As the first collaboration between cartoonist He Chun 35 and screenwriter Chaowu Kafka, Wen Hao Wild Dog gained enough popularity because of its novel settings and unusual charming characters, and the comic plot was unexpectedly moderate in the early stage, so there was no space problem, so it made any impact plot changes when it was serialized. It can be said that it injected a fresh blood into the slightly barren comic industry at that time, which made people shine at the same time and could not help but sigh the exquisite painting skills of He Chun 35 and the stable and delicate plot of Kafka's screenwriter in the fog.
Especially in shaping the role, we can see Kafka's amazing control and profound analysis of the role of the writer himself. He can skillfully retain the original personality characteristics of the writer in the role, but on this basis, he can give personal highlights that can serve the world outlook from a personal perspective.
The author Chaowu Kafka pays more attention to the background stories of the characters while substituting the author himself. For example, francis fitzgerald, the leader of the North American power organization group, was a famous American writer in the jazz period, and his life was legendary and turbulent. The purpose of writing is not to achieve literary glory in the jazz period, but to simply love money and the benefits of writing. Fitzgerald is a man who loves money, trying his best to make money and accumulate wealth, just like in history. Because of his love for his wife, he took the initiative to join the three-way battle. Although it ended in failure, the image of this person has undoubtedly been deeply engraved in the hearts of the audience.
This way of consuming the screenwriter's own design and performing appropriate artistic processing on the original basis can not only save some thinking about the original design, but also focus more on how to improve and enrich the characters to make them more three-dimensional, and also improve the overall rhythm to a speed that fits the design.
It is precisely because of these factors that fans of the literary giant itself are very happy, and fans of simple works are also very happy. The audience bought it and supported the creation. With the audience base and money base, producers can devote more energy to animation and comics, which is the best circular chain in the industry.
Text: Back to the plot, this book is set in a world where power can be seen everywhere. As the guardian of order, the just armed detective agency is completely opposed to the port mafia. As a boy who joined the armed detective agency, the protagonist was chased by the port mafia, and gradually came into contact with the truth of some stories, fighting with his partners and villains. At the beginning, this book did not completely explain the identity of the protagonist Nakajima Atsushi, but used a mysterious legend that can lead to the story as the beginning of everything, which cast a mysterious and magical fog on the whole story.
The use of montage magnifies the horror of the tiger, and at the same time, on the premise that the tiger pursues the teenager, Guo, who appeared in front of him like a savior and is also a member of the armed detective agency, is drawn out. Finally, when everything was in the most tense stage, Osamu Dazai's account of Nakajima Atsushi revealed that the tiger who hurt people was actually Nakajima Atsushi, but he lost his memory because he didn't accept his power. The performance of this plot is very attractive at the beginning of the plot, and He Chun's 35 exquisite painting skills will undoubtedly enhance the popularity of this work.
Talking about the operation of Wen Hao Wild Dog animation group, there is no doubt that Bone Club, the production company of Wen Hao Wild Dog, is a very responsible conscience company, which has given fans a full sense of appreciation and welfare, whether it is the production of pictures or scenes. From the production of op and ed to the performance and action details of the play, it can be well seen that both the director and the original painting group are attentive.
However, there are advantages and disadvantages. Although the popularity of Wen Hao wild dogs has been very high, with a lot of stable role powder, the official plot setting of Wenhao wild dogs in the third season really surprised the audience.
The plot of the first season ended in the defeat of the port mafia, and the second season ended in the fall of Moby Dick and the group. Forget the rhythm. At least, the story was completely finished in a limited dozen episodes, leaving no regrets for the comic party or the TV party that has never seen comics. However, the eating in the third season is ugly and thrilling. Memories at the beginning of the second season have laid a good foundation for the plot and overall trend of the second season, and introduced why Osamu Dazai left the port mafia to join the armed detective agency. At the beginning of the third season, Osamu Dazai and Zhongyuan Chu were selected as stories when they were young, and irrelevant plots were forcibly loaded into the already poor dramas. The TV Party thinks that unknown so and the Comic Party are equally ignorant. This wave of simple operations to attract fans is really irresponsible regardless of the development of the plot, and the production team has been criticized for it.
However, this does not affect the influence of Wen Hao Wild Dog as an excellent new film of the season. From all angles, "Wen Hao Wild Dog" is well-made and well-arranged in plot, which is remarkable among the works of that time:
1 The wonderful relationship between characters makes the story more attractive. When it comes to the relationship between characters, we have to talk about the fetters and mutual influences between Osamu Dazai, the No.2 male, and other male characters. Although this mysterious former mafia is weak, many characters have failed because of his ability to eliminate power. Especially in the first film, the mafia member Ryunosuke Akutagawa played a vital role in promoting the development of the plot. Compared with teachers, Osamu Dazai is more like a wall to Akutagawa, an insurmountable wall in front of him. Ryunosuke Akutagawa has always held a respectful and hateful attitude towards Osamu Dazai, because it was Osamu Dazai who gave Akutagawa a chance in the mire, and it was Osamu Dazai who turned around and abandoned him after training.
Under such contradictions and entanglements, Akutagawa's character is gradually distorted and unable to extricate himself. He is deeply in the whirlpool of longing for Osamu Dazai's approval, but he deeply hates this seemingly relaxed man. However, under such circumstances, when the group wanted to destroy the balance between the armed detective agency in Yokohama and the port mafia, Ryunosuke Akutagawa, who hated Osamu Dazai, did not hesitate to fight the hero Nakajima Atsushi and defeated Fitzgerald, the boss of the group, with an overwhelming advantage.
The process is only part of it, and we can't deny the positive ending brought by this evil boy to the whole story unit.
Excellent picture making allows the audience to fully see the relationship they want to express in a simple picture. Whether in the first season or the second season, the production choices of op and ed are particularly clever. The significance of inviting Yasuomi Umesu to do screen production is not only to use the celebrity effect, but also to add icing on the cake, so that the audience can see the plot at a glance. The mystery we see in the picture itself is not only about pure intentions, about redemption, about dedication, about the most basic relationship and trust between people.
Osamu Dazai, as an ex-mafia who lost an old friend, betrayed the dark side. What he saw and heard was very broad compared with pure Nakajima Atsushi or passive Akutagawa Ryunosuke. In witnessing the murder of the former boss by the current underworld boss, in witnessing the separation and parting to send away his best friend and another person. He chose to abandon the dark Akutagawa Ryunosuke, which is very similar to himself, and chose to help the light, hope for justice, and let his value spread without regrets.
In the second season, the picture of ODA Sasuke is even more thought-provoking. Owada Satsuke, who was forced to become a mafia but kind in nature, had a painful and contradictory life, and those dark and endless nightmares forced him to fail to fulfill his ordinary dreams. The children raised by themselves were killed by mafia leaders, and the happiness in the past was fragmented. He was angry but helpless, but at the last moment he chose to warn Osamu Dazai to pursue sunshine and choose justice.
The whole character of Ueda Sasuke is the most important character in this book. His death laid the foundation for Osamu Dazai's transition from darkness to light, Nakajima Atsushi's encounter with detective agency and Ryunosuke Akutagawa's loneliness. Everything started and fell because of him, and his death changed the indispensable people in this world. At the same time, it also changed Osamu Dazai, which is still in a confused period.
So in the last scene of the story, when the hero Oda Sakunosuke falls into a dilapidated church. Osamu Dazai's image gradually changed, the bandage slipped and the black trench coat sent by the leader was thrown away. There is no large-scale change in the picture, but it is precisely because only the image of Osamu Dazai has changed in the picture that it is more powerful to tell the audience that this person has completely changed.
Feng's concluding remarks once said this sentence in the play:
Don't feel sorry for yourself. If you feel sorry for yourself, life is a never-ending nightmare.
That's true. All struggles and resistance in the big environment are in vain. The fall of Fitzgerald, the disappearance of Moby Dick, Oda's death, the conflict between Osamu Dazai and Nakano. Everything in the play tells us that it is useless to resist fate, but if you don't fight back, you will inevitably fall into irreparable pain. Before that, before everything can't be redeemed, give up all worries, let those prejudices and obstacles disappear, be the truest and inescapable self, and move towards justice and distance. Only in this way can life be meaningful, and only in this way can we truly be ourselves in the illusory and confused city.
PS: What is the above content? Fengmujun animation? Original starter, I'm Feng, an ordinary anime fan. Pay attention if you like. More exciting animation articles invite you to share!