I think Kinomoto Sakura, Fujioka Haruhi, Luffy and Xiao Zhi are all in a hurry. No matter what theme of animation, they will not miss an element. Whether it's a young romance or the ridicule of an old driver, it will always make people dokidoki. However, there will always be such a role in animation, which makes the audience anxious.

Nozaki Umetarou's "Moon Girl Nozaki Jun", as a girl cartoonist, the steel straight male Nozaki's dullness is almost unbelievable. Even though Hanazono Sakura mistakenly turned confession into a signature requirement, all the explicit hints afterwards were clearly seen by everyone except the popular girl cartoonist.

In the rehearsal of the fraternity for the hostess's little palace, Hanazono Sakura asked Nozaki to accompany her alone, but Nozaki just didn't understand. Even in the last sentence, everyone thought that the "like" that Nozaki finally began to understand only meant "fireworks" ... but considering that there are no normal people in this work, maybe Nozaki's plainness is nothing to understand.

Kinomoto Sakura's "Moka Maiden Sakura" is 20 18. Woody Sakura and Xiao Lang, who finally became junior high school students, can be said to be more and more handy in spreading dog food. However, 20 years ago, Xiao Lang, a pupil, was an outspoken boy who blushed every day. Woody Sakura is just too slow to talk about the feelings in this work.

Speaking of feelings, I believe everyone can talk about some avant-garde routes about BL/ students/teachers/age difference. The main line CP Sakura Wolf is not so shocking. However, in the face of this "little husband" who finally straightened up, the first generation of Raptors was really too slow. Everyone around me, even my rival Berry sauce, can see Xiao Lang's arrow, but the person Xiao Lang likes doesn't understand it at all. So I think the characters above are in a hurry. The above is just my personal opinion.