Verses praising the delivery boy

1. Verses about take-out

Verses about take-out 1. Sentences about take-out

Describe the appearance of the characters 1. This middle-aged man in his thirties He is a man of medium build and has a square face. The skin on his face looks very rough due to years of working in the fields.

It seemed that he had not slept well for several nights, and his eyes sunk deeply. 2. Aunt Li is almost forty years old. Years of hard work have left shallow fishtail marks on the corners of her eyes.

However, her thick and shiny short hair is still so black. Although the eyes have single eyelids, they are delicate and bright.

The lips under the high bridge of the nose that are often tightly pursed show Qingling's vitality. 3. He is about thirty-five or sixteen years old. His hair on the temples is slightly bald, his eyebrows are thick and neat, and his eyes are sparkling.

He pays great attention when looking at people; when he smiles, he shows a set of neat and white teeth; his fingers are thick, with black mud between his nails. He wears an old blue cotton-padded jacket and a blue belt around his waist. Cloth apron. 4. Xiao Changchun is about thirty years old, of medium height, wearing a pair of blue cloth casual pants and a wide cowhide belt around his waist. His upper body is bare, with well-developed muscles protruding sharply on his shoulders and arms; There were a few red marks from the thick hemp rope, which only added to his strong aura; he had no hair left, and the stubble was thick and black; on his round face, under the broad and thick eyebrows, flashed a pair of shrewd and deep eyes. His eyes; especially when he spoke, he showed his white teeth, which was very eye-catching - the overall view was that he was a strong and handsome farmer.

5. In the haze, I found that the light was still on in the room. Dad is thin.

Describe the character’s appearance 1. This middle-aged man in his thirties has a medium build and a square face. The skin on his face looks very rough due to years of working in the fields. It seemed like he hadn't slept well for several nights, and his eyes sunk deeply.

2. Aunt Li is almost forty years old. Years of hard work have left shallow fishtail marks on the corners of her eyes. However, her thick and shiny short hair was still so black.

Although the eyes have single eyelids, they are delicate and bright. The lips that are often tightly pursed under the high bridge of the nose show Qingling's vitality.

3. He is about thirty-five or sixteen years old. His hair on the temples is slightly bald, his eyebrows are thick and neat, and his eyes are sparkling. He pays great attention when looking at people; when he smiles, he shows a set of neat and white teeth; his fingers are thick, with black mud between his nails. He wears an old blue cotton-padded jacket and a blue cloth apron around his waist.

4. Xiao Changchun is about thirty years old, of medium height, wearing a pair of blue casual pants and a wide cowhide belt around his waist; his upper body is bare, with well-developed muscles on his shoulders and arms. His shoulders protruded sharply; there were a few red marks on his shoulders that were strangled with thick hemp ropes, which only added to his strong aura; he had no hair left, and the stubble was thick and black; on his round face, under the broad thick eyebrows, there was a flash of light. He has a pair of shrewd and deep eyes; especially when he speaks, he shows his white teeth, which is very eye-catching - the overall view is that he is a strong and handsome farmer. 5. In the haze, I found that the light was still on in the room.

Dad’s thin figure was leaning on the table, fixing the book. ah! Dad works so late again.

The weather was sultry and hot, and my whole body was soaked with sweat. I jumped out of bed gently and went to wipe my sweat with wool. I also wiped my father's sweat by the way.

When I took a closer look, I saw big beads of sweat on his face and back. His undershirt was soaked through. Several mosquitoes bit Dad's shoulders and sucked blood. I slapped him quickly, which shocked my father.

I handed the towel to my father. He wiped it casually and got back to work. When I got back into bed, I heard the clock strike 12 times "dang dang dang...".

6. The aunt is in her thirties, tall, with a straight nose on her duck-egg face. There is a straight nose at the corner of the eye.

There were a few faintly visible crow's feet on the corners of his eyes, but there was still a spirit of intelligence in his eyes. 7. When I got home, I looked at my father gloomily. He was tall, with broad shoulders, wearing a faded military uniform, and a pair of bright eyes embedded in his bronze face.

There are already several wrinkles on the forehead. At this time, my father may have noticed that I was looking at him, so he asked kindly: "Qingqing, what are you thinking about?" I said unhappily: "Dad, why did you return to your hometown to farm after being a member of the People's Liberation Army? Others asked I don’t dare to tell you what kind of job you do.”

Dad was startled after hearing this, his big eyes flashed, and suddenly he raised his eyebrows and said, “Qingqing, I don’t think you have it either. Even my father looks down on this kind of thinking. Without the hard work of our farmers, where would the white rice bowls, vegetables, and fruits you eat come from? " 8. I suddenly noticed that there were water ripples on my mother's formerly smooth forehead. The same wrinkles appeared one by one, "One, two, three..." I could count several of them. I don't like wrinkles, and I can't wait to rub my hands hard on her forehead to erase the wrinkles that are the traces of time left on my mother's forehead.

When mother frowned and was lost in thought - she put down the knitting and sat blankly. I think my mother is melancholy, especially when her father is gone and never comes back. She is often like this.

The crow's feet at the corners of her eyes are clearly visible. These wrinkles are the testimony of her hard work and greatness.

9. At a glance, my mother is already forty years old this year, how fast! Opening the photo album, I saw that my mother had a slim figure and a delicate and beautiful face when she was young. The ruthless years have carved wrinkles on my mother's face, and now my mother has the figure of a middle-aged woman.

At this time, I discovered that we were the ones who made my mother work so hard that she became what she is today. 10. What is even more touching is the story of my aunt painting in the snow.

Last year, I went to my aunt’s house to celebrate the New Year. One day, after a heavy snowfall, she took me to Yusheng.

The park became a silver world, and we seemed to have arrived at the North Pole. But my aunt was not afraid of the cold. After choosing the scene, she started painting.

She painted and painted, her lips turned purple from the cold, and her hands turned red from the cold. I pulled at the corner of her clothes distressedly and said softly: "Auntie, go back, next time..." But she just squinted her eyes in ecstasy to look at the scenery and paintings, waving her hand back and forth on the paper. The brush... 11. Mom is of medium build, has short hair, and is wearing a suit.

Under a pair of thick black eyebrows, there is a pair of big and bright eyes. Normally, she always has a sweet smile on her lips.

12. When I turned on the fluorescent lamp, I saw clearly that my third uncle had completely changed: his work clothes were covered with dust, and half of the right sleeve was left.

2. Ancient poems related to takeout

Lyric style: treat lyrics as poetry. Fang Wenshan’s lyrics have beautiful classical cultural connotations and a strong sense of movie scenes. . He hopes to treat lyrics creation as poetry, because poetry uses the least words to express the most meanings, and the sentences are highly crystallized. Reporter: From the early "Lady" to "East Wind Breaks" and "Lanting Preface", Your personal style of lyrics is getting stronger and stronger, and everyone can tell at a glance that they are Fang Wenshan’s lyrics. Can you define your own creative style? Fang Wenshan: I think if a person's creation is systematic and accumulates a certain amount, a style will be formed, and this style will be easily identifiable. I think this is not harmful to me, as it will increase the memory of your works. Point. Chinese style actually only accounts for 1/7 of my works, because I have probably written more than 300 songs, and there are probably close to 40 Chinese style songs. But everyone is familiar with these dozens of songs, and may even think that I only write or only I can write Chinese-style songs. In fact, the songs I write like "Coral Sea", "Rewind", "Qili Xiang" and "Always Quiet" are not Chinese-style. Reporter: "The scenery is entering autumn/the sky is full of yellow sand passing by/Northern Saipe There are many people in the inn / My horse is a little thin / At the end of the world, I am full of wind and frost, lonely and timid in my hometown."... Words and phrases like this are everywhere in your creations, full of classical connotations of Tang poetry, Song lyrics and Yuan music. Do you think it is right? Which dynasty's poetry has had the greatest influence on you? Fang Wenshan: The greatest influence is probably the Song lyrics, and the ones I like the most are Li Qingzhao and Li Yu. The Song lyrics were actually popular music at that time, and its tunes had melodies. At that time, they were probably only popular among literati and aristocrats, and they were elite. Pop music is not so popular. Because the text format of Song lyrics is very lively, I am more or less influenced by that kind of words. Reporter: Your lyrics are wild and unconstrained, from "Shanghai 1943" to "William's Castle" to "Fair Like Snow" has a completely different artistic conception. It has the solemnity of oil painting and the etherealness of Chinese splash-ink landscape painting. Fang Wenshan: I always decide the theme first. For example, when writing "Blue and White Porcelain", I will collect porcelain. For information, when writing "Shanghai 1943", I will look for some related keywords or pictures, such as Shanghai's Shikumen Alley, Shili Yangchang Paramount, Du Yuesheng, etc. I will have a general understanding of it, without being proficient; The other is the imagination space that the melody itself gives me, because the melody is auditory and has a sense of picture. That sense of picture will set it in a time and space background, and there will be a love story happening, maybe like "East Wind Breaks" or "Hair Like Snow"; of course it is also related to the movie. "Chrysanthemum Terrace" is the theme song of the movie "A City of Golden Armor". I had already seen the clips of the movie when I was writing it, so when I wrote the song, I had a good understanding of the words. The picture should be as close to the movie as possible. Reporter: Generally speaking, lyricists hope to constantly seek innovation and change. Once you are famous and labeled, will it be a kind of restriction on your creation? Fang Wenshan: Basically, my creations have touched on many aspects, such as ball games, "Class 2 of Three Years" is table tennis, "Bullfighting" is basketball; "Ninja" and "Nunchaku" are related to martial arts There are also ordinary love songs. If I were to challenge any subject matter, I think I can’t finish it. What I like to challenge more is the beauty of text management. I may try to write the lyrics like poetry, because the semantic structure of poetry is relatively There is room for imagination, but the lyrics are relatively straightforward and the emotions are relatively vernacular. Next, I may treat the lyrics as poetry, which may be a direction of future work. Future plan: I am planning to make a pure love movie. In addition to writing lyrics, I will also Wenshan also lectures, publishes books, writes poetry collections, etc., collects and studies folk cultural relics, and directs music videos and movies. Fang Wenshan, who worked alone in Taipei, worked as a salesman and delivered food. The hardships of life made him understand the importance of opportunities. , so he would say in a speech at Jinan University that opportunities are more important than strength, but opportunities are always reserved for those with strength. Reporter: You initially wanted to enter the film industry as a screenwriter and realize your dream of being a director, and now you also get Got a director's certificate, directed the short film "Love to the End" and some music videos, and acted in stage plays. Do you have any plans in this area now? Fang Wenshan: This year I want to prepare a pure love movie "Hear the Sound of Rain" with musical elements. I think love is an eternal material that can arouse emotional excitement. Reporter: Will Jay Chou be invited to play the male role? main character? Fang Wenshan: I have talked with Jay. It is impossible for Jay to play the leading role because he will have concerts after releasing his album in early May this year until the end of the year. There is not much time. However, he will come to assist with the film music. .

Reporter Pu Lizi and intern Deng Zhi.

3. Ancient poems related to takeout

Lyric style: treat lyrics as poetry. Fang Wenshan’s lyrics have beautiful classical cultural connotations and a strong sense of movie scenes. . He hopes to treat lyrics creation as poetry, because poetry uses the least words to express the most meanings, and the sentences are highly crystallized. Reporter: From the early "Lady" to "East Wind Breaks" and "Lanting Preface", Your personal style of lyrics is getting stronger and stronger, and everyone can tell at a glance that they are Fang Wenshan’s lyrics. Can you define your own creative style? Fang Wenshan: I think if a person's creation is systematic and accumulates a certain amount, a style will be formed, and this style will be easily identifiable. I think this is not harmful to me, as it will increase the memory of your works. Point. Chinese style actually only accounts for 1/7 of my works, because I have probably written more than 300 songs, and there are probably close to 40 Chinese style songs. But everyone is familiar with these dozens of songs, and may even think that I only write or only I can write Chinese-style songs. In fact, the songs I write like "Coral Sea", "Rewind", "Qili Xiang" and "Always Quiet" are not Chinese-style. Reporter: "The scenery is entering autumn/The sky is full of yellow sand passing by/Northern Saipei There are many people in the inn / My horse is a little thin / At the end of the world, my face is full of wind and frost, I am lonely and timid in my hometown."... Words and phrases like this are everywhere in your creations, full of classical connotations of Tang poetry, Song lyrics and Yuan music. Do you think it is right? Which dynasty's poetry has had the greatest influence on you? Fang Wenshan: The greatest influence is probably the Song lyrics, and the ones I like the most are Li Qingzhao and Li Yu. The Song lyrics were actually popular music at that time, and its tunes had melodies. At that time, they were probably only popular among literati and aristocrats, and they were elite. Pop music is not so popular. Because the text format of Song lyrics is very lively, I am more or less influenced by that kind of words. Reporter: Your lyrics are wild and unconstrained, from "Shanghai 1943" to "William's Castle" to "Hair is Like Snow" has a very different artistic conception. It has the solemnity of oil painting and the etherealness of Chinese splash-ink landscape painting. Fang Wenshan: I always decide the theme first. For example, when writing "Blue and White Porcelain", I will collect porcelain. For information, when writing "Shanghai 1943", I will look for some related keywords or pictures, such as Shanghai's Shikumen Alley, Shili Yangchang Paramount, Du Yuesheng, etc. I will have a general understanding of it, without being proficient; The other is the imagination space that the melody itself gives me, because the melody is auditory and has a sense of picture. That sense of picture will set it in a time and space background, and there will be a love story happening, maybe like "East Wind Breaks" or "Hair Like Snow"; of course it is also related to the movie. "Chrysanthemum Terrace" is the theme song of the movie "A City of Golden Armor". I had already seen the clips of the movie when I was writing it, so when I wrote the song, I had a good understanding of the words. The picture should be as close to the movie as possible. Reporter: Generally speaking, lyricists hope to constantly seek innovation and change. Once famous and labeled, will it be a kind of restriction on creation? Fang Wenshan: Basically, my creations have touched on many aspects, such as ball games, "Class Three Three" is table tennis, "Bullfighting" is basketball; "Ninja" and "Nunchaku" are related to martial arts. There are also ordinary love songs. If I were to challenge any subject matter, I think I can’t finish it. What I like to challenge more is the beauty of text management. I may try to write the lyrics like poetry, because the semantic structure of poetry is relatively There is room for imagination, but the lyrics are relatively straightforward and the emotions are relatively vernacular. Next, I may treat the lyrics as poetry, which may be a direction of future work. Future plan: I am planning to make a pure love movie. In addition to writing lyrics, I will also Wenshan also lectures, publishes books, writes poetry collections, etc., collects and studies folk cultural relics, and directs music videos and movies. Fang Wenshan, who worked alone in Taipei, worked as a salesman and delivered food. The hardships of life made him understand the importance of opportunities. , so he would say in a speech at Jinan University that opportunities are more important than strength, but opportunities are always reserved for those with strength. Reporter: You initially wanted to enter the film industry as a screenwriter and realize your dream of being a director, and now you have Got a director's certificate, directed the short film "Love to the End" and some music videos, and acted in stage plays. Do you have any plans in this area now? Fang Wenshan: This year I want to prepare a pure love movie "Hear the Sound of Rain" with musical elements. I think love is an eternal material that can arouse emotional excitement. Reporter: Will Jay Chou be invited to play the male role? main character? Fang Wenshan: I have talked with Jay. It is impossible for Jay to play the leading role because he will have concerts after releasing the album in early May this year until the end of the year. There is not much time. However, he will come to assist with the film music. .

Reporter Pu Lizi and intern Deng Zhi.

4. What are the sentences to praise riders?

1. Your destiny is in your own hands. Either you control destiny, or destiny controls you. Your mentality determines whether you are a mount or a rider.

2. It is not the whip that drives the horse forward, but the rider's heart.

3. I ride on life like a poor rider on a horse. It is only the good nature of the horse that I have not yet been left alone.

4. In this world, rules are meaningless. There will definitely be illegal riders and rebellious dark horses. Anyone who is careless will be killed immediately!

5. In this world, rules are meaningless. There will definitely be foul riders and traitorous chess pieces. If you are not careful, you will be defeated immediately.

6. Life is like a horse, a light and strong horse. Man, ride it as boldly and carefully as the rider.

7. The word "culture" is related to farmers who grow crops, and the word "civilization" is related to cities, but the rider is like a storm that quickly disappears.

8. Ye Yushengfan has an extremely tough attitude, guarding in front of Soksar like a knight.

9. Who planted the first peach tree on the river bank? That year, you came riding a bamboo horse, full of posture. When I see you, the green plums in my hands quietly droop, just like me, my eyebrows are soft.

10. I can’t let go, and I can’t reach the end of the world. I can't ride a horse, and I can't walk to the end of the world.

11. The knight always accompanied and protected the princess, but in the end they were not together because the knight made a promise to hand over the princess to the prince with his own hands.

12. The knight finally handed the princess into the hands of the prince.

13. There is no sword in my hand, but there is a pen. I hope the pen in my hand can defend a rider's honor.

14. Harming a defenseless person is contrary to my oath as a rider. However, if the Master orders this, I can only obey it. As the price for insulting my dignity, I will take away a seal...

15. The rider rescued the princess from the evil dragon, and the evil dragon The dragon never meant to hurt her.

5. An acrostic poem from Meituan Waimai

The beauty is as old as when it is sparse to others

Tuanluan is full of joy and joyful songs

The promise of happiness outside the world

Selling fish is afraid of getting close to the city gate

Looking forward to the downturn of the good mood

The dragon tries to crush the copper bottle and weeps

The elixir of dragon scales

Where can I get the money from selling charcoal?

Beautiful blue eyes, long eyebrows and green eyebrows

On the stream hall of Tuanluan children