Couplets are also called couplets, door pairs, spring stickers, spring couplets, antithetical couplets, peach charms, and couplets. They are named after the couplets that were often hung in the halls and halls of houses in ancient times. , is a kind of duality literature, which originated from Taofu. So let me share with you some six-character couplets.

Upper couplet: The fragrance of flowers and birds chirping in the spring breeze; Second couplet: The rhyme of calligraphy and the sound of the piano at night

Upper couplet: The spring light fills the earth; Lower couplet: Colorful clouds shine all over China

Upper couplet: When spring comes, the birds are singing and flowers are fragrant; Second couplet: When winter goes, the mountains and rivers are beautiful

Upper couplet: Everyone is happy in spring; Second couplet: Country and mountains Spring is everywhere

The first couplet: Spring fills the earth; the second couplet: The sun shines on the world

The first couplet: Spring invites hundreds of flowers to bloom; the second couplet: Blessings bring longevity and prosperity

< p> Upper couplet: Thousands of mountains are woven with brocade in spring; Second couplet: Flags fly thousands of miles high

Upper couplet: Happy to create a great cause for the ages; Lower couplet: Everyone is well-off in the Yin Dynasty

Upper couplet: Mountain green Thousands of peaks competing for beauty; second line: clear water and hundreds of birds competing for spring

; upper line: the beautiful scenery of the three springs of the apocalypse; second line: people depicting the giant picture of the four modernizations

; upper line: molten iron rushing to announce the good news; Second line: Steel flowers bloom to welcome the spring

Upper line: Thousands of miles of mountains and rivers are picturesque; Second line: Centennial Changchun

Upper line: All people welcome the rising sun; Second line: Kyushu celebrates the New Year together

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The first couplet: To create a sweet career; the second couplet: What to say about the rain, dew, wind and frost

The upper couplet: Peach charms, window flowers and auspicious snow; the second couplet: Willow waves and cuckoo spring breeze

The upper couplet: Only frugality Wei Qin started a business; the second couplet: Farming and reading heirlooms

The Rhythm and Couple stage of couplets

Rhyme and Couple, a couplet in metrical poetry. This style of poetry, also known as modern poetry, was formally formed in the Tang Dynasty. But its origins began in the Wei and Jin Dynasties. During the Cao Wei Dynasty, Li Deng wrote ten volumes of "Sheng Lei" and Lu Jing wrote five volumes of "Yun Ji", which distinguished clear and voiced sounds and Gong, Shang, Jiao, Zheng and Yu sounds. In addition, Sun Yan wrote "Erya Sound and Meaning" and used Fanqie notation. He was the founder of Fanqie. Generally, five or seven-character rhymed poems are composed of eight sentences, with two couplets in the middle, commonly known as chin couplets and neck couplets. They must be in opposition, and the sentence structure, rhythm, and meaning must be opposite. This is the standard legal couple. [5]

This can be seen from Du Fu's "Deng Gao":

The wind is strong, the apes high in the sky whistle in mourning, and the white birds fly back from the clear sand in Zhugistan.

The endless falling trees rustle and the endless Yangtze River rolls by.

Wanli is always a guest in the sad autumn, and he has been sick for hundreds of years and is alone on the stage.

The jaw and neck couplets of this poem, "The boundless fallen trees rustle under the trees, and the endless Yangtze River rolls in." "The sad autumn of thousands of miles is often a guest, and the one who has been sick for a hundred years appears on the stage alone" is extremely stable. Far better than the parallel couplets in parallel prose. In addition to five- and seven-character rhymed poems, Tang poetry also has three rhymes, six rhymes, and arranged rhymes, and the couplets in the middle are also in opposition.

Rhymed couplets also have three characteristics: first, the use of antithesis as a metrical requirement of the style; second, the number of words changes from even numbers to odd numbers in parallel couplets, and finally settled into five or seven words; third, The counterpoint is precise and steady, and the rhythmic counterpoint is mature.