Famous Calligraphy Sentences

1. High rhyme, deep emotion, solid quality and majesty, neither one of them can make a book. ——Liu Xizai's "Art Introduction"

2. The voice of the heart is also the heart of the calligraphy. ——Yang Xiong, a scholar of the Western Han Dynasty

3. The book should be clear and thick, and clear and thick books must be based on the heart. Otherwise, although the book is spared from being thin and muddy, it is just a reflection of others. ——Liu Xizai's "Art Introduction"

4. Wherever there is a screen, there is a clear trace of the original intention. Although it is dusty and stained, there are still thick ink marks. Strange rocks rush into the autumn stream, and ancient pines hang on cold vines. If you teach near the water, every word may become a dragon. ——Han Xi, a poet of the Tang Dynasty, "Cursive Script Screen"

5. Having a tool at the right time is worse than having a tool at the right time, and having a tool at the right time is not as good as having the right intention. ——Sun Guoting's "Shu Pu"

6. Use the pen with your heart in mind, and if your heart is straight, your pen will be right, and your pen will be right. ——Liu Gongquan

7. The dragon is powerful and the tiger is vibrating, and the sword is at war. ——Yuan Ang

8. The origin of the word is that the water of the Three Gorges flows backward, and the pen array sweeps away an army of thousands of people alone. ——Du Fu, a poet of the Tang Dynasty, "Drunk Song"

9. I can't write this book. ——Huang Tingjian, poet, poet, and calligrapher of the Northern Song Dynasty, "Collected Works of the Valley"

10. Learning books can lead to long-term knowledge. ——Zhang Yanyuan

11. A straight heart leads to a straight pen. ——Su Shi, a writer in the Northern Song Dynasty, "The Book of the Six Families of the Tang Family"

12. The book is like a person, like his learning, like his talent, like his ambition, in short, just like his person.

13. The physical appearance is extraordinary, different from the past. Falling pearls and jade, fluttering tassels. The heir of Cangjie. The ancestor of Xiaozhuan. With name book, stone drum remains. ——Zhang Huaiguan, a calligrapher of the Tang Dynasty, "Book Break"

14. The dragons and snakes in his writings seem to have gods. ——Zhang Huaijin

15. It may be used to express ambitions, or it may be used to relieve depression. Even though it is noble, it cannot suppress its height, and although it is a clever calculation, it cannot reach its power. ——Zhang Huaijin

16. If you teach by the waterside, every word may become a dragon. ——Han Wo

17. A loss of place is like the glint of a beautiful woman’s eye; a loss of place of a painting is like the breaking of an arm of a strong man. ——Tao Zongyi, a literary historian at the end of the Yuan Dynasty and the beginning of the Ming Dynasty, "Calligraphy"

18. The mysterious meaning comes from the surface of things; the profound truth lies in the darkness; how can it be? What common feeling can express is what worldly wisdom can measure. ——Zhang Huaijin

19. The essence of the book is unified by the word "integrity". ——Qing Dynasty writer Liu Xizai's "Art and Book"

20. The brush strokes are like clouds of smoke.

——Du Fu