Introduction to Xie Zhen: Xie Zhen (1495～1575) was a commoner poet in the Ming Dynasty. His courtesy name is Mao Qin, his nickname is Simingshan, Tuoyishan, and he is from Linqing, Shandong. When he was 16 years old, he composed Yuefu Shang Tune, which was widely circulated. Later, he studied hard and deliberately composed songs and poems, which made him famous at that time. During the Jiajing period, he traveled to the capital with his poems in hand, and formed a poetry club with Li Panlong, Wang Shizhen and others. He was one of the seven later sons. He advocated imitating the poetry of the prosperous Tang Dynasty. He advocated selecting the best of the fourteen poets of Li and Du and reading them thoroughly to gain spiritual power. , sing it to get the tone, ponder it to get the essence. Later, he was rejected by Li Panlong and his name was reduced except for the Seventh Son. He traveled among the vassals and kings and lived in commoner clothes for the rest of his life. His poems are famous for their rhymed verses and quatrains, with profound skills and stable sentence sound and calligraphy. He is the author of "Siming Collection" and "Siming Poetry Talk".

Xie Zhen’s opinions on poetry are mainly reflected in "Siming Poetry Talk". His basic attitude is consistent with that of Li Panlong and Wang Shizhen. He also strongly advocates imitating the prosperous Tang Dynasty and despises the people of the Song Dynasty. He also believes that if you learn from the superiors, you can only get the best, and if you learn from the inferiors, you will be inferior. ? However, he is slightly different from Li Panlong and others in that he takes a broader approach and believes that the 14 masters of the early Tang Dynasty can be regarded as Dharma. He also sees that the styles of these masters are different: some are as majestic as the roaring waves of the sea, and as elegant as a solitary figure. The peaks and cliffs are as majestic as stacked pavilions, as elegant as Yao harp and Zhu Xian, as old and healthy as Shuo desert horizontal carvings, as clear and elegant as Jiugao cranes, as bright and clear as snow on mountains, as high as clouds in the sky, as fragrant as dew-scented spring orchids. It is as strange as a whale wave and a mirage. He emphasized that these 14 works should be read familiarly to capture the spirit, sing about them to gain tone, and ponder over them to capture the essence. If you obtain these three essentials, you will be able to create chaos. There is no need to relegate immortals and paint Shaoling.

Xie Zhen pays more attention to the secrets and transcendent understandings gained in poetry creation. From this point of view, he emphasized that true feelings should not be imitated too much: Today's beautiful students will be poor when they are rich, but will fight when they are in peace. If you are not old, you are called old, and if you are not sick, you are called sick. This imitation is too much and is not the true nature of one's temperament. He also emphasizes the originality of what people don’t dare to do, I will do it; people don’t want to do it, I will do it. These views are obviously more enlightened and wiser than Li Panlong's poetry theory.

However, although Xie Zhen advocates transcendent enlightenment and advocates Taoism that others have not Taoism, his main purpose is still to pursue the aphorisms in the poem. He believes that when composing a poem, one must first obtain an aphorism, which is the source of inspiration and the master of the entire chapter. The style is determined by the host, and the intention is determined by the guest. Moreover, it is believed that this kind of unique aphorisms of transcendent enlightenment can be obtained by hiding in a quiet room and searching for the unknown, or by awakening the mind through reading books and suddenly gaining insights. These are all wrong ways to escape from life. His poetry creation sometimes only contains good sentences but rarely complete the poem. This phenomenon is the inevitable result of his creative guiding ideology.

The air is like a painting of the sun and the moon without any luster Xie Zhen

3. Scenery is the medium of poetry, and love is the embryo of poetry. Xie Zhen's "Si Ming Poetry Talk? Ji Ying"

4. Chasing the cunning captive in the middle of the mountain at sunset, bending the bow straight across Li Lingtai Xie Zhen's "Song on the Fortress"

5. The natural wonder Xie Zhen is the best, followed by fine craftsman Xie Zhen

6. Texts change with the times Xie Zhen

7. Scenes are blended into poems. This writer is also the usual Xie Zhen, a politician in the Ming Dynasty Excerpts of Zhang Juzheng's famous sayings

Era: Ming Dynasty

Zhang Juzheng's works: "Fragments of Power Strategy"

Introduction to Zhang Juzheng:

Zhang Juzheng (1525) Year - 1582), courtesy name Shuda, nickname Taiyue, was born in Jiangling, Huguang, China (now part of Hubei Province), also known as Zhang Jiangling, with the posthumous title "Wenzhong". Politician and reformer of the Ming Dynasty. Born in the fourth year of Jiajing reign of King Sejong (1525), he was smart since childhood. He took part in the examination at the age of twelve and passed the examination at the age of sixteen. In the 26th year of Jiajing's reign (1547), he became a Jinshi, and went from Shujishi to the Hanlin Academy to edit. In the first year of Mu Zong's Longqing reign (1567), Juzheng served as the left minister of the Ministry of Civil Affairs and the bachelor of Dongge University. In "Chen Liu Shi Shu", he stated his opinions on reforming current affairs. After experiencing a fierce cabinet struggle, he eventually became prime minister together with Gao Gong, became Minister of the Ministry of Personnel, and became a bachelor of Jianji Palace. In the early years of Shenzong's Wanli reign, Ju Zheng conspired with the eunuch Feng Bao to conquer Gaogong (many scholars in modern times have raised objections to the conspiracy with Feng Bao to conquer Gaogong) and became the chief assistant on his behalf. Shenzong was young at that time, and Zhang Juzheng had the complete trust of Shenzong's biological mother, Queen Mother Li, who was the regent at the time. He presided over all major military and political affairs. He ruled the country for ten years and implemented a series of political and economic reform measures, which achieved certain results.

Zhang Juzheng implemented a series of reform measures during his 10 years as chief minister of the cabinet. In terms of finance, the Qing Dynasty controlled the land and implemented the "one whip method", including taxes and labor, all paid in silver. "Taicang millet can be used for ten years, and Zhou Temple has accumulated gold to more than 4 million." In the military, famous generals such as Qi Jiguang and Li Chengliang were appointed to the north of the town, and Ling Yunyi, Yin Zhengmao and others were used to quell the southwest rebellion. In the administration of officials, a comprehensive verification of names and facts is implemented, and officials at all levels are evaluated using the "examination method". "Although they are thousands of miles away, they will be implemented day and night", and the political system is solemn.

He died on June 20, 1582 (the tenth year of Wanli), at the age of fifty-eight. He was given to Shangzhu Kingdom and given the posthumous title Wenzhong (both were later deprived of it). Zhang Juzheng was also the only person in the Ming Dynasty who was awarded the title of Taifu and Taifu during his lifetime. The minister of Taishi. He was tabooed by Wanli, and his home was confiscated after his death. His reputation was restored in the second year of Emperor Xizong Tianqi's reign in the Ming Dynasty. He is the author of "Zhang Taiyue Collection", "Shu Jing Zhi Jie", "Emperor's Illustrated Commentary", etc.

Excerpts from famous quotes by the Ming Dynasty politician Zhang Juzheng

1. If you like me, I will be happy; if you hate me, I will hate you. I am of the same mind as you, so you will not disagree with me. ——Zhang Juzheng's "The Fragments of Power Strategy"

2. A gentleman lives in truth, not in splendor; he governs the inside, but not the outside. ——Zhang Juzheng's "Book of Study in Hanlin Academy"

3. A single spark can start a prairie fire. ——Zhang Juzheng's "Reply to Yunnan Governor He Laishan on Barbarian Love"

4. Fear leads to thinking, and thinking leads to understanding; fear leads to caution, and caution leads to invincibility. ——Zhang Juzheng

5. When employing people, you must test them to the end, and when appointing people, you must seek their merits. ——Zhang Juzheng

6. The three things that were called immortals in ancient times are the prosperity of the husband's favor and the flourishing of the court. ——Zhang Juzheng's "Answer to Governor Zhu Jinwu of Huguang's Remarks on Building a Pavilion" Excerpts from Rabindranath Tagore's Classic Poems

1 Religion will become just something that people are proud of, just like wealth, honor or family.

2 Some things cannot wait. If you have to fight or get the best position in the market, you have to charge, run and stride.

3 God is a human being and at the same time exceeds human beings.

4. Happiness is very simple, but it is difficult to be simple.

5 If I don’t have the chance to meet you in this life, I will always feel that I hate not to meet you. I will never forget you and let me carry this sad pain in my waking and dreaming. "If I don't have the chance to meet you in this life"

6 The bee sips honey from the flower and leaves the camp to thank him, but the pompous butterfly believes that the flower should thank him.

7 We mistake the world and say it deceives us. "The Collection of Flying Birds"

8 In order to travel at the end of the month, I need to be more enthusiastic about scientific research in the near future! We live in the world when we love the world. - Rabindranath Tagore

9 We have not completely crushed joy and squeezed out the wine of pain.

10 The sea of ??danger, doubt and denial surrounds people's small islands, while faith spurs people to face the unknown future bravely.

11 Life is eternal and continuous creation, because it contains excess energy, which constantly overflows, transcending the boundaries of time and space, and which constantly pursues, in various forms of self-expression. Show it.

12 The day’s work was over, so I was like a boat dragged on the beach, quietly listening to the dancing music of the evening tide.

13 If I don’t have the chance to meet you in this life, I will always feel that I hate not to meet you. I will never forget it and let me carry this sad pain in my waking and dreaming. "If I don't have the chance to meet you in this life"

14 The bee sips honey from the flower and leaves the camp to thank him, but the pompous butterfly believes that the flower should thank him.

15 Let your life dance gently on the edge of time, like dewdrops on the leaf tips.

16 Praise makes me ashamed because I secretly beg for it

17 The history of mankind is patiently waiting for the victory of the insulted.

18 When the dark clouds and the sunshine kiss, they turn into flowers all over the ground.

19 Last night's storm crowns this morning with golden peace.

20 Under no circumstances does God place shackles on the people he created; he causes their lives to be constantly changed and inspired.

21 The raindrops kissed the earth and whispered: We are your homesick children, mother, and now we have returned to you from the sky. "The Collection of Birds"

22 Failure can lead to victory, and death can lead to immortality.

23 Life obtains its assets due to the requirements of the world, and obtains its value due to the requirements of love.

24 In old age, there will be a lot of free time to count the past days and caress in our hearts the things that are permanently lost in our hands.

25 A person is a newborn child, and his strength is the power of growth. "The Collection of Birds"

26 I would rather have the kind of beauty that is invisible but expresses inner qualities.

27 People who are always thinking about how to do good things have no time to do good things.

28 A man builds a dike against himself. "The Collection of Birds"

29 I wish I could parade on the road across the child's heart, free from all constraints;

There, reason makes a paper kite with its laws And flying, truth also frees facts from their shackles.

30 Constant burdens and determination, repeated happiness, and finally an oasis swaying in the desert "Life is like a summer flower"

31 The puppy suspects that the universe is conspiring to usurp its position.

32 In my own cup, drink my wine, my friend. As soon as you pour it into someone else's cup, the dancing foam of this wine will disappear

33 Life is as gorgeous as summer flowers, and death is as quiet and beautiful as autumn leaves

If you lose If you shed tears over the sun, you will also lose the stars. "The Collection of Flying Birds"

34 When the full full moon hangs on the branches of Kadamba in the evening, can anyone catch it? "New Moon Collection"

35 Like seagulls meeting waves, we met and got closer. The seagulls flew away, the waves rolled away, and we parted.

36 I can't tell why this heart is so silently depressed.

37 The mark of death gives value to the coin of life, enabling it to purchase the real treasure with its life.

38 Once, we dreamed that we were strangers to each other. When we woke up, we realized that we actually loved each other. One day, we dreamed that we were in love with each other. When I woke up, I realized that we were already strangers. "The Collection of Flying Birds"

39 It is not the blow of the mallet, but the singing and dancing of the water that makes the pebbles perfect.

40 If the wings of a bird are tied with gold, the bird will not be able to fly. Tagore

41 You have been seated in the temple deep in my heart.

42 It is impossible to play the swan song of the world without bleeding fingers; it is difficult to create the miracle of life without hard experience.

43 Our life is like crossing a sea, and we are all gathered in this small boat.

When we die, we reach the shore and go to our own worlds. "The Collection of Birds"

44 The melancholy in my soul is her wedding veil. This veil waits to be removed at night.

45 To salute the sun for whom I must make way.

46 The work of testing truth has not been completed once and for all by a group of scholars of a certain era in the past; truth must be re-developed through the opposition and attacks it has received in each era.

47 The farthest distance in the world is not loving each other but not being able to be together, but being unable to resist this breath but pretending not to care.

48 The endless movement of the external world proves that there is no goal in it that we can reach, but that the goal can only be found elsewhere, in the inner world of the spirit. There, what we most deeply long for is the peace of achievement. There we meet our God.

49 The light of the breeze rushes into my eyes. This is the message you sent to my heart.

Your face is bent down, your eyes look into mine, and my heart touches your feet. "Gitanjali"

50 The big ones are not afraid to travel with the small ones, but the middle ones stay away from them.

51 The correct way to cure evil is to fight against it

52 The thick fog seems to be the wish of the earth.

It hid the sun to which she had called. "The Collection of Birds"

53 The stars will not be afraid to appear just because they are like fireflies.

54 I cast my own shadow on my road, because I have a bright light that has not yet been lit. "Birds Collection"

55 When I walked along the road with the crowd, I saw the smile you sent from the balcony. I sang and forgot all the noise.

56 When truth wears clothes, she feels that facts are too restrictive, but in imagination, she turns very comfortably.

57 Life is like crossing the sea, we are together on this small boat. When we die, we reach the shore and go to our own worlds. "The Collection of Flying Birds"

58 The dewdrop said to the lake; you are the big dewdrop under the lotus leaf, and I am the smaller dewdrop above the lotus leaf.

59 If you close the door to all error, then truth will also close the door to you.

60 Those who have the courage to try to solve new problems in their own lives are the ones who make society great! Those who simply live by the rules are not making society progress, they are just keeping it afloat. A complete collection of excerpts of famous lines and verses by the poet Wen Tingyun of the Tang Dynasty

A complete collection of excerpts of famous verses and verses of the poet Wen Tingyun of the Tang Dynasty

1. Do you know that the red beans embedded in the exquisite dice will penetrate into the bones and miss you? Wen Tingyun's "Two Poems on Newly Added Sounds of Willow Branches"

2. The red beans are placed on the exquisite dice, and I miss you deeply. The glazed comb strokes the green silk, and the painting is heart-wrenching but not crazy. Wen Tingyun's "Two Poems on Newly Added Sounds of Willow Branches"

3. Wutong trees, rain in the middle of the night, do not tell the truth about separation and true suffering. Leaf by leaf, sound by sound, the air drips into the sky. Wen Tingyun's "Gengluozi"

4. There is so much hatred, but the hatred is at the end of the world. The mountains and moons don't know what's going on in their hearts, the water and wind are empty, and the flowers in front of their eyes are falling, and the blue clouds are swaying. After washing up, I leaned alone on Wangjiang Tower. Thousands of sails are gone, but the slanting light flows slowly over the water. Heartbroken Bai Pingzhou. "Wang Jiangnan" by Wen Tingyun

5. Eternal hatred, the hatred is at the end of the world, the mountains and the moon don't know what's in my heart, the water and wind are empty and the flowers are in front of my eyes. Swaying blue clouds slanting in Wen Tingyun's "Dream Jiangnan"

6. The mountain and moon don't know what's going on in their hearts, and the water and wind make the eyes dazzle. "Dream Jiangnan" by Wen Tingyun

7. A foot of deep red dust is born, and old things are not as good as new. The Albizia Julibrissin peach core is finally hated, and there is no one else in Xu Yuanlai. The lamp is lit at the bottom of the well and the candle is deep, and the wise man is always playing chess instead of playing chess. Do you know that the red beans embedded in the exquisite dice make you miss me deeply? Wen Tingyun's "Nan Gezi"

8. Light a lamp at the bottom of the well and hold a candle deep in the well, and the wise man can't play Go. The exquisite dice is decorated with red beans, and I miss you deeply. Wen Tingyun's "The Second Poetry of Newly Added Willow Branches"

9. The hills overlap and the golden light disappears, and the clouds on the temples want to cover the fragrant snow on the cheeks. Too lazy to draw eyebrows, too late to put on makeup and wash up. Looking at the flowers in the front and rear mirrors, the flowers reflect each other. The new post is embroidered with Luo Ru and both have golden partridges. "Bodhisattva Man" by Wen Tingyun

10. The peonies fade and the orioles sing to rest, and the courtyard is full of green poplars. Dreams of remembering each other are hard to come by, the light behind the window is half-lit. The face is covered with green and gold, and the fragrance of the lonely boudoir covers it. People far away shed tears, and Yan Feichun remains. Wen Tingyun's "Bodhisattva Man"

11. The incense of the jade stove and the tears of red wax only illuminate the autumn thoughts of the painted hall. The eyebrows are green and thin, the temples are cloudy, and the night is long and the pillow is cold. The sycamore tree, the rain at midnight, does not mean separation and love are suffering. Leaf by leaf, sound by sound, the air drips into the sky. "Geng Liu Zi" by Wen Tingyun

12. The apricot blossoms contain dew and fragrant snow, and there are many farewells on the green poplar street. "Bodhisattva Barbarian" by Wen Tingyun

13. The stars are scarce, the bells and drums are resting, and the orioles are waning outside the curtain. The orchid dew is heavy, the willow wind is slanting, and the courtyard is full of fallen flowers. In the empty pavilion, leaning against the lantern and looking out, I still feel as melancholy as I did last year. Spring is approaching twilight, endless thoughts, old joy is like in a dream. Wen Tingyun

14. I miss you all day long, and I am so exhausted for you, when there are hundreds of flowers. Wen Tingyun's "Nan Ge Zi"

15. There are no thousands of sails, but the slanting light and the flowing water are long.

Heartbroken Bai Pingzhou? Wen Tingyun's "Dream Jiangnan"

16. On the empty pavilion, leaning on the railing and looking at it, I still feel as melancholy as last year. Spring is approaching twilight, endless thoughts, old joy is like in a dream. Wen Tingyun's "Geng Liuzi"

17. After washing up, I leaned alone at Wangjiang Tower. Thousands of sails are gone, but the slanting light flows slowly over the water. Heartbroken, heartbroken, Bai Pingzhou. "Wang Jiangnan" by Wen Tingyun

18. A foot of deep red is worse than Quchen, and old things are not as good as new. The Albizia Julibrissin peach core is finally hated, and there is no one else in Xu Yuanlai. Wen Tingyun's "One of the Newly Added Sounds of Willow Branches"

19. The moon in the jade tower is longing for lovesickness, and the willow silk scriptures owl Na spring is powerless Wen Tingyun

20. Starting in the morning to recruit priests, travelers are sad for their hometown . The sound of chickens is heard in Maodian, and the frost is everywhere in Banqiao. The oak leaves have fallen on the mountain road, and the orange flowers illuminate the post wall. Thinking of Du Ling's dream, the geese filled the pond. Wen Tingyun's "Morning Journey to Shangshan"

21. The ground in the South Garden is covered with piles of light catkins, and I am worried about hearing a sudden Qingming rain. The sun is setting after the rain, and the apricot blossoms are fragrant. Wen Tingyun's "Bodhisattva Barbarian"

22. The news of the painting building has been cut off, on the south bank of the Fangcao River. Luan mirror and flower branches, who knows what's on their minds? Wen Tingyun's "Bodhisattva Barbarian"

23. Two poems from Nan Gezi/Tian Sheng Willow Branches A foot of crimson is worse than Quchen, and old things are not as good as new. The Albizia Julibrissin peach core is finally hated, and there is no one else in Xu Yuanlai. The lamp is lit at the bottom of the well and the candle is deep, and the wise man is always playing chess instead of playing chess. The exquisite dice is decorated with red beans, and I miss you deeply. Wen Tingyun's "Two Poems of Nan Gezi/Tian Sheng Willow Branches"

24. There are piles of light catkins all over the ground in the South Garden, and I am worried about hearing a sudden Qingming rain. The sun is setting after the rain, and the apricot blossoms are fragrant. Silently, his sleeping face is smooth, his pillow is covered by a mountain screen. It's dusk in the season, and I'm bored and leaning against the door alone. Wen Tingyun's "Bodhisattva Barbarian"

25. The sound of roosters echoes in the moonlight of Maodian, and the frost of Banqiao's human footprints. Wen Tingyun

26. The dream of a bed of ice and silver cannot come true, the sky is as clear as water and the clouds are light at night. Wen Tingyun

27. Thousands of weak willows and one apricot branch, half containing spring rain and half hanging silk. Wen Tingyun

28. Wang and Sun should not learn to be sentimental. Since ancient times, sentimentality has harmed young people. Wen Tingyun's "Injuring the Singer with Friends"

29. Ji Shao is still young, and Shan Tao is in his prime years. On the banquet where the piano and bottles are displayed, Wanqi worships in front of the bed. The neighborhood has only moved three times, and the sky has moved nine times. The feeling is profound and confused, and the words are filled with tears. Recalling the prosperity of dragon pictures in the past, cranes and feathers are now complete. The fragrance of cinnamon branches can be attacked, and the old poplar leaves are worn frequently. The jade sign indicates auspiciousness, and the golden elixir turns into an immortal. The poems are written in pens, and the songs are spread all over the city. Once the empty wings are corrected, the creation rights will be maintained. All souls are thought to be cast by drums, and everyone is waiting for Tao Zhen. Look at the grass and silk fibers coming out, and the rain and dew are hanging. Dharma travels within the ecliptic and lives near the green flowers. The calligraphy touches the soup cauldron, and the sound of chanting follows Shun's string. White linen and red candles fill the night, and the sky is clear and purple. Thunder and lightning follow the magic pen, and fish and dragons fall on colored paper. Spend a leisurely night with Yongshi, and clear the summer heat in the sweet spring. Geng Jie is not to maintain wealth, but leisurely travel is to nurture virtuous people. The clear ice comes to hundreds of Guangdong provinces and is popular in Sanchuan. The commission is sent to promote the hub, and the majestic pressure controls the strings. Liang Yuan raised his cavalry, and the Huai River was replaced by Rong Zhan. The sun is green and the oil is moist, and the wind is bright and the brocade tent is fresh. There are twenty-eight moths and three thousand pearls and shoes. The dance turns back to the red sleeves, and the sorrowful song gathers the green tinsel. The whole hall is full of sunshine, and the seats are decorated with beautiful figures. Wen Tingyun's "Fifty Rhymes of Feelings of Old Love and Presentation to Huainan Li Pushe"

30. The rain is like hanging on the Xianyang Bridge, and thousands of points of sky are covered with fishing boats. It still looks like the color of the spring water in Dongting, and the dawn clouds are about to enter the Yueyang sky. Wen Tingyun "Xianyang Watches the Rain"

31. The jade stove incense and red candles shed tears on the autumn thoughts in the painting hall, the green eyebrows are thin and the clouds linger on the temples. The night is long and the quilt is cold. Wen Tingyun "Gengluzi Jade Burner Incense"

33. In front of the envoy of Han Dynasty, Su Wu's soul was overwhelmed, and two tall trees in the ancient temple were at a loss. The wild geese cut off Hu Tianyue by the clouds, and the sheep in Longshang returned to the grass smoke. When I returned to Japan, the tower was not a tent. When I left, Guanjian was in the year of Ding. There is no seal of marquis in Maoling, and I cry to the autumn waves in the sky. Wen Tingyun's "Su Wu Temple"

34. The autumn wind is sad and sad when the travelers have not returned. The grass in the cold areas declines first, and the geese in the south of the Yangtze River arrive late. The hibiscus has withered on the face, and the willow has lost its new eyebrows. Shaking down makes people sad, but do you know that your heart is broken? Wen Tingyun's "Jade Butterfly"

35. I still regretted myself back then, but the past is so hard to remember. The flowers have fallen, the moon is bright and dim, and the brocade quilt knows the cold. Wen Tingyun's "Bodhisattva Barbarian"

36. Thinking of the dream of Du Ling, the pond is full of wild geese Wen Tingyun's "Morning Journey to Shangshan"

37. Jingyang put on makeup and the windows are warm, and I want to The light is clear and the fragrance is lazy. There are many colorful clouds on the top of the bridge, and the spring pond is full of fresh gold. The mountains with yellow seals are as light as dust, and the green scales are red and full of wrinkles. The peach blossoms are as charming as words. They were once unparalleled and now have two bodies. "Shadow Song" by Wen Tingyun

38. All the thousands of sails are not the same, the slanting light and the flowing water are long.

Wen Tingyun's "Looking to the South of the Yangtze River"

39. The weak willows are shaking and the oriole crows, and the grass is heartless and the lover is lost. Wen Tingyun

40. The red beans are placed on the exquisite dice, and I miss you deeply. When will lovesickness be exchanged for knowing each other? Wen Tingyun's "Willow Branches"

41. There is so much hatred that the end of the world exists. Wen Tingyun's "Remembering the South of the Yangtze River"

42. Pounding a musk deer will turn it into dust and its fragrance will never be extinguished, and twisting a lotus into a piece of silk will be difficult to cut off. Wen Tingyun's "Dharma Branch"

43. Luanyan sings smoothly without any knots, his eyebrows are drawn together and his sleeves are filled with smoke from Hunan, returning to the snow. Wen Tingyun's "Night Banquet Ballad"

44. I am worried about hearing a sudden Qingming rain. Wen Tingyun's "Bodhisattva Man"

45. The Xiehui veins are long and the water is long, and the intestines are broken in Bai Pinzhou. Wen Tingyun

46. Luo Dai is fragrant, just like the red beans of farewell. The tears are new, the golden thread is old, and the heart is broken. A pair of delicate swallows are still in season last year. The green shade is thick, the grass is resting, and the willow flowers are wild. "Jiuquanzi" by Wen Tingyun

47. The willow silk is long, the peach leaves are small, and no one comes to the deep courtyard. The red sun is pale, the green smoke is light, and the wandering orioles are singing. The fragrance of snow is strong, the sandalwood smell is less, and the flowers on the pillow are good. Spring thoughts are heavy, dawn makeup is late, and I am thinking about the remaining dreams. Yan Jidao's "Geng Liu Zi"

48. The sycamore tree and the rain in the middle of the night do not mean separation and love. Wen Tingyun

49. Outside the Guanwa Palace in the west of Yecheng, the expedition sails are seen in the distance and close to the Fudi. The king and grandson are eager to return home, and the grass is green and luxuriant. Wen Tingyun's "Willow Branches"

50. On the lake, look around. It's raining, and Yanpu Huaqiao Road is far away. Xie Niang is worried about the green moth. In the end, the dream soul is fascinated by the late tide. Wen Tingyun

51. Too lazy to draw eyebrows or put on makeup or wash up. Looking at the flowers in the front and rear mirrors, the flowers reflect each other. Wen Tingyun's "Bodhisattva Barbarian - The hills overlap and the golden light is extinguished"

52. Wutong trees, rain in the middle of the night, unreasonable separation of emotions and true suffering. Leaf by leaf, sound by sound, the air drips into the sky. ------------------Wen Tingyun's "Geng Liuzi" and the Sixth Wen Tingyun

53. Heartbroken Bai Pinzhou Wen Tingyun's "Wang Jiangnan"

54 , Looking at the flowers in the front and back mirror, the flowers complement each other, the newly embroidered ruffles, both golden partridges. Wen Tingyun

55. The hills overlap and the golden light disappears, and the clouds on the temples want to cover the fragrant snow on the cheeks. Wen Tingyun's "Bodhisattva Barbarian"

56. The mountain and moon don't know what's going on in their hearts, the water and wind are empty, and the flowers in front of them are falling, and the blue clouds are swaying. Wen Tingyun

57. The two branches of willows are lit at the bottom of the well and the candle is deep. The exquisite dice is decorated with red beans, and I miss you deeply. Wen Tingyun

58. Starting in the morning to fight for the priests, the travelers mourned for their hometown Wen Tingyun

59. Why should we meet again? Bottles of wine comfort my face. Wen Tingyun's "Sending People to the East"

60. When the family comes home, they exchange long letters, and the swallows brush the tobacco. The oil-walled car is light and the golden calf is fat, and the tasseled tent is early in spring. The delicate bird in the cage is still warm and asleep, and the fallen flowers outside the curtain are not swept away. A decaying peach tree is near the front pond, as if regretting the appearance of old age in the mirror. Wen Tingyun's "Magnolia"

61. Don't break the coupon when buying lotus, and don't break the gold when buying wine. The spring beauty in the wine embraces separation and hatred, and the lotus seeds in the water embrace the heart. Wu Gong's daughter's waist is like a girdle, and her family is in Xiaojiangqu, Qiantang. As soon as the wind blows from Tanlang, the spring water in front of the door is green every year. Wen Tingyun's "Su Xiaoxiaoge"