2. Regular script copybooks brush four-character idioms while flying and dancing.
Leon feifen w incarnation
Explain that the original description of the majestic mountains is magnificent, and later the calligraphy is also described as vigorous and smart.
Constant "Tokyo Fu" source: "My ancestor Longfei Baishui, Fengxiang participated in the market." Su Songshi's "Observing the Monument of Loyalty and Righteousness": "The mountain has long eyes, the water has flowers, and the dragon and phoenix dance is collected from Lin 'an. "
Structural combination.
Usage is often used to describe the momentum of calligraphy. Generally used as predicate, object and attribute.
Phoenix, Andrew; It can't be pronounced "fēnɡ". "
Distinguish the phoenix; Can't write "wind"
Synonyms are free and unrestrained.
Example: He is sitting in his seat; Spread a piece of red paper in front of you; Portable brush; I am preparing for this.
3. Four-character idioms suitable for calligraphy learning are full of pen and ink: pen and ink are used very freely and fully.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: Huang Ting: The Taoist classic "Huang Ting Jing" is used by Jin people as a metaphor to do things just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming wrote Chunqiu Zhuan.
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. It also describes the lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon.
4. Appreciate the four characters while calligraphy.
Being close means being free and unrestrained.
The explanation originally described the majestic mountains, and later described the powerful and flexible calligraphy.
The source is the stone "Observing the Monument of Loyalty and Righteousness": "The mountain of Mother Tianmu, flowers in the water, dragon and phoenix dances, collected from Lin 'an. "
The use case looked up and saw four big screens hanging on the north wall, cursive script, amazing. (Qing Liu e's travels of the old disabled, the ninth time)
The brush is flowing like a dragon and snake-(the strokes of calligraphy) vigorous and graceful.
In the near sense, dragon and phoenix dance, and the word goes dragon and snake.
The definition describes that calligraphy is vivid and magnificent.
The source of Li Bai's cursive music in Tang Dynasty: "Always seeing dragons and snakes, the left side is shocked."
Wang Bin Jr., a scholar of use cases, has a brilliant mind. (The first moment of Ming Lingmeng (Volume 20))
5. Four-character idioms suitable for calligraphy learning are full of pen and ink: pen and ink are used very freely and fully. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. & lt/WBR & gt; ; Also for the conductor.
Huang Ting: Huang Ting: Taoist classic Huang Ting Jing, and Jin people have Huang Ting Jing.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the tense situation,
For example, Zuo Qiuming made a biography of Spring and Autumn Annals, and put Spring and Autumn Annals