I like writing since I was a child. Although I was admitted to the Chinese Department, I couldn't make writing a full-time job. This may be the biggest pain in my life. I have accumulated a lot of words, but I seldom show them. I have always been a very subjective person, and I can't accept other people's opinions, so I don't want to meet people who talk purely for quarreling. So, for so long, I posted on Tianya for the second time, and there were very few visitors.

First of all, I want to talk about Yi Shu. There are many posts about Yi Shu in Tianya, many of which are liked by readers who like Yi Shu very much. It is estimated that many of them should have her own style: honest and frank is calm and doesn't like to talk nonsense, so the posts are relatively clean. My college graduation thesis is about Yi Shu. At that time, hundreds of students seemed to write her by one person. Although some people wrote women writers from Hong Kong and Taiwan, under the repeated emphasis of my tutor, Yi Shu was Ni Kuang's sister. As many people know, Ni Kuang is an old urchin and has a good relationship with Yi Shu. Probably because of this, Yi Shu was greatly influenced by him. In addition, because Yi Shu's favorite writer is Lu Xun, the linguistic feature of her works is that "laughter and scolding are written". The language is concise and clear, and love and hate are clear. Although her novels have a large number of readers, they can best reflect her works and people's style. For example, on a road, she said:

"Even people my age think that there is only one way for women to go, and that is physical and mental independence, and then decide whether to get married, hoping to balance work and family.

Somehow, many children express their desire to be a canary, protected and loved without having to struggle and be taken care of all their lives. ..... It is painful for one person to make a living in another's hands for a long time. If that line falls, it will be beyond redemption. It is better to be self-reliant. Once the working ability is appreciated by the society, it must be famous, profitable, confident and comfortable. "

Look at these words, think about the characters in her novels, and look at the so-called romance novels (or erotic novels are more appropriate) that were very popular when she was young. It's shameful for Yi Shu to claim that his novel is a "three-level love novel".

I remember a professor asked me a simple question after knowing that I wrote Yi Shu: "Which is Yi Shu's masterpiece?"

From childhood to adulthood, in China Chinese textbooks, what we recite most is a writer and what he represents. This is an inevitable law. Which famous writer has no representative works? So when my classmates heard it nearby, they looked shocked and envious-this professor decided the life and death of our thesis, and I had only one word in my heart at that time: lucky! People who like to read Yi Shu's works may be dumbfounded when they hear this question, because there are too many of her works, which are still published at an alarming rate until now, and the style can be divided into several stages, but none of them are very obvious masterpieces. Different readers have different preferences, so it is difficult to have a unified view, and there are not many professional comments on her, only Luo Fu, Zhou Xiao and Huang Weiliang. However, I accidentally mentioned this problem in a brief comment: I personally added the first half of my life to the story of Xibao and Rose. As far as the plot is concerned, The Story of a Rose, as a "love novel", should be said to be the most appropriate title, because "love" is the theme of this novel, but not many people are fascinated by it. And "Xibao", a work that makes me happy and painful, is the best masterpiece I think-if we insist on this conclusion. Xibao, a sophisticated and naive woman, is struggling in the money society. Coupled with Yi Shu's self-deprecating soliloquy, we saw a silhouette of Hongkong in 1980s.

Some netizens mentioned that Miss Li Yanshan, who was a smash hit in Asia, made this film. After thinking about it, I remembered that there really was such a thing. Yi Shu's works have been revised many times. What impressed me the most were Xia Wenxi and Fang Zhongxin's Flowers in the Morning (Yi Shu really admired Lu Xun, and this was the first time to borrow his old man's pen and ink) and Rouge Kou, forgetting the actors (only remember Ceng Jiang). I always wanted someone to film her "she is lonelier than fireworks". Vivian Chow is very good, but unfortunately it is too modern. Angie Chiu is a bit old-fashioned. Ten or twenty years ago, it should be the best candidate. Xia Wenxi is good, but Maggie Cheung should be the most suitable-the taste of Shanghainese women is hard for others to interpret.

Women in Yi Shu are bright silk in the darkroom. When people live to a certain extent, they all know that there is no smooth sailing in this world, and she never intends to put on a gorgeous coat for life-life is a gorgeous robe full of lice. -Zhang Ailing also said that Yi Shu is more direct than her. In "We Are Not Angels", the famous Kowloon walled city, Qiu Qing sisters struggling at the bottom of society, drugs, song and dance halls and underworld, it is hard to imagine that this was written by Yi Shu, but it is really painful for us. Not to mention "Xibao". In the eyes of China people, it is a woman's greatest shame to sell her body for whatever reason. But Xibao's greatest pain is not here, but in love. She asked her, "I still depend on you not only materially, but also emotionally." Why can't you love me? "

Jiang Xibao replied: "I am waiting for you to love me first."

"No, you love me first."

Xu's posture is very confused:

"Why, I have what reason to do that? Why can't you love me first? "

The woman who sells herself for money knows very well that she has no self-esteem and needs no self-esteem-when others throw money on the ground, she says to herself, I will pick it up one by one. Breaking up with her boyfriend, she only thought about how to settle the tuition and living expenses for the next semester. But such a treasure, in the face of love, is unwilling to lose self-esteem. Even if no one cares about it, she won't betray her love. It is this that makes people feel the tragedy of her life.

With this skill alone, it would be too demeaning to classify Yi Shu as an "urban romance novel writer", and "romance novel" is too high, because it is already 23 o'clock and personal sleep time is coming, and nothing can be squeezed out in my mind at that time. We will continue tomorrow. The above are only personal opinions, and readers in Yi Shu are welcome to leave a message for exchange.