Spring trip to Qiantang Lake Bai Juyi

Gushan Temple is north of Jiating West, and the water level is low. Several early orioles competed to fly to the warm trees of the sun, whose new swallows carry mud in their nest.

flowers are becoming more and more attractive, and shallow grass can lose its horseshoe. I love the beauty of the east side of the west lake most, and I don't see enough, especially the white sand levee under the green yang liuyin.

watching mowing wheat and Bai Juyi

Tian family has less leisure time, and people are twice as busy in May. At night, the south wind rises and the wheat is covered with yellow.

The mother-in-law is in charge of food, and the child is carrying a pot of pulp, and she goes with the soldier to the field, and Ding Zhuang is in Nangang.

it's full of rustic heat, and the back burns in the sun. I don't know the heat, but I regret the long summer.

there is a poor woman again, holding her son by her side. The right hand grasps the ear and the left arm hangs in the basket.

it's sad to hear what they care about. My family has lost all taxes, so I can take this to satisfy my hunger.

what merits do I have today? I never worked in agriculture and mulberry. Li Lu has three hundred stones, and he has surplus grain at the age of eight.

I'm ashamed to read this, and I can't forget it every day. 2. What are Bai Juyi's ancient poems from primary school to junior high school?

boundless grasses over the plain, come and go with every season.

wildfire never quite consumes them, they are tall once more in the spring wind.

sweet they press on the old high-road, and reach the crumbling city-gate.

o Prince of Friends, you are gone again, I hear them sighing after you.

A setting sun is spreading in the water, and half the river is rustling and half the river is red.

On the third night of September, the dew is like a real pearl and the moon is like a bow.

Selling Charcoal Weng

Selling Charcoal Weng,

Cutting firewood and burning charcoal in the south mountain.

his face is dusty and smoky,

his temples are grey and his fingers are black.

where does the money come from selling charcoal?

wear clothes and eat in your mouth.

The poor man is clothed in clothes,

He is worried about charcoal and wishes it were cold.

It snows a foot outside the city at night,

Xiao drives a charcoal car to run over the ice.

Cows are trapped and hungry.

Outside the south gate, they rest in the mud.

who are the two riders?

the yellow messenger has a white shirt.

put your hand on the paper, and

go back and scold the cow and lead it north.

a load of charcoal,

more than a thousand Jin,

it's a pity for an official to drive a general.

half a horse's red yarn is a piece of silk,

it's filled with charcoal. 3. What are all Bai Juyi's poems in primary school?

Bai Juyi was given the ancient grass to bid farewell (Tang)

boundless grasses over the plain, come and go with every season. Wildfire cannot burn it out, and spring wind's blow can bring it back to life. Wild grass wild flowers spread over the ancient road, the end of the grass under the sun is your journey. Once again, I sent my intimate friends, the thick grass represents my deep feeling.

Bai Juyi (Tang Dynasty) on the pond

Bai Juyi's little baby propped up the boat and stole the white lotus back. He did not know how to hide the trail, the duckweed on the water left a boat across the trail.

recalling Jiangnan (Tang dynasty) Bai Juyi

Jiangnan is good, and the scenery was once familiar. When spring comes, the sun rises from the surface of the river, and the flowers on the river are brighter than red, the green river green more than blue grass. How can we call people not miss the south of the Yangtze river?

Peach Blossoms in Dalin Temple and Tang Dynasty Bai Juyi

The peach blossoms in Shansi Temple are in full bloom in April. I changweichun dying of the light to find a place to find, but I do not know that it has been transferred here.

Bai Juyi sings in the Tang Dynasty in the Mujiang River

A setting sun is spreading in the water, and half the river is rustling and half the river is red. Poor September third night, dew like a pearl moon like a bow. 4. On the third day of March, Bai Juyi

"On the third day of March"

Tang Dynasty: Bai Juyi

painted a painting hall on the third day of March, and fluttered the window screen.

lotus seeds taste several cups of cold wine, and zhe zhi tries a piece of spring shirt.

The front of the pool is better than looking at the mirror, and the households reflect the flowers under the curtain.

Show Lounan how to play with the new moon, and the jade hook has two slender hands.

appreciation of famous sayings: the front of the pond is better than looking at the mirror, and the flowers are reflected by the households.

Down the steps near the pond, the water in the pond is clear, calm and wave-free, and the water shines on people, which is better than looking at a mirror; The door is hidden in front of a blooming flower cluster, just like hanging a beautiful flower curtain. Chi Sheng looks at the mirror, and the flowers are under the curtain. The metaphor is wonderful and the scenery is beautiful, just like a colorful picture scroll with a strong three-dimensional sense.

Extended information:

Another poem by Bai Juyi entitled "March 3rd":

March 3rd

Tang Dynasty: Bai Juyi

The scenery in late spring is on the third day, which has passed for half a century.

I want to be idle and have no good company, but I return to the boat half-heartedly.

Bai Juyi's poetic theory:

Bai Juyi's thought is a combination of Confucianism, Buddhism and Taoism, with Confucianism as the leading factor. Mencius said that "being rich helps the world, and being poor is immune to it" is the creed he followed all his life. His ambition of "helping both the economy and the people" is mainly based on Confucian benevolent policies, including the theory of Huang Lao, the technique of managing Xiao and the method of applying to Korea; His heart of "being alone in goodness" has absorbed the concepts of contentment, uniformity, and freedom of Laozi and Zhuangzi and the Buddhist thought of "liberation".

The boundary between them is roughly that Bai was demoted to Jiangzhou Sima. Bai Juyi not only left nearly 3, poems, but also put forward a whole set of poetic theories. He compared poetry to a fruit tree, and put forward the viewpoint of "root sentiment, Miao words, Hua Sheng and real meaning" (Nine Books with Yuan Dynasty). He believed that "sentiment" was the fundamental condition of poetry, and "those who touched people should not care about sentiment first" (Nine Books with Yuan Dynasty), and the generation of emotion was helpful and tied to current politics.

Therefore, poetry creation cannot be divorced from reality, and it must be based on various events in real life and reflect the social and political situation of an era. He inherited the tradition of "beauty and beauty" since the Book of Songs, and attached importance to the realistic content and social function of poetry. Emphasize the function of poetry to expose and criticize political malpractice. He put forward a series of principles in the method of poetry expression. In "Nine Books with Yuan Dynasty", he put forward the famous realistic creation principle that "articles should be written in time, and songs and poems should be written for things".

His poetic theory is of progressive significance for urging poets to face up to reality and care about people's livelihood. It also has a critical effect on the poetic style that has gradually emphasized form since the Dali period (766~779). However, overemphasizing that poetry creation is subordinate to the needs of real politics will inevitably constrain the artistic creation and diversification of poetry styles. 5. Bai Juyi's ancient poem

Reminiscing about Jiangliu

-Bai Juyi

once planted willow trees and Jiang Nanan, and said goodbye to the south of the Yangtze River for two times in spring.

I don't know who climbed it from afar.

February 2

-Bai Juyi

It was sunny and rainy on February 2. Cross the head and make a line.

Listening to the night zither has a feeling

-Bai Juyi

Jiangzhou went to listen to the night zither every day, but the white-haired freshmen didn't want to smell it.

Now, it's the first snow, and you can play until dawn.

Chi He's eight quatrains. Give the crane a gift

-Bai Juyi

And Jade Hui Qin sings in unison.

Peach blossoms in Dalin Temple

Peach blossoms in mountain temples are in full bloom in April.

I have long hated that spring has no place to find, but I don't know where to turn.

On the incense burner peak

I leaned against the stone to climb the rose and fell ill, and I drew a white scarf with a bamboo stick.

At other times.

Don't walk the willow to say goodbye

-Bai Juyi

The southern stranger is sad to say goodbye, and the east wind is full of spring.

Don't bully the willows, and persuading others is better than others.

The young man asked

The young man blamed me for asking, why did he get drunk and sing again?

It's good to be cheerful when you are sad. 6. What are the famous sentences of Bai Juyi?

The jade test in high school needs to be burned for three days, and it takes seven years to distinguish the materials.

articles are written in time, and songs and poems are written in time.

luxury is messy, frugality is safe, and a fierce one is in sight.

there is nothing like being an official, and nothing like being cheap in money.

approachable and popular.

people will not doubt you until you die.

don't be a woman in life, but others will make you happy for a hundred years.

I advise you not to use your official name, which is the body lock. Persuading the monarch to seek less profit is to burn our bodies.

don't drink turbid spring water, and never stop bending trees. If you are unjust, you will lose millions of dollars.

a thousand miles begins with the first step, and dust rises from the mountains, so does my way, and it is more expensive and new.

there are thousands of branches of spring breeze in a tree, which is softer than gold and softer than silk.

if you are bold and broad, you will be aloof.

he stared at the desolate moon from his temporary palace, he heard bell-notes in the evening rain, cutting at his breast

But it hurts people's illness, and they don't know when to avoid it

Set up an official who collects poems, open a satirical way, examine their gains and losses, and understand their ups and downs

In short, for the monarch, for the minister, for the people, for things and for things, but not for the text. 7. Tomorrow, the teacher will ask me to give a lecture on Bai Juyi's drizzle and micro

If I'm not mistaken, these two poems should be Li Shangyin's.

the window is cold, and the courtyard is empty and close to the water. The fine rain, Li Shang's hidden curtain, floated in Bai Yutang, and the gum was rolled up.

Chu's daughter was interested at that time, and the rustling was cool. Li Shangyin has written many poems about objects, which are not only meticulous in description, but also able to convey the inner charm of objects through various descriptions.

the previous song chanted light rain. Slight rain is not easy to detect, how can we really show it? The poem describes the imaginary place in all directions, and with the help of related things around and people's subjective feelings, it is set off and rendered in many ways, capturing the image of drizzle.

in the first two sentences, write about the scene that the light rain started to fall shortly before and after the evening. Haze, fog.

slightly, gradually. At the beginning of the drizzle, I only felt that it floated with the fog in the forest, and I couldn't tell whether it was fog or rain. Gradually, with the arrival of night, it got the coolness of the evening.

the last two sentences describe the scene of light rain falling for a long time after midnight. Long and far.

empty, empty. After a long time of light rain, the temperature drops, and people sit indoors, even though they are far away from the window, they still feel the cold penetrating into the house and invading the flickering lights; At the same time, after a long time of falling, the air tide is obvious, and the raindrops inevitably gain weight. In the empty courtyard, you can hear the subtle patter from the nearby water surface.

Four poems describe the process from the beginning to the end of the drizzle from dusk to night. At first, it is completely imperceptible, and then it can be detected gradually. They are very delicate and firm, but none of them directly depict the drizzle itself, but only reflect the various feelings brought by the drizzle from the images of forest mist, cool night, lights and underwater sound, which shows the author's ability to write landscapes skillfully. The words are also very measured, such as "following at first", "slightly * * *", "invading", "cold", "virtual" and "near", and the characteristics of light rain are deducted everywhere, which is meticulous.

If we say that the beauty of "Slight Rain" is to avoid writing the shape of rain from the front, but only to use people's feelings as a side contrast, then the brushwork of "drizzle" is all written from the front, but it has played the role of metaphor and imagination, and is also flexible and fresh. Psalm 1 comes up with two metaphors.

Bai Yutang refers to the Heavenly Palace. It is said that when Li He, a poet in the middle Tang Dynasty, died, he saw an angel from heaven calling him to heaven to write a note for the newly-built Baiyulou. The blue gum refers to the sky, and the clear blue sky seems to be a bed carved out of blue ivory.

Here, the drizzle falls from the sky, and it is imagined as a curtain fluttering in front of the Bai Yutang in the Heavenly Palace, and as a mat rolled down from the blue tooth bed in the sky. Curtain and reed mat are all objects with fine texture and light and soft texture. Comparing them, they not only reflect the dense shape of drizzle, but also depict the light gesture of drizzle floating in the wind.

Next, we will use myths and legends for further description. Chu female refers to the goddess described in The Songs of Chu, Nine Songs and Less Life. In the poem, she wrote about her expression of exposure and combing her hair after bathing in Tianchi.

rustling, cool feeling. It says here: imagine the state of mind of the goddess at that time. The thick long hair brushed down from her shoulders, shining brightly and conveying coolness in a rustling way. Isn't it just like the drizzle falling in front of her eyes? This metaphor not only vividly describes the characteristics of drizzle, but also is particularly charming and fascinating.

the whole poem is rich in associations.