Sun Guoting: Beginner to distribution, but seek fairness.

Xiang Mu: There are three precepts in the book; when you first learn, the precepts will be distributed unevenly, and when you learn the rules, you will get out of inactivity and stagnation; in the end, when you become proficient, you will get rid of craziness and vulgarity.

Wang Xizhi: The shape of the characters should not be wide at the top and narrow at the bottom. If so, the weight and lightness will be out of proportion. The partitions are white, the distance should be balanced, the upper and lower parts can be accommodated, and it will be naturally smooth

and stable.

Yan Zhenqing: If you want to write a book, anticipate the shape of the characters in advance, and arrange them to make them stable, or unexpectedly create them and make them have different trends. This is called cleverness.

Ouyang Xun: Beginners should first establish the general structure, place it horizontally and vertically, and treat the cloth and white to make sure they are even.

Wang Xizhi: The white cloth should be distributed evenly, far and near.

Jiang He: There are three kinds of cloth white; the cloth white in the word, the cloth white in each word, and the cloth white in the lines. When you are new to learning distribution, you must stop evenly; once you know it is still even, you need to seek changes, such as slanting, straightness, density, and density.

Chen Yi: If the sparse place is full, the dense place will be lifted; if the flat place is full, the dangerous place will be lifted; if the place is full, the body will be fat, and if the place is full, the body will be thin.

Wang Xizhi: Evenly distribute the stipples, compare the distance and the near, spread and refine, and harmonize the brush and ink; the sharp edges come and go, and the dense and dense are connected.

Xiang Mu: People are very good at books. There are thousands of shapes and forms, but they can only be said to be neutral. Said fat. It's just that I'm thin. If the length of the book should be in harmony, the weight should be balanced, the yin and yang should be appropriate, the hardness and softness complement each other, and the person who talks about the appearance of the world will be neither fat nor thin. Neither long nor short is beautiful.

Zhang Huaijin: Yan Yang and his back; that is, the two characters are combined into one character, and it must be drawn up and down to have the tendency of clutching and lifting.

Wang Xizhi: The two characters are combined into one. The weight should not be long, the single should not be small, and the complex should not be large. Dense is better than sparse, and short is better than long.

Mrs. Wei: The stippling is like a stone falling from a peak, and the bump is like a collapse; the horizontal painting is like a cloud formation thousands of miles away, but it is faint and tangible; the vertical painting is like a long-lived withered vine; the left painting is like a rhinoceros in the land. ; The strokes are like crashing waves and thunder running; the oblique hooks are like the hair of a hundred Jun crossbows; the horizontal folds are like the tendon joints of a powerful crossbow; each word is a character, and each resembles its shape. This is a wonderful creation, and the calligraphy is completed.