2. The second type: calligrapher-Mi Fu.

The characteristic of Mi Fu's brushwork is mainly that he is good at forming an elegant and super-stepping momentum and a calm and happy style in the front, side, back, turning, and frustration. The strokes of characters tend to be quite heavy at the beginning and slightly lighter in the middle. When encountering a turning point, the strokes of the strokes will turn straight down. There are also many changes in the strokes. Sometimes the focus of the stroke is on the starting point, sometimes on the finishing point, and sometimes it is in the middle of a stroke. For longer horizontal paintings, there are twists and turns.

3. The third type: calligrapher-Zhu Yunming.

Zhu Yunming’s main achievements in calligraphy lie in Kuang Cao and regular script. Kuangcao comes from Huaisu and Zhang Xu, and is more closely related to Huangshan Valley. The brushwork of lifting, pressing and turning are used interchangeably, and the distance between the lines is very tight, forming a vast and wanton visual effect. What's even more rare is that the regular script is written quite rigorously, with the quaint atmosphere of the Jin and Tang Dynasties.

Cursive script is divided into Zhangcao and Jincao, and Jincao is divided into big grass (also called crazy grass) and small grass. It feels beautiful in the madness.

Cursive writing is the joining of dots and dashes of words according to certain rules, with a simple structure and borrowed radicals. It is not random writing. One of the main features is that the strokes are connected with hooks, including upper and lower hooks and left and right hooks.

Extended information

The writing method of the word "Wei":

1. The first type: calligrapher - Huang Tingjian, from - the teaching review post.

Huang Tingjian is good at running script and cursive script, and his regular script is also unique. As one of the "Four Scholars of Su School", Huang Tingjian was influenced by Su Shi's calligraphy style. His calligraphy strokes are open and flat, the characters are flat and wide, and the characters are rising to the right, all of which clearly show the characteristics of Su Shi's calligraphy.

2. The second type: calligrapher-Li Yong, from-General Yunhui Monument.

Li Yong's work and writings are especially famous for his long stele odes. He was good at running calligraphy and changed Wang Xi's method to create a new writing style. Following Li Shimin's "Jin Temple Inscription", he wrote inscriptions in running script and became famous for a while. His calligraphy style is bold and straight, with dense structure and vigorous strokes. The personality of calligraphy is very obvious. The characters are high on the left and low on the right, and the writing force is stretched and vigorous, giving people a sharp and refreshing feeling. He advocates innovation, inheritance and development of ancient calligraphy.

3. The third type: calligrapher - Tang Yin, from - Luohua Poems.

Tang Yin's calligraphy is derived from Zhao Mengfu's style, which is rich, flexible, elegant and elegant. The brush is dignified, round and fleshy, the structure is rectangular, strong and dense, the stippling is thin horizontally and thick vertically, and absorbs the calligraphy method. The end of the horizontal stroke is like a "silkworm head", and the stroke is close to the "swallow tail" in the middle of the stroke. , extremely powerful.

Running script is a calligraphy style between regular script and cursive script. Those who write more freely and fluidly, closer to cursive script, are called Xingcao; those who write more upright and steady, closer to regular script, are called Xingkai.

In the process of writing, the movement of the pen is more obvious in various forms of stipples. This movement of the pen often leaves traces between dots and characters. There are traces of mutual involvement, as thin as a gossamer. This is a silk connection.

Baidu Encyclopedia--cursive script

Baidu Encyclopedia--cursive script