● Wu Shuyi followed Wu Shuiliu, and Wu Zhongzhou compiled a good trip abroad-Zhao Mengfu
● Perhaps, Zhao Mengfu represents a compromise between the mind and the external reality. I like his calligraphy and praise this "harmony"; I don't like his calligraphy, and I often use this "harmony" to explain his "charm" all the way.
Calligraphy aesthetics has been unable to completely separate "character" from "person". "Book quality" is also "character". -Jiang Xun's The Beauty of Chinese Calligraphy
● I have a bachelor's degree, Mrs. Er. Don't you smell it: Tao Xueshi has peach leaves and roots, and Su Xueshi has morning clouds and dusk clouds. I will marry a few Wu Ji Yue Nv, and it's not too much. You are over forty years old, just occupy Yutangchun. -Zhao Mengfu
● Sometimes, we think that the days we want are nothing more than the leisure after the still water is deep and the flowers are rich. The days in Zhao Mengfu are too moist and rich, and the words are rich and beautiful. We can almost perceive the temperature and luster of that day. Besides, he has such a confidante's wife Guan Daosheng.
Looking back on those ancient people, there are really not many cultural couples who are harmonious in music and piano. Zhao Mengfu and Guan Daosheng rank first. Although they were not childhood friends, they took Qi Mei as an example to write poems, draw pictures and seal seals together. Although Li Qingzhao and Zhao Mingcheng are also such a couple, they are only half-born. Zhao Mengfu and Guan Daosheng are the only people who have lived affectionately and poetically all their lives. -Xue Xiaochan's "I cherish the monarch as usual"
● "The three wonders of poetry, painting and calligraphy" The first person who epitomizes his works should be Zhao Mengfu.
Zhao Mengfu specifically said: The painting of strange stones uses the brush of "flying white" in calligraphy, and the painting of dead wood uses the brush strokes of ancient seal characters. To draw ink bamboo, you need to know the "eight methods of mastering writing".
Zhao Mengfu redefined a brand-new understanding of the ancient idiom "Calligraphy and painting are of the same origin", and also clearly revealed the spiritual essence of painting dominated by calligraphy in the aesthetics of new literati. -Jiang Xun's "The Beauty of Chinese Calligraphy"
● A leaf boat in Qingxi, autumn on both sides of Furong. Who is the girl who picks the ling, and the song rises at dusk. Clouds and worries, full of wind and rain, wearing lotus leaves to go home. -Zhao Mengfu's "Xianlu backyard flower"