1. Introduction to Hangzhou Liangzhu Cultural Museum 2. Complete detailed information of Liangzhu Museum 3. How to make a reservation for Liangzhu Museum Introduction to Hangzhou Liangzhu Cultural Museum

The architecture of Liangzhu Museum comes from the UK Designed by chief designer David Chipperfield, the building has a rough and majestic appearance, with gray-white walls without any decoration, which looks simple and smooth, contrasting with the surrounding Meilizhou Park with its long river and green lawns.

Three and a half years after the groundbreaking in March 2005, we were finally able to slowly enter the only special museum in Zhejiang Province with a construction area of ??nearly 10,000 square meters.

The museum has three exhibition halls.

From Mr. Shi Xingeng’s trial excavation in Liangzhu, to Mr. Su Bingqi’s lament about “ancient Hangzhou”, to the discovery of the ancient city of Liangzhu, the restoration of the ancient walls and ancient city gates, the 70-year archaeological process of the Liangzhu civilization has been Each of the lifelike statues, piece by piece, has been faithfully reproduced in imitations and restorations that are close to the real thing.

The tour guide told us that the first exhibition hall is called "Discovering and Seeking Truth", the groundbreaking discovery of the Fanshan King's Tomb, the excavation of the Yaoshan ruins and the Huiguanshan ruins, the large-scale spray painting of the Mojiaoshan Palace, etc. The combination of words and objects is enough to double your archaeological knowledge.

When you are about to leave the first exhibition hall, you can also experience the fun of archeology in the experience classroom. Follow the display of the projector and select tools, excavation sites, and excavation methods step by step, just like a movie. , give full play to your imagination and complete an archaeological journey.

The first exhibition hall and the second exhibition hall "Liangzhu Ancient Country" are connected by a replica of the ancient city wall. It tells you in advance that we are about to enter a majestic ancient city.

Due to the application of high-tech means such as sound, light and electricity, this ancient country comes alive.

Look, some are weaving, others are making wood, some are making pottery, others are making jade, some are standing on the high ground building palaces, and some are pulling fiber in the wind and rain. You seem to see the production and life of our ancestors five thousand years ago. .

Walking on the winding wooden bridge, you can even lean down and whisper with them.

Virtual fishing project in Liangzhu Museum produced by Shuhu Image

Let’s go, there’s more ahead.

I remember when I first mentioned Liangzhu, what came to my mind were jade congs and jade walls.

Now, as soon as we walked into the third exhibition hall "Liangzhu Civilization", our eyes were suddenly overwhelmed. No wonder it is said that the Liangzhu Civilization was characterized by jade, with exquisite displays of Yue, Bicong and mid-level tombs. The beautifully cultivated and displayed ancient Liangzhu jades take you into a completely different world.

Finally, you can also watch a four-dimensional movie - "Dreams of the Ancient Country".

The exhibition hall with only 40 seats has experience functions such as water spray, air jet, vibration, and sound. It is currently the only new film and television product in Hangzhou that combines three-degree-of-freedom stereoscopic movies and stunt theaters.

You will follow the protagonist in his dream to return to the ancient Liangzhu country, experience the customs and customs at that time, and experience sensory effects such as storms, thunder and lightning, rain, impact, and water mist.

Tickets are 20 yuan for adults and 10 yuan for children

I would like to add that not only adults will benefit a lot from such a museum, but children can also "ride the birds" , "Fire Eyes", "Seeker", "Jigsaw" and other interesting interactive games to have fun. You can also build, splice and make various imitation cultural relics discovered by Liangzhu Culture yourself.

It is reported that the museum is open from Tuesday to Sunday (closed for maintenance on Mondays), from 9:00 to 17:00, and admission is free.

You can reach it through Moganshan Road, the new and old 104 National Highway, the North Ring Road, etc.

After more than two years of waiting, the new Liangzhu Cultural Museum, with a total investment of more than 100 million yuan, is finally completed and will be open to the public free of charge before the National Day.

This is the world of Liangzhu from ancient times. The answers to all the mysteries of Liangzhu about life, civilization, and archeology can be found here; this is also the most modern cultural place, with cafes, The nursery is fashionable and fresh, and you are not afraid of not finding fun here.

So, this National Day, if you like to pursue good taste, you can try to go back 5,000 years ago to experience the life style and ancient civilization of the Liangzhu people; and if you like to have fun, you can also You can experience the first-class modern museum for the first time.

●Warm reminder

How to get to the new building of Liangzhu Cultural Museum?

Bus: Take bus K348 from Huazhe Plaza and get off at Lianghua Station; take bus 313 from Hemu New Village and get off at Lianghua Station.

Self-driving: Go north along Moganshan Road and pass the 104 National Highway roundabout; take the Shangtang Elevated Highway to the ring road, get off at the Liangzhu intersection, and then pass the 104 National Highway. The drive takes about 30 minutes.

The new building is undergoing its final sprint

The new building of Liangzhu Museum is very close to the old building. Go north along Moganshan Road and pass the 104 National Highway Roundabout, and you will see it soon. Modern and elegant new building.

In the past few days before the countdown to the opening of the new museum, the final "sprint" is going on both inside and outside the new museum - outside the museum, rows of elegant bamboos are "taking their places", and the tiles are just waiting to be swept away. A layer of dust can reveal a smooth face; there are more people rushing around in the museum, security guards every three steps keep a close eye on the treasures, and cleaners are working hard to wipe the display cabinets shiny.

At this moment, the mysterious "Liangzhu World" in the museum is obviously more attractive.

In the open and quiet corridor, the turquoise pool reflects the blue sky above.

The large dark brown wooden doors as high as the city wall opened slowly with a "squeak" sound, as if they had opened a door to the ancient times -

Bu Entering the "Liangzhu Ancient Country" exhibition hall with a height of more than 10 meters, a small world comes leisurely.

The blue sky, green land, plowing, fishing, and textiles are all full of exciting vitality.

A farmer couple with heavy loads is working in the field, and the "sweet rain" created by lights and sound falls, splashing bits of mud in the field; a fisherman couple packs the harvest in bamboo baskets, and the children play with hairy crabs Dezhenghuan

The ancient city wall "exposed" directly from the archaeological site of Liangzhu Ancient City is embedded in the imitation city wall, and is still filled with a faint smell of loess.

Extending from one side of the ancient city wall is a huge oil painting depicting "Mojiao Mountain Construction": hundreds of craftsmen, topless, working in the wilderness; not far away Amid the curls of smoke, the ancient city under construction can be vaguely seen.

The treasure of the town hall is about to be unveiled

And the "Liangzhu Civilization" exhibition hall is a treasure trove.

Currently, the old Liangzhu Cultural Museum has been closed, and many exhibits have been moved to the new museum.

A rough calculation shows that there are currently more than a thousand exhibits in the new museum, and the most important ones are all here.

When you come to the new museum, you must not miss the treasure that the Liangzhu Cultural Museum has always treasured - "Jade with carved talismans".

In China, there are only three pieces of talisman-engraved jade, and the other two are in the Shanghai Museum and the Zhejiang Museum.

This treasure has been hidden in the warehouse and has never appeared, so the National Day is its "maiden show".

In order to maintain the mystery of the treasure of the museum, almost all the guys on the side cabinets in the exhibition hall were present, but the jade stone with talismans carved on it was still reluctant to appear.

"Considering factors such as security, the jade engraved with talismans was not put on until the end.

"The security guard explained to reporters.

In addition to the debut of the treasures of the museum, compared with the old museum, the new museum has also added many jade, pottery, stoneware, lacquerware, woodware, tombs and other collections.

Different from the simple furnishings in many museums, the exhibits here are equipped with detailed illustrations and texts. It is clear at a glance where the collection was unearthed and its origins.

For example, the display of the jade tomb unearthed from Tomb No. 14 of Fanshan Cemetery specifically mentions the "Jade Ritual System in Liangzhu Society" - as early as 5,000 years ago, the Liangzhu people who were good at making jade They knew how to use jade ritual vessels to distinguish the nobility from the common people.

Set up a nursery for mother tourists

As one of the newest museums with the most high-end facilities in our province, you can find many unusual things in the new Liangzhu Cultural Museum. details.

For example, the signs and signs here are in four languages: Chinese, English, Korean and Japanese respectively. Foreigners will not get lost when they come here.

For Chinese audiences, the most thoughtful thing is some humanized designs.

Despite the ups and downs, there is no staircase in any exhibition hall. The transitions here are all gentle slopes.

The staff said that it was because they were worried that the lighting in the exhibition hall was dark and the use of stairs would make it easy for visitors to trip.

The new museum also has a nursery specifically for young mothers who bring their children to the exhibition.

This nursery is about 20 square meters in size, with sofas and stools inside.

This is a sign that the new museum strives to be more humane - considering that some mothers bring their children to see the exhibition, it is really inconvenient to change diapers and breastfeed in public places, so having such an independent space It's much more comfortable.

Since eating and drinking are not allowed in the exhibition hall, a small cafe has been specially arranged in the new museum. If you are tired from shopping, you can drink coffee and read a book here.

About 13 kilometers northwest from the center of Hangzhou is Liangzhu Town, Yuhang District. This is an ordinary town, but it has a very poetic name - Liangzhu: a beautiful island in the water. "Beautiful Island".

A discovery made by Mr. Shi Xingeng from Liangzhu in 1936 made this beautiful and poetic name known to more people, and Liangzhu became famous from then on. Complete detailed information of Liangzhu Museum

Liangzhu Museum, its predecessor was the Liangzhu Cultural Museum which was inscribed and opened by *** in 1994. It is located in Meilizhou Park, Liangzhu Town, Yuhang District. New exhibition The museum started construction in March 2005 and was officially opened to the public on September 29, 2008. It is an archaeological cultural museum specializing in Liangzhu culture. The architectural design of Liangzhu Museum was designed by British designer David Chipperfield. It has a rough and majestic appearance, with gray and white walls without any decoration, which looks simple and smooth. It contrasts well with the surrounding Meilizhou Park with its long river and green lawns.

Basic introduction

Chinese name: Liangzhu Museum Category: History, Culture Location: Meizhou Park, Liangzhu Town, Yuhang District Completion time: September 29, 2008 Opening hours : 9:00-17:00 (end admission at 16:30), closed on Mondays, except statutory holidays. Must-read before traveling, scenic spot news, scenic spot introduction, key information, beautiful pictures of scenic spots, introduction, architectural layout, front hall, first exhibition hall, second exhibition hall, third exhibition hall, tail hall, collection of cultural relics, Yaoshan jade plaques, Yaoshan Jade Key, Yaoshan Bead String, Yaoshan Jade Dagger, Archaeological Research, Honors, Visiting Information, Introduction The museum covers an area of ??40,000 square meters, a building area of ??10,000 square meters, and an exhibition area of ??more than 4,000 square meters. , it contains 3 regular exhibition halls, 1 temporary exhibition hall, special warehouses for cultural relics, and leisure areas open to the public. The Liangzhu Museum building is based on the design concept of "a handful of jade cones scattered on the ground". It is composed of four long strips of buildings that are not completely parallel. It is called a "box for collecting treasures". The entire building highlights the characteristics of simplicity, roughness, heavyness and grandeur, and pays attention to the combination of landscape and nature. In the desolate scenery of mountains, rivers and weeds, placed among the blue sky and white clouds, people can strongly feel a kind of art and nature. , the harmonious blend of history and modernity. The exterior walls of the building are all made of yellow travertine, which looks like jade from a distance. Three patio-style themed courtyards are interspersed in the courtyard, using elements of Chinese garden architecture to embellished with architectural sketches such as beauty chairs. The general theme of the basic exhibition of Liangzhu Museum is "Liangzhu Culture Demonstrates Five Thousand Years of Chinese Civilization", highlighting the status of Liangzhu Civilization among similar or contemporaneous civilizations in China and the world. The exhibition design concept is: graceful, elegant and friendly. The exhibition strives to innovate display concepts, rationally use advanced display methods and means, and strive to resolve the professional elements of Liangzhu culture, making the museum a civilian museum that can be viewed, learned, touched, and played. In three interconnected and independent exhibition halls, the three major contents of "Discovering and Seeking Truth", "Liangzhu Ancient Country" and "Liangzhu Civilization" are displayed respectively. In addition, the first and third exhibition halls separate the front hall and the back hall. , as introduction and conclusion. Architectural Layout Front Hall In 2007, the discovery of the ancient city of Liangzhu advanced the founding history of Hangzhou by three thousand years. Therefore, the idea of ??the front hall is to look at Liangzhu from Hangzhou, using a three-dimensional and flat exhibition format to highlight the ancient city of Liangzhu and Mojiao Mountain. The spatio-temporal relationship between the palace, the tomb of Fanshan King and other important sites and the “exquisite, harmonious, atmospheric and open” modern Hangzhou. The first exhibition hall in the front hall. This exhibition hall takes "Liangzhu ruins as a sacred place that demonstrates the five thousand years of Chinese civilization" as its communication theme. It shows the process of a series of important discovery innovations and research innovations in about 70 years from the discovery of the Liangzhu ruins in 1936, the naming of the Liangzhu culture in 1959, to the establishment of the Liangzhu civilization in 2007. The purpose is to lead everyone to personally experience the archaeological process of archaeologists understanding the Liangzhu ruins, naming the Liangzhu culture, and establishing the Liangzhu civilization.

Discover and seek truth. Here is the shocking excavation scene of royal tombs. It uses a combination of large-scale tomb background paintings, video interpretation, archaeological excavation site restoration, and physical display of archaeological materials and tools to comprehensively interpret the momentum and style of royal tombs in Fanshan Cemetery. Supreme status. The predecessors of Liangzhu Culture are Majiabang Culture and Songze Culture. They are of the same origin and are distributed around Taihu Lake, becoming the most famous archaeological cultural area in the lower reaches of the Yangtze River. The second exhibition hall vividly displays the labor scenes of the Liangzhu ancestors, the cross-section of the ancient city wall of Liangzhu, and the large-scale oil paintings reflecting the construction of Mojiao Mountain. Modern high-tech means such as sound, light, and electricity are used to panoramically restore and reproduce the life of the Liangzhu people. Production and lifestyle show the splendor and splendor of the ancient Liangzhu country five thousand years ago. The agricultural productivity of the ancient Liangzhu Kingdom during the Liangzhu period was much higher than that of the Songze and Majiabang periods. The use of plows for farming also implies the rapid growth of the population during the Liangzhu period. In addition to rice, Liangzhu people also rely mainly on raising livestock, supplemented by fishing and hunting activities to obtain meat resources. The development of agriculture and the emergence of surplus products separated handicrafts from agriculture, giving rise to various specialized craftsmen represented by pottery, jade, and woodworking. The complication of the division of labor differentiated the mental working class and the manual working class, which became an important prerequisite for the formation of Liangzhu civilization. Large oil painting of the Mojiao Mountain Palace construction project. The oil painting is 6.6 meters high, 35 meters long, and covers an area of ??more than 200 square meters. It focuses on showing the magnificent scene of the Liangzhu ancestors building the Mojiao Mountain project. The third exhibition hall. The display design of this exhibition hall is centered on utensils and important relics. It is actually the essence of the remains collected by Liangzhu Museum. The focus is on a large number of high-quality jade articles from the Liangzhu period such as congs, bis and yue, which fully demonstrates the The Liangzhu civilization, characterized by jade, has an important position and influence in China and the world at the same time or similar civilizations. The Tail Hall of Liangzhu Civilization Five thousand years ago, the prosperity of Liangzhu blended into the splendor of Chinese civilization, but an ancient country and a generation of capitals have long been buried underground. Archaeologists have explored the Seventy Years of Cold and Summer, leading us through the time tunnel and appreciating the era in which our ancestors lived. While sighing, we still have too many mysteries to solve; apart from visiting, our conservation actions still have a long way to go. Here is the interactive project "Ride a Bird and Visit the Liangzhu Ruins". We can ride on a bird and fly from the village in front of the Liangzhu Temple to the capital city of Mojiao Mountain in Liangzhu to appreciate the human customs of the ancient Liangzhu country 5,000 years ago. . The collection of cultural relics Yaoshan M7: 34 jade cong: height 4.4, diameter 7.5, aperture 6.4 cm. There are large reddish-brown blemishes. It is a hollow dwarf columnar body with a slightly convex inner hole wall and a square appearance with curved edges. The four corner bumps are engraved with mythical animal patterns, with the corners as the central axis. Each convex surface is engraved with only one set of patterns. The top is decorated with two sets of chordal bands, symbolizing feather crests. The eye sockets are raised in an oval shape, there is a fan-shaped forehead between the eyes, and the nose is flat, wide and protruding forward. The left and right lower corners of the pattern are engraved with arcs, which represent faces. Jade Cong Yaoshan Jade Tablet Decoration Yaoshan M7: 55 Jade Tablet Decoration: Width 7, Height 3.9, Thickness 0.42 cm. The shape of the medallion is slightly triangular in plane, with a sharp arc at the bottom. The whole device adopts openwork and negative line carving techniques, and is a pattern of mythical animals. A round hole is drilled in each pair of corners to form an eye. The two sides of the eye are expanded into arc-edged triangular holes using the line cutting method to form the eye socket and eyelids. The edges are then outlined with incised lines. There is an irregular long strip of holes on the forehead between the eyes, and the nostrils are engraved with cirrus patterns. The lower end of the nose has a cross-cut hole on the curved edge, which looks like a mouth. There is a serrated protrusion on each side below the eye socket, which is quite like a frog's claw. The cross-cut hole and the shapes on both sides are more like the hind legs of a frog, and the whole thing looks like a deformed frog. Yaoshan Trident-Shaped Ware Yaoshan M7: 26 Jade Trident-Shaped Ware: Height 4.8, Width 8.5, Thickness 0.8 cm. The trifurcated organ has yellow spots. The left and right forks are flush, the middle fork is lower and has a vertical straight hole. One side is engraved and the other side is plain. The left and right forks are both engraved with the head of a god facing each other from the side. The god wears a feather crown, has a square face, single-rimmed eyes, and two neat rows of teeth on the upper and lower sides of the mouth. The upper end of the middle fork is decorated with five groups of vertical feather patterns, representing the feather crown, which symbolizes the frontal image of gods and figures; the lower end of the lower end is engraved with an animal mask pattern, with symbolic round eyes, a lion's nose and fangs. It is another combination of god and animal face. Yaoshan Jade Key Yaoshan Jade Key: width 1.84-3.52, thickness 0.47 cm. The jade spoon is made of white jade, with only the handle and the edge of the spoon remaining. The organ is flat and slightly concave in side view. The end of the handle is slightly trapezoidal, with an oval perforation and a concave surface engraved with mythical animal patterns. The pattern is divided into upper and lower parts, and the lower part is engraved with cirrus patterns around the perforations. The pattern on the upper part is damaged, one oval eye can be seen, and the other eye is damaged. In the middle is the nose composed of cirrus patterns, with a vertical bridge and wide nose wings.

The mouth is horizontally flat, with 4 fangs protruding from the mouth, of which the inner 2 are upward, the outer 2 are downward, and there is a downward fan between the inner 2. Yaoshan beads string Yaoshan M7: 136 beads string: composed of 170 single pieces of beads. There are gray and brown blemishes. The waist is drum-shaped and varies in size. Beaded Yaoshan jade dagger-shaped vessel Yaoshan jade dagger-shaped vessel: width 2.55-3.15 cm, thickness 0.5-0.63 cm. A white jade dagger-shaped object, broken into three parts, with one end broken and some edges damaged. The whole body is flat and wide, with an arc shape when viewed from the side, and an oblate round hole at the end of the handle. The inner concave surface of the handle end is carved with a square frame and the inner side is engraved with a curling cloud pattern. An oblate circular hole is drilled at the proximal end of the convex surface. One side of the end of the vessel is notched, resembling half of the top of a crown-shaped vessel. Archaeological research In 1936, Shi Xingeng of the West Lake Museum (1912-1939, one of the main discoverers of the Liangzhu ruins) discovered black pottery ruins in Liangzhu Town, and in Liangzhu Qipan Tomb, around Xunshan, Changming Bridge and Zhongjia Village. Three test excavations were conducted, and more than ten sites including Liangzhu Hengweili, Jinjialong, Mao'anqian, and Zhucundou were discovered, and a large number of black pottery and stone tools were unearthed. Liangzhu Museum In 1937, He Tianxing of the West Lake Museum published "Stone Artifacts, Jade and Black Pottery in Liangzhu Town, Hang County", believing that the engravings on the black pottery vessels unearthed in Liangzhu were the earliest writings in China. In 1938, Shi Xin compiled "Liangzhu—Preliminary Report on the Black Pottery Cultural Sites in the Second District of Hang County" and published it, which was the first archaeological report on the Liangzhu Culture. In 1939, Liang Siyong published an article "Longshan Culture - One of the Prehistoric Periods of Chinese Civilization" in the fourth issue of the "Journal of the Sixth Pacific Academic Conference". He believed that Longshan Culture was divided into Shandong Coastal Area, Northern Henan Area and Hangzhou Bay Area. It is pointed out that the Liangzhu site in the Hangzhou Bay Area "shows definite regional differences that cannot be ignored and is different from the other two areas." In 1955, villagers in Zhucundou, Liangzhu Town, discovered a large amount of black pottery while digging a pond in Changfen. After hearing the news, the Zhejiang Provincial Cultural Administration Commission and the Zhejiang Provincial Museum conducted small-scale rescue excavations and obtained a large number of black pottery and other relics. In 1957, in the 500 square meters of the Qiucheng site in Wuxing, Zhejiang, four stacked layers of relics from the Majiabang, Songze, Liangzhu cultures and the Bronze Age Wuyue culture were discovered. In 1959, Xia Nai formally proposed the name "Liangzhu Culture" at a meeting of the leaders of the cultural relics and archeology team of the Yangtze River Basin Planning Office. In 1961, Zhejiang Province listed the Liangzhu ruins as a provincial key cultural relic protection unit. In 1963, the Sujia Village site in Anxi was excavated, covering an area of ??more than 300 square meters, and the accumulation of Liangzhu Culture was discovered. At the same time, sites such as Huangnikou and Biandangshan were also discovered during the investigation. In 1972, the Cao Xieshan site in Wu County, Jiangsu Province was excavated for the first time, covering an area of ??550 square meters. It discovered the strata of seven stone tools in four major stages: early and late Majiabang, early and late Songze, early and late Liangzhu, and geometric imprinted pottery remains. The overlapping relationship and rich relics make it one of the most typical sites in the ancient cultural sequence of the Taihu Basin. In 1973, during the second excavation of the Cao Xieshan site in Wu County, Jiangsu Province, Tomb No. 198 was discovered in the late Liangzhu Culture layer. A large number of jade articles and pottery were unearthed. It was the first Liangzhu Culture jade burial tomb discovered by scientific excavation. In 1979, the Si Dun site in Wujin, Jiangsu was excavated for the first time, and a large number of jade articles were unearthed. It was a cemetery for dignitaries of the Liangzhu culture. In 1980, the Zhejiang Provincial Institute of Cultural Relics and Archeology was established and continued to conduct a large amount of archaeological work in the Liangzhu area. In 1981, the Wujiabu site was excavated, covering an area of ??more than 1,300 square meters, and uncovered cultural accumulations from three periods: the Majiabang, Songze and Liangzhu cultures. *** Eight tombs of Majiabang Culture, 20 tombs of Liangzhu Culture and Songze Culture were cleared, and a large number of pottery, stone tools and jade were unearthed. It is the first large-scale archaeological excavation in the Liangzhu ruins group, and it proves that in addition to the Liangzhu cultural ruins, there are also earlier Majiabang culture and Songze cultural ruins within the ruins group. In 1982, the Jiangsu Provincial Bureau of Geology and Mineral Resources discovered a tremolite nephrite deposit in Liyang. After identification, it was confirmed that the remaining veins of Tianmu Mountain and the Yili Mountain System were the source of jade materials from the Liangzhu Culture. In 1983, during the second excavation of Fuquan Mountain in Qingpu, Shanghai, six Liangzhu culture tombs containing groups of jades and fine pottery were discovered, buried on artificially piled earth hills. Fuquan Mountain has completely preserved the overlapping cultural relics of various historical periods dating back 6,000 to 7,000 years ago, including the Neolithic Songze Culture, Liangzhu Culture, Majiabang Culture and the Warring States Period. It is known as the "birthplace of Shanghai". In 1984, trial excavations were conducted at Hekoudai, Shuikou, Mojia, and Tangjiatou in Liangzhu Town, and accumulations of the Liangzhu Culture were found in all locations. New sites were discovered in the northwest of Zhucundou and in the east of Xunshan.

In 1985, museums in six cities in the Taihu Lake Basin held the "Joint Exhibition of Ancient Animals, Ancient Humans, and Ancient Culture in the Taihu Basin" and convened an academic symposium. In 1986, the Zhejiang Provincial Institute of Archeology conducted planned excavations at Fanshan Village in Zhishan Village, Changming Township, Liangzhu. They rescued 660 square meters on the west side of the main pier, cleared 11 large tombs of the Liangzhu Culture, and unearthed jade, There are more than 1,200 pieces (sets) of precious cultural relics including stone, pottery, ivory, vermilion-inlaid jade, and jade-inlaid lacquerware. The unearthed jade articles, which account for the majority of the funerary objects, are rich in variety, well-made, and carved with a large number of sacred facial patterns. It is the first high-level tomb of the Liangzhu Culture to be excavated in Zhejiang, and the complete divine emblem pattern of the Liangzhu Culture is also the first to be discovered. Fanshan Cemetery is the highest-level cemetery of dignitaries of the Liangzhu Culture discovered so far. The "Academic Symposium to Commemorate the 50th Anniversary of the Discovery of Liangzhu Culture" initiated by the Zhejiang Provincial Department of Culture, Zhejiang Provincial Institute of Cultural Relics and Archeology, Zhejiang Provincial Museum, Nanjing Museum, Shanghai Museum, etc. was held in Hangzhou. In 1987, the altar remains of the Liangzhu Culture were discovered for the first time in Yaoshan, and 11 high-level tombs of the Liangzhu Culture were cleared, and thousands of jade articles were unearthed. The excavations at Fanshan and Yaoshan were rated as the top ten new archaeological discoveries during China's "Seventh Five-Year Plan" period. In the same year, excavations were conducted in the southeastern part of the Mojiaoshan site, and a large amount of waste accumulations of red-burnt earth and plant ash were discovered, as well as a small tomb of the Liangzhu Culture that broke the accumulation. It was confirmed to be a large-scale architectural site built artificially during the Liangzhu Culture period. Academic circles believe that this It is suspected to be the location of Liangzhu Cultural Center. In 1988, the Haining Fengqiao site, Gaojialing site, Heyedi site, Shanghai Jinshan Tinglin site and Ningbo Cihu site were excavated respectively. The stone plow unearthed from Tomb No. 9 at Heyedi Site is the first discovery in a Liangzhu Culture tomb. The dome-shaped altar form was discovered for the first time. The excavation of this cemetery put forward the concept of hierarchical cemetery in Liangzhu Culture. In 1989, the Longnan ruins and Xinyi Huating ruins in Wujiang, Jiangsu, the Miaoqian ruins in Yuhang, Zhejiang, the Big Tomb ruins in Jiaxing, and the Yaojiaquan ruins in Songjiang, Shanghai were excavated. The Yaojiaquan site is of great significance to the study of the transition from Songze culture to Liangzhu culture. In 1990, the Shanghai Museum held the "Liangzhu Culture Exhibition", the Cultural Relics Publishing House published "Liangzhu Culture Jade", and the "Liangzhu Culture Symposium" was held in Shanghai. In 1991, a rescue excavation was carried out at the Pingyao Huiguanshan site. The excavation area was about more than 1,600 square meters. Four high-level tombs from the Liangzhu Culture and an altar from the Liangzhu Culture were excavated. 173 cultural relics such as pottery, jade and stone tools were unearthed from the tombs. (Group). It proves that the altar should be a multiple hierarchical three-dimensional structure. It was rated as one of the top ten new archaeological discoveries in China that year. In 1992, the Liangzhu Cultural Museum broke ground. Excavations at the Zhaolingshan site in Kunshan, Jiangsu Province revealed a number of Liangzhu Culture tombs in which young people were sacrificed for "killing" and human sacrifices. Among them, the owner of tomb No. 77 was buried with 125 pieces of jade, as well as a large number of pottery and stone tools with extremely exquisite workmanship. The discovery of this site is of great significance to the study of social phenomena in the Liangzhu period. It is rated as one of the top ten archaeological achievements in China and is listed as a cultural relic protection unit in Jiangsu Province. 1993 In 1993, the Hengshan Village site in Yuhang, Zhejiang, the Meiyuanli site in Anxi, and the Dafundun site in Haining, Zhejiang were excavated. 1994 In 1994, the Pingyao Huayuanli ruins were excavated, covering an area of ??400 square meters, and the stone building foundations of the Liangzhu Culture period were discovered. The State Administration of Cultural Heritage of China has recommended the Liangzhu ruins in Yuhang, Zhejiang, to the preliminary list of the "World Heritage List". Liangzhu Cultural Museum was officially opened. 1995 In 1995, the Luzhuang site in Funing, Jiangsu, and the Zhaolingshan site in Kunshan were excavated. In 1996, the State Council of China approved the Liangzhu Site (Group) as a national key cultural relic protection unit. In the same year, the excavations of the Huiguanshan and Mojiaoshan sites were rated as one of the top ten new archaeological discoveries in China during the Eighth Five-Year Plan period. In 1999, Huiguan Mountain was used as a pilot site to implement a site protection and display plan for Liangzhu. At the same time, further excavation of the Huiguanshan site was carried out to gain a clearer understanding of the construction process and scale of the Liangzhu Cultural Altar in Huiguanshan. From 2000 to 2001, the Wenjiashan site, Dushan site and Zhongshan site of Pingyao in Yuhang, Zhejiang were excavated. Rescue excavation was carried out at the Jiashan site, covering a total area of ??approximately 1,300 square meters. Eighteen large and medium-sized tombs of the Liangzhu Culture were discovered at the Wenjiashan site; four tombs of the Liangzhu Culture were discovered at the Zhongjiashan site, and a large number of jades, stone tools and pottery were unearthed.

From 2003 to 2005, three excavations were conducted at the Jiashan site in Yuhang District, Zhejiang, with a total area of ??2,600 square meters uncovered. 66 Liangzhu Culture tombs, two large ash ditches, a wooden pier and wharf remains, three ash pits, and houses were cleared. At the site, more than a thousand pieces of jade, stone, pottery, wood, bone and other types of relics were unearthed. In particular, lacquered wood vessels featuring goblets were numerous, rich in variety and well preserved. Among them, the oval cylindrical lacquerware was discovered for the first time. In 2004, a rescue excavation was carried out at the Hengweili site in Yuhang, Zhejiang. An area of ??1,200 square meters was uncovered. 26 Liangzhu Culture tombs, two house sites, and two large ash ditches were cleared. More than 400 relics of various types were unearthed, including the upper part of the tomb. Has been severely damaged. From 2006 to 2007, taking the archaeological excavation of Putufan in Yuhang, Zhejiang, as an opportunity, the ancient city wall of Liangzhu was discovered. Preliminary results from test excavations and large-scale drilling show that the ancient Liangzhu city wall is about 1,500 to 1,700 meters long from east to west, 1,800 to 1,900 meters long from north to south, and 6,000 to 7,000 meters in circumference. The layout of the Liangzhu ancient city wall is slightly rectangular with rounded corners, facing north and south. The bottom of the city wall is generally paved with stones as the foundation, and then pure loess is piled on top. The width of the bottom is about 40 to 60 meters. The height of the well-preserved section of the city wall is about 4 meters. Sites of this scale and sophisticated management are very rare in the entire Liangzhu Culture, proving that this site should have been the central capital of a certain period or region of the Liangzhu Culture. In 2008, the archaeological discovery in Liangzhu Ancient City was rated as one of the top ten archaeological discoveries in China in 2007. On October 1, Liangzhu Museum was completed and opened. Honors received: Zhejiang Civilization Museum in 1996. 1998 Yuhang District Youth Civilization Project and Hangzhou City Youth Civilization Project. 2000 Yuhang District Women’s Civilization Demonstration Post and Zhejiang Province Youth Civilization Project. 2005 Zhejiang Province Public Security Demonstration Unit, Zhejiang Province Patriotism Education Base Display Creative Award, Zhejiang Province Outstanding Youth Civilization Award, Hangzhou City Advanced Unit for Cultural Relics Work. 2006 National Youth Civilization Award. In 2007, it was awarded as a model post for female workers in Hangzhou, one of the top ten scenic tourist attractions in Yuhang, and an advanced collective in caring and supporting the work of the Young Pioneers in Yuhang District. Visiting information: Take No. 372 or No. 389 to Liangzhu Museum Station; take No. B No. 8 and get off at Liangzhu Museum Main Gate Station. How to make a reservation at Liangzhu Museum

The reservation process for Liangzhu Museum is as follows Liangzhu Museum:

Step 1: Search on WeChat and open the "Liangzhu Ancient City" applet;

Step 3: Select "Liangzhu Museum" Liangzhu Museum and click "Ticket Reservation";

Step 4 : Select the date and the number of tickets to be reserved for the Liangzhu Museum;

Step 5: Add the information for making reservations to visit the Liangzhu Museum;

Step 6: After filling in the corresponding information Just click "Place Order".

Introduction:

Liangzhu Museum is located in Meilizhou Park, Liangzhu Street, Yuhang District, Hangzhou City, Zhejiang Province. It is a Liangzhu Museum that collects, researches, displays and promotes Liangzhu culture. Archaeological Site Museum. Ground was broken in March 2005 and opened to the public in October 2008. In August 2017, based on the latest archaeological results of the Liangzhu ruins and Liangzhu culture, the basic display of Liangzhu Museum was renovated and upgraded, and it reopened to the public in June 2018.

The museum covers a total area of ??more than 40,000 square meters, with a construction area of ??10,000 square meters. It was designed by the famous British architectural designer David Chipperfield. The museum has a regular exhibition area of ??more than 4,000 square meters, divided into 3 exhibition halls. The theme of the regular exhibition is: Liangzhu ruins are a holy place that demonstrates the five thousand years of Chinese civilization history.

The exhibition relies on three exhibition halls: "Water Country", "Civilized Holy Land" and "Jade Soul Country" to comprehensively, three-dimensionally and truly display the archaeological achievements and heritage value of the Liangzhu ruins and Liangzhu culture. , embodying the important position and unique contribution of Liangzhu civilization in the historical development process of "diversity and unity" of Chinese civilization.