In the late Ming Dynasty, there was a writer who specialized in writing novels. The three novels he wrote can be called the Three Words of Chinese Literature. The three novels are: "Yu Shi Ming Yan" ”, “Words to Warn the World”, and “Words to Awaken the World”? These three novels are all written by the same author: Feng Menglong. In the late Ming Dynasty, many novels emerged, among which these three words can be said to be the most representative novels. What is expressed in these three words is: the integration of traditional Chinese thought and Confucian thought. This novel form was the most distinctive "novel art form" at that time. What are the characteristics of Sanyan writing? 1. The collision between feudal thought and literature and art.

With the rapid development of society during the Ming Dynasty, dance and music alone could no longer satisfy people's entertainment activities. Novels have become a good way for everyone to pass the time in their spare time. During the Yuan Dynasty, the author Feng Menglong's work has always been related to literary creation. At that time, the entire society of the Ming Dynasty was in a positive state, foreign trade continued to increase, and people accepted many new foreign things. Feng Menglong was influenced by this and began to write Sanyan. We can see from Sanyan that although Feng Menglong was influenced by society, his thoughts and aesthetics in literary creation were not affected by the secular world. But it has its own unique ideas. In literature, Confucianism and other cultural thoughts are merged to form a new thinking mode. 2. A new way of emotion.

The emotions that Sanyan brings to everyone in the novel can be described by a common saying as: "Happy but not obscene, sad but not sad". He will not indulge himself because he is too happy, nor will he Hurt yourself because you’re so sad. There is a limit to whether you are happy or sad. The expression of this situation in literature and art is: the three words bring pleasure to the public and at the same time, they do not produce any excessive emotions. This is the characteristic of traditional Chinese literature and art. Like the overly happy, overly sad and sad emotions in foreign novels. In ancient times, there was no room for development.

Three words represent the entire budding state of Chinese literature, and have always been praised by people.