Romantic movies are often seen in feature films, but for documentaries that record real life, it is rare. From Flaherty's films, we can see the passion and persistent romantic spirit hidden in Flaherty's heart. We can see from Flaherty's lens language his infinite love and care for life, mankind and the world. There is no theme of war and chaos in his films, and we can't even see the shadow of industrial civilization. How can directors who come out of an industrialized country abandon their proud "civilization" and tend to nature? What we can see from his works is only the persistence of shutting out the machine and the helplessness of industrial invasion.

In p>1948, the Venice Film Festival awarded Flahadi a grand prize for his enthusiasm and bravery, which was not an exaggeration. Today, the simple and even rough images he left behind still have touching power, because he described the truth and created a shock close to the original. Of course, all this came from Flahadi's love for images and respect for the objects he set, and his name was immortal.