[Speaking of the Year of the Horse]
On January 5, 2002, the launch ceremony of the Year of the Horse zodiac stamps was held in Baoji City, Shaanxi Province. This year's zodiac stamps are designed based on the clay sculpture horse, a folk craft in Fengxiang County, Baoji City.
Wang Huming: I accidentally found a black and white horse in a bookcase, which is the horse I selected now. At that time, the horse was covered with dust and probably no one had moved it for a long time. But when I saw When I saw this horse, my heart lit up. I had such a feeling that it was the only one to be chosen for this year’s zodiac sign. I think the reason why the judging committee selected this horse was because of it. Horses are quite distinctive. One of these characteristics is that its shape is distinctive, very cute and naive. The other is that its color is black and white and its lines are simple and smooth. Another characteristic, I think, is that its characteristics are suitable for our engraving printing< /p>
China’s zodiac stamps have a short history of issuance, but they have always been loved by people because they are in line with the Chinese people’s pursuit of joy and auspiciousness when the New Year approaches. Whenever stamps are released, people, whether they are stamp collectors or not, like to buy one or two sets of zodiac stamps as souvenirs.
At the launch ceremony of Baoji's Year of the Horse stamps, stamps signed by the designer of this set of zodiac stamps were welcomed by people. What is even more eye-catching is that there is an old man who is always surrounded by people. He is the maker of the clay horse image selected for this set of stamps, Hu Shen, an old artist from Fengxiang County.
Hu Shen: My craftsmanship is inherited from my ancestors. I am 72 years old this year and I have been painting this clay sculpture for more than 60 years. I learned the craft from my parents when I was a child
Hu Shen, 73, is an out-and-out farmer, but as soon as you step into his home, you will find that his family business is a small processing factory for clay sculptures. From kneading the mud and rolling out the mud cakes to loading and unloading the molds, each process is carried out in an orderly manner. Hu Shen's wife, two sons, daughter-in-law and four grandchildren are all a family of ten who can make painted clay sculptures.
The Hu family has its own specialties in clay sculpture, with a clear division of labor in shaping, drawing and coloring. Every time during the off-season, the whole family would sit on the kang and make tiger head pieces and clay sculptures of animals together. Their works are full of local flavor, realistic in shape, rough and exaggerated, and diverse in style, and are deeply loved by people from all walks of life. The horse chosen as the zodiac stamp pattern this time was found by relevant experts from the showroom of the Central Academy of Fine Arts.
Hu Shen: Why was this horse selected as the country’s stamp? This horse has many advantages. For example, the horse I picked up is full of energy, has a beautiful appearance, smooth lines, and a strong ethnic flavor
Fengxiang County, Baoji, where Hu Shen lives, is the birthplace of Chinese clay sculpture. It has been spread since the Zhou Dynasty and has a history of more than 2,000 years. Since this place is located on the Loess Plateau, people spend half of their time with the soil all year round. In order to add some spice to life during the boring winter farming slack, people use clay sculptures to express their love for life. Every festival, people give handmade clay sculptures to relatives and friends to express the owner's unique generosity and blessings for friends.
Since Fengxiang’s clay sculptures are always associated with folk customs, these clay sculptures are full of local flavor. Bold shapes, rich imagination, concise lines, and gorgeous and exaggerated colors make Fengxiang’s clay sculptures convey A simple and warm taste.
In China, the zodiac is also called the zodiac sign, or the zodiac sign. According to Chinese interpretation, "生" means "birth", and "小" means similarity. In other words, there is a certain connection between people born in a certain year and the animal habits represented by that year. The zodiac is not only found in China, but also in countries such as Japan, Cambodia, India, France, and Myanmar. They only express it in different ways, but they all reflect the interconnected, inseparable, and interdependent relationship between humans and nature.
In ancient China, eleven animals and dragons were used as the twelve zodiac animals based on their appearance time and life characteristics, namely rat, ox, tiger, rabbit, dragon, snake, horse, sheep, monkey, chicken, Dogs, pigs. These animals are more or less related to the lives of people in ancient times.
The "Twelve Zodiac Signs" have been circulating in Chinese society for a long time, but it is difficult to verify when they originated. However, there are scattered expressions and records about the zodiac in documents such as the "Book of Songs", China's earliest poetry collection with a history of three thousand years.
Li Yan: In the Han Dynasty, it should be said that it was an era when many categories of Chinese traditional studies were based on the system. In the work "Lunheng" written by Wang Chong of the Eastern Han Dynasty, there was an article called "Wushi Pian", which was written in black and white for the first time. It is recorded that the twelve earthly branches are linked to twelve animals, including horses
In human history, humans and animals have always had a special relationship. From ancient times to the present, people's depiction and portrayal of animal images have reached a very high level, and the animals in the Chinese zodiac have always been the objects of artists' creations. This is also because of the survival, production and interaction between horses and humans. Life is closely related and has become the favorite creative subject of artists.
In the late Neolithic Age, about 5,000 years ago, scenes of humans and horses appeared on rock paintings in the Yinshan Mountains of Inner Mongolia.
By the Qin Dynasty more than two thousand years ago, the artistic image of horses was already very rich. In the famous Mausoleum of Qin Shihuang, a large number of terracotta warriors and horses symbolizing the Qin Dynasty's millions of troops were unearthed. What is even more surprising is that two bronze chariots and horses were found in this imperial tomb. The bronze chariot and horse are well-proportioned and realistic in shape. The strong and plump horse body is decorated with sparkling gold and silver ornaments. Its eyes are fixed on the front, its teeth are chewing tightly, its mane is flying in the wind, and its bamboo-like ears are tilted. , as if listening to the order, just waiting for the long strategy, then let go of the four hooves and gallop. Together with the horses in the Terracotta Warriors and Horses, they outline the magnificent scene of the Qin Dynasty's horses.
In the Tang Dynasty, due to the strong country, vast territory and frequent foreign exchanges, the role of horses in life, production and war became more obvious, so the image of horses became more prominent. The most famous among them is the six-horse relief sculpture at the Zhaoling Mausoleum of Emperor Taizong of the Tang Dynasty, Li Shimin, in Liquan County, Shaanxi. These six horses once accompanied Emperor Taizong in his campaigns in the north and south, and had great military exploits. The artists at that time used concise and clear shapes to It shapes the posture and gait of the horse, showing the bravery and tenacity of the horse, highlighting their tenacious character, and at the same time showing the grand momentum of the Tang culture.
In China, the love for horses is not limited to the emperors. Ordinary people also love horses very much. In Zhuji City, Zhejiang Province, there is a private residence of a wealthy businessman, known as the "House of Thousand Pillars". It is magnificent and elegant in architecture. In the "House of Thousand Pillars", there are numerous carved works of art, especially the "Hundred Horses" on the wall in the courtyard of the main house. The whole picture is composed of 21 square tiles, with a total length of 704 cm. The hundred horses have different expressions, are lifelike, and have both form and spirit, fully expressing the owner's love for the horses.
Li Yan: The Qian Gua in China’s oldest classic, the Book of Changes, talks about the spirit of heaven. He included the horse in the Qian Gua, which means that the horse is a spirit of heaven. A strong spirit means self-improvement. In addition, the totem of our nation is the dragon. The dragon is the incarnation of heaven, so many horses are also called dragon horses and even changed into a word. The spirit of dragon horse is the status that gives the animal image of the horse the highest vigorous image.
The Han Dynasty bronze sculpture "Horse Treading on Flying Swallows" unearthed in Gansu Province is the best interpretation of the spirit of "Pegasus" by ancient Chinese. This horse is galloping with all four hooves spread out. It has a strong body, its head is raised and its tail is tilted slightly to the left. Its three legs are in the air, and only its left hind foot rests on the back of a flying dragon bird. It is full of "magic" of pride. "Horse Treading on Flying Swallows" is the crystallization of the Han Dynasty artists' high wisdom, rich imagination, romantic spirit and superb artistic skills. It is also the embodiment of the spirit of the times advocated at that time.
From ancient times to the present, the relationship between horses and people has been so close that artistic images of horses with different characteristics of the times have emerged in all dynasties. Among these images, the most well-known is The three-color horse in Tang Sancai.
Tang Sancai was popular as funerary objects more than a thousand years ago. Because they use yellow, green and white glaze colors as their basic glaze colors, people are accustomed to calling them "Tang Sancai". Tang Sancai includes utensils and statues, and all kinds of products are included, but the most successful ones are the images of various horses.
Most of the three-colored horses express movement in silence. Although they stand, they have the tendency to run. Although they do not meow, they seem to be whistling, which fully reflects the exquisite craftsmanship and the craftsmanship of the time. of wisdom and passion.
The horses in Tang Sancai Horses are very different from the horses in real life. They are actually an artistic image of horses.
Li Yan: The creation of the horse embodies the spirit of the times in the Tang Dynasty, a spirit of optimism, vigor and courage, so he embodies a supernatural power in the horse and puts it in the most noble position. We shape it based on its status and exaggerate its most beautiful and spiritual parts. Using a real-life horse to look at it, it is different from a tricolor horse. For example, its head is smaller, its neck is particularly thick, its chest muscles are particularly developed, and its buttocks are very There is no such horse like Yuanrun in real life. It mainly embodies the spirit of a horse. The spirit of a dragon and horse uses its inner strength to express its external shape. Therefore, it mainly sees this image as if it resembles a horse. But more importantly, it embodies the spirit of the horse and embodies the spirit of the horse era
The three-color horses are also decorated in various ways. From their costumes, we can see that people from all social classes in the Tang Dynasty rank, status and identity.
Li Yan: Because the Tang Dynasty was a highly hierarchical society, a feudal society, there were obvious hierarchies in the use and grooming of horses, just like the cars we use on the road now, such as Mercedes-Benz. BMW, Cadillac, then in the Tang Dynasty, there were five-flowered horses and three-flowered horses with flowers on their cut manes. They were generally used by princes, generals, emperors, and courts.
There are also many works that combine humans and horses in Tang Sancai, such as hunting figurines, equestrian figurines, horsemen figurines, etc. In these works, the postures and expressions of the characters and the horses complement each other, showing the close relationship between humans and horses.
Among the three-color horses, there are also many figurines of Hu people leading horses and riding horses, which reflects the openness of society and the frequent foreign exchanges in the Tang Dynasty.
The three-colored horses are a symbol of the economic and cultural prosperity of the Tang Dynasty and the embodiment of the vibrant spirit of the times. Their vivid shapes and flying spirits show the pursuit of an era.
The production technology of Tang Sancai has been continued to this day, and Sancai Horse has become a handicraft that people like to collect because of its unique artistic style. Now, they can be seen in many places. Of course, for those who like horses, the collection of horse art is not limited to Tang Sancai.
This is a warm family of three. Cai Meng and Xu Xiaomei are both hosts of TV shows. Due to their work, they always have the opportunity to travel far and wide, so in this home, there are a large number of souvenirs from all over the country and even around the world, and the most eye-catching among them is their large collection of horse-related items.
Cai Meng: I think everyone has different preferences. In addition to growth experience, it should be said that there must be something in your blood, your bones, and your genetics. Of course, it has something to do with my experience. I was born in Hohhot, a city that is a pearl on the grassland. From an early age, I watched horses driving groups of people toward the Central Plains. There were many people wearing Mongolian robes, and there were people in restaurants carrying meat and horse-drawn vehicles to transport food. I thought it was right for me. The love of horses may be an indirect inspiration or inducement. After I graduated from college in 1982, I had a salary. With my salary, I became relatively financially independent and had certain financial conditions. I could buy whatever I liked. After buying one thing after another, I finally discovered that most of the things I bought were horses. Later, I gradually realized that what I actually liked was horses. From that time on, I had a sense of collecting.
Xu Xiaomei: Initially I can say that I don’t quite understand this matter, and I don’t really like it either. I like my home to be warm and concise. I said, don’t buy these things. It’s so messy and costs a lot of money, and I think this is a nuisance. The effect is not very good. One is that Cai Meng loves horses. I feel that he has already loved horses to such an obsession level. From my feeling, I should become smarter, so I might as well turn this thing around and make a Correct guidance. I thought about it and this is a good thing. I said you should pay attention to your taste and don’t bring any mess into your home. But I feel that I am not a real collector because generally speaking, a collection is a collection. How can I put it? This thing is of high value. Actually, what do I think? I feel that being me is just a kind of love
After mutual understanding and communication, they fell in love with horses together. On the collection of Tsushima's handicrafts. In this home, every piece of art is carefully selected and placed by its owner. Behind every piece of art there is an interesting story or a memorable impression.
Interesting anecdotes in the collection Cai Meng: For example, when I went to the UK to commentate on the 44th World Table Tennis Championships, when I came back, I remember that I was in a shop opened by a Japanese because I didn’t have much money. I wanted to buy something more, and then there was a watch. The watch had a horse pattern on it. It was very beautiful. As soon as I saw the horse, I immediately got excited. The waiter said bluntly that we don’t sell this watch, so why not sell it? He said There's something wrong with this watch when it's running on the machine. It just doesn't run on time. I said, isn't it running now? He said it is running now, and it might not run in the future. But I said it doesn't matter to me. I said it won't run, and I want it too. He said, "What about you?" You have to be responsible for yourself. We won't promise you this kind of guarantee. Later, I bought this watch back. After buying it, I hung it on it and kept it for a few days. But it didn't go away. I thought it looked good. I thought it was actually good when I bought it. I am mentally prepared because I like the shape of this watch and the horse pattern on it
The love for horses and the collection of horse artworks fill this family with a harmonious atmosphere. Every piece collected Products are a kind of history and a kind of culture. On the one hand, they are collected by people, and on the other hand, they cultivate people's temperament in a unique way and make people immersed in the world they show.
Cai Meng: I have an idea in my heart that one day, if conditions permit, I will gradually turn to the explanation and interpretation of horses because now equestrian has 6 Olympic gold medals and it is the only Olympic Games between humans and animals. The project will be held in China again in 2008, so equestrian will definitely develop very fast in China. So I like horses and I have been collecting them for 20 years since the 1980s. In the process of collecting, I also learned a lot about horses and went there myself. Riding horses and raising horses, I think one of my ultimate goals is to use my love for horses, my knowledge of horses, and my passion to become a real sports horse commentator and comment to let many people pass me. Through this comment, I like this kind of animal, protect animals, love animals, and be able to use horses to bring such a happy life
Horses not only appear in folk crafts, sculpture art and private collections, but also in China An image that has been expressed in paintings of all ages. From those scrolls that have been handed down to this day, we may see the unique views of different painters from different eras on the spirit of horses.
China is the first country in the world to invent lacquerware. Decorative patterns have appeared on lacquerware in the Pre-Qin period, especially during the Warring States Period. Among these patterns, there are images of horses. These lacquer paintings have rigorous compositions, strong line drawings, strong contrast between warm and cold tones, and rich decorative interest.
Starting from the Qin Dynasty, as China entered a unified feudal society and the country became strong, the rulers began to build large-scale construction projects. From palaces and temples to mansions and tombs, there were magnificent murals. These murals also There are a large number of images of horses or chariots and horses, most of which are rich and complete in composition, with figures and horses and other animals well-proportioned, simple and straightforward, and fascinating. In the famous Dunhuang murals, the image of horses is also very prominent. Some of them are true portrayals of merchants traveling on the "Silk Road" at that time, and some are the crystallization of people's rich imagination at that time.
Li Yan: In addition, we must mention the portrait stones and portrait bricks of the Han Dynasty. The images they created of war horses, carriages and horses, and horses are called the peak of the painting style of that generation. Why are they called the peak of the painting style? Such a relief is considered a painting because it has a large number of rubbings that have influenced our painting world and some of our painters, especially the running horse-drawn carriage drawn on the Han painting brick. There is a Han brick. The images of four horses on a square Han brick have great dynamic contrast, so when you see a painting like this, your eyes will wander back and forth between the four horses invisibly. A large dynamic contrast is formed in your retina, and it becomes a benign illusion. The picture of the horse moving in all directions does not restrain the four horses, and you feel that the four horses may run out of your picture in a short time. It is really a masterpiece of such a painting of a horse from nearly two thousand years ago
During the Eastern Jin Dynasty, the famous painter Gu Kaizhi used Cao Zhi's "Ode to the Goddess of Luo" as the script and reproduced a very beautiful painting in the form of pictures. Romantic story, this is the "Luo Shen Fu Tu" which has a high status in the Chinese painting world. There are many people riding horses in the painting. Although the horses here are just a foil to the characters' activities, they are already full of meaningful charm. .
The image of a mature horse really appeared in paintings during the Tang Dynasty. The famous painter Zhang Xuan's "Spring Outing of Lady Guo" depicts Yang Guifei's third sister, Lady Guo, and her family going on a horseback riding outing. Among the flowers, the image of the horse is very prominent.
In the Tang Dynasty, there were also a group of painters who were famous for painting horses.
Li Yan: There is a relatively famous Han Qian from the Tang Dynasty, whose name and surname can be checked. There is a painting that has been circulated in the world called "Zhao Yebai". This is the name of the horse. In the past, this was a good horse and a fine horse. They all have the name "Zhao Yebai", which means that the horse's hair is as white as snow, and it can be illuminated by white light when walking at night. That's what it means. This horse is tied to a horse post, but when you look at it, it doesn't want to be tied down. It raises its head. It feels like you can fly to the sky as soon as you take off the rope. Li Gonglin, a line drawing master in the Song Dynasty, painted some horses in line drawing. He used such a simplest painting method to describe these horses. Every horse is very interesting. There is a horse breeder in front of the horse. The image of the horse breeder has sunken eyes and a tall nose. He must be a brother ethnic group in the northwest region. They are good at raising horses. And judging from the image of the horse, it is also a northwest horse, a big-character horse, and a Wusun horse. The most famous one of that type is a white horse called Jade Flower Onion with a little gray on its body. In the Yuan Dynasty, there was another great painter who painted horses. ——Zhao Mengfu. Zhao Mengfu is actually an artist who is versatile in poetry, calligraphy and painting. "Horses Drinking in the Autumn Suburbs" and "Horses Bathing" are representative works of Zhao Mengfu's portrait and horse paintings. In these paintings, horse herders drive dozens of steeds on wild rivers and between long embankments and green waves of mangroves. The layout of the picture is exquisite and the artistic conception is profound. In particular, the horses have different expressions. They may be galloping and chasing, some walking slowly, some bowing their heads to drink, or some raising their necks and roaring. Their moods are vivid. They are the best among paintings depicting horses.
The preference for horses as a subject matter in Chinese paintings has continued from ancient times to modern times. Among them, the most representative one is the horse painted by the famous Chinese painter Xu Beihong. Xu Beihong began to study painting at the age of nine, and later went to Europe to study for eight years. After returning to China, he engaged in art education at the university and created a large number of oil paintings and other works in various genres. But it is his horses that are most praised.
The horse in his painting is galloping forward with its hooves flying in the air, its mane and tail standing tall. The brushwork is strong and the ink is strong, and the freehand lines of Chinese painting are skillfully combined with Western light and dark techniques. The works have both the bone technique of Chinese painting and a strong three-dimensional effect. The whole painting is dripping with ink, the brushwork is bold, and the momentum is majestic, making it unique among Chinese paintings.
Li Yan: Mr. Xu Beihong lived in an era of rapid changes and frequent national disasters in modern China. Mr. Xu Beihong had strong patriotism and democratic ideas. The horses he painted were entirely his own. Thoughts and thoughts related to the times are such an incarnation of the spirit of the times. It was when the civil war was about to end in the 1940s that he painted a galloping war horse. What was the inscription on it? After hundreds of battles, democracy has leveled the rugged road. This shows that Mr. Xu Beihong expresses his hope that our country will end the civil war as soon as possible and unify to build a new China with a bright future through such a galloping war horse with its saddle removed. Mood
Horses have lived together with humans for many years. They not only promote the progress of human production and life, but also enrich our spiritual world and provide countless inspirations for human artistic creation. Horses It is mankind's closest partner.
Copyright by CCTV
Since ancient times, "BMW presents heroes", which shows that BMW also has a good reputation.
There is a saying that "Lu Bu is among men, and the red rabbit is among horses." Let us not discuss whether this sentence is correct or not. But Dong Zhuo at that time must have regarded this sentence as truth. Dong Zhuo held a large number of troops and wanted to conquer the Han Dynasty. However, it was easy to get thousands of troops but hard to find a general. He fell in love with Lu Bu, but could not win him over. Although Lu Bu is a man who sees profit and forgets his righteousness, he is not an idle person. Ordinary wealth and wealth are not enough to make his heart move. But he still came to Dong Zhuo's tent, just because of the red rabbit and horse. When Lu Bu chose BMW, he also chose the path of "recognizing thieves as fathers". Although he later succeeded in killing the Dong thief, he could never get rid of the bad reputation of "a domestic slave with three surnames".
Don’t talk about a villain like Lu Bu. Guan Yunchang, who was familiar with "Spring and Autumn" and understood the righteousness well, "was in Cao Ying and his heart was in the Han Dynasty". After learning that his brother was far away in Hebei, he staged a "haunting". The good show of "Sealing the Gold" gave up all the gold, silver and beauties given by Cao Cao, but only rode away the red rabbit and horse given by the Prime Minister! It can be seen that no matter how great a hero is, it is difficult for him to resist the huge temptation of BMW! Hero, what can a hero do? I love horses like my life! If you get a BMW, what more can you ask for?
No wonder Yun Changgong was unwilling to abandon his war horse. As the saying goes, "As time goes by, love grows." Although horses are animals, they are also very human. Once people get along with it for a long time, they will inevitably have special emotions towards it. Xibo Hou Jichang was imprisoned for seven years. After he was freed, he was still hunted down many times. At the critical moment, his one hundredth son Lei Zhenzi was about to carry him across the five passes. The king said: "It's just hard to let go of the white horse that has been with me for many years!" The world was moved by this! Xibohou is known for his benevolence and righteousness, and he is also very affectionate towards his white horse! At such a moment of separation, the horse shed tears and neighed, heartbroken! When Xibohou flew into the blue sky and suddenly looked back, the horse had already disappeared among the leafy branches. Besides, Shandong Qin Shubao's mount Huang Pingma was unfortunately killed in a battle. Uncle Bao beat his chest and stamped his feet. He was in great pain and even fell seriously ill. This BMW has been with Shu Bao for many years, through life and death, and has made great military exploits, and is deeply loved by Shu Bao. What's more important is the origin of this horse. When Shu Bao was in dire straits, Shan Xiongxin generously helped and gave the BMW to him. When Shu Bao sees it, it feels like seeing a hero. But today's great kindness has not been repaid and Sima has passed away. How can he not be sad?
Horses are human beings. Since people have such great love for them, horses will repay their owners. After Guan Yu was captured by Sun Quan, Red Rabbit and BMW also lost their master. Who would have thought that such a BMW would go on a hunger strike and eventually die as a martyr! People say that there is true love in the world, and I want to say that there is true love among horses too! A real BMW also chooses its owner. Since it cannot accompany its owner in the battle, it will end up dying in the same year and month (I dare not say the same day) as its owner. What a great red rabbit! Guan Yu's brother Liu Bei got a "Delu" BMW in Jingzhou. This horse stepped forward when Liu Bei was in danger. The feat of "leaping the horse across Tanxi" made Cai Mao sigh. Some people say that Liu Bei's "lucky people have their own destiny", which is really reasonable.
This timid man, who had mediocre martial arts skills and was scared off his chopsticks by hearing Cao Cao's words, without the help of "De Lu", I am afraid he would have been thrown into Tanxi River to feed the fishes. How could there be "Gou Quan's life in this"? In troubled times, what about the great cause of "finally hearing and reaching the princes"? Horses can be like this, how can humans be ruthless?
A gentleman loves horses, but he must choose them in a proper way. Zhou Tong, the little overlord in "Water Margin", stole Hu Yanzhuo's black-coloured horse that kicked the snow. After a battle, Zhou Tong himself became a hero in Liangshan. Others were forced to go to Liangshan, but he "stealed" to go to Liangshan. It was also a BMW. Zeng Toushi took the "Zhaoye Jade Lion Horse" as his own, but it was crushed by the Liangshan army. Why is it that after taking someone else's horse away, one becomes a hero, drinks a lot of wine and eats meat, while the other is killed? The answer is very simple. Zhou Tong was a grassroots bandit and one of his own people, and what he took was the court's horse. But Zeng Toushi was not one of his own people, and what he took was the horse of King Chao Tian! How can Liang Shanbo, who upholds justice for heaven, tolerate such a person who is ignorant of current affairs? It seems that winning a horse must abide by a certain "Tao", but it is difficult to give a precise explanation of what this "Tao" is.
Since horses are so understanding of human nature, they must also have traces of humans on their bodies, such as differences in rank and distinction. During the Battle of Guandu, Cao Cao was cornered by Yuan Shao and his army was short of food and grass. The soldier in charge of the horses once said to a horse: "We have no food, how can we let you waste it? I think you are the prime minister's mount, so let me let you eat more!" Look, the prime minister's mount is not treated well. Same! If other horses could understand, it wouldn't be impossible for a riot to break out! Sun Wukong seemed quite dissatisfied when he was looking after the Jade Emperor's horses. Later, when the monkey descended to the lower world to subdue demons, he often shouted: "My old grandson is the Monkey King, the Monkey King who caused great trouble in the Heavenly Palace!" Even if he was laughed at many times and said, "Who do I think it is, it turns out to be Bima Wen?" Willingly! What happened to the horse? That’s also the Jade Emperor’s horse! Those who insult this "Bima Wen" will eventually be doomed. It seems that beating a dog depends on the owner, so raising and caring for a horse also depends on the owner!
During the Spring and Autumn Period and the Warring States Period, people had not yet learned how to fight on horseback. At that time, chariots were commonly used. The people sitting on the chariots were nobles and slave owners, and those in the back were holding long swords and risking their lives. Those who run away are slaves. So how are slave owners divided into hierarchies? Just look at the horse pulling the cart. Who has more horses,? 茚婷thoroughly folded U halo 枞橥謬puxiaoang?锷湹莹院螅?沓晌?禹饕?涖髡蕉ぞfold┯新碜?Na袀? even the emperor’s wall is still 诘厣承艿艞鞚暓擓唔狠狠洫淼娜蕉can出褹?Zheng?跷fileβMiaoNa Shiphuanㄊ羌绺Brown厝湝湝愿 chantmu?欤?渌?Speak of caries?Slow down the media? Drag together? 鄄┝Yong concrete pyrene 芰shu N Yi?氲 more Zhongjie Nan quality dan? Yun? Ammonia β 怼 barium Na said 隚 round waving alliance Dan? Eight Zhang! Ba Mu Tuo Xing ┑ Zhuo? Roundworms play? Submerged around the corbels throwing pregnancy harmonious model? So look at scratching the small U rate cooking on the reef next to Fu Zhong? チ play? Mei ⒄ Gu play? Chuan? Jifeng Pi play? 锒 锒 墒 朐趺 朐趺 朐趺 疾 疾 疾 疾 疾 疾 疾 疾 疾 疾 鼙浠 鼙浠 鼙浠?! rak slaughter? strontium∪shubao?鑑平濑水涝恫淮恚?涶涫婷崵琑?trade stall wood ostrich joy ㄊ呛 Meng temple 瑑empty?绻?ィ?fileβ捼淼鸵Huanㄊcoward⑿勐穑 I suddenly discovered that being a war horse is really tiring. Being a BMW is even more tiring than being a human being. It is better to run freely on the grassland, regardless of the smoke, just to have food and clothing. That's enough!
Peninsula Myth Edited on 2005-10-01 09:33