As we all know, before the release of "Tang Tan 3", there are two things worth looking forward to, one is Japanese case reasoning, and the other is identity. If these two burdens ring, Tang Tan 3 will become more than half. If they don't ring, their reputation will fall off a cliff. Chen Sicheng probably didn't understand that the success of Tang Tanyu series was largely due to its amazing reasoning in the first part, which greatly exceeded the expectations of the audience who just entered the theater with comedy mentality, so he created the possibility of Tang Tanyu in the second part. However, judging from the script trend from "Tang Tan 2" to "Tang Tan 3", the director has obviously lost the uniqueness of Tang Tan's detective reasoning film in China. Because of Tang Tan's call to explore the universe, he turned to wrap the core of comedy in the cloak of reasoning, went on the market in a hurry, and the knife method was accurate at the box office, dazzling but regrettable.

Judging from the overall impression of the film, I will not deny that it is an excellent commercial New Year blockbuster. The paragraph setting of the film obviously conforms to the law of Hollywood commercial script creation, and even goes beyond it. I calculated that the average intensity of jokes reached 5- 10 minutes. Tony Jaa, a tool man with mental retardation who is known as the master of crime, also brought a lot of Jackie Chan-style action comedy to the film. The director borrowed the role. It leads to funny lines of gangsters, chemical reaction with Qin Feng of the Tang Dynasty, and lying to a corpse in a bathhouse elevator. It can be said that the preheating effect of the first half of the film is very gratifying, which is one of the few places I am sure of this film.

As for the Tang Tanyu Week that many people are looking forward to, it is actually the same. The second part of Tang Tanyu greatly weakens the plot, which can be interpreted in good faith as a paving element for Tang Tanyu to explore the universe, deliberately weakening reasoning to attract more characters and identities. However, the third part still lacks distinctive characterization in character setting. Although Tony Jia ranked ninth, he became a clown, while Maureen, who had a good sense of smell in Tang Tanyu's derivative plays, became a tool man in the play. Ivy and Yi Song only show their faces, but only that part of Si Nuo's plot can be circled relatively. The promotion of the Tang people in the church, on the one hand, reasonably leads to the hypothesis of Siegel's experiment, on the other hand, successfully shapes his talented girl, who is superb in remote crime solving. You can kill two birds with one stone. Oh, another thing is that Zifeng Zhang is really a treasure actor. Besides, there are no more bright spots for Tang to explore other characters in the universe.

As for the final setting, it can be understood that there are too many holes left for the writers of the first two films. Later, it will be said that the last question left by "Tang Tan 2" is just the most basic blank technique of the screenwriter, which can be anyone, but the director actually has no ability to justify himself and fill in every hole perfectly, so there will be such a setting as you see now. While enriching Tang Tan's exploration of the universe, he also wants to improve its rationality as much as possible. Making a fool of yourself in the reasoning part of the film also shows that Tang Tan 3' s screenwriter has insufficient ability to shape the reasoning plot, and can no longer be simply used to pave the way for Tang Tan to explore the universe. As for the history of Kobayashi and his mother's Japanese pioneering group in the end, with the soundtrack of Michael Jackson's Save the World, the director actually wants to advocate the idea of anti-war. However, the operation of setting off fireworks BGM is really too coquettish, and forced sublimation is really embarrassing.