First, I can understand the significance of detail description to the plump novel, but I feel that some descriptions in this work are too complicated and protracted, such as the fantasy and yearning of the sea for Mei Chun, and such plots appear repeatedly in the front part of the work. Don't say that the sea itself is not the protagonist of this novel. In order to highlight the theme of the work, all his ideas need to be touched. That is to say, under the current cultural background, how many readers will repeat the same content in a work without being disgusted? This aversion may make readers lose the motivation to continue reading.

Second, the language in the previous chapters is too casual and the aesthetic feeling of writing is insufficient. In particular, some auxiliary verbs are used too frequently, such as the word "le". This kind of writing is similar to personal space essay, which can't stand the repeated chewing and digestion of the public. In addition, as a novel, the author unconsciously participates in the story and makes subjective comments as a bystander. These comments should be what the author wants readers to think and recognize, but the novel should focus on presentation rather than expressing personal thoughts. Because there is no difference between the novel as a carrier and the argument itself. I marked some of them in my paper during reading, and I wonder if the author feels the same way.

Third, the overall framework of the novel is gray. Of course, this may be the reality. However, this reality will make readers feel scared and desperate. From the traditional point of view, only three characters in the whole novel are "clean". One is the sea, the truck driver who once hoped to take some shortcuts and finally found that there were no shortcuts; One is Gao Hong, a businessman who finally raised his head after a bumpy ride, and willingly sublimated his love for leaves into affection; The other is Gao Hong's good friend Gao, a diamond bachelor who combines appearance, thought, talent and money. He is honest and kind, and has a soft spot for leaves. He is also a businessman. Throughout the whole article, there are no innocent people in the political party organs, no promotion that is not obtained through the transaction of flesh, blood, power and money, and no political achievements that are obtained through down-to-earth efforts. The pictures presented in the works make us feel cruel and terrible in reality, which is enough to make people desperate and sleepless at night. Then, how do we face the demands and requirements of how to understand "prospering the country through hard work"?

Fourth, the whole description of sex, I personally feel a little rich. Of course, as a reader, respecting the author's self-feeling is the minimum respect. I just want to say that sexual descriptions in literary works are more eye-catching, but is every detail necessary? What's more, it is written that the protagonist Lin Ying, as a TV reporter, sat in the same car with the leader Wan from the beginning, which is to let the leader keep moving in the sensitive parts of his body. There is something wrong with the plot itself. Wan is an important leader. According to China's national conditions, these leaders usually wear masks, and they all have a certain process of unmasking them. In a world of more than two people, who will vividly show their inferiority and meanness when they meet for the first time? And Lin Ying? As a woman who was still "naive" at that time, can she face it so calmly? Maybe, she is a genius in this respect? It's really hard to understand.

Verb (abbreviation for verb) about the ending. This is the ending that bothers me the most. In my mind, I always feel that it is a profound tragedy for two people in marriage to come together through hardships and finally leave. The marriage between Xiao Yifeng and Lin Ying collapsed with their fame in officialdom, but it was terminated because of their daughter. In the dark night, Lin Ying reflects a kind of reflection, a desire to go back to the past and embrace family affection and true love. Finally, Xiao Yifeng, who got rid of the suspicion of murder, as a father and Lin Ying's husband, can't really shoulder his responsibilities after this series of changes? Why did he finally remember to send touching love poems to the leaves, but he couldn't see Lin Ying's helplessness in the dark? This shows his deep affection for leaves, but does it also show his ruthlessness to his wife and daughter? Neither person is the only true love that the other has experienced. Why can't readers see a man regaining and cherishing marriage and family at the end of the play?

The extramarital affair between Xiao Yifeng and Ye Zi is full of enviable and touching "spiritual beauty", but what is true love? Isn't true love just looking forward to seeing the person you love really happy? Xiao Yifeng knows that he can't give the leaves everything they need. Gao is capable and willing to pay. His love for leaves is sincere and profound. At the same time, leaves and heights also blend with each other to some extent. Otherwise, Ye Ye wouldn't insist on hiding in Gaohe's car. Why did she finally call "stop" after seeing Xiao Yifeng's text message? Parking, if you just look back, is it worth adding another sum? If not, what if you don't give up? Will she stay and deal with it? What is her regret about the most "tall image" in the play?

True love divorced from marriage is always suitable for collection and storage until each other dies of old age. Never ask the person you love for everything he can't afford. This is the deepest love and the greatest respect-this is a recent warning from a friend, and I deeply agree with you. In other words, only by treating marriage, lovers and all those who are closely related to ourselves and the world with this attitude will we feel more secure, gradually return to a simple and clear state, and realize that we are "alive". In this world, some people have produced an inevitable "being needed", and we are constantly improving ourselves because of this "being needed".

Understand the importance of facing the darkness in literary works and look forward to seeing the light in the darkness. This should be the minimum expectation for us to live a good life. If the process of filling all the desire gullies is a process close to the cliff, then everyone should look back at the cliff in time and let the soul return voluntarily, which should be the minimum requirement for themselves. I saw a personalized signature on the Internet: I was desperate for dust. Every time I read it, my heart is shaking. Or no one can but be moved by this desperate madness, but I prefer that this madness is also the happiness and hope of the other side and the ultimate yearning for every truth, goodness and beauty in this world.

Thanks again to the author.