth" and "Lanxin Grand Theatre", various dramas of the Republic of China and urban dramas. Similarly, the same thing gave birth to this myth and imagination: a flat and open appeal and an aversion to resource concentration.
Perhaps we need to realize that both this demand and the fact that resources are concentrated are basically closely related to the intention of a centralized state power to manipulate the big capital machine. In fact, this intention can only be manifested in mobility and the double exploitation of local areas. The real problem cannot be criticized. We can only look for the ideological content in a parody and then criticize its lack of ideological content.