A complete collection of calligraphy idioms?

Ⅰ A collection of four-character calligraphy idioms for giving to friends

龙飞飞风飞

lóng fēi fèng wǔ

Explain the original description of the winding and majestic mountains , later also described the calligraphy strokes as powerful and flexible.

From "Tokyo Fu" by Rong Zhangheng of the Han Dynasty: "My ancestors have dragons flying over the white water, and phoenixes flying over the ruins." Su Shi of the Song Dynasty "Biaozhongguan Stele": "On the mountain of Tianmu, the water flows out, and the dragons fly and phoenixes dance. , extracted from Lin'an"

Structural combination.

The usage is mostly used to describe the momentum of calligraphy strokes. Generally used as predicate, object and attributive.

The correct sound is phoenix; it cannot be pronounced as "fēnɡ".

Distinguish the shape of phoenix; cannot write "wind".

Synonyms: free and unrestrained

Example: He was sitting in his seat, with a big red paper spread out in front of him, holding a brush in his hand, and was getting ready.

Ⅱ What are the idioms about calligraphy?

1. Three-thirds of the writing [rù mù sān fēn]: According to legend, Wang Xizhi was writing on a wooden board. When carving, he found that the writing penetrated three-thirds of the wooden board. deep. The writing method of describing the calligraphy is very powerful. The problem of multi-metaphor analysis is very profound.

2. Xingyunliushui [xíng yún liú shuǐ]: 1. Metaphorical poems are purely natural and unrestricted; 2. Metaphorical meaning is insignificant.

3. The horizontal posture of pen and ink [ bǐ mò héng zī ]: refers to the wonderful and colorful calligraphy, painting, poetry and prose.

4. The skill lies in the heart and hands [miào zài xīn shǒu]: The skill lies in the heart and hands. Refers to being good at calligraphy and being able to do it with ease.

5. Vigorous and powerful [cāng jìng yǒu lì]: It is often used to describe the use of ink and outline in calligraphy and painting works as powerful as the strong branches of pine trees.

Ⅲ Four-character idioms in calligraphy works

Sweep the army, the pen moves the dragon and the snake, the silkworm head and the swallow tail, the muscles and muscles are strong, the iron painted silver hook, the fairy dew pearl, the tranquility reaches far away , lively, vigorous and unrestrained, frank and simple, unique, free and unrestrained, natural and interesting, right in the center, relaxed in the tight, masterpiece handed down from generation to generation, handsome and elegant, gorgeous and natural, smooth and subtle, elegant and elegant, dignified and simple. , dignified and elegant, fresh and straightforward, precipitous and clear, thunderous, mighty and powerful, powerful and vigorous, vigorous and vigorous, rigid, soft and clumsy, round and smooth, well-equipped, self-contained and natural, with well-defined errors, retractable and retractable, beautiful and clear. , tight and precipitous, leaning sideways and graceful, free and elegant, straight and strong, strong and powerful, vigorous and powerful, compact structure, dancing like dragons and phoenixes, charming style, the pen moves like a dragon and snake, as powerful as a startling dragon, the pen is strong, the pen is dangerous, the momentum of the pen is dangerous , strong and straight, penetrating the back of the paper, penetrating into the wood, combining hardness and softness, smooth expression, concise brushwork, skillful brushwork, smooth flow, free expression, hearty, pleasing to the eye, elegant and charming, etc.

Ⅳ Collection of four-character calligraphy idioms

The dragon and snake at the bottom of the pen still means the dragon and snake at the bottom of the pen. Calligraphy is described as vivid and powerful.

Source: Chapter 31 of "Jin Ping Mei Ci Hua" written by Lanling Xiaoxiaosheng of the Ming Dynasty: "Wen Gong is erudite and has extensive records, and his writings are about dragons and snakes. He is a true genius."

The pen moves like a dragon and a snake describes calligraphy as vivid and powerful.

Source: Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."

Silkworm head and swallow tail describe the dignified start of calligraphy. The writing is mild.

Source: Song Dynasty Zhao Ji's "Xuanhe Painting Book·Yan Zhenqing" "But he is loyal to the day and has knowledge of the world, so his spirit can be seen in the expression of calligraphy and ink, which is unique and comprehensive. ... Later secular studies , I am looking for the end of its shape, so I call it a silkworm head and a swallow tail, and I just got it. "

Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.

Source: Volume 1 of "Yao Lu" of the Southern Dynasties and Song Dynasty quoted Yang Xin's "Able to Write People's Names from Ancient Times": "The emperor of Wu people can make grass like an elephant, and he is known as calm and happy."

Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.

Source: Song Dynasty Yan Yu's "Canglang Poetry Talk·Poetry Debate": "There are probably two types of them, namely, leisurely travel without urgency, and calm and happy life."

Fengjin Duolifeng : plump, plump; tendons: tendons or ligaments on bones; many: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.

Source: "Xuanhe Shupu" by Anonymous of the Song Dynasty: "At the beginning of the Three Kingdoms, calligraphy was not taught at all, so Yao became a family method, and some commentators said that it had strong muscles and strength, and was able to travel in the clouds and rain Sudden trend. ”

Feng Boluan drifts, moored: drifting with the current. It originally described the calligraphy style as free and elegant, but later it was used as a metaphor for a couple being separated or a writer being frustrated.

Source: Tang Dynasty Han Yu's poem "Xunji Mountain": "Ke Douquan's body is covered with sage, and the luan is floating on the phoenix and holding the tiger and chi."

The phoenix dances and the dragon flies to describe calligraphy The writing style is strong and flexible.

Source: Chapter 10 of "The Legend of Heroes of Sons and Daughters": "This calligraphy is so impressive that the phoenix dances and the dragon flies. It's really impressive.

Feng Zhu Luan Hui Zhu: flying high. It is a metaphor for the flying and stretching of calligraphy strokes.

Source: "Fuyun Fu" by Lu Ji of Jin Dynasty: "The Luan flies Feng Zhu, Hong Jing Cranes fly, whale salamanders trace the waves, sharks and crocodiles rush across the road. "

The ancient fat and the present barren metaphors different styles of calligraphy.

Source: Volume 2 of "Calligraphy Essentials" by Zhang Yuanyan of the Tang Dynasty: "Impermanence is called ancient fat, and Zijing calls it today. barren. Both ancient and modern times are different, fat and thin are quite opposite. ”

Crane’s knees and wasp’s waist ① This refers to two of the eight diseases of poetry’s rhythm. It generally refers to the problems in poetry’s rhythm. ② Two diseases of calligraphy.

< p> Source: Song Dynasty Wei Qingzhi's "Poet's Jade Chips·Poetry Diseases·Eight Diseases of Poetry": "The third word is "bee's waist", the second word must not be pronounced with the fifth word... The fourth word is "crane's knees", the fifth word must not be the same as the fifth word Fifteen words in the same voice. ”

Hu Fat, Zhong Thin Hu: Hu Zhao during the Three Kingdoms; Zhong: Zhong Yao during the Three Kingdoms. Hu Zhao’s fonts are fat, while Zhong Yao’s fonts are thin. Each describes calligraphy in its own way.

Source: Zhang Yanyuan of the Tang Dynasty's "Book of Laws": "Liu Desheng in the Wei Dynasty of the Three Kingdoms was named Junsi, and he was famous for his running calligraphy. Hu Zhao and Zhong Yao both learned from his method. The style of Hu's calligraphy was fat, and that of Zhong's calligraphy was thin. Each has its own beauty. "

Painting with sand and sealing mud. Calligraphers use a metaphor to describe the method of using a brush.

Source: "On Calligraphy" by Chu Suiliang of the Tang Dynasty: "Use a pen like a cone to draw sand, and like sand sealing mud. "

Painted earthworm graffiti describes poor calligraphy or writing. It is often used as a word of modesty.

Source: Ming Song Lian's "Preface to Han Bo in Kuaiji": "Gu Yu is not sensitive, and his actions are useless. In his studies, he only writes empty words to meet the needs of the times, and draws graffiti, and he has no time to spare. ”

Ⅳ Inspirational learning of eight-character idioms for primary school students (calligraphy)

: Be sincere and sincere, and if you don’t get enough gold and stone to start the school, you are afraid of losing it

Good progress has been made. , further perseverance, gold and stone can be carved with ropes and sawed into pieces, water drops and stones can penetrate the boundless sea of ??learning, and advance despite difficulties

Ⅵ What are the idioms about calligraphy

The dragon and snake at the bottom of the pen, the pen Fine ink, the pen moves the dragon and the snake, the silkworm head swallows the tail, the head hides the tail and the tail is hidden.

Ⅶ What are the idioms to describe calligraphy?

The pen moves the dragon and the snake, the pen moves the dragon and the snake. , Powerful paper backing, iron painting and silver hook.

1. Dragon flying and phoenix dancing

Meaning: like a dragon flying; like a phoenix dancing happily. It originally described the mountains as winding and majestic. ; It is considered to be an imperial atmosphere. The calligraphy style is described as elegant and colorful.

From: "Biao Zhong Guan Stele": "On the mountain of Tianmu, dragons and phoenixes are dancing in Lin'an. "

Dynasty: Song

Author: Su Shi

Translation: The mountains of Tianmu Mountain are the origin of Tiao River. The winding mountains are concentrated in Lin'an. < /p>

Example: The old calligrapher moves the pen gracefully and freely, and the words he writes are like dragons and phoenixes.

2. The pen moves like a dragon and a snake

Definition: The pen can appear with just one wave of the pen. The dance of dragons and snakes appears.

From: "Cursive Script Song": "It's like hearing the gods and ghosts startling you, and you only see dragons and snakes running away from time to time. "

Dynasty: Tang

Author: Li Bai

Translation: It was as if I heard a ghost and was frightened. At that time, I saw dragons and snakes swimming away.

Example: His calligraphy is among the best among us, and his handwriting is very good.

3. The bottom of the pen is dragon and snake.

Definition: The calligraphy is described as vivid and powerful.

From: Chapter 31 of "Jin Ping Mei Ci Hua": "Wen Gong is knowledgeable and has extensive writing skills. He is a true talent." also. "

Dynasty: Ming

Author: Lanling Xiaoxiaosheng

Translation: I heard that you are knowledgeable and knowledgeable, and your writing is like dragon and snake. You are really a talented person.

Example: The cursive calligraphy with the dragon and snake on the bottom is really amazing!

4. Power through the back of the paper

Definition: Power: pen power. Penetration: penetrating. It describes calligraphy that is powerful and powerful; the strokes almost penetrate the back of the paper. It also refers to the profound conception of literary works or the ability to depict characters.

From: "Zhang Changshi's Notes on the Twelve Yi Brushstrokes": "Its use. The front is always trying to make it penetrate the back of the paper. This is the ultimate success. "

Dynasty: Tang

Author: Yan Zhenqing

Translation: They use sharp edges, often trying to penetrate the back of the paper, which is the highest level of success.

Example: This cursive writing is really powerful and powerful.

5. Iron Painting and Silver Hook

Definition: Painting: Stroke; Hook: Hook. Describe calligraphy's strong and soft keys.

From: "On the Use of Brushstrokes": "Wandering and pitching, graceful and graceful, as strong as iron painting, and as charming as silver hooks." ”

Dynasty: Tang

Author: Ouyang Xun

Translation: Wandering and circling, graceful and romantic, strong as an iron painting, she is like a silver hook.

Example: A certain calligrapher’s calligraphy is made of iron and silver hooks, which is as imaginative as it is unconstrained.

Ⅷ What are the four-character inspirational idioms in calligraphy?