How is Osamuraisan's guitar playing?
I have the highest evaluation of Osamuraisan's songs. I think it's Scissorhands. Now I have listened to all Osamuraisan's albums, and this song is the most special. Full of all kinds of feelings, the change of sound size and sound field is also very rich, which makes me sigh. Don't think this is the influence of purple. After a period of bottleneck (sage period), I doubted Osamuraisan's overall ability for the first time. Before that, I was his invincible brain powder. You asked me why I began to suspect that the IQ of the bottleneck period rose a lot. I happened to see Igusa Seiji's (well, your second brother) keep the groovy (this is a more humanized song in the second brother). Turn on the video, and then fuck the snakeskin. Every minute counts, Osamuraisan. I'm a little against my will at this time. After going back to bed and thinking for a while, I got up and watched most of my second brother's videos. The second brother's basic skills are fierce and scary, and his hand movements are very small and easy. Except for the neck, the whole thing is very low-key In contrast, Osamuraisan's best version of the KINOMOTO SAKURA Four Guitar, which is embodied in the basic skills of the left hand, is simply a bitch. My second brother's songs will feel ordinary at first, but if you listen to them several times and listen carefully, you will find that my second brother's songs are full of connotations and feelings. I am very resistant to listening to slow songs, casual songs and fast songs. At this point, I have turned on the computer, downloaded the soundtrack of silk hat and opened it. Satoshi Gogo's style is very fresh, his jazz style is also very good, and he doesn't lose the basic skills of his second brother, so the sound of pinching strings gives him goose bumps. Look at his original soundtrack, the rhythm is terrible, and there are 2333 high-speed phrases that make people unprepared. When I came into contact with other songs, my vision gradually broadened. I listened to all the albums of Wu and gin, and got in touch with the songs of Nakagawa, Matsui, tommy and Tanaka Binbo. Of course, my vision is still relatively small. After all, I have the most contact with Japanese finger bombs. But in contrast, this is very different from me who only knows Osamuraisan.