Ye Yuan, formerly known as Shi Chaobin (Bin), is a professional painter and a national first-class artist from Yuanling, Hunan. He has been engaged in painting and calligraphy and literary creation for a long time. His works are scattered in newspapers and periodicals at all levels in China, and he has won many awards such as gold, silver and bronze prizes in the national painting and calligraphy competition. At present, he is a strategic cooperative painter in the database of artistic talents of the Ministry of Culture, a member of China Calligraphers Association, a member of China Calligraphers Association, the vice president of the Painting and Calligraphy Research Institute of China Leading Cadres' Calligraphy and Painting Network, an honorary consultant of Beijing Yihai Danqing Painting and Calligraphy Institute, an academician of China Painting and Calligraphy Research Institute, the honorary president of Changjiang Painting Institute, and the host of Xuefeng famous painting and calligraphy studio. ? I like literature and painting since I was a child. I graduated from Beijing China Correspondence University and Wuxi Calligraphy Art College. He has successively studied under Yan Gang, Wu and Zhou Zhi, benefiting a lot. For decades, he has been engaged in literary creation of calligraphy and painting. Calligraphy and painting are famous for their green landscapes and flowers and birds. The theme of the work is wide, natural and elegant, the ink color is dynamic, beautiful and profound, thus depicting the harmony between man and nature. The works are poetic and expressive, with diverse styles and colorful calligraphy and painting languages. Literature praises the truth, goodness and beauty of the world in the form of essays, novels and poems, and the writing is as sad as a trickle, reflecting the sentimental feelings about the world.

Calligraphy is a traditional art in China. Art, as a treasure of national quintessence, has been diverse, profound and appealing to both refined and popular tastes since ancient times. The stage of calligraphy art also provides literati with the elegance of self-cultivation, mutual learning, mutual existence and mutual appreciation, and has made a large number of outstanding calligraphy artists. Scholars and elegant people are healthy, and calligraphy naturally becomes a banner of public welfare, showing rich cultural and spiritual connotations and artistic charm.

Nohara is one of the followers of calligraphy and painting. He has a rich cultural background in Mount Youer, and he is also attached to the immortal spirit of Xuefeng Mountain and Wuling Mountain, learning their art and becoming an ascetic. As early as in Wuxi Calligraphy Art College, he systematically studied calligraphy art, from the Origin of Chinese Characters to Cang Xie, Shi Guwen, Shi Sanpan, Preface to Saint Education, Zhang Menglong Monument, Luo Shenfu, Cai Yong Manuscript, Mysterious Pagoda Monument, Jiuchenggong and Preface to Lanting.

In his study, Nohara often lamented the wonderful brushwork and art of famous artists in past dynasties and appreciated the beauty of nature and philosophical spirituality. In fact, Nohara is also a down-to-earth creator of calligraphy art, focusing on learning from the ancients, with novel modeling and unique style. As the executor of words, we should not only understand the relationship between calligraphy and poetry, but also have the difference between primary and secondary importance. Poetry is displayed in books, and books are displayed in poems. It is necessary to achieve the artistic realm of combining poetry and calligraphy, flowing smoothly, vigorous and gentle, moderate Zhang Chi, proper stippling and pulse running through poetry, so as to make calligraphy full of vitality, aura and elegance. Only in this way can we show the profound attainments and poetic cultural connotation of calligraphy. Appreciate his calligraphy: the structure is rigorous, meaningful and fluent, and the composition is blank in the deification of nature, revealing the call for "aesthetics" and "quality", highlighting the elements and techniques of artistic calligraphy and the great beauty of the integration of "alternating" poems.

Nohara often regards calligraphy art as the spiritual sustenance of the author's soul, which reproduces the humanistic personality art and the release of the soul; He is not a fairy, but he has the open-minded cultivation of a fairy. Everything is spiritual because of painting and calligraphy. Reading his calligraphy works, we seem to have an insight into the trajectory of life. Many bodies, souls, pens, characters, rules and layouts are born for the art of Chinese characters, revealing the philosophical thoughts of "nature" and "soul". Lin Jing is deep, the clouds are rolling and the pen is poetic. With rich mind and skillful techniques, it creates endless calligraphy art, improves spiritual taste and cultural accomplishment, and also entrusts the infinite sublimation of art and life in nature.