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What is Liu Yong's famous sentence?
Liu Shangshi: He

Jasper dressed as a tree, hanging down ten thousand green silk tapestries. I don't know who cut the thin leaves, but the spring breeze in February is like scissors.

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This poem sings the spring breeze through the willow tree, compares the spring breeze to scissors, says that she is the creator of beauty, and praises her for cutting out the spring. This poem is full of people's joy in early spring. The novelty and appropriateness of metaphor and metaphor is the success of this poem. "Notes on Tang Poetry" says: "Things are wonderful, but the meaning is soft."

This is an object-chanting poem about willow trees in early spring and February.

Where should I start writing willow? There is no doubt that the beauty of its image lies in Naman's long branches. Once a year, it grows new green leaves and hangs down, which has a charming posture in the spring breeze. This is something that everyone can appreciate. In classical poetry, we often see this kind of image beauty to describe and compare a beautiful woman's slim figure and graceful waist branches. This poem is original. Turn it over. "Jasper pretends to be a tall tree". At first, Liu Yang appeared as a beautiful woman: "Thousands of threads of moss tapestry hang down", and these countless threads became her nepotism. The word "Gao" in the previous sentence sets off the graceful charm of beautiful Tingting; The word "hanging" in the next sentence means that the slender waist is swaying in the wind. There are no words "willow" and "waist branch" in the poem, but the beauty embodied by weeping willows and willows in early spring is vividly written. "Southern History" said that Liu Yong was the secretariat of Yizhou and presented several Shu Liu plants. "These stripes are very long and look like silk threads." Emperor Wu of Qi planted these willows in the Taichang cloud and in front of the temple, saying that they were "romantic and lovely". Here, wicker is called "green silk tapestry", which may be the hidden use of this famous allusion about willow. But it's a waste, and you can't see any traces.

"Jasper makeup" leads to "moss tapestry" and "who cut it". Finally, the intangible "spring breeze" is also vividly portrayed by "scissors". These "scissors" cut out bright green flowers and plants and put on a new makeup for the earth. It is the symbol of natural vitality and the inspiration of spring to people's beauty. From Jasper Makeup to Scissors, we can see a series of processes of the poet's artistic conception. A series of images in poetry are closely linked.

Some people may think: There were many famous beauties in ancient China, Liu. Why should we compare them with Jasper? I think this has two meanings: first, the name Jasper is related to the color of willow, and the words "green" and "green" in the next sentence complement each other. Second, Jasper will always leave a young impression in people's hearts. When it comes to Jasper, people will associate it with the popular Jasper Song "When Jasper Broke a Melon" and Jasper's Little Family Daughter (Xiao Yi Picking Lotus Poems) and other poems. Jasper has almost become a general term for young and beautiful women in ancient literary works. Comparing willow with jasper, people will imagine that this beauty has not yet reached its heyday; This willow is still a willow in early spring, and it is not the time to hide crows with dense branches and leaves; This is also related to the "thin leaves" and "February spring breeze" below. ?

Author Liu:

It's sunny on the shore, so it's hard to say goodbye. I'm still hesitating about my own flight, and I'm trying to solve the problem of tripping over passers-by.

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This poem is about a farewell scene on a sunny day in late spring, outside Chang 'an and on the bank of Bashui. However, instead of writing your own farewell, write someone else's farewell; It is not a farewell for ordinary couples or relatives and friends, but a touching scene that advocates women's farewell. All this does not appear in the form of direct writing, but in the form of metaphor, with the help of the image of spring willow, so compared with the general farewell poem, this willow-chanting poem is very innovative in thought and art

The poem entitled "Liu" is to recite Liu's meaning, so it uses fu throughout, but it is also interesting. Its metaphor is flexible and ingenious, and if it is separated, it is better than its shape. The first sentence is the rise of scenery, the prosperity of fu, and the farewell of Liu; On a sunny spring day, by the Qinshui Bridge, groups of people left and folded willows to bid farewell. In the second sentence, the wicker brushed, leaning against each other, and the metaphor was clear, and the last two sentences were emotional again. "Snuggle and depend on each other" describes the graceful figure of weeping willows in the spring breeze, which makes people want to see the intimate scenes of young men and women when they leave. They are reluctant to go, lingering in the spring. However, unlike relatives and friends, they are not husband and wife. They seem to be lovers in love, and they seem to understand each other that they will never meet again after parting, and they should enjoy every moment before parting. Anyone with a discerning eye will know at a glance that this is advocating women to bid farewell to their lovers. In the last two sentences, I feel that flying catkins are intertwined with wickers. I use willows to describe people, point out the late spring season, and reveal the identity of both sides. Poets use "flying catkins" to imply that such women can't grasp their own destiny, and use "hanging silk to trip up passers-by" to point out that they can't and don't understand the feelings of passers-by, let alone stay with lingering feelings. "Struggle" leads to "How", and the last sentence is "Struggle and trip over a long strip", which means the same thing, pointing out that they are prostitutes. Generally speaking, poetry is poking fun at these involuntarily advocating women and pitying them for coquetry in vain. But the poet's attitude is sympathetic and euphemistic, and there is an unspeakable feeling in it.

In the Tang Dynasty, scholars and women advocates were two active classes in a prosperous city. Their grades and positions vary greatly, but they have various relationships and many affairs; There is also some kind of fate and similar experience. Bai Juyi, a famous prostitute in Chang 'an, and Bai Juyi, a famous prostitute in Jiangzhou, have similar experiences and fates, and all shall be well. In this poem "Willow", Luo Yin intentionally or unintentionally mocked the meeting and parting of others, revealing a bitter mood of self-mockery. Although the poet regrets that women can't help themselves, they also know that their fate is also involuntary, and the future "may not be as good as people" (Luo Yin's "Cloud Shadow of Giving Prostitutes"). Therefore, in the image of floating catkins and lingering willows, it is not only advocating the fate of women's own families and other passers-by, but all the misfortunes of "the end of the world is reduced to people", including the poet himself, which is a deep sigh for the bitterness of life.

This poem is full of words, each sentence is more appropriate than the other, and the meaning is obvious. At the same time, it is promoted by comparison and leads to discussion. Therefore, Liu Fu's metaphor, description and discussion hit the nail on the head, which was seamless and interesting. In the quatrains of chanting willow in Tang Dynasty, it is also unique. (Ni Qixin) Liu Author: Li Shangyin

I used to chase the east wind, just like a dancer dancing at a banquet. It was a spring full of flowers, and people were playing in Leyuan Scenic Area. How can I be willing to go to clear autumn, accompanied by sunset and cicada singing!

The poem is about the willow in autumn, but the poet does not start from now, but remembers its spring scene first, and then returns to the willow in front of him. You see, in the paradise where women are like clouds, in the bustling spring, graceful spring willows and dancing girls are combined in a lively dance feast, and you can't tell who the dancer is, what the willow branches are and how beautiful the artistic conception is! The autumn willow in front of us is the opposite. "Clear Autumn", "Sunset" and "Qiu Chan" touch the desolation of the environment, and the prosperity of spring willows reflects the decline of autumn willows. The more prosperous and proud the spring is, the more haggard the autumn willows are. It is through this strong contrast that the poet expressed his lament over the sparse autumn willows. The whole poem is all about willow, but there is no word "willow". Every sentence is about scenery, and every sentence is lyric. When the poet was young, he was full of fantasy, self-confidence and lofty aspirations, just like a spring willow full of vitality. However, due to the partisan struggle, the poet has been living a sinking life. The disparity between prosperity and poverty in his poems is a true portrayal of the poet's life experience of self-injury and self-sighing. Author Liu: Zheng Gutang

On the half-smoke and half-rain creek bridge, apricot reflects Taoshan Road. You will leave people with infinite meaning, and thousands of things will anger the spring breeze.

Short notes

Half smoke and half rain: the clouds are mixed with drizzle.

Ying Xing Ying Tao: It is in harmony with apricot and peach trees.

Will get: know, understand.

People far away from home.

Infinite meaning: refers to homesickness.

Catkin: catkin.

Irritate: to attract and tease.

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Willow trees are planted beside bridges and roadsides, in contrast to apricot trees and peach trees. The last two sentences say: willow seems to know the infinite feelings of leaving home, and thousands of catkins float down to attract charming spring scenery.

This poem expresses the author's deep homesickness by describing the softness and changes of willow trees in spring.

Literary image:

From the Book of Songs and "I have gone far away, Liu Yiyi", Liu has formed an indissoluble bond with China's poems. Only in the places where poets live in concentrated communities in Li Shangyin's Collection, there are nearly twenty poems with Wei Liu's proposition. There are also "Listen to An Wanshan to play the flute, and the flowers are bright and spring", Wang Wei's "Song of Luoyang Girls", the pavilions and pavilions in the paintings, the peach blossoms and the green willows, Du's "Walking in the Early Spring", and "Changzhou Land", etc., Yunkai Haishu, Liu Mei Chunjiang Crossing, Cen Can's "Daming Palace Morning" work "With Jia Zhishe People", flowers meet swords and Wei's Eastern Suburb and Liu Diao Feng Qing are full of personal emotional experience and life experience of poets in past dynasties.

Yiyi Liu Yang, she put aside her feelings and never complained.

"Liu" means "stay", and "Liu" and "stay" are homophonic, so the ancients "folded Liu" and stayed together, indicating that friends are reluctant to part. It was first seen in the Book of Songs, and it was the first time to express love for willow and hurt people with willow.

Luo Yin's Willow: "The sun is shining on the shore, so it's hard to say goodbye, and it's hard to lean on each other in spring. My own flock is still uncertain, and I am still trying to solve the problem of tripping over passers-by? " It is a touching scene of prostitutes leaving each other on a sunny day in late spring, outside Chang 'an and on the bank of Bashui, with the image of spring willow. ?

In general, poets take "willow" as the image in their poems, and they all think of folding branches and giving each other gifts. For example, in Shi Jianwu's "Folding Willow", "Seeing willows and willows on the roadside is a new one." I'm going to fold last year this year, and I won't leave others last year. "Dai Shulun's" Willow on the Dike ""Willow is weeping, and spring comes to weave separation. The place where pedestrians climb, now my heart is almost broken "; Bai Juyi's "Remembering Willow" once planted willow in Jiangnan, and bid farewell to Jiangnan twice in spring. I remember I don't know who climbed on the green river bank far away, and so on. And Yong's "Willow by the River": "The ancient embankment curled up and a tree smoked. If it's silk, keep the boat. "The idea is novel, the imagination is strange, and it is suitable for the scene. The heroine in the poem not only does not fold the willow to bid farewell, but hopes that the willow will continue to be tied to her lover's boat and will never be separated. It's really ingenious.

Jasper Spring Liu Manchun

"Green Willow" written by Xiao Yi in the Southern Dynasties: "Long strips hang down to the ground, and light flowers chase the wind. The dew is suspicious, and the leaves are small and not covered. " The poet focused on the flowers, colors and leaves of the willow, grasped the word "green" and described the feeling that the willow had just blossomed in Ye Fei, which was clear and vivid. Gao Ding's "Village Residence" in the Qing Dynasty: "The grass grows in February, and the willows on the embankment are drunk with spring smoke. The children came back from school early and were busy flying kites in the east wind. " Wrote a rural spring scenery full of life.

Among Liu's classical poems of chanting spring, He's "Singing Willow" is the most famous: "Jasper is a tree, and thousands of strands of green silk hang down. I don't know who cut the thin leaves, and the spring breeze in February is like scissors. " This poem, contrary to the previous description of the slim figure of a beautiful woman in the image of a willow, turns the willow into a beautiful "jasper" and vividly depicts the charming posture of the long branches and bright green leaves of the willow in the spring breeze with anthropomorphic methods.

The feeling of fleeting life

Li Shangyin is a poet who loves to use the image of "willow" in past dynasties. His "Willow" said: "I used to dance in the east wind and swim in the spring garden. How can I bring the sunset and cicada to the clear autumn? " Write the autumn willow withering with the contrast of spring and Vitamin, and the prosperity of spring willow reflects the autumn willow withering; The more prosperous and proud the spring is, the more haggard the autumn willows are. Li Shangyin was a scholar when he was young, and he had the great ambition of "returning to heaven and earth and entering the boat". However, due to the feud between the parties, he sank to the next position for a long time. At this time, he mourned his dead wife and lamented the road ahead. His mood can be imagined. Isn't the autumn willow in the poem a vivid portrayal of the poet's self-injury and sigh?

Bai Juyi's Qin Lou Xi Lao Liu: "Half-rotted trees in the wind make many lovers immediately. Kaiyuan is a willow, and Changqing is the spring of two years. " Sketch a self-portrait with simple strokes ―― a picture of "The Breeze Appears at First". Another of his poems, "Yang Liuzhi Ci", wrote: "The spring breeze is softer than gold and softer than silk. In the wild garden in the west corner of Yongfeng, no one belongs to anyone all day. " Writing a willow tree with lush foliage and graceful dancing is a desolate and cold situation, which is clearly a feeling of political corruption and talent burying at that time. The willow tree here is obviously a portrayal of the poet himself in a small group relationship.

"Autumn Willow" by Gao Qi, a poet in the Ming Dynasty, said: "It's hard to draw a long line. At this time, I am worried about killing Sima Huan, and the rain and autumn wind are full of Hannan. " Describe the withered willow branches, which have lost their green and soft appearance in the past, so as to recall the characters and express the feelings that the years are fleeting and things are more frequent.

Poets have always used "willow" to write poems, but few people write winter willow, but Lu Guimeng in Tang Dynasty did not. His "Winter Willow": "The willow pavilion leans against the savage window, and the broken strip is by the river. It is the wind in first frost that makes a pair of cold gulls. " It is about the winter willow withered in the cold wind, which embodies the poet's feelings of self-injury.

Romantic dream lover

Li Shangyin's poem "Giving Willow" depicts the charm of spring willow: "The shadow of the platform is hidden, and the road is more uneven. Many people have heard the praise of Liu Feng to the extreme, and now what they see is just the same graceful. The charming willow color has reached the bridge, and my heart is behind me when I watch the willow color cut off and extend across the bridge to the long beach. Endure the flowers like snow, and the brothel flies the wine flag. " The whole poem uses line drawing, the willow color is bright or dark, the soft strips hang down, the willow color is light and graceful, the flowers fly like snow, and the prosperity of the spring willow is written to the extreme. If you think about it carefully, you will find that they write not only willows, but also people. Between the lines, it seems that the beautiful image of a gentle and graceful lady is swaying and graceful. Singing willow is to sing people, to be reluctant to part with willow, and to be attached to the one you love.

Another poem by Li Shangyin, "Give a willow a 10% discount from the pavilion" (1), "I'll give you a toast for the time being, so don't frown and narrow your waist. There is only one thing before the end of the world, and the spring breeze strives to cherish the strip? " Comfort your lover when you write a farewell letter to him. You're already worried about your waist, where can you stand the damage? And before this painful farewell, how can we cherish the long branches and prevent those who are full of parting pain from trying their best to climb and analyze? "Pity" and "loss" echo each other, because frowning waist is not only a positive description of the girl, but also a pun on the willow. Willow leaves are more than beautiful eyebrows, and willow body is more than beautiful waist. This poem first teaches people not to fold in a metaphorical way, and then turns to explicitly say that it should be folded, firm and full of pessimism.

A flatterer who flatters and flatters

The poem "weeping willows" by Tang Dynasty poet Tang has another meaning: "Who dares to underestimate the enemy if the spring breeze slips?" There is no reason to plant on the banks of the Chu River, and you can't learn on an empty stomach. "This poem not only describes the graceful, slender, light, seductive and affectionate weeping willow, but also involves the story of King Chu Ling's" loving a thin waist and starving many maids ".It is a unique poem of" chanting willow ",and its satirical object is directed at the shameless villain's invitation to flatter and corrupt the political affairs, which is gentle and sharp and has profound implications. Ceng Gong, a poet in the Song Dynasty, wrote "Singing Willow": "Chaos is still yellow, and leaning on the east wind will be crazy. I wonder if there is frost in heaven and earth. "The poet satirizes the adulterer who clings to the powerful and gains power with the image of dancing wildly in Liu Xufei.

"With smoke, everything falls" (followed by Li Shangyin, Jiao Liu, who stands upright in China's poetry circle, has become a cultural symbol and emotional medium, and has fascinated countless literati.

-planting willows in dongxi.

Tang Bai Juyi

Wild love to plant, plant willow in the water.

Spring comes to hold an axe, cut it, and tree it.

The length is different, and the height is appropriate.

Dry burying on the shore and inserting twigs in the stream.

Pine and cypress can't wait, but it's hard to move.

It is better to plant this kind of tree, which is easy to flourish.

It's never too late to live without roots.

I haven't left this county for three years, so I can see Yiyi.

Rest by the water and think for yourself.

Wealth is not hope, fame must wait.

What do you want if you don't plant willows?

Maoliu

Tang Bai Juyi

A green tree is sad, it has been separated from hatred by several people.

Send more farewells near the Doumen, and fold the strip in half to reduce the spring breeze.

Suzhou willow tree

Tang Bai Juyi

Jinguyuan is graceful and graceful, and Qujiang Pavilion is swaying.

Old people parade everywhere, unlike Suzhou, where there are the most willows.

Floccules on baldness touch your face, leaving you helpless in spring.

Chang 'an Liu Xin

Don

At the beginning of nine strange clouds, yellow willows are new. The sky is different from the garden, and spring comes first.

The color is light and slightly dew, and the silk is light but not dusty. I want to break one and go back to this morning.

Willow beside the water in May

Tang cuihu

The roots are elegant and the shadows are shallow. Sleeping face is cold and stretching is softer.

The empty column is heavy and the water is scattered. Like a drunken scene, like a moon dew.

A long fish is surprised by mistake, but a weak bird is surprised. Don't be sentimental for a long time, including climbing mountains in spring.

willow

Sugar crisp rice

When the wind slows down, when the smoke blows water. If you annoy the general, you will be tied to a short branch.

Zhang Lang's bones are soft and thin, and her waist is light and hungry. My hometown has not returned, and my heart hurts.

Liu Xin

Sugar crisp rice

Ruthless and soft, I was urged by the spring, as if I could not stand the wind and leaned against the ancient platform.

What do you hate in the past and present? The color of the fishing ditch comes to the DPRK.

Willow trees on the bank

Don Dai Shulun

The weeping willows are full of silk, and spring comes to weave parting. Pedestrians climb high, when my concubine heartbroken.

Fudechang Liu Ting

Don Dai Shulun

The pavilion is full of water. The rain grinds the gold thread thin and the smoke soft.

Seeing the guests off adds new hatred, and listening to the songbirds reminisce about the past. Give more and take more, and you will get late autumn.

Tiliu

Tang dihuan

The south is far from the north, and the shadow dances here. Emerald color can't be folded, leave more feelings.

Caged on the shore after the rain, smoke on the Suihe River. It has its own good name, followed by Qin Song.

Liu Du

Dondum

A cigarette willow shakes the wind for a long time.

The beauty could not bear to fold and looked back at her hand.

Liu jueju

Dondum

A group of trees are newly opened, and they are fascinated by the amorous feelings of spring.

Fan Chuan, the old country hates her, half built the village bridge and half blew the stream.

Liu Xin

Dondum

The wind can't shake, the color is new, and the waist is envious.

The shade didn't cover the long dike water, and the golden spike greeted Yuan Chun first.

A few sad roads, a branch, the rain sees the dust.

More is the departure outside the east gate, fearing to kill the opposite person.

Yugouliu

Don Du Xunhe

The method reaches the fishing ditch in spring, and the willow beside the ditch is new. The cage passed through the forbidden water and gently blew to North Korea.

The sun is near, the sun is early, and the sky is low. Gu Ying's habitat is unstable, so it is difficult for maids to draw.

Chu shook the waves in the air, and the Sui dike darkened the dust. How to get to the imperial city, you must first cover the golden dragon.

willow

Tangfanggan

The swaying posture makes the wind blow, and the embankment is softer than silk. You'll know when you're strong, but it's hard to persist when you're weak.

Learn to dance branches and turn sleeves to make up Ye Mei. How to climb, bosom friend and poetry.

willow

Tang hanhe

A cage of golden thread bends the bridge, and several children hurt their backs.

But the spirit and standard are there, and spring is still long.

Two poems about willow trees

Tang guyun

Dewdrops and smoke hung everywhere, and the yellow and green were uneven.

There is no wind floating in the long beach, and the wide stranger begins to pity the sun.

Draw a feast and steal a dance, and learn to frown in the dressing cabinet.

Stay in the pavilion, don't let go of the spring dusk, and fold a thousand branches.

Idle flowers and weeds are always innovative, and their eyebrows are wrinkled and their stems are uneven.

Begging for the strength of the east wind will not waste a spring.

willow

Don

The green belt in willow songs moved away from the Golden Temple and planted in Lv Yun.

Shang Yang's maid-in-waiting made a noise and then came back to dance with her waist.

willow

Tang Han Gai

The snow is all green and hazy, the warm wind is late, and the early warbler returns. If you leave spring with thin leaves,

It is necessary to tie the strip to the glow. Pengze is still depressed, and the Sui embankment is ownerless and reluctant.

In the world, people hate this, but pedestrians give it away.

willow

Tang hanhe

The wind and rain are not self-sustaining, and the whole body is unable to hang down to people.

Jade fiber is folded, like the hand of Guanyin.

willow

Tang He Zhang Zhi

Jasper dressed as a tree, hanging down ten thousand green silk tapestries.

I don't know who cut the thin leaves, but the spring breeze in February is like scissors.

Yugou Liu Xin

Tangjialing

The imperial garden is sunny and early, and the willow color in Zhanggou is new. This is the most recent day in Tuogen, and Buye ushered in spring.

Beauty is green, and the shade is clear to cover people. Light clouds are oblique, and many drops of dust are exposed.

It's a gift and I'm looking forward to it. If Wang Sun can get a reward, he will climb Chen Fang.

Yugou Liu Xin

Tangliguan

Fishing ditch belongs to Guangmo, and Liu Fang welcomes pedestrians. The emerald branches are full, and the tree is a new year.

I'm afraid of climbing high and breaking off customers, but I'm worried about leaving Chen. Riding on a platform near the mirror, Yuan Chun was forbidden to look from a distance.

The tender shadow is first covered with water, and the high shadow gradually leaves dust. Don't wear a huldi, but also make a tear wipe.