There were many famous calligraphers in ancient China, among whom Wang Xizhi, Ouyang Xun, Yan Zhenqing, Liu Gongquan, Zhao Mengfu, Zhang Xu, Huaisu, Su Shi, Huang Tingjian, Chu Suiliang and Mi Fu were the most outstanding. What I share with you today is the content of famous quotes by ancient calligraphers. I hope you will like it!

Selected famous quotes by ancient calligraphers

1) Cursive script is really different, really Then the word will end and its meaning will end, and the grass will run out and its potential will not be exhausted. Tang Dynasty. Zhang Yanyuan's "Fa Shu Yao Lu"

2) Zhen takes squareness as its body and roundness as its function; Cao takes roundness as its body and squareness as its function. Positive energy contains wonder, and wonder does not lose its integrity. Ming. Sun Guoting's "Shupu" of Tang Dynasty

4) In the method of cursive writing, the pen should be square and the stroke should be round. The most unfavorable thing is to have broad shoulders and wide feet, and loose posture; especially to avoid continuous hairsprings and indistinguishable stippling. Qing Dynasty. Zhu Duozhen's "The Essentials of Calligraphy"

5) Asking the master's method is not easy, especially the work is dangerous. I try to see the stele written by Suo Jing, look at it, go several miles and come back, and When he was tired, he sat down on a cloth and stayed next to it. After three days, he obtained the Dharma and his essence was like this. Song Dynasty. Zhu Wenchang's "Sushu Duan"

6) A scholar who is dedicated can see his success in two months; a person with a good nature can know his roots in a hundred days. Eastern Jin Dynasty. Wang Xizhi's "The Theory of Brushstrokes"

7) The method of life and death with the brush lies in seclusion. The late technique of writing lies in speed, and the fast technique of writing lies in delay. It is to go in and out, to use the momentum to increase the strength, to mediate the diagnosis and treatment, and to prefer silence. In order to obtain the wonderful things, one must have deep skills. Seeking for mysteries in a hasty manner will eventually be hard to come by. Zhang Huaiguan of the Tang Dynasty, "Ten Methods of Using the Pen"

8) Once you have mastered the art, you should strive for more refinement. Once you suddenly understand it, you will forget about the feelings between pen and ink, and the use of harmonizing the mind, and you will not know the things and the self. In the meantime, it combines with nature and comes into being, and then you can learn to write. "Detailed Theory of Calligraphy"

9) Everything will be accomplished if there is a will... Qing Dynasty. Liang Xian's "Study of Calligraphy"

10) Those who have genius may not be able to master it, and those who have divine bones may abandon all their skills. But if you have good qualities, don't forget to record them! Li Sizhen of the Tang Dynasty "Shu Houpin"

11) When Yu Zhi was a student, he paid attention to calligraphy and ink, tasted Zhong, Zhang Zhi Yu Lie, Xi Xi, presented the previous rules, was extremely careful and specialized, and was more than two centuries old, and had the art of being obedient to the wood. , the ambition to be near the pond forever. Tang Dynasty. Sun Guoting's "Shu Pu"

12) High rhyme and deep emotion, strong quality and majesty, one cannot be a book without the other. ?Liu Xizai's "Art Introduction"

13) The voice of the heart is the voice of the heart, and the painting is the heart of the calligraphy. ?Western Han Dynasty scholar Yang Xiong

14) The book should be clear and thick, and clear and thick books must be based on the heart. Otherwise, although the book is spared from being thin and muddy, it is just a reflection of others. ?Liu Xizai's "Art Introduction"

15) Where there is a screen, there is a clear trace of the original intention. Although it is dusty and stained, there are still thick ink marks. Strange rocks rush into the autumn stream, and ancient pines hang on cold vines. If you teach near the water, every word may become a dragon. ?"Cursive Screen" by Han Xi, a poet of the Tang Dynasty

16) It is better to have the tool at the right time, and it is better to have the right intention than to have the tool at the right time. ?Sun Guoting's "Shu Pu"

17) Use the pen with the heart in mind, and the heart will be straight, and the pen will be straight, and the pen will be right. ?Liu Gongquan

18) The dragon is powerful and the tiger is vibrating, and the sword is at war. ?Yuan Ang

19) The origin of the word is that the water of the Three Gorges flows backwards, and the pen array sweeps away an army of thousands of people alone. ?"Drunk Song" by Du Fu, a poet of the Tang Dynasty

20) I can't write this book. ?Northern Song Dynasty poet, lyricist and calligrapher Huang Tingjian's "Collected Works of the Valley"

Recommended famous quotes by ancient calligraphers

1) Learning calligraphy can lead to long-term knowledge. ?Zhang Yanyuan

2) A straight heart means a straight pen. ?Su Shi, a writer of the Northern Song Dynasty, wrote "The Book of the Six Families of the Tang Family"

3) The book is like a book, like his learning, like his talent, like his ambition, in short, just like his person.

4) The physical appearance is extraordinary, different from the past and present. Falling pearls and jade, fluttering tassels. The heir of Cangjie. The ancestor of Xiaozhuan. With name book, stone drum remains. ?"Book Break" by Zhang Huaiguan, a calligrapher of the Tang Dynasty

5) The dragons and snakes in his writings seem to have gods. ?Zhang Huaijin

6) Either to express the ambition to achieve success, or to relieve the depression. Although it is noble, it cannot suppress its height, and although it is wonderful, it cannot control its power. ?Zhang Huaijin

7) If you teach by the waterside, every word may become a dragon. ?Han Wo

8) A loss of place is like the glint of a beautiful woman’s eye; a loss of place of a painting is like a broken arm of a strong man. ?Tao Zongyi, a literary historian at the end of the Yuan Dynasty and the beginning of the Ming Dynasty, "The History of Calligraphy? Calligraphy"

9) The mysterious meaning comes from the surface of things; the profound truth lies between the dark and the dark; how can it be common? What can be said can be measured by the wisdom of the world. ?Zhang Huaijin

10) The essence of the book is unified by the word "integrity". ?Liu Xizai, a litterateur of the Qing Dynasty, "Art Summary? Book Summary"

11) The brush strokes are like clouds of smoke. ?Du Fu

12) Follow others' plans to end up with descendants, and become a family of your own. ?Northern Song Dynasty poet, lyricist and calligrapher Huang Tingjian's "Several Kinds of Youjun Calligraphy as a Gift to Qiu Shishi"

13) It may be as heavy as a collapsed cloud, or as light as a cicada's wing; when it is guided, it will be a spring, and when it is paused, it will be clear. Shan'an is as slender as the first moon rising from the horizon, and falling like stars in the river. ?The Book of Calligraphy written by Sun Guoting, a calligrapher of the Tang Dynasty

14) People have different personalities and different temperaments, and the style of writing is determined by their own style.

?Xiang Mu's "The Elegant Words of Calligraphy"

15) Moreover, the vastness and beauty of the calligraphy are all reflected in the brush and ink. The so-called high quality means that the rhyme is self-contained. ?Zhang Yuan's "Quotations from Shi Tao's Paintings"

16) Drawing the brush vigorously, like a swan flying high, the bird is graceful.

17) Walking in a simple and leisurely way has a profound and infinite flavor. ?Fan Wen

18) I see dragons and snakes running away from time to time. ?Li Bai, a poet of the Tang Dynasty

19) The dragon leaps over the Tianmen, and the tiger lies in the Phoenix Pavilion. ?Xiao Yan, Emperor of Liang in the Southern Dynasty

　20) Floating like clouds, as powerful as a frightening dragon. ?Southern Dynasties? Song writer Liu Yiqing's "New Words of the World? Rong Zhi"

A collection of famous quotes from ancient calligraphers

1) The strong wind blows the grass, and the fire refines the true gold; The frost is bitter, but the fragrance of An Neng is astonishing. The edge is sharpened by oneself, and jade is carved; if one does not practice hard, how can he be profound in his art? ?Li Duo

2) The character must be bone-like, the meat must be wrapped with tendons, the tendons must hide the meat, and the post must be beautiful and moist. ?The famous sayings of Haiyue by Mi Fu, a calligrapher and painter of the Northern Song Dynasty

3) Like the breeze coming out of the sleeves and the bright moon entering the arms. ?Li Sizhen

4) His physical appearance is extraordinary, different from the past and present. Falling pearls and jade, fluttering tassels. ?Zhang Huaisheng

5) Silent sound, invisible appearance. ?Zhang Huaijin

6) The husband who wrote the book is the most important thing in writing. Although it is a Tao, both the virtuous and the unworthy can learn it. However, there are always many virtuous people and the unworthy ones can always be few. How can it be said that the unworthy people can do it and the wise people just abandon it? Zhu Wenchang's "Sushu Duan" < /p>

7) The beauty of calligraphy is mostly reflected in the sound behind one’s body. ?Zhang Huaiguan, a calligrapher of the Tang Dynasty

8) The style of writing and ink are all based on human temperament. This is the first task of writing with rationality and emotion. ?Liu Xizai's "Art Introduction"

9) Scholars of calligraphy have two views: one is to observe things and the other is to observe myself. Observe things to resemble emotions, observe me to understand virtue. ?Liu Xizai's "Art Summary"

10) Those who have more strength and tendons are saints, and those who are weak and have no tendons are sick. ?"Bi Zhen Diagram" by Mrs. Wei, a female calligrapher in the Jin Dynasty

11) The study of calligraphy should be a family of its own. ?Northern Song Dynasty writer and historian Ouyang Xiu's "Study of Calligraphy to Build a Family"

12) As graceful as a silver hook, its source is like a Jingluan. ?Suo Jing

13) The angry cat decides to go out for five, and the thirsty one rushes to the spring. ?Northern Song Dynasty writer and historian Ouyang Xiu's "New Tang Book? Xu Hao Biography"

14) Happiness means that the Qi is gentle and the words are relaxed, anger means that the Qi is thick and the words are dangerous, sadness means that the Qi is depressed and the words are condensed, and joy means the words Flat and beautiful characters. The emotions are heavy and light, so the words are calm, gentle, beautiful, deep and shallow, and the changes are endless. ?Chen Yizeng's "Essentials of the Hanlin Academy"

15) The heart of looking at the world, the emotion of admiring the saints, resolving doubts and arguments, and reasoning with the contradictions of vulgarity and Confucianism. ?Zhao Yi's "Fei Cursive Script"

16) Mortals have different qi, blood, muscles and bones. The heart is dense and dense, and the hand is clumsy. The beauty and ugliness of writing lie in the heart and hand. ?Zhang Yanyuan's "Book of Dharma"

17) He took off his hat and uncovered his head in front of the prince, and the paper fell like clouds of smoke. ?"Song of the Eight Immortals in Drinking" by Du Fu, a poet of the Tang Dynasty

18) The dragon jumps over the Tianmen, and the tiger lies in the Phoenix Pavilion.

19) Silent voice, invisible appearance. ?Zhang Huaiguan, a calligrapher of the Tang Dynasty

　20) The characters must have bone structure, the flesh must be wrapped with tendons, the tendons must hide the flesh, and the calligraphy must be beautiful and moist.

?Mi Fu

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