Wang Bo's Preface to Wang Tengting in the Tang Dynasty is divided into seven sections: the first section; Near the border in the second quarter; The third section combines far and near; The fourth section, remote sensing; The fifth section expresses inspiration; The sixth section introduces myself and finds the meaning of the question; Section 7: Thank you.

This is a problem from the shallow to the deep. First, let readers know the situation at that time by asking questions. The next description of the near world, with the human eye as the fulcrum, from near to far, will naturally have the second, third and fourth paragraphs, which is a layered problem. This kind of treatment is clear and makes people feel natural.

Similarly, the same is true for expressing feelings, from the first half of the fourth quarter to the fifth quarter, to the sixth quarter and then to the seventh quarter. Full of layers.

Second, overall analysis and language appreciation.

1. The overall scenery and lyrical nature of the article are integrated.

This paper focuses on the magnificent scene of Wang Teng Pavilion. Write about the elegant and grand momentum of the banquet and express your feelings.

After explaining the historical evolution of "old county" and "new house". It is written by the geographical location and surrounding environment of the exhibition hall. Then, the author's pen goes from far to near, from the surface to the inside. Wang Bo could not restrain his excitement. He was deeply honored to have the opportunity to attend the party. But in the face of high officials and dignitaries, it is inevitable that there will be some sadness and sadness.

Instead, he lamented his "injustice", "luck" and "ill-fated". Express your deep depression and grievances, and pour out your feelings of "throwing a pen" and "volunteering" to serve the country and your determination to go forward. Love comes from scenery, and scenery is written for the mutual penetration of lyricism, scenery and emotion. Naturally, like running water, it flows freely and naturally.

2, contrast and narrative, bright colors.

The author can describe the scenery of Hongzhou and the grand occasion of kudzu vine, and express the sufferings of the characters. Exhibition and hair growth, very successful use of daubing and dyeing methods.

And this description is carried out in contrast. This makes the article full of twists and turns, jumping up and down, back and forth. Through geographical comparison, emotional comparison, and the comparison between gifted scholars and confidants. This strong color contrast can produce the artistic effect of complementary opposites in revealing the inner worries of the characters and contrasting the main idea of the article.

3, the antithesis is beautiful and the code is just right.

Most of the whole article is a dialogue between four words and six words. There are several pairs of simple sentences, several pairs of complex sentences and several pairs of this sentence. This antithesis sentence is not only neat and symmetrical, but also complex and changeable, fast-paced, neat and harmonious, and powerful.

4. The allusions that appear many times in the text. And they are all used properly, which not only has no sense of redundancy and obscurity, but also makes the article look rich and elegant, euphemistic and tortuous, sincere and sincere.

5. Turn static into dynamic and anthropomorphic.

It is another feature of Preface to Wang Teng-ting to write an objective static thing into a dynamic feeling by personification. The author is good at choosing words and refining words to activate the state of things, such as "flying pavilion, flowing Dan" and "green terraces" Just because of the words "fly", "flow" and "shrug", the lofty pavilions will take off, the rich painters will murmur, and the emerald green on the terraces will rise high. It's really wonderful that still life has become an animal.

The ancient city of Hongzhou, however, has become a cutting giant with "Three Rivers" as its skirt and "Five Lakes" as its belt, which is "pretty" near and "Ouyue" far away. As for "brilliance" like "Xingchi". The "winning friends" like a cloud is even more vivid.

Extended data:

Original text (excerpt):

Preface to Wang Tengting (Excerpt) Tang Dynasty: Wang Bo

Embroidered and carved, Yamahara is full of vision, and Kawasawa is bold and unrestrained. Yan Lu, the hometown of Zhong Mingding's delicious food; Gechuan maze, bluebird Huanglong. Clouds selling rain Ji, colorful. Sunset and lonely Qi Fei, autumn waters and sky are the same color. Fishing boats sing late, the coastal sound is poor, the array is cold, and the sound breaks Hengyang Pu.

Explanation:

Open the exquisite pavilion door and overlook the carved roof and the vast mountains and rivers. The circuitous rivers and lakes are breathtaking. Houses are everywhere, and there are many bureaucrats; There are boats everywhere on the ferry, all decorated with the heads of green finches and yellow dragons. The clouds are clear, the sun is shining and the sky is clear.

The sunset flies with the lonely wild ducks, and the river in autumn is the same color as the vast sky. The fishing boat came back singing at dusk, and the song resounded throughout Poyang Lake. The geese lined up were disturbed by the cold, and their cries disappeared by the water south of Hengshan Mountain.

Creative background:

During the reign of Emperor Gaozong, Yan Mou, governor of Hongzhou, rebuilt this pavilion, and hosted a banquet in Wang Tengting on the ninth day of February last year (675) to entertain group members and guests. The author went south to visit relatives and passed by here. He also attended the ceremony, improvised poems and wrote this preface.

In art, Preface to Wang Teng Pavilion has the following writing characteristics:

1, with scattered sentence patterns and clear rhythm.

The full text is mainly composed of four or six sentences, with four or six miscellaneous sentences. Seven sentences, six sentences, four sentences, three sentences, two sentences and even one sentence are used alternately according to the needs of ideographic expression, so that the rhythm is clear and the content is integrated. In this way, the writing of the whole article is ups and downs and natural circulation.

2. Decorate and choose beautiful words in seaweed.

The whole article uses antithetical sentences, which have both literal and phonological meanings. A typical example of rhetoric. In this way, the article is colorful and pleasing to the eye.

3. The use of allusions is concise and implicit.

This preface uses a lot of allusions to describe lyricism, some are historical stories, some are predecessors' sentences, and the techniques used are different, some are used openly, some are used secretly, some are being used, and some are used backwards. The use of allusions enhances the expressive effect of the article. ?

Preface to Baidu Encyclopedia-Teng (Wang Bo Parallel Prose)